Boleti saepe voluptarium venenum sunt

4. Attraverso Il Corridoio

9. Accoglienza

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地震 background sleep music (FREE DOWNLOAD)

Horror: This, First

Festividades Truman O E MIx 2

Binaural recording: best with good headphones (with flat frequency response).
Recorded on the land of the Peramangk people.
Deep, slow, careful listening required.
Read the Playlist description for more information: https://soundcloud.com/hearingbeings/sets/2023-iron-curtain-autumn-and-summer

2023.12.25 Iron Curtain. Early Summer. [2]

2023.12.25 Iron Curtain. Early Summer. [1]

The Broken Machine

something aleatory, the feeling of anxiety in the bad hearts.

I Can't, But I Breath

Despite not being a professional musician, I ventured into creating what some might call OUTSIDER MUSIC.

Outsider music is unique and unconventional, often created by those outside the mainstream music industry. 

It is strange, rare and out of this world.

I call this particular style "aleatory max-minimalist music".


It's minimalist because each instrument sticks to a simple phrase, acting like a musical drone.


In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. 

It's aleatory because, as a beginner musician, many elements come together almost by chance.

And it's maximalist because I incorporate several instruments into each composition.


In this composition, you'll hear an acoustic guitar, a bass, a digital drum, a synthesizer DX7, an afoxe, an Irish whistle, a djembe, a violin, a tambourine, a harmonica, and an electric guitar.


The intention is to learn and to play. There's no aspiration to become a master or famous.

Another intention is to show that anybody can do it and have fun doing it.

The Boring Street (2401)

Mauro & Mimosa

An excerpt from a five kilometre soundwalk. The excerpt covers about one kilometre (excluding distances travelled up and down in swift, quiet elevators spanning nine levels - four of which are underground car parking - inside the symbolic/metaphorical 'citadel'). On the one hand, the soundwalk was intentionally pre-'scored' (while allowing for spontaneous detours), based on memory of prior sound-experiences, although most of these locations hadn't been visited for two years or more; on the other hand, it was naturally and necessarily formed by the aleatory/chance events and sounds of the moment. In any case, it was essentially an experiment (both technical and aesthetic). The important thing is that it manages to bear a certain burden of 'logical argument' (albeit in an 'oneiric realist' form). Like any logical argument, it has a point to illustrate and substantiate. In that respect, it is essentially also philosophical in intent. (But that is the case for most of my work.) The piece is essentially unprocessed and unedited: no mixing, no effects. The goal is to capture the 'whole' in one take, as one actually-occurring complex and self-unified fact. Nothing added, or removed. That speaks to its 'realism', its 'documentary' aspect, alongside its metaphoricity/symbolism and oneiric aspects.

2024.10.10 Into the Citadel. (Soundwalk Sample.)

Philosophical Tourist Guide

BEAG (AIR BHEAG) for three double basses explores the concept of gradual development and accumulation, drawing inspiration from the Scottish Gaelic phrase meaning "little by little." The title reflects the piece's compositional approach, where musical material unfolds and evolves incrementally, akin to the process of building layer upon layer.

Through a blend of textural exploration, harmonic richness, and rhythmic interplay, BEAG (AIR BHEAG) invites listeners on a sonic journey characterised by its patience and meticulous attention to detail. Each bass line intertwines with the others, creating a tapestry of sound that ebbs and flows with subtle shifts in dynamics and intensity.

As the music progresses, motifs emerge and recombine, reflecting the organic growth inherent in the composition's structure. The interplay between the three double basses fosters a sense of dialogue and camaraderie, as they navigate through passages of tension and release, unity and divergence.

BEAG (AIR BHEAG) ultimately celebrates the beauty found in the gradual unfolding of musical ideas, mirroring the intricacies of life's journey, where each moment contributes to the rich tapestry of human experience.

Recorded at Blackheath Halls
Performed by Sam Pugh, Alex Ferkey and Max Lamprecht (Double Basses)

BEAG (AIR BHEAG) — for three double basses

DID I SAY THAT

Filippo Soddu is an Italian musician, song writer and visual artist. He works in various styles across art rock, jazzy psychedelia and electronic. 
He is the bassist and co-author of the Surreal Beat Garage Band, with which he has recorded two albums "Strane costellazioni e/o altri mondi" (Ethnoworld, 2006) and "Six pieces" (Sottocosto Production, 2020).
During 2020 covid lockdown he realized his first solo album "Boleti saepe voluptarium venenum sunt" that is published in February 2024.

Brasileiro (se isso der em alguma coisa, que seja boa então)

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

Somos DIEGO SERNA & DANIEL FIORDA : Artistas Argentinos, que desde muy TEMPRANAS ÉPOCAS, desarrollamos ARTE musical en conjunto, en diversos proyectos grupales que SUENANen el Underground de BUENOS AIRES City, durante los 80's.
Al trasladarse Fiorda a EEUU y radicarse en ese país, cada uno desarrolla carreras solistas en lo VISUAL Y MUSICAL, ensanchando los UNIVERSOS creativos y expresivos en diferentes ámbitos culturales.
Al reencontrarnos  improvisando en vivo en Buenos Aires, en Diciembre- 2019, comienza a tomar forma ORGANISMO EQUINOCCIO, proyecto artístico de características únicas, en el que partimos de la IMPROVISACIÓN ELECTRO ACÚSTICA en vivo, para adentrarnos posteriormente, en la creación compartida vía web, encendiendo el SENDERO SUR/NORTE AMERICANO con mundos sonoros de LIBERTAD y  EXPERIMENTACIÓN totales.
Y de ahora en más:
Solo el comienzo, la puerta abierta a NUEVAS ÓRBITAS de la POÉTICA SONORA, la paleta infinita del mundo desenfocado y conmocionado del presente, buscando siempre ABRIR camino en la BELLEZA, en la CONEXIÓN de ALMAS ENCENDIDAS, en el ABRAZO cósmico y humano.

Miami Beach /Buenos Aires, Agosto  2020

If you are interested in working with Emily, please email degruchycomposer@gmail.com 🧩💭

Emily has worked with several ensembles & soloists, including the performer-composer Sam Pugh, Terra Invisus, the Carducci Quartet, Sandbox Percussion, the Riot Ensemble, the Hermes Experiment, Transitions Dance Company, the Manchester Contemporary Youth Opera, the Royal Holloway New Music Collective, and the National Centre for Early Music. She has also been commissioned by several cultural organisations, including Jersey Heritage, ArtHouse Jersey and Art for Guernsey.

Born and raised in Jersey, Channel Islands, traditional Jèrriais culture often influences her compositions, providing a unique amalgamation of French and British sonorities. In recent years, her career has moved towards sonic art and soundscapes, which has led her to collaborate with and compose for cultural heritage and charity organisations - something that she enjoys deeply, and has aimed to bring her prior experiences from working with many professional ensembles back home to Jersey.

New tracks tagged #Aleatory