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"Bluegrass  Vacation”

With close to 20 albums under his belt, including Country Love Songs, Let’s Kill Saturday Night, and his fabulous new one Bluegrass Vacation,
Robbie Fulks has had quite a career. Over the last thirty years the Pennsylvania born singer-songwriter has collaborated with everyone from Steve Albini to Dallas Wayne to NRBQ’s Al Anderson, worked as a country music songwriter for the Music Row publisher API and scored two Grammy nominations in 2016 for Best Folk Album and Best American Roots Song. There’s a lot that’s cool about Robbie Fulks—his flatpicking guitar style, his poetic turns of phrase,his unique sense of humor and his penchant to cover songs you’d never think he’d cover—he’s knocked out versions of tracks by everyone from The Bangles to Shania Twain, so you pretty much never know what’s going to happen. But what’s really cool about Robbie Fulks is that he’s an engine of creative power and that engine hasn’t dimmed once in his  30 year career. His new album Bluegrass Vacation is a rollicking and joyful blast of sheer bluegrass bliss. From One Glass of Whisky to Old Time Music is Here To Stay, Bluegrass Vacation is a joyful romp that references the genre with a respectful tip of the hat that breathes new life into an old tradition. 

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Stereo Embers The Podcast 0328: Robbie Fulks

“On Banjo”

In sunny a San Diego high school somewhere in the 70s, while kids were listening to Aerosmith and Van Halen and Boston, Alison Brown was listening to bluegrass. She had started on guitar but gravitated to the banjo and by her teens, she was already pretty proficient on the instrument. She won first place at the Canadian National Banjo Championship, played a gig at the Grand Ole Opry and toured one summer with fiddler Stuart Duncan. After high school She headed to Harvard, knocked out an MBA at UCLA and then went to work as an Investment Banker. You know—the typical bluegrass story you hear all the time. Thinking music was a weekend thing, Brown had a nice balance going but then music decided to tip the scales. Alison Krauss flashed the bat signal for a banjo player and Brown answered the call, and gave up her Wall Street environs for a life in music. And what a life it has been. An internationally recognized virtuoso on banjo, Brown has played with Alison Krauss, Michelle Shocked, fronted her own Alison Brown Quartet, toured all over the world, from Japan to South America, along the way playing The Kennedy Center, the Newport Folk Festival, The Cambridge Folk Festival in England and the Galway Arts Festival in Ireland. With a Grammy in her trophy case along with multiple Grammy nominations, features on CBS Sunday Morning, NPRs All Things Considered and close to 15 critically lauded albums under her belt, including her fabulous new one No Banjo, Alison Brown is an artistic force. And what of On Banjo? Well, putting it simply, it’s a stunner. A deftly played album filled with technical prowess, musical finesse and compositional dexterity, On Banjo is a song cycle that’s celebratory, joyful and cathartic. Brown is the co-founder of Compass Records Group, she serves on the Board of the Nashville Chapter of the Recording Academy and she's the co-chair of the Steve Martin Banjo Prize. She’s kind of a big deal and guess what? She’s as nice as can be. 

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Stereo Embers The Podcast 0331: Alison Brown

“Andy Rourke Remembered”

Well, he may have been in a band with the greats, but let’s face it, Andy Rourke was one of them as well. The Manchester born Rourke joined his childhood pal Johnny Marr’s band The Smiths in 1982 and he played
with them until their demise in 1987. That’s Rourke you hear on every Smiths record, including The Queen Is Dead, Strangeways Here We Come and Louder Than Bombs. After the legendary band broke up, Rourke played with Sinead O’Connor, The Pretenders, Killing Joke,
Badly Drawn Boy, Ian Brown of the Stone Roses and Morrissey.  Rourke also teamed up with New Order’s Peter Hook and Mani of the Stone Roses and formed the band Freebass. He also played with Dolores O’Riordan of the Cranberries in the band D.A.R.K. and around the time I chatted with him, he had formed Blitz Vega with Kav Sandhu, a band that also featured Johnny Marr as a special guest. Rourke’s life was busy and exciting and this list doesn’t cover all he did, but it does serve as a reminder of how brilliant he was. A prowling blend of rockabilly, funk and post-punk, Rourke’s baselines were intricate, inventive and artful. Rourke died in Mid-May and the tributes that poured in were testament after testament that this man was loved.  Perhaps it was Moz’s,  however, that was the most on-point: "He will never die as long as his music is heard. He didn’t ever know his own power, and nothing that he played had been played by someone else. His distinction was so terrific and unconventional and he proved it could be done. He was also very, very funny and very happy, and post-Smiths, he kept a steady identity - never any manufactured moves. I suppose, at the end of it all, we hope to feel that we were valued. Andy need not worry about that.”

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Stereo Embers The Podcast 0334: Andy Rourke (The Smiths, Freebass, D.A.R.K., Blitz Vega)

“Never Say Never”

Formed by classmates at the Art Institute in San Francisco at the sunset of the 70s, Romeo Void  were one of the most dynamic, inventive and singular outfits around. Fronted by singer Debora Iyall, the classic Romeo Void lineup was Iyall on vocals, Peter Woods on guitar, bassist Frank Zincavage, saxophonist Benjamin Bossi and drummer Aaron Smith. They toured nationally, had fans that ranged from Ric Ocasek of the Cars to Ann Wilson of Heart and they signed to a major label. Things were happening. The band put out three perfect and critically acclaimed albums—It’s a Condition, Benefactor and Instincts--before calling it a day in 1984. A captivating singer, Iyall had the street mart snarl of Jim Carroll and the poetic finesse of Patti Smith and she inhabited each number with strength, vulnerably and wisdom. The songs were frank and honest and their post-punk purity and new wave muscle still sounds as vital today as it did back then. And if you want to check to see if I’m right—the band has just put out LIVE FROM MABUHAY GARDENS: NOVEMBER 14, 1980, THE BAND'S FIRST OFFICIAL LIVE ALBUM. This is a searing eleven song set that’s dynamic, urgent and rippling with power. 

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Stereo Embers The Podcast 0335: Debora Iyall (Romeo Void)

“How To Love”

The London-born and Scottish based singer/songwriter Dan Willson is truly one of the best we’ve got. Over the course of three albums with his band Withered Hand, Willson has asserted himself as a songwriter of tremendous sensitivity, poetic smarts and lyrical grace. A little history: Willson had played in bands but with art school behind him, when he picked up a guitar at 30 and found that the technicolors of songwriting were as alluring as the visual arts, well,  he went on a bit of a tear: 2009’s Good News and 2014’s New Gods rank among two of the most powerful albums of the last twenty years and Willson’s new one—his first in almost a decade—is called How To Love and it completes a rather stunning trilogy of records with clear shots of redemption, recovery and personal resurrection. How To Love almost didn’t happen. And we'll leave that story for Dan to tell, but in the meantime, let's just say this: we're so happy that it did. It’s one of the most joyful, painful, life-affirming and altogether reviving albums in recent memory.

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Stereo Embers The Podcast 0336: Dan Willson (Withered Hand)

“The Unspeakable Milo Binder”

Milo Binder put out one brilliant album in 1991 and then, that was that.
He was gone. Alias Records was an indie rock label that had folks like Too Much Joy and The Sneetches and when they put out Milo’s album
was a huge departure from their roster. A eleven song folk album, Binder’s self-titled release was one of those rare instances where
the artist arrived fully formed with no need to take three or four albums to find their musical footing or narrative voice. Songs like "Donald Thorn" and "A Boy And His Career" were wise and observational and his guitar playing was rich and assured, his delivery confident and brimming with belief. He called into my college radio show Bedtime With Alex on KSMC and he was gracious enough to play two songs while his girlfriend held the phone for him—Donald Thorn from the first album and the song you just heard Skywriters, which would be from the second. But the second one never came until now, 32 years later it’s about to arrive.
Titled The Unspeakable Milo Binder, the two tracks you’ll hear in full on today’s episode demonstrate that Binder not only still has the magic, he’s never sounded better. And he’s been deeply missed. I can’t think of an an artist with as much musical dexterity, poetic exactitude and narrative finesse.  Sit back and join in me as I welcome back Milo Binder.

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Stereo Embers The Podcast 0340: Milo Binder

"The King Of Good Intentions III"

John Andrew Fredrick is the author of several books, including one on the early films of Wes Anderson, but he also happens to be the braintrust of the beloved band the black watch, whose extensive body of work is an endless orchard of sonic joy. If you know their work, you know the deal. If you don't, jump in and grab anything they've ever done and work your way forwards and backwards through their nearly 30 album discography--you will not be disappointed. As for John's The King of Good Intentions trilogy, in Part 3, which is the final volume of the series,Fredrick continues to chronicles the misadventures of the '90s indie rock outfit The Weird Sisters and there's a great deal to chronicle: love, love triangles, misunderstandings, madcap episodes and utter rock and roll chaos. The Virginia-born, but Southern California dwelling Fredrick writes with undeniable narrative velocity, comedic charm and a big, big heart. His sentences are fresh and vibrant and it's hard to think of anyone who can craft a better paragraph--the language here is elastic, joyful and commanding and every page sparks with literary momentum.

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Stereo Embers The Podcast 0348: John Andrew Fredrick (the black watch)

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"Follow The Leader"
 So, Rain Phoenix first was on my radar back in 1991 when she and her brother River had a band called Aleka's Attic. They had a marvelous song called Across The Way on this compilation Tame Yourself, which also featured The Pretenders, Michael Stipe, the Indigo Girls and K.D. Lang. The Texas-born Phoenix acted in TV shows like Family Ties and Amazing Stories and in movies like Even Cowgirls Get The Blues and Hitch. She fronted Papercranes, who put out three really great albums and she was in the Galactic Country band Venus and the Moon with Chris Stills. She also put out a really stunning solo album called River, which was named after her late brother, in 2019. A native of Southern California, Kirk Hellie is like a music archeologist because he knows how to dig sounds out of the deepest of grounds. A lover and studier of Avant Garde music, was in bands like Hellie Siblings, Death Loop Detonator and Pink Noise Test. Hellie played with Steve Jones of the Sex Pistols, and toured with The Cramps and Iggy Pop.Together, Phoenix and Hellie are Escape Artist Lovers, who play a dizzying blend of sonorous and scruffy indie rock that sounds something like Beth Orton fronting the Jesus and Mary Chain. The interplay between these two musicians is pure magic and the songs, whether they're stripped back or coated in layers of fuzz and groove, are delicious slices of melodic bliss.  

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Stereo Embers The Podcast 0360: Rain Phoenix and Kirk Hellie (Escape Artist Lovers)

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“Forwards”

For more than 40 years the Welsh band the Alarm have been one of the most consistent acts on the planet, playing songs with conviction, heart and belief. With almost 20 studio albums under their belts, along with a discography that includes live albums, box sets and EPs, The Alarm are one of those bands where you pretty much want everything they put out. From albums like Declaration to Strength to their brand new one Forwards, The Alarm are a completist’s band. Speaking of Forwards, it’s a remarkable record—singer/songwriter Mike Peters has never sounded better, his voice alive with muscle and belief. The Welsh band have had a remarkable career that’s filled with endless highlights-- they toured with U2 and Bob Dylan, played at Queen’s Live at Wembley concert in 1986, been on IRS’s the Cutting Edge and American Bandstand, had hit singles all over the world even cracking the Billboard Top 50 here in the States, and wrote a song that became the official Welsh anthem
for Euro 2020. This is a band that’s all about community, support and they remain as vital as ever.

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Stereo Embers The Podcast 0363: Mike Peters (The Alarm)

"Angles And Ordinary Men"

Back in the late '90s Wendy Lands' debut album Angels and Ordinary Men landed on my desk in the form a package from Canada and I dove right in. Falling somewhere between Beth Orton's Trailer Park and Sade's Stronger Than Pride, the album was a revelation. It was soulful, it was atmospheric, it was melodic, it was rich, and it was filled with musical finesse and jazzy textures that made repeat listens more and more rewarding. So who is Wendy Lands and what in the devil has she been up to
since her marvelous debut album? She's going to fill you in far better than I ever could, but let me give you some quick details: In the early '90s the Montreal-born, Toronto-raised Wendy Lands
cut her musical teeth doing theatre adn playing in a pop band called Double Dare. Her debut album spawned two top 40 hits and landed her a Juno nomination for Best New Solo
artist in 1997. She toured with Jann Arden, grabbed two Canadian Radio Music Award nominations and as a side hustle, she recorded a series of commercial voice overs. Remember that last bit...She moved to LA to be a songwriter, writing numbers with Paul Williams and Melissa Manchester, then moved back to Canada where she released two more fabulous albums Mumble and Altitude. This is a partial list, Wendy is going to fill in the blanks, but her main gig now is being a widely respected voice actor. Is there new music simmering? Of course there is, but I'll defer to her on that one, too. Look, Wendy Lands is wonderful. Her voice is smooth and stunning, her vocal poise is otherworldly and aside from her gifts behind the mic, she's one of the nicest people ever.

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Stereo Embers The Podcast 0368: Wendy Lands

"Softcore"

With over ten albums under his musical belt, Logan Lynn has firmly established himself as a singular and dynamic talent. First of all, Lynn is a musician, writer, producer, filmmaker, television personality, mental health advocate, and LGBT activist. He's worked with everyone from the Get-Up Kids to Portugal the Man to the comic Jay Mohr and his writing has appeared in the Huffington Post and the Portland Mercury,among others. He's done commercial spots, acted in shows like The Last Meal Series and the Library and in 2017 the National Council gave Lynn the Award of Excellence for Artistic Expression.
His new album Softcore is a buoyant blast of blissful synth pop and indie rock stomp. It's a celebration of love and, as Lynn puts it: "the absolute wildness that happens between two people who are desperately in love with each other." Filled with catchy grooves and horny swagger, Softcore is not only pure sonic joy it's the perfect album to soundtrack your summer with.

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Stereo Embers The Podcast 0387: Logan Lynn

Hosted by Alex Green, Stereo Embers: The Podcast is a weekly podcast airing exclusively on Bombshell Radio (www.bombshellradio.com) that features interviews with musicians, authors, artists and actors talking about the current creative moment in their lives. 

A professor at St. Mary's College of California, Alex is the Editor-In-Chief of Stereo Embers Magazine (www.stereoembersmagazine.com), the author of five books and has served as a Speaker/Moderator for LitQuake, Yahoo!, The Bay Area Book Festival, A Great Good Place For Books, Green Apple Books, and The St. Mary's College Of California MFA Reading Series. 

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