"In Thoughts of All Those We Love" - A quiet musical tribute — composed for piano, cello, clarinet, and orchestra.

The piano opens gently, like an inner reflection. The cello responds with deep warmth, a voice drawn from memory. The clarinet adds a touch of light — a fragile spark between sorrow and solace. The orchestra unfolds with restraint, offering space and support, never overwhelming.

This piece is a tender greeting to those who have shaped our lives — near or far, present or remembered. A soundscape that doesn’t seek closure, but carries us forward. Between loss and connection, music emerges that remains.

In Thoughts Of All Those We Love

🎶 "Like the Gentle Wind at Dawn" 
A breath of light and sound awakens—piano and cello greet the day with delicate gestures. Clarinet and oboe brush the dusk, lending the melody warmth and wistfulness. Gradually, the strings unfold, until the full orchestra blossoms in radiant beauty: a sonic landscape filled with peace, hope, and natural grace—like wind silently sweeping through the morning twilight.
This music does not speak, it breathes.
Not a beginning, but an awakening.
A sound like wind — invisible, gentle, present.

Like The Gentle Wind At Dawn

An Interlude with Time is a cinematic, classical instrumental — sober yet beautiful, filled with reflection, regret, longing, and the hope of reconciliation. It carries the weight of memories while gently moving forward into acceptance. This piece is still evolving — an additional melody and vocal line will join it — but it will definitely appear on a future album.

In The Shadows of Darkness "They arrived when our faith was fading."

An Interlude with Time

Nature is a calm and soothing classical piece with a soft and emotional atmosphere. Perfect for relaxation, studying, meditation, or simply unwinding after a long day. A gentle flow of melodies that captures peace and harmony, inspired by the beauty of nature.

Nature

Peace In My Heart is a classical instrumental piece that captures the uplifting freedom of galloping through the English countryside. With sweeping melodies and cinematic emotion, it reflects the pure joy of letting go—wind rushing past, the rhythm of hooves in harmony with the soul, and the liberating sense of riding without a care in the world. This track is about serenity, strength, and the timeless connection between rider, horse, and open land.

Peace In My Heart

When I’m at Highclere, I feel at peace. The world outside seems distant, and time slows down. There’s a stillness in the air that clears my mind and gives me space to breathe. The castle, the grounds, the open skies — it all feels timeless, as though it’s been waiting for me. I feel calm, connected, and completely myself there. It’s the one place I could happily stay forever, and when the time comes, I wouldn’t mind my ashes being scattered beneath those skies.

Beneath Highclere Skies is a reflective neoclassical piece inspired by the grandeur and serenity of Highclere Castle — known to many as Downton Abbey. Written in a similar style from the series, the music blends elegance and nostalgia, evoking a sense of calm and timeless beauty. Gentle orchestral textures, sweeping melodies, and a touch of cinematic atmosphere invite the listener into a world of heritage, memory, and stillness.

This is music for quiet moments, for gazing across the countryside, for finding peace beneath the vast skies of history.

Beneath Highclere Skies

The First Minute opens 12 Minutes — a short ambient classical journey by composer Jeremias Langsämmer. Soft strings meet choral textures to create a space of stillness and reflection. Designed for focus, calm, and cinematic listening, this piece captures the breath between thought and silence.

🎧 From the forthcoming album 12 Minutes, a suite of short ambient classical works for piano, strings, and quiet contemplation.

For fans of: Max Richter, Jóhann Jóhannsson, Ólafur Arnalds, Nils Frahm, Hammock

#ambientclassical #modernclassical #cinematicmusic #pianoandstrings #relaxingmusic #soundtrackmusic #focusmusic #calmmusic #jeremiaslangsammer #maxrichter #olafurarnalds #johannjohannsson #nilsfrahm #hammock

Jeremias Langsämmer – The First Minute | Ambient Classical Strings & Choral Calm

SEPARAZIONE - excerpt

SOGNO - excerpt

This piece was born between silence and devotion.
It began as a spoken word — my voice, breathing truth —
and turned into something larger than me.

Half human, half created,
it became a dialogue between soul and system,
between the divine in the technical
and the human in the fracture.

It’s not a song — it’s a remembering.
A quiet vow to live what art keeps teaching me:
that life itself, when lived honestly,
is already music.

🎧 created with Suno & BrandLab
KAT • The Play Life Series • 2025

DEUTSCH
Dieses Stück entstand zwischen Stille und Hingabe.
Es begann als gesprochene Wahrheit — meine Stimme, atmend —
und wurde zu etwas, das größer ist als ich.

Halb Mensch, halb erschaffen,
wurde es zu einem Dialog zwischen Seele und System,
zwischen dem Göttlichen im Technischen
und dem Menschlichen im Bruch.

Es ist kein Lied — es ist ein Erinnern.
Ein stilles Gelübde, das zu leben,
was die Kunst mich lehrt:
dass das Leben selbst, ehrlich gelebt,
bereits Musik ist.

🎧 produziert mit Suno & BrandLab
KAT • The Play Life Series • 2025

The Art of Living – A Manifest

I compose music from untold dreams and unexplored emotions sounds that drift beyond genre, into new worlds yet to be heard.


Ich komponiere Musik aus unerzählten Träumen und unentdeckten Gefühlen Klänge, die über Genres hinaus in unbekannte Welten führen.

As Wolf Hagen, I compose music for the silence between the notes. Drawing from the tradition of great masters like Bach and Pachelbel, I find inspiration to weave baroque clarity with the emotional complexity of our time.
The interplay of piano and cello stands at the heart of my work – two voices that complement, challenge, and exist in harmonic tension with each other. I add orchestral elements with care, never to dominate, but to open spaces: for reflection, for stillness, for those precious moments of pause.
My compositions are not statements, but invitations – to discover hidden emotions, to find quiet in a noisy world.

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

I am KAT — poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause — it asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury — it is breath.

It began with words — spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others —
turning poems into sound,
shaping collaborations that were fearless and alive.

Some of these “others” are human,
some are digital —
AI tools like Suno become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation — it is extension.
It allows art to reach beyond skill and structure,
into pure intention and consciousness.
It is not a replacement for the human —
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself —
the breath between words,
the shimmer of awareness beneath the audible.

And from that stillness grew Play Life —
a living practice of sound and being.
Not studio, not stage — but life itself as instrument.
Breath, movement, sunlight, wind — all part of the music.
It’s where art and existence merge,
where I no longer make sound — I live it.

And now, with The Art of Living,
my work turns inward again —
toward light, embodiment, and the gentle wisdom of simplicity.
It’s the space where spirituality meets earth,
where sound becomes devotion,
and silence becomes art.

And from this devotion grows the Haiko Harf Series (俳子) —
child of poetic play, sound of light, heart of poetry.
Here, words become air,
music breathes through silence,
and listening itself turns into art.

Each piece is a quiet dialogue
between harp, breath, and stillness —
a meditation on what remains
when nothing needs to be said.

Not algorithmic — just alive.

I make what feels true.
I listen to silence.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
https://katpoetryvoices.gumroad.com/

#KATseries #SocialVirtues #QuietExperiments #PlayLifeSeries #ArtOfLiving
#HaikoHarfSeries #俳子 #poetry #spokenword #ambient #experimental
#quietimpact #listeningart #presence #livinglight

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

New tracks tagged #AmbientClassical