A stochastic experiment with 
the ARP 2600 and Odyssey synthesisers.

Sine Waves

A stochastic experiment with 
the ARP 2600 and Odyssey synthesisers. 

A video of waveform visualisation :
https://youtu.be/GVioDJBedZ0

Wind Dream

A dark stochastic experiment 
with four ARP 2600s, 
and one ARP Odyssey synthesiser.

Dark Waves

Székely Zither

ARP NASA

An experiment, of transposing 
Johann Sebastian Bach's Toccata And Fugue In D Minor, 
to a pentatonic mode of Japanese classical music. 

Performed on the Oberheim OB-EZ 8 Voice synthesiser, 
a gift from GForce Software.

Toccata And Fugue In D Minor Pentatonic Japanese

A stochastic experiment with the 
ARP 2600 and Odyssey 3

Organic Replica

A stochastic experiment with  the 
ARP 2600, Axxe, and Odyssey 3.

Dark Force

Stochastic experiments with 
multiple Oberheim Matrix 12 synthesizers.

Hypnotic Pulse Beam

Hypnotic Refraction

Pulse Refraction

Magnetic Wind

Tunnel Matrix

casio mt-70 OR CT-1000P probably
pointless unfinished ideas
SINE WAVE CHALLENGE
NO ENDING, ENDINGS ARE FOR SUBHUMANS

My Happiness EP

James Earthenware - Slatwall Display Challenge

THIS IS AN ABRIGED VERSION OF THE SONG FOR THE TOKINOGAKE AND @fendoap COMPILATION 
utilizes desmos' additive synthesis capabilities and sound manipulation via VCV rack to create a squishy and glassy palette of sounds
to listen to the full version plz check out the full compilation https://tokinogake.bandcamp.com/album/plain-music-compilation !!

2(desmos vcvfx)_abridge

In late 2023 and early 2024, I was honored to take part in several performances and a recording of Amy Salsgiver's "Istanbul Running", a gorgeous composition based on field recordings from Istanbul, with many parts for improvising performers. 

One section of Amy's work features a small melody overheard on a run through a park. This little demo uses that melody as a starting point to explore a patch. Not a complete track at all, but a good memento of the fun times we've had rehearsing and performing the piece.

Melody 1 W B Templ (Amy)

Some more synthwave with additive and fm synthesis together with atmospheric electric grand piano. Tried to find also some oldskool 80s and 90s computer game / demo lead sounds. In this I was mostly using Air Loom II, Surge, and Ultra Analog VA-3 for the sounds, combining everything around simple layered 2-layer (2x2 fm oscillators) arpeggio repeating through the entire piece...

Galactic Teardrops

A multi-track recording made whilst testing out  a supremely rare 1985 Mulogix Slave 32 previously revived at Hideaway Studio. The Slave 32 was the rare rackmount version of the Synergy II+ by Digital Keyboards and was the last incarnation of the 1979 Crumar G.D.S. which utilised the identical High Speed Digital OSC pcb assembly. All of the variants featured pure digital synthesis in 16-bit digital audio which was pretty impressive for mid 1970s technology!

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2025.

1985 Mulogix Slave 32: The Perfect Storm...

I wish I had a better recording of that night, which was one of the best concerts I ever played. The venue was packed so tight that some people had to sit behind the speakers, or stand in the doorway. In the first half of the concert, my friend Zeynep gave a beautiful performance of my piano cycle "Interior/Exterior Pieces", then in the second half I played "Bitterness Is...".  We had an amazing audience of open-minded, art-loving people - we made many new friends that night.

On the technical side, the concert was fraught with difficulties. The old upright Zeynep played was a very temperamental instrument and required almost superhuman effort to play timbre-based music like "Interior/Exterior Pieces"; I'm honestly amazed to this day that Zeynep pulled it off. The synthesizer I played "Bitterness Is..." on was damaged in transport, and I had to deal with broken keys, buttons which stopped working, and in the middle of the performance I had to reboot the instrument -- luckily nobody noticed (I think... I hope!). We didn't have a sound engineer, and we screwed up the placement of the little recorded we had, so the sound quality isn't the best. But I liked how the music turned out, and for the 2nd anniversary of the album, I thought I'd put this out there as a little souvenir of that night.

Track 3 from the original album was for processed trumpet and field recordings. I couldn't find a trumpet player and didn't want to sit passively while the original played, so I came up with a new piece for an electric piano patch, "Vespertine-flowering". I released it separately in 2025 on the album "You Drew Stars". Track 5 from the original album was, I thought, too sad, elegiac, and too delicate to include in a live performance, so I replaced that as well, and added a new field recording for the very end of the piece - of riding a bus in Istanbul, exiting at the stop, and hearing the automatic traffic lights signal. I stopped playing while those sounds played, then got up and "exited" as the doors of the bus were heard opening.

Bitterness Is Best Declined as a Companion - Live at Eldem Sanat Alanı, Eskişehir, 2024

can't explain it as well as i should so "untitled"

This page is for demos, sketches, random scribbles, and such. Actual music is at 
http://www.jashiin.com
and 
http://jashiin.bandcamp.com

Azami Records
#ShowaDigital #KashioKei #AzamiOngaku
Defiant and diverse melodic/VGM/BGM music.
incl. Sakitto Menda related side-projects. 
Likes late Showa era digital keyboards.

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

Started making music with 8bit and PC computers in 80s & 90s inspired by the time C64 and Amiga music and demo scene composers. Composers and artist who have mostly inspired me during the years include people like Jean Michel Jarre, Vangelis, Klaus Schulze etc. In addition to ambient and synth music, my life at early stages at home was affected by 50s and 60s instrumental rock i.e. in Finnish "rautalankamusiikki" and Finnish rock and pop from 70s and 80s.    

Now-a-days I am trying to play guitar, bass and synths, and singing...from other instruments, flutes and pipes are close to my heart too.

Жаба любить тебе, 
Кальмар любить тебе, 
Жаба любить мене, 
Кальмар любить мене,  
Жаба, я тебе люблю, 
Кальмар, я тебе люблю.

Anyone proposing 
to work with me 
as a promoter, or other, 
needs to be fluent in :

Ukrainian, Polish, Russian, 
Egyptian Arabic, French, 
German, Korean, 
Japanese, and Chinese. 

https://ayamikhan.link/

New tracks tagged #Additive Synthesis