Consider The Enchilada

Mick Garrett — Executive Producer & Producer
Justin Davis — Producer & Head Engineer
Ed Brooks — Mastering Engineer
Elsa Hoffmann — Photographer

London Bridge Studio — Recording Studio
The Ultra HiFi — Mixing Studio
Resonant Mastering — Mastering Studio
Dxʷdəwʔabš Tribal Land — Land Acknowledgement
Seattle, Washington, United States of America

The Perfect Limerick

Justin Davis, Mick Garrett, Stephen Michael Hogan & Doug Patterson — music
Mick Garrett — words

King Masaabuu — vocals
Strander — spoken word
DJ Stephen Hogan — beatbox
Doug Patterson — keyboards
Justin Davis — sampling

I thought of this limerick one day
That was perfect in every way
It was so full of wit
I just had to share it
But somehow I forgot what to say

Consider The Enchilada

The Perfect Limerick

FREE DOWNLOAD

The Perfect Limerick-Monkeyshorts

This uses the OPLL sound chip which is found in the Sega Mark III and early Ad-lib and sound blaster PC sound expansion cards. This track uses mode 1 of the OPLL chip which allow for up to 6 FM channels and the use of 5 predefined percussion sounds. The chip also has 15 per-defined instruments built in.

Friendship Park

The Colour of the Wind

The Colour Of The Wind

This uses a variant of the OPLL sound chip known as the OPLL-P. It is almost identical to the OPLL except for having a different set of predefined instrument patches and was used in many pachinko/pachislot machines

Come and Lay Me Down

Come And Lay Me Down

Nebula: Playboi Carti x Drake type beat

I made this song when I was frustrated over a relationship that I thought was going sour on October 13th, 2004. I was still quite young and prone to the stormy passions of the heart...

mediterranean longing

I did this ad-lib song with my friend Sock Harris from Mariposa, California. His son, Sky Harris, is now a well-known drummer. I sometimes practice on Sock's old electric guitar, which he gifted to my niece.

Rock Sock Harris

poem and main vocal performance written and performed by Jack Timothy Oake Randell (Raven Jak)
Guitar composed and performed by Raman Reti Grant (Noodle)

recorded, engineered, and produced by Jack Timothy Oake Randell (Raven Jak) and Raman Reti Grant (Noodle)

Just like clockwork, all the apples fall
all the leaves float down - everything stalls
just like every year, amidst the mist and milky due
the woman of the winter pays her due
But alas, what is never as certain as the 'seasons is our freedom' for the reason is the grasp over the 'Serfs'.
'Peasants' of such strength - such beauty such individuality ruled like the cattle and swept like the path
A nest in the branches could be seen as being more secure than the Human Avalanches,
Oh they fall with such grief to the 'little man' and his family.
Just like clockwork, all the finest of society start to crumble like dirt
Just like every period in our history, beauty comes from end and start, the Master man of War plans a last and final gore-fest to see his Empire off and let the east be on the path to sprout as fast as Snowbells
Aye
we will see the demise sit back and enjoy the ride
Just. Like. Clockwork.

this song is copyright control 2024c
all rights reserved 2024c

Just Like Clockwork - Poem - 07:04:2024, 17.08

The heart of Platypus East is the result of a group of free thinkers sharing their musical joy, creating beauty and splashing paint.
Our deep gratitude to John"DJ Magic Clowns"Maiorino for sharing his vision with us, inspiring and encouraging us and giving his Blessings to our sonic exploration's.  We will never ever hold back my brother!

Platypus East improvises on a double feature movie night!!
Movie one- "Plan 9 From Outer Space" 
Movie two- "Creature From The Black Lagoon" with:
Jason De Rienzo~ Guitar & EFX
Dennis Caserta~Bass & EFX
Harry"Esquire" Weinberg~Tenor Sax & EFX
Joe Piazza- Keys & EFX
Steve Mauro~Drum Turbulence

Shoreline Petroleum Studios
Lindenhurst, New York
June 29th 2024
Thank you Jimmy at Shoreline for all your help 
and for making us feel welcome. Peace!!!!

Spirit Of The Universe~Platypus Revenge East

はい久しぶりです
↑マジマジ謎

BPM: 230
(cover from anime itself)

that's not in script

A handful of minutes from an extended jam with the lads.

Jamuary2025 Day 22 - lovely day for Guinness in Bb minor

Rough Ad-lib Performance, unpublished and unpolished of "Study in Horror Opus 01", created and performed by JC Gorritti. 

Copyright © 2020 by Jose Carlos Gorritti. 
All rights reserved. 
Visit the author's websites at
 www.josesoundartist.com 
 www.jcgorritti.com

Cover Art by JC Gorritti

Rough_Ad-lib_Performance_Study in Horror_Opus 01_by JC Gorritti

Rough Ad-lib Performances, unpublished and unpolished of "Study in Horror Opus 02", created and performed by JC Gorritti. 

Posting here for the purpose of showcasing my versatility as a composer.

Copyright © 2019 by Jose Carlos Gorritti. 
All rights reserved. 
Visit the author's websites at
 www.josesoundartist.com 
 www.jcgorritti.com

Cover Art by JC Gorritti

Rough_Ad-lib_Performance_Study in Horror_Opus 02_by JC Gorritti

Rough Ad-lib Performance, unpublished and unpolished of "Study in Suspense", created and performed by JC Gorritti. 

Posting here for the purpose of showcasing my versatility as a composer.

Copyright © 2019 by Jose Carlos Gorritti. 
All rights reserved. 
Visit the author's websites at
 www.josesoundartist.com 
 www.jcgorritti.com

Cover Art by JC Gorritti

Rough_Ad-lib_Performance_Study in Suspense_by JC Gorritti

Rough Ad-lib Performance, unpublished and unpolished of "Study in Melancholy", created and performed by JC Gorritti. 

Posting here for the purpose of showcasing my versatility as a composer.

Copyright © 2019 by Jose Carlos Gorritti. 
All rights reserved. 
Visit the author's websites at
 www.josesoundartist.com 
 www.jcgorritti.com

Cover Art by JC Gorritti

Rough_Ad-lib_Performance_Study in Melancholy_by JC Gorritti

Rough Ad-lib Performance, unpublished and unpolished of "Study in Tensity", created and performed by JC Gorritti. 

Posting here for the purpose of showcasing my versatility as a composer.

Copyright © 2019 by Jose Carlos Gorritti. 
All rights reserved. 
Visit the author's websites at
 www.josesoundartist.com 
 www.jcgorritti.com

Cover Art by JC Gorritti

Rough_Ad-lib_Performance_Study in Tensity_by JC Gorritti

21st June, longest day, solstice, and it's 28 fucking degrees in Manchester

What The Fuck Am I Even Doing This For? (Solstice Jam)

あの日死ぬべきだった

subs
@4cida @alcohol-zero @mazoku-yuko @imnez @n1c3n47ur3 (rip) @fujitakotone

I'm Nick Kempson, a DIY musician from Melbourne, Australia.

I started out playing bass guitar and it all went from there.

𝚃𝚞𝚗𝚎𝚜, 𝚗𝚘𝚒𝚜𝚎𝚜, 𝚋𝚎𝚊𝚝𝚜, 𝚍𝚊𝚏𝚝 𝚜𝚝𝚞𝚏𝚏

Originally from various sides of various mountain ranges near and far from the sea, Pally's got the waves and the crags and the peaks and the plains, the evergreens and the waves of grain, the salty breeze and the fireflies deep in those bonny veins. A forever tanline from the Bible belt and bad winter skin ensure that every song's a lie, and every lie's the damndest truth, and any truth a pretentiousest overstatement.

I've been singing since I could toddle. The first time I sang for an audience, I was three and brought delight to the people in line outside the bank; I could tell they were bored and unhappy. I'm still hoping to instill joy and change hearts and minds with my songs.
1st solo: age 7.
Formal singing lessons: 11 - 18 years old
2 - 4 performances each year. 
Audiences 200-400 people.  
Daily practice, private singing lessons.

2003 to 2007: a lot of MCing & working adlib with musicians.
2017 - 2019: DJing and vocals
2021 - Present: MCing & adlib collabs.
2022-Now: DJing and singing shows. Vocalizations.

I hope you enjoy my stuff!
If you are interested in collaborating, please message me.
________________________________
よちよち歩けるようになってからずっと歌っています。 初めて聴衆に歌ったとき、私は3歳で、銀行の外に並んでた人々に喜びをもたらしましたと言われてます。 彼らはおそらく退屈で不幸だったでしょう。 私はまだ喜びを植え付け、私の歌で心と心を変えることを望んでいます。
 最初のソロ：7歳。聴衆200人。
 正式な歌のレッスン：11〜18歳
 毎年2〜4回の公演。聴衆200-400人。
 毎日の練習し、プライベートな歌のレッスンを受けました。

 2003年から2007年：ミュージシャンとのMCとアドリブ。
 2017-2019：DJとボーカル、パーティープロモーション、ミュージシャンとの組み。
 2021-現在：MCingとadlibのコラボレーション。
 2022年--Now：DJと歌。 発声。

 私の曲を楽しんでいただければ幸いです。
 コラボレーションに興味がある場合は、連絡を待ってます。

As a Multi-passionate Sound Artist, I add value to my clients’ projects by designing original sounds that make their stories impact their audiences.

My work can be heard in all kinds of audiovisual productions made since the late 2010s and my most ambitious venture yet – producing and directing a feature length documentary film – has put my talents to the test, in areas like writting, editing and motion graphics, which has greatly expanded my vision of sound and music.

The close contact I’ve had over the years with so many creative people in NYC – in such diverse areas as the ones involved in the process of filmmaking – made me discover a much wider field of vision for my creative curiosity to explore. Music was my first love and film sound engineering my first serious relationship but beyond that I'm a multi-passionate creative mind.

"It's getting to that spiritual level where the communication is total and you leave the ego behind"  
Achieving improvisational nirvana is reaching that point where you can't do any wrong, when you're improvising, it's where the brain is fully focused on listening/reacting and the body just does what it's supposed to do, and there's no thought and there's no question, and no matter what you do, it's right.

New tracks tagged #Ad-lib