"Echoes Of The Ancient Tribes" is a composition that blends tradition with modernity, capturing the essence of a musical experience that traverses diverse cultural influences and sonic styles. At the heart of this piece lies a captivating fusion of tribal and African house, amplified by the subtle and modern rhythms of reggaeton. Reggaeton does not manifest as a standalone style but elegantly intertwines with tribal and African house, adding depth and a contemporary texture that updates these traditional influences.

The percussive rhythms, which continuously evolve throughout the piece, offer a fluid dynamic that keeps the listener engaged from start to finish. Techno-trance adds a subtle yet distinct nuance that doesn’t dominate but completes the ensemble, offering moments of electronic reverie that enrich the auditory experience.

The female voice, vocalizing throughout the piece, serves as a guiding thread, conveying a wide range of emotions—from meditative and contemplative moments to more uplifting and slightly melancholic states. This voice adds a human and evocative dimension, balancing the rhythmic energy of the piece and deepening the listener's connection to the narrated story.

"Echoes Of The Ancient Tribes" is more than just a musical piece; it is a sonic reflection of the meeting between past and present. In a globalized world where traditions and modernity intersect, this piece perfectly captures the spirit of our time, bringing to the forefront a musical narrative that draws its strength from ancestral roots while being firmly anchored in contemporaneity.

Through this composition, I aimed to create a dialogue between tribal rhythms and sounds that have withstood the test of time and modern musical expressions, offering the listener an experience that is both introspective and liberating, traditional and innovative. "Echoes Of The Ancient Tribes" is, in essence, a celebration of cultural continuity and evolution, a piece that speaks to our shared heritage and our collective future.

Echoes And Whispers

Echoes Of The Ancient Tribes

Echoes  Of The Ancient Tribes

"Nyimbo Ya Furaha" (Song of Joy) is a unique fusion of East African rhythms and global musical elements, creating a captivating dance experience that bridges cultural boundaries. The song masterfully combines traditional Swahili lyrics with unexpected instrumental choices like accordion and steel guitar.

Nyimbo Ya Furaha  (Glädjens Sång)

YahYah, written by Aime Pandi Bapaga

"Yahyah" is a raw, emotional ballad written as a letter of heartbreak, forgiveness, and unresolved grief, the song reflects on the passing of a stepbrother — a once-hopeful protector whose actions led to years of pain and dislocation.

Carrying the weight of childhood trauma and spiritual reconciliation, Yahyah is not just a tribute but a release — a way to close a chapter when closure was never given. With ambient guitars, rolling hi-hats, and a deep, soulful atmosphere, the track speaks to anyone who has ever loved someone who hurt them... and still needed them anyway.

Lyrics:

Yahyah
Written by Aime Pandi Bapaga
 
[Verse 1]
So many years drifted by without a whisper,
Summers, winters, springs turned cold and bitter.
I filled my heart with silence and resistance,
Letting the gloom grow where love met distance.

[Pre-Chorus]
I don’t know your reasons, I may never understand,
But I’ve stopped chasing answers written in the sand.
Time took you away before we made amends,
So I’m sending peace to you — wherever this ends.

[Chorus]
To the man I called—
Yahyah, Yahyah, Yahyah (my brother),
Yahyah, Yahyah, Yahyah (my protector),
Yahyah, Yahyah, Yahyah (you were my hope).
Yahyah, Yahyah, Yahyah (I forgive you),
Yahyah, Yahyah, Yahyah (I’m sorry too),
Yahyah, Yahyah, Yahyah (still restless in my soul),
Yahyah, Yahyah, Yahyah (I needed you).

[Verse 2]
All I ever wanted was a gatekeeper,
Different mothers, same blood, a silent seeker.
You stood so tall, but turned away,
While we wandered, house to house each day.

[Pre-Chorus]
I don’t know your reasons, I may never understand,
But I’ve stopped chasing answers written in the sand.
Time took you away before we made amends,
So I’m sending peace to you — wherever this ends.

[Bridge]
Last I heard, your health was fading,
I held my breath, still hesitating.
Prayed for grace to find our ending,
But grief returned, unrelenting.
The world kept turning, I kept burning,
Made my brother into my burden.

[Chorus]
To the man I called—
Yahyah, Yahyah, Yahyah (my brother),
Yahyah, Yahyah, Yahyah (the first I knew),
Yahyah, Yahyah, Yahyah (my lost truth).
Yahyah, Yahyah, Yahyah (I forgive you),
Yahyah, Yahyah, Yahyah (I’m sorry too),
Yahyah, Yahyah, Yahyah (this wound runs deep),
Yahyah, Yahyah, Yahyah (I needed you).

[Outro – Prayer]
One day I’ll walk the promised land,
No darkness, no walls, no reprimand.
We’ll share a hug beyond the grave,
No more running, no one to save.
Oh, Yahyah, Yahyah, Yahyah,
Oh, Yahyah, Yahyah, Yahyah,
Oh, Yahyah, Yahyah, Yahyah,
My brother…
I release you now, and I rise.

YahYah

Tholo

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

iDreamz är mitt nya artistnamn. På grund av namnpolicy släpper jag inte längre ny musik som AiMusicDreams. Katalogen med cirka 450 låtar ligger tills vidare kvar under det namnet, men alla nya releaser kommer som iDreamz – här på SoundCloud och på Spotify, TikTok och Instagram.
Jag skriver egna texter på svenska och engelska och gör feel-good-musik med humor, hooks och en glimt av dansband – från sommarbangers till stämningsfulla ballader. Följ iDreamz för nästa kapitel!

Kontakt: aimusicdreams@gmail.com

KARMAGAIN is a boundary-breaking artist collective blending electronic, jazz, nu-disco, house, dancehall, and soul with roots in poetry, DJing, and music production. With lyrics that move between Setswana, English, and Patois, KARMAGAIN delivers a sound that is both ancient and futuristic — ancestral grooves glitched through modern emotion.

Every drop tells a story.
Every song is a pulse from the past and a signal to the future.

One of our producer-artists recently earned an honorable mention in a Hardwell remix competition, and was also selected as Artist’s Choice on Nate VanDeusen’s “Missing You Tonight” — a nod to the collective’s rising global voice.

This is KARMAGAIN.
Not just music — a rebirth in rhythm.

New tracks tagged #AfricanFusion