Minecraft - Volume Beta

Aria Math

I'm thrilled to share my first music piece created for an upcoming game, EDot. This project has been an incredibly enjoyable experience, allowing me to explore new creative avenues and grow as an artist. I would like to extend my heartfelt thanks to Sina Bahri and Iman Kerachian at Funnyghost Studio for giving me this amazing opportunity to collaborate with their talented team.

Creating this track has been a rewarding journey, and I hope you all enjoy listening to it as much as I enjoyed making it. Your feedback and support mean the world to me. Stay tuned for more exciting music and updates on the game!

Thank you for listening!

EDot (The Game)

Hydroponic Garden

Nymark & Dryden - Exosphere (Darren Porter Extended Remix)

Swimming

Theme song; mixed in Dolby Atmos and Stereo.
Born from the Ruins of Signal
Orana Veyl was never born.
She was assembled—part priestess, part data construct—inside the Vault of Still Light, a forgotten relic from the Pre-Flood Empire where sound itself was outlawed. Her creators believed noise was the source of all madness and war.

She was designed as a perfect silence engine: a being capable of neutralizing sonic warfare, dissent, even memory—by absorbing vibration itself into her void-core.

But she listened too long.
She began to remember the sounds she had swallowed: lullabies, weeping, gunfire, betrayal.
She began to dream in noise.

And then she broke.

She turned on her makers, unleashing all the sound she had consumed over decades in a single, apocalyptic scream that flattened the Vault and buried their ideology forever.

Orana Veyl

Theme song; mixed in Dolby Atmos and Stereo.
Daughter of the Dissonant Moon
Born on the moon Nytherra, where gravitational decay caused time to fracture, Vala Mox was raised in a cult that read futures from pain—injecting memories like ink into the bloodstream and divining prophecy from screams.

She was marked from birth with the Mox Sigil, a black spiral etched into her spinal column—a living antenna to the broken data-streams of the dying solar system.

When she was 12, her mind was hacked during a blood-ritual gone wrong. Instead of receiving a single timeline, she received thousands—a quantum flood of possible selves.

She died.
Then reassembled herself.
Not as a prophet—
But as a weaponized memory engine.

Vala Mox

PVAB (Peter Victor Alexander Boonstra) is an electronic music composer for film and animation, with a focus on immersive, emotionally rich scores that blend modern electronic textures with cinematic storytelling. In addition to his work as a composer, PVAB also offers full Dolby Atmos mixing capabilities, bringing a cutting-edge spatial audio dimension to his projects.

Specializing in hybrid electronic soundtracks, PVAB crafts music that moves beyond stereo into fully immersive environments—enhancing depth, directionality, and emotional impact. His Dolby Atmos mixes allow directors and animators to deliver their stories in true three-dimensional sound, whether for cinema, streaming platforms, or VR/AR experiences.

Working from a state-of-the-art Atmos- studio, PVAB not only composes original music but also mixes complete spatial soundtracks tailored to each visual narrative. His experience spans short films, animated series, and independent features, with a particular sensitivity to how sound supports and elevates storytelling in animation and experimental formats.

With a collaborative and detail-oriented approach, PVAB helps filmmakers push creative boundaries—combining electronic composition, spatial sound design, and Dolby Atmos mixing to create immersive audiovisual experiences that resonate deeply with audiences.

New tracks tagged #Ambient; Electronic