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Uayaya

Genesis

Antrop.Off

Walk

Taka

I will confess that I like to imagine that he completed it, that I read the Quixote—all of the Quixote—as if it had been conceived by Menard.
While reading chapter XXVI of the Quixote, a chapter not “attempted” by Pierre Menard, he paused at the poetic phrase “The nymphs of the rivers, the sorrowful and moist Echo,” and recognized there the style and voice of Menard.

This is a brief excerpt from a beautiful story by Borges: Pierre Menard, Author of the Quixote, included in the short story collection "Ficciones". The story is presented as a critical essay on Pierre Menard, a 20th-century French writer who sets out to rewrite Miguel de Cervantes' "Don Quixote". However, Menard does not simply want to translate or imitate the work; his goal is to create some chapters of Cervantes' novel word for word as if they had been written by himself, Pierre Menard, in his own historical and cultural context.
Menard does not seek to copy Cervantes but to recreate the mental process that led Cervantes to write "Don Quixote". He spends years immersing himself in the world of the 17th century, studying the language and Spanish culture of the time, and finally succeeds in producing some passages of "Don Quixote" identical to the originals.
My idea for this piece was precisely to reconstruct the entire inferential process that led an author like Bjarni Gunnarsson to conceive his compositional idea. To meticulously reconstruct his sound through Super Collider, Max, and modular synthesis to imagine a new composition that could give the impression of having been conceived by Gunnarsson himself.

Artwork by Avamastro

Le Ninfe Dei Fiumi, La Dolorosa E Umida Eco

del entorno sonoro la cual describirá un arco de intensidad creciente y decreciente. 
Al comienzo, de manera sutil, cierto grado de extrañamiento se entremezcla con los sonidos reales de un curso de agua. Luego, la transformación es evidente, y nos ubica como testigos de una poderosa masa sonora que opera como punto de articulación. Posteriormente, se detectan las señales de un retorno a la calma del comienzo.

Metáfora De Una Ola

** Headphones recommended **

It's a saxo soprano and oboe duo with electronics sequences (which makes it a trio piece).

It's based on a microtonal chord created from the differentials and additionals of some polar tones which are the generators of the piece. Also, it explore microtonal dissonances and the rhythm generated by them and a rich variety of textures and gestures merging the acoustic duo with the electronics.

The recording was made by:

Soprano sax: Lara Salgado Vieira
Oboe: Juan Escobar (Juanex)
Electronics: Jcrow

Jardín inverso

Jack Sapienza: Italy's sonic architect of experimental beats.
In 2022, he unleashed a revolutionary symphony, merging cutting-edge electronic tunes with mind-bending 3D visuals alongside artist Andrea Dipa. Since 2012, RKH Studio has been the pulsating heart of Jack's electronic mastery, shaping the forefront of Italy's avant-garde music scene

http://www.youtube.com/user/dropstozerosound
https://www.instagram.com/jack_sapienza/
https://open.spotify.com/intl-it/artist/5iZW5E9q0Iv8t0Phtp887K?si=3VcRNbaFRheeQVXj5If7WQ
https://rkhstudio.com

Composer and mathematician with a special interest in composing soundscapes and contemporary classical and electroacoustic music (also mixed music or live electronics). Moreover, I research the way to incorporate different mathematical process in music and to combine music with other arts and performance.

Also interested in photography.

********

Compositor y cuasi-matemático con especial interés en la música clásica contemporánea, en la aplicación de procedimientos matemáticos a la música, en la música electroacústica y el paisaje sonoro; buscando combinar la música con otras artes y la performance.

También realizo incursiones en otras artes como la fotografía.

New tracks tagged #Acusmatica