CLANDE

CHALI

HAIWI HAIWI

HUSH UP

ME AND MYSELF

NIGHTSTOOL

NEVER HAVE TO WORRY

IN MY HEAD

🔥 Echoes Like Sugar – (Burning Glow Duet): A passionate Afrobeat-Soul duet that drifts through love, memory, and rhythm.

This track flows effortlessly, blending hypnotic percussion, deep melodies, and smoldering harmonies to capture the essence of a love that lingers like sweet echoes on the wind.

With a smooth, flowing groove and warm, expressive instrumentation, the song moves like a slow-burning fire, carrying the weight of unspoken emotions. The duet performance creates an emotional push and pull, where male and female voices drift between longing, surrender, and desire—a connection that refuses to fade.

✨ Feel the fire. Surrender to the rhythm. Let the echoes drift.

🎶 Part of the Eternal Echoes collection, this song belongs to the Draft phase—where emotions are raw, unshaped, and still in motion, like echoes waiting to settle.

Echoes Like Sugar (Burning Glow Duet) - Drift Phase of Eternal Echoes

Ma Chérie” – A Mix by Abs
A blend of bravado and vulnerability.

This mix came about at the perfect time, with everyone buzzing about updated French playlists and the excitement of Fête de la Musique. It felt like a natural moment to create something special, and I’m excited to share it with you all. The timing is pure coincidence, but it’s been a pleasure crafting this mix in true smooth abs fashion — one that honors my deep appreciation for sweet, soulful music and allow me to express myself. 

I made this to connect. Not just with those who already follow my work, but with the Francophone community — who I deeply respect for their musical richness and emotional storytelling.

Ma Chèrie -  French AfroR&B + Francophone Vibes Mix 2025 by ActiveAbs

Room 69 is that song you play when the lights are low 🔥 and nothing’s off-limits.
It’s for late nights 🌒 with someone who knows your signals, not your words 🤫
No love stories here — just rhythm, tension, and skin that remembers everything 💋🖤

Room 69

"Lost in You" is a deep dive into the kind of connection that pulls you in completely—where time blurs, and the outside world fades away. It's about surrendering to emotion, getting caught in someone's energy, and not wanting to find your way out. Smooth, immersive, and emotionally raw, the track captures the rush of being so into someone that you lose track of everything else—even yourself.

Lost in you

When the one we want moves on or finds love elsewhere we're supposed to be gracious, to wish them well and hope they're happy. This is song is an honest rebellion to the everyday phrase  - “ I wish you the best”.. It captures the darker side of heartbreak, where resentment lingers,  expressing raw, unfiltered jealousy and bitterness

Wish The Worst

“Answer” is a gritty, seductive night-drive anthem about getting lit, chasing thrills, and dealing with women who know what they want. Swizay & Tyler pull up with smooth vocals and a moody Alté groove, capturing the raw energy of Lagos nightlife.

“If you want me tonight, bring big money…”

It’s midnight. The city’s alive. Are you ready to answer?

Answer

Another new age R&B inspired Afrofusion song, smooth with the drums. TobySensey speaks
on admitting and accepting to have fallen in love, through all the madness and
tough experiences in the past to the blessing of the present.

FOR YOU/WITH YOU

PLAYWIVME

👑 Philosophical Reading of “The Empress in the Mirror”
A meditation on identity, authenticity, and the quiet collapse beneath curated power.
________________________________________
1. The False Binary of Power and Vulnerability
This song shatters the illusion that power must be without pain. The Empress is not a static, flawless sovereign — she is a woman unraveling in real time, mastering the art of poise while surviving interior wars. This duality is voiced in lines like:
"Posting grace with shaking hands."
"I’m the fire and the fiction, the diamond and the dust."
Philosophically, this reflects Nietzsche’s idea of becoming: identity is not fixed — it’s fluid, forged through contradiction. The Empress is not one truth; she is the friction between truths.
________________________________________
2. The Mirror as Existential Crisis
The mirror is not just literal; it’s a metaphor for self-awareness in a hyper-curated world.
"I see the Empress in the mirror, but she’s scared of her own eyes."
This recalls Jean-Paul Sartre’s concept of “the gaze.” When we look into the mirror — or worse, when others look at us — we begin to see ourselves as objects. The Empress isn’t looking at herself, she’s looking for herself in the reflections of societal expectation, social media, inherited scripts.
It also touches on Simone de Beauvoir’s feminist philosophy — that woman is often “the Other” in her own reflection, sculpted by the needs and projections of others.
________________________________________
3. The Age of Performance
There’s a deep postmodern anxiety running through the lyrics. We live in an age of curated performance — where identity is branded, publicized, polished:
"I swear I’ve read all the sacred texts, but I skip the pages that make me reflect."
"Do I know the truth or just know the trend?"
This feels like a direct critique of performativity culture — a world where healing becomes content, strength becomes a pose, and authenticity gets entangled with algorithmic success. It asks: Is empowerment still empowerment when it needs to be validated by strangers?
________________________________________
4. The Empress as Everywoman
While the Empress is a title, the song strips her of myth. She is not divine — she is exhausted. She carries generations of expectation, performance, and emotional labor. Yet, she still chooses to try:
"I’m still here. I’m still trying. Still becoming what I seek."
This is the most radical act — not conquering, not ascending, but persisting. It echoes bell hooks and Audre Lorde — the political power of self-care, of choosing oneself in a system that wants to fracture you.
________________________________________
5. The Final Question — A Philosophical Knife
"If I lose the crown… do I lose myself? Or do I finally get to breathe?"
This is the existential dagger of the song. It questions the cost of power, the illusion of having it, and whether letting go is actually the key to becoming real. It recalls Krishnamurti’s idea: freedom is not in adding, but in shedding.
________________________________________
🪞 Conclusion:
“The Empress in the Mirror” is not a lament — it is a mirror cracked open to let in air. It dares to admit what so many queens — metaphorical and real — won’t: that sometimes, the greatest crown is the one you finally set down.
It is Caeli August at her most modern, most feminist, most human.


THE EMPRESS IN THE MIRROR  (5)

“Hero” by Caeli August is a soul-baring Afrofusion ballad wrapped in warm Zouk-Rumba textures and emotional vocals. In this modern tale of performative love, Caeli questions why she’s only cherished when she’s in crisis—when it serves someone else’s ego. With graceful melodies and vulnerable lyricism, “Hero” delivers a powerful message about emotional honesty and the need for steady, not seasonal, love.

Lyrics
Title: Hero
Written by Aime Pandi Bapaga

You only come around when the sirens sound,
When the walls are burning, when my world breaks down.
You hold me close just so the crowd can see,
But when I stand tall, you disappear from me.

I don’t need saving every single day,
But you don’t stay if there’s no dragon to slay.

Why do you only love me when you look like a hero?
When I’m on the ground and you shine like a halo.
I need someone who stays in the quiet, in the shadow—
Not just when I’m falling, just so you can look like a hero.

When the storm is over, you fade like rain,
I’m your mercy trophy, not a heart to claim.
Do I have to break so you feel alive?
Must I cry just to keep you by my side?

I don’t need saving every single day,
But you don’t stay if there’s no dragon to slay.

Why do you only love me when you look like a hero?
When I’m on the ground and you shine like a halo.
I need someone who stays in the quiet, in the shadow—
Not just when I’m falling, just so you can look like a hero.

Take off the cape—leave your glory behind.
If you can’t love me steady, don’t waste my time.
I’m not a tale for your silver crown—
I need a love that lifts me even when I’m not down.

Why do you only love me when you look like a hero?
When the lights are on and my pain makes you glow like a halo.
I need someone who stays in the quiet, in the shadow—
Not just when I’m falling, just so you can look like a hero.

Not just when I’m falling...
Not just when I’m broken...
Not just when you look like a hero...

3:33

Hero (SoundCloud Mastered)

“Going Away” is a smooth Afrobeta track about love fading and the distance it leaves behind. With warm rhythms, heartfelt lyrics, and an airy groove, it captures the feeling of standing at the edge of goodbye; mind drifting, heart still hoping. Perfect for late-night vibes, long drives, and soulful escapes.



#Afrobeta #Afrobeat #Love #Breakup #GoingAway #NewMusic

Going Away(Debut Single)

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


ActiveAbs is a multi-genre DJ and cultural curator, known for his ability to blend Afrobeats, Dancehall, R&B, Hip-Hop, and Afroswing into seamless, electrifying sets. Since 2016, he has carved a unique space in the UK music scene, becoming one of the most versatile DJs on the circuit and beyond.

His journey started in Leicester during his university years, where he went from rocking house parties to hosting some of the biggest uni raves and concerts. Raised in London and Sittingbourne, ActiveAbs has developed a deep connection with multiple music cultures, allowing him to bring a unique global sound to every event.

Having shared stages with icons like Burna Boy, Davido, Afro B, Dexta Daps, Oxlade, Lotto Boyzz, Skrapz, and more, ActiveAbs has DJ'd at prestigious events across the UK and internationally, from Barcelona to Ayia Napa. His signature sound, high-energy performances, and seamless transitions make him a go-to DJ for uni raves, club nights, and major concerts.

Whether it's a packed-out festival or an intimate club setting, ActiveAbs brings smooth vibes, high energy, and versatility every time he touches the decks.

🎶 BlandaBeats – Official SoundCloud
Producer | Artist | Sonic Architect
📩 Booking & collaborations: lujamiroxo@gmail.com
🚫 No spam. Serious inquiries only.

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Swizay describes himself not just as a singer or songwriter but an Artist, based on his versatility in creating Art through Graphical Representations and alluring sounds in his music. Born and raised in Lagos, Nigeria with real name Onwubiko Chinonso Joshua.

Born in Nigeria, seasoned in the U.S, rooted in 🌧️ Cardiff.
Mixing Afro vibes, R&B soul, and a dash of UK flavor 🔊
Inspired by life, love & Nonso Amadi type energy 💫
🎤 Music that feels. Beats that speak.
Let’s vibe 🎧🔥 #80won

Wendy Kimani stands as one of Kenya’s brightest Afrosoul and Pop sensations, seamlessly fusing urban Swahili with English and a rich neo-soul vibe. On August 13, 2013, she released her debut album MY ESSENCE at the iconic Serena Hotel, in Nairobi Kenya.
The following year, she ignited the scene with the single Haiwi Haiwi, featuring Sauti Sol’s Bienaime, and later in 2014, she dropped Chali, a track dripping with an old-school, jazzy charm. In early April 2015, Wendy teamed up with Gilad Millo—an Israeli former deputy ambassador based in Kenya for the hit Unajua ("Do You Know"). This soulful exploration of love lost and rediscovered quickly became a fan favorite, amassing 11 million YouTube views and dominating airwaves across Kenya. Their creative spark led to another collaboration, Usiende, filmed in the vibrant city of Amsterdam in October 2016.
After a brief pause, Wendy re-emerged in 2020 with Pagawisha, a heartfelt anthem about reigniting passion and the thrill of falling in love all over again. Her journey continued with the release of her Afro-house single Ile Love (Same ol’ Love) on February 26, 2021.
Now, the future looks even more electrifying, Wendy is in the studio, hard at work on fresh Afro neo-soul tracks set to drop in 2025. Keep your ears open; this next chapter is poised to redefine the sound of contemporary African music.

on the rhythm

Contact : mgmt@jp-rose.com

For more info ⬇️ ................................
IG: Mihrabea

Afrobeta | Afrobeat & soul storyteller 🎶 New track Going Away out now 🎙 streaming on Spotify, Apple Music, YouTube & more.

New tracks tagged #AfroR&amp;B

New tracks tagged #AfroR&B