A complex piece that features five musical points. It utilizes the irrational time signature of 6/5.

Five Points

its strings
Boldlier swept, the long sequacious notes
Over delicious surges sink and rise,
Such a soft floating witchery of sound
As twilight Elfins make, when they at eve
Voyage on gentle gales from Fairy-Land,
Where Melodies round honey-dropping flowers,
Footless and wild, like birds of Paradise,
Nor pause, nor perch, hovering on untamed wing!
O! the one Life within us and abroad,
Which meets all motion and becomes its soul,
A light in sound, a sound-like power in light,
Rhythm in all thought, and joyance everywhere—
Methinks, it should have been impossible
Not to love all things in a world so filled;
Where the breeze warbles, and the mute still air
Is Music slumbering on her instrument.

whistle (aeolian edit)

Sacred Turkish Fountain

a aeolian folk

An Aeolian Folk

A song with a whimsical fairlike feeling to it. Like you're walking down the midway and looking at rides that'd probably make you sick.
It's a journey of a song. It changes from Dorian to Aeolian midway through.

Midway

Binaural recording: best with good headphones (with flat frequency response).
Recorded on the land of the Peramangk people.
Deep, slow, careful listening required.
Read the Playlist description for more information: https://soundcloud.com/hearingbeings/sets/2023-iron-curtain-autumn-and-summer

2023.12.25 Iron Curtain. Early Summer. [2]

2023.12.25 Iron Curtain. Early Summer. [1]

Intellectual masterpiece [PDF] https://abclubooks.blogspot.com/?book=147366151X Gino's Italian Coastal Escape: A Taste of Italy from the Aeolian Islands to Elba The content of this book is both insightful and thought-provoking. Hurry up and click the link below before it's too late!

Gino's Italian Coastal Escape: A Taste of Italy from the Aeolian Islands to Elba. Zero Expense [PDF]

This track is made with Vaults of The Crow Hill Company.

Drowning in Doubt (CHC March Challenge)

A piece inspired by the music of Skyrim and other fantasy games.

Art by :
https://www.artstation.com/ferdinandladera

Instruments :

Woodwinds --- Cinematic Studio Winds
Brass --- Cinematic Studio Brass
Strings --- Cinematic Sudio Strings & Solo Strings

Solo Oboe --- Parker Oboe

Harp --- CineHarps

Choir --- Audio Imperia Chorus

Perc --- CinePerc
Glockenspiel --- Mallet Flux

You can find me and my music on several platforms :

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Waters Of The Ancient Vale

Overview

This piece was influenced by Kenny Wheeler, in particular his composition ‘Mark Time’ to which I allude in the title. It also features a 12/8 time signature reflecting that of “Mark Time”. It modulates every three bars in the Head, in reference to the ‘Modulating Modality’ in the title. The piece is in a Modal Free Jazz style. Influences include “Flamenco Sketches” by Miles Davis, and
“Peace Piece” both of which have frequent modulation.

Form and Structure

The piece is a long form, through composed 21 bar form with an intro of two bars. It transitions through a variety of modes and has seven sections, each of three bars, which all make use of a
different mode.

Intro - Chorus - Solos - Chorus Out

Harmonic Derivation

The piece transitions through the modes from Phrygian in a random order.

• Bars 1-3: G# Phrygian.
• Bars 4-6: C# Phrygian.
• Bars 7-9: A Aeolian.
• Bars 10-12: G# Phrygian.
• Bars 13-15: D Dorian
• Bars 16-18: E-flat Aeolian.
• Bars 19-21: C Lydian.

Phrase Structure

A(3-5), B(6-8), C(9-11), D(12-14), E(15-17), F(18-20), G(21-23).

Melodic Style

The melody is in the mid register and is characterised by step-wise motion with the odd intermittent leap. The Phrygian mode in G# from bars 3 - 5 and 12 - 14 and in the Intro allude to Flamenco music, a further reference to Miles Davis’ “Flamenco Sketches”. Scalic runs in the key of C Lydian are featured in the last three bars.
Finally, there is rhythmic repetition, for example the rhythm of bar 19 replicates that of bar 5 and also bar 11 replicates that of bar 23.

Notes on Recording

Violin, Piano, Double Bass.
Unison presentation of tune, free solos over form.

Marking Modulating Modality Piano Violin Bass

TTMX - The Artificial Times

This downtempo electronic piece immediately envelops the listener in a vast, melancholic soundscape, establishing a meditative mood at 60 BPM. Weaving ambient and glitch elements with neoclassical touches, it subtly bridges synthetic textures and organic instrumentation. The foundational Am-C-G-Em chord progression, rooted in the Aeolian mode, generates a contemplative atmosphere, its minor tonality lending a poignant, unresolved quality. Ethereal vocals and melodic bells float above this harmonic bedrock, while a Boards of Canada-inspired synthesizer melody introduces a nostalgic, analog warmth, contrasting with the spacious production and delicate textures.

Urban field recordings – vocal fragments captured in a city tunnel – inject an element of concrete music. Their glitched artifacts create a fascinating dialogue between natural reverberance and digital manipulation, adding an experimental edge. This texture is grounded by the rhythmic interplay of syncopated session percussion and a steady kick/snare pattern, providing subtle forward momentum while preserving the track’s dreamlike essence. Echoes of Nils Frahm or early Brian Eno resonate, yet the piece maintains a distinct, restrained intensity. Best experienced in focused listening or introspective settings, standout moments include the delicate piano melody juxtaposed against the vast synth backdrop, culminating in a hypnotic exploration of urban dreamscapes where experimental sound design meets melodic structure.

Portal of Dreams - Dreamyland

∆ TTMX ∆ 
• LiveSets • Tracks •
   Tekno Tribe Hardtek
   303

I am an organist, jazz and classical pianist and all-round sonic artist!

Portal of Dreams crafts introspective soundscapes where electronic and acoustic elements interweave naturally. Drawing from ambient, neoclassical, and experimental genres, we create sonic spaces for emotional healing and contemplative reflection.

Our music emerges from a shared belief in music's therapeutic power. Each composition is carefully architected to evolve like natural patterns, balancing synthetic and acoustic voices in a spacious mix where every element has room to breathe. From gentle piano melodies supported by ethereal synths to ambient textures that slowly unfold, we design each piece to guide listeners from states of melancholy toward hope and tranquility.

As artists who rediscovered music's creative call in adulthood, we understand its profound ability to accompany us through life's challenges. This perspective infuses our approach to production, where we prioritize nuance over loudness, focusing on detailed sound design and natural evolution over time.

We're committed to fostering a supportive musical community through collaboration and knowledge sharing. Whether you're seeking music for deep reflection, peaceful study, or emotional processing, we invite you to explore these sonic landscapes.

Hi, I'm a french composer from Nantes, I compose mostly with classical instruments. I like contemporary, modern classical, videogames and films music.
I work on several games :

- Pokémon Gemme
- The Depths
- Imperial Grace
- Other games made during a GameJams

Bonjour, je suis un compositeur de Nantes. Je compose principalement avec des instruments classiques. J'aime la musique classique moderne, contemporaine, les musiques de jeux vidéos et de films.
J'ai fait plusieurs compositions pour des jeux :

-  Pokémon Gemme
- The Depths
- Imperial Grace
- Des jeux faits lors de GameJams

🌸🌸🌸🌸🌸
🌸🌸🌸🌸🌸
clo : she . they
XD + plant! + unearthly delights
fka hen
🌸🌸🌸🌸🌸
🌸🌸🌸🌸🌸

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

All of my tracks on Soundcloud are free to download. 100% of my tracks on Soundcloud are my own original works, I don't do covers, arrangements or remixes.  I mainly write melodies, my pieces usually consist of a lot of melodic content and are melody driven. My music is multi-instrumental, I use many different instruments.. Many of my pieces contain more notes than a Pop song, less notes than a symphony. My pieces are usually multi-instrumental, consisting of a variety of possible instruments. I compose music in many genres: Children's, Jazz, Melodic, Ethnic, Space, Halloween, Classical, Southern/Western, Rock. My music encompasses a lot of variety, it is eclectic. All my pieces have been notated, contact me and send me your email address if you want free PDF's of particular compositions. I have been writing music since I was in Junior High School, I have some songs with lyrics, but most are instrumentals. I was in band in High School and College, and I have been a member in several choirs as well.  

Update: I have recently uploaded virtually all of the compositions I have composed since 1997. I have included playlists as part of my offerings, with compositions from many novel genres.

I am open to collaborations with members of Soundcloud.

I have many pieces that are crafted primarily using the Aeolian scale. Some examples include, "Exotic Emerald", "Starlight Vow", "Bard 2 with Violin", "An Evening in Chatham Bay" and "Sacred Turkish Fountain".

I care about music, no matter the source. If you have heard something delightful or outstanding, and wish to share, please suggest it to me.

My compositions have surpassed 362K views on Score Exchange.

I have a profile here: http://www.scoreexchange.com/profiles/masonwright 

I can be found here: https://tunein.com/radio/Mason-Gregory-Wright-p1843848/


Feel free to check these links out...

https://www.earthing.com/

Earthing Movie: https://www.youtube.com/watch?v=44ddtR0XDVU&t=8s

yes I wrote some contracts through social media #Soundcloud

I'm a writer of uncannily tuned melodies and incorporator of irrational time signatures. If something hits you as odd that you play or see from my creations, it's because I want you to notice the beauty in deviance and dissonance for yourself. With each piece, I lovingly place nuance and hide meaning; songs should tell a story, even if only through instrumentation. 

With the name Shuriken Miasma, I’m trying to evoke the sound of my music; frequencies, like a cloud of tiny daggers, finding the vital spaces of your ear. Sharp highs and warm lows are the vehicles this assault usually takes. These songs use the full spectrum of stereo, which helps take you to the music. I also want you to feel the emotion or circumstance I’m writing about.
 
Most of my inspiration comes from my life experiences as a human, martial artist, student, and person with Dissociative Identity Disorder. 
(Click the YouTube link below for music videos, some including martial arts)

I’ve written about sunny days, walking along the sidewalk. I’ve worked arduously to convey moments of psychosis I experience due to my neurological disorder, even hallucinations, and feelings of unease. The song “Throw you in the River;” is what I would describe as a musical argument, in the form of call and response. The album "Creatura Thema" is an experimental attempt at sharing the phenomenon of hallucinations with the listener, but also has many thematic layers beyond that; an onion of an album. I guarantee there’s a song on here that will worm its little way into your brain funnels. 

I compose original music and strive to learn more with each song completion. I’ve been writing music for 10 years, and my knowledge has been enriched by several years of experience working as an audio engineer. My music theory is self-taught, and about five years in I began to experiment with modal music. 

Today I primarily work with modal music and like to challenge myself by constraining my compositions to various arbitrary rules from track to track. Sometimes nostalgia blooms and my song reminds you of a video game you once played. Other pieces will take you to the edge of sadness; if that's your thing I suggest you listen to my song "SAd Cacter;" purposely miscased to connote the key the song is in. 

Aside from here, you can find my music on all major platforms. If you want to use my music, or can't afford to purchase it but would like copies, please message me directly.


I nearly forgot to mention that all of this is musical Goetia. Cheers!
Welcome, and thank you for listening!

~[S]huriken [M]iasma~

Pro Quality Beats, Instrumentals.
Contact me for custom beats or sound productions.
linktr.ee/musicforcoffins
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New tracks tagged #Aeolian