Boris Nazarov - Issues and Strategies in Creating and Performing Electronic Music with AKAI FORCE -  House and Techno  live set 130bpm vol3


https://www.youtube.com/watch?v=Lq6b3lbp4JI

Boris Nazarov - Issues and Strategies in Creating and Performing Electronic Music with AKAI FORCE

A fun groover inspired by MartyParty's Crypto Traders Club and featuring @bitsofwealth @martyparty @MrWestClintwood @escapedwagie @MichaelBeeNFree @VXN_618

Bear Claw

Starts on the Akai Force with the Odyssey plug-in and then bring the hero synth Sequential Pro3 which is a modulation monster. But this is pretty simple. Little bit on the filter and some more on the wave table oscillator giving it that strangeness.

Drone On

I carefully crafted this track to mirror the chilling atmosphere of the primeval forest. I used the Sequential Pro 3 to generate the unsettling animal noises, twisting and warping its sounds to evoke the guttural screams and monstrous roars that pierce the silence.

The urgent, throbbing arpeggio from the Novation Peak captures the frantic rhythm of a racing heart, its relentless pulse mirroring the desperate struggle for survival. Finally, the Akai Force provides the percussive backbone with a chopped drum loop, its sharp, insistent beats mirroring the primal fear that courses through your veins.

primeval

Hypnotic album with 17 tracks composed on Eurorack modular and arranged on Akai Force. Music is introspective, contemplative, Berlin-style Berghain techno.

Ranunculus - Hypnotic Techno Album

This ancient flutterby, with its luminous wings catching the dappled sunlight of the rainforest, is a creature of myth and wonder. Its wings, reminiscent of stained glass, bear intricate patterns that seem to shift and shimmer with every beat. A delicate tracery of veins, like glowing threads of gold, adds to their ethereal beauty. As it flits through the lush foliage, it leaves a trail of shimmering dust, like stardust scattered across the verdant tapestry of the rainforest.

flutterby

First track from the album Ranunculus by All That's Gone. Composed using Eurorack modular and Akai Force. Chin stroking techno for the DJ.

IAP-Hypnotic Techno from the album Ranunculus

All That's Gone Winter 24/25 live set demo recorded live.

Winter 24/25 - Forest - All That's Gone

I like to keep my tracks simple and this is a sequenced synthwave piece with the Peak providing the arpeggio with its beautiful reverb while the UDO Super 6 uses a Meris Mercury 7 reverb.

Futureshock

Hyper Super [no vocals]

Hypnotic techno track at 143 BPM from the project I'm calling 'Orphism' which focuses on abstraction and colors. All of the tracks in the Orphism project are recorded from Eurorack using Elektron machines for sequencing and incidental sounds. Tracks are recorded into an Akai Force where performance and main channel effects are added. The Akai drum synth is used for the main boots and cats portion of the beats.

Orphism Singles - Bursty

Drifting into a chilled soundscape at 82bpm. This track explores electronic textures and layered piano samples, shaped with the Elektron Digitakt and a string layer from the UDO Super 6. Touches of Akai Force chopping in the mix to make a drum kit of the strings. #chill #82bpm #digitakt #super6 #akai force #sampling #electronic

three card trick

Roro36 Live -  melodic techno

Hypnotic techno live set. Summer/Fall 2025. Inspired by the Dorogawa forest in Nara Japan. 

Dorogawa - Summer 2025 All Thats Gone Demo

it was raining, so i stepped outside, which i know i shouldn't. it's dangerous getting wet. they are out there, you know. 

don't go outside

I'm mainly based over at otakiairforce.bandcamp.com 
This is where I post ideas, demos, quick sketches and generally incomplete slices of  Otaki Airforce. 

For tunes at the more completed end of the spectrum, visit http://otakiairforce.bandcamp.com

Otaki Airforce no longer lives in Otaki.  It lives in Martinborough, New Zealand.
Buy the tracks and support the OA at https://otakiairforce.bandcamp.com

Thanks.

The independent record company Citadel records was founded in Moscow in 1997. It became the first publisher to inform music community about the existence of united Russian electronic music scene. One of the main aims of the company is to promote creative works by original and talented contemporary composers. For more than 10 years already the creative union of the artists Moscow Grooves Institute, Second Hand Band, That Black, Olga Noel, Eject Project, Dub Chairman, ULA, DSM Formation, RA/BА Mutantъ, Alexandroid, THE:HET and many others has been creating the most up-to-date music wave appreciated not only in Russia but all over the world. The distinctive trait of our record label is the impeccable quality of artist’s work as well as its high creative potential and commercial success.

Performing at Future Perfect at Noc Noc in SF on April 27. 
https://ra.co/events/2147032
Techno and techno accessories installed while you wait.

I've written my own stuff since I was a kid and have basically chronicled my life, which most songwriters do. I was quite into guitar until I broke my hand fending off an intruder who tried to break into my home. Little finger didn't play fair. So now I'm into synths and keyboards, have built a decent collection including a Moog Matriarch, Prophet 5 Rev4, the Behringer 2600 and 2500 semi-modular, the UDO Super 6 (truly awesome), Novation Peak, Yamaha Modx6 (such a workhorse),  Deepmind 12, Digitakt, Modal Cobalt (surprising and, yes, digital) and the Behringer Crave. They each have their strengths, but the Matriarch is my go to for inspiration. (Update: Super 6 is now the fave)

New tracks tagged #Akai Force