Pain 95 is an album that I worked on for two and a half years.

All melodies created by me (except for three samples used, but drastically altered by me) and all drums created by me...

The album is an ode to those born in 1995, including myself.

Bells And Whistles

Maniac/Beached Surfer

God Hates You Interlude

Buried Alive Pt.3

Pain+95

King Of The Goths

Saints Road

Brand Nubianz

An Intro

Sean Botha is back with new music, after taking an 8 week break. Donker Kontinent, translated into English means Dark Continent. The title of the piece was inspired by the song "Reispsalm" recorded by South African artist Laurika Rauch. The song calls us back to Africa, specifically South Africa, Sean's country of birth. 

Donker Kontinent, does exactly that, it takes you back to Africa and carries with it a deep connection with the binary rhythm of life. The piece was designed using multiple drumming and other percussive sounds. The track includes the Australian Didgeridoo, timpani and the djembe. Enjoy the track and keep an ear out for more percussive music over the coming months. 

Watch the music video on Youtube: 

https://www.youtube.com/watch?v=W6m1VeFccFI

As Sean always says "there is always more music coming!"

Donker Kontinent

Donker Kontinent - Dark Continent

DeNoise Studios sample:
This track was either produced, or recorded, or edited, or mixed, or mastered by Albert Benichou, at DeNoise Studios, Berkeley CA

2194 Balafo (Keenen Webster) - AFRICAN

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Dive into a rhythmic odyssey with this groovy and contemporary percussive track, where the heartbeat of traditional African drums — djembe, darbuka, bongos, tambourines, shakers, and kicks — meets modern sensibilities.

This vibrant composition is perfect for infusing energy and dynamism into slideshows, commercials, and urban street videos. It sets the stage for cinematic experiences in movies and trailers, and adds an adventurous spirit to discovery videos and blockbuster teasers. Ideal for captivating titles, engaging presentations, and immersive video games, this track brings a pulse of life to any project.
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Cheers! More tracks will be released in the coming weeks and months.

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Primal Pulse - African Tribal Drums | Discovery Powerful Percussion | Royalty Free Music

The last popper

The Last Popper

a track i just finish from 2023 i think...african inspiration for a new Afro pop album.

Firefly (African Lights In The Dark)

Another morning jamming on the MPC.
This is a live improv jam, check out the produced release here and on Spotify!

Have fun! 🌒✨🐍🪘🦧🥁🎹🐆✨🌘

Moonlit Creatures (live performance)

my attempt to write a hymn for the 21st century

God Loves Being Wrong

This song is written in 7/8 time. It is supposed to reflect the diversity of the African rainforest.

Rainforest Seven Eight

Debbiezdub

Tendering my confession in advance to the writer's besetting sin of oversimplification, I say: synthesizer technique has two main paths. The first -- call it the Moog approach -- sees the instrument as a tool for the creation of new (if you will) organ stops. The other, the Subotnik approach, is concerned with the generation of SOUNDS -- very few if any of which will be at all expressible in the notation which has developed over the past millennium and served us so well. The two approaches are not mutually exclusive, of course: virtually all synthesists draw from both, as their Muse, mood, and machinery may dictate.
As to my title, it goes back to a chance inspiration scrawled on a balloon at the Fillmore in '67. (Cream, Paul Butterfield, and Charlie Musselwhite, "Three bands for three bucks," eat your hearts out, endebted-out-the-whazoo youngsters!) It was a time and place where the most extraordinary things were said -- and more than might have been hoped or feared were even done -- but this wasn't one of them. But like the good man who can't be kept down (or the bad penny that keeps coming back) here it is in our present day. Lacking the euphony and heartstring-tugging of the Twelfth of Never, perhaps, but equally from that realm of the definitionally impossible, even for this age determined in so many ways to make 2+2=5.
To the technical side: all synth parts from my Roland SH-32. Rhythm (and Reality-grounding) comes from my African drums, assisted by real-world cymbals and the Yamaha DTXtreme.

the 32nd of February

Born 1981.

Experience:
10 years accordion, music theory, 2 years percussion, many years synthesizer, music high school,

"Varon" since 1998, First CD: 1999

Instruments:
Accordion, Roland EP-9e electric piano, Yamaha DX7 II, and others. Lately mainly Akai MPK Mini Plus.

DAW:
mainly Ableton

Sean Botha builds music and has a deep love for the arts, music, sound and all forms of storytelling. He builds music and sound experiences for his listeners through improvisation and profound in-depth listening. Each piece is a fusion of different styles which means there is something for everyone. The music Sean creates is Immersive & Contemporary and ultimately an experience for the listener. Enjoy the music and as he always says, "there is always more music coming"...

Welcome to My World !! I'm a Dancer and Beatmaker from Toulouse. I livin' to Paris Now. For Booking, Request and Other right me a message to benjamin.arquie@gmail.com 

Peace & Bless

1quart4 is that quarter of a tab that makes you feel butterflies in your stomach.
The sensation you feel a minute before a blurry bright moment become eternal.
A smooth and chaotic slide into a lysergic dream.

This is my diary entry - my art is my process.
So I'm here alchemising feelings into synaesthetic audio visual experiences.

The Artist is a former Road Scholar and graduate of the School of Hard Knox. He also studied at the now-defunct Liebessommer-Institut in San Francisco. His musical influences are many: among them J.S. Bach, Morton Subotnick, and Spike Jones! Not one to let stylistic grass grow under his feet, he has seen a lot of changes in his life but will never cancel his subscription to the Resurrection, surrender to the dark side, or look back once he has put his hand to the plow!

Pro audio, video, photo production, since 1994

BACKGROUND MUSIC FOR FILMS CINEMATIC HYBRID TRAILER YOUTUBE VIDEOS VLOG  EPIC CORPORATE HAPPY UPBEAT LOUNGE INSTRUMENTAL 
BEST BACKGROUND MUSIC FOR VIDEOS
ROYALTY FREE MUSIC

DeepeR Blue alias Phil Deepblue is a French Artist whose passionate about music. He experimented with music and computers first in 1984 on Oric Atmos and later on, the Atari series. He likes remixing other artists, as well as creating his own music. He started working  seriously on the music he produces in 2014 ; in 2016 he coproduce the last album from JP Capdevielle.
in 2018 ,as he likes English culture and music, he's honoured to be part of the British Library Sound Archives through the Sorrow Stories remix album. Phil is a great fan of British Artists: Robert Palmer and other artists, including Orchestral Manoeuvres In The Dark, Depeche Mode, Jona Lewie, Rod Stewart, Peter Gabriel, Phil Collins and not forgetting, The Beatles.
 But he likes many other artists around the world ,like Men at Work and Colin Hay ,Johnny Clegg , Wally Badarou,Manu Katché,Youssou N'Dour,Mory Kanté,Cerrone ,John Lee Hooker,Yello ,Kraftwerk ,JM Jarre and many others ...

New tracks tagged #African drums