A live analog mix on a NEVE console of an original composition. Recording and composition by me. Features performances by Jay Lee (vibraphone), Lucas Bere (saxophone), Roziht Edwards (vocal), Alex Liu (piano), Caroline Feitosa (bass).

Bard's Rendition - Live Analog Mix

NocturnalSol is thrilled to bring you the 2nd single, Can't Find The TV Guide, from LORENZO BUHNE's forthcoming full-length album "Oznerol Era."

"Oznerol Era" is the first installment of our MUSINGS series and is a group of songs written, rearranged and recorded by Lorenzo between 1984 to 1990. These are previously unreleased recordings, remixes and demos from Lorenzo during his tenure as the bass player for the bands The Dickies and Fear.

MUSICIANS:
Jerry Angel: Drums
Bob Lansing (aka Enoch Hein): Guitar
Lorenzo Buhne (aka Oznerol): Bass and Vocal

RECORDED circa 1989/90

Rhythm Section was recorded and mixed at Uncle’s Rehearsal Space in Van Nuys, CA by John X Volaitis

Vocals were recorded at Oznerol’s apartment in Silver Lake, CA

MAIN MIX BY:
Oznerol

MASTERING BY:
Oznerol

ALBUM COVER DESIGN BY:
RL Travis

WRITTEN BY:
James Valentine (ASCAP) and Lorenzo Buhne (APRA)
PUBLISHED BY:
Rogopag Music and Made In Space, admin by Songs of Heyday

Can't Find The TV Guide

LORENZO BUHNE - Can't Find The TV Guide

In 1968, our band was called The Crew and I played the drums. We also performed tunes from John Mayall. That's when I "invented" recording stereo on two 1/4" track mono decks: tape was running from left to right, channel 1 being recorded on the left machine and channel 2 on the right. Microphones were two Sennheiser MD 421. Today  I'm able to correct the time-delay with digital tools down to 1 frame. These are probably the best sounding amateur live recordings worldwide from that period. Check out in mono, too: phase relation (azimuth) is 100% correct.

P.S.: THE CREW developed 1971 into "Grobschnitt". The rest of the story is known...

CREW BLUES SESSION: My Little Girl (John Mayall) 1968

Please read the ‘Here We Go!’ song blurb, for this song was inspired by the same person.

(LORENZO BUHNE aka Oznerol | July 2023)

==================================================
MUSICIANS:
Rob Brill: Drums
Rex Torres: Guitars
Lorenzo Buhne (aka Oznerol): Bass and Vocals

RECORDED 1984
(Originally Released 1985, Remastered 2023)

Recorded at Michael Allsup Studio & Unicorn Records Studio

Engineered by Michael Allsup and Lonnie

Mixed at Rusk by Spit Stix and Lorenzo Buhne

Mastered by Lorenzo Buhne

WRITTEN BY:
Lorenzo Buhne (APRA)

PUBLISHED BY:
Made In Space Music, admin by Songs of Heyday (BMI)

Oznerol Era

I'm Ready

‘Follow Instructions’ is a song written by Gustavo Santaolalla, who’s an Argentine phenomenon that still thrives today. The song was loads of fun to play live and sadly when Wet Picnic ended, it was never recorded.

The recording of this version was accidental and obviously, meant to be.
Jerry Angel (drums) had heard WP play it live so I showed Enoch, who’s a fast learner, the chords. We jammed on the rhythm as a warm up while John X was getting the sound balance. To my surprise, he recorded it.

When it was time to do the vocals I remembered most of the lyrics and Gustavo agrees, I might have made some of them up. Fun either way!

Many, many thanks to Gustavo Santaolalla for agreeing and letting me use his engaging song…

(LORENZO BUHNE aka Oznerol | May 2023)

==================================================
MUSICIANS:
Jerry Angel: Drums
Bob Lansing (aka Enoch Hein): Guitar
Lorenzo Buhne (aka Oznerol): Bass and Vocal

RECORDED 1989

Rhythm Section was recorded and mixed at Uncle’s Rehearsal Space in Van Nuys, CA by John X Volaitis

Vocals were recorded at Oznerol’s apartment in Silver Lake, CA

MAIN MIX BY:
Oznerol

MASTERING BY:
Oznerol

WRITTEN BY:
Gustavo Alfredo Santaolalla (BMI) and Lorenzo Buhne (APRA)

PUBLISHED BY:
Vasuveda Music (BMI) and Songs of Heyday a/c Made In Space Music (BMI)

Follow Instructions

Producer/engineer/mixer, Ed Stasium would rather say “it’s all about the music” when pressed for highlights of his career. Helping an artist clearly bring their vision to fruition while taking care to make sure the sound shines, Ed finds himself taking a role as “just another member of the band” while leading a project to completion. 
Ed keeps has a fresh eye for musical substance where he can lend a veteran’s wealth of studio experience. His valuable instinct for mediation has been useful in many situations where he’s had to be a “Henry Kissinger of Rock & Roll” as he’ll describe with a smile.
Ed Stasium hails from the beautiful Garden State (New Jersey), where he became interested in tape recorders and guitars when he was a young lad. He recorded, and was a guitar playing member of countless garage bands during his formative years. While attending the School Of Visual Arts in Manhattan, Ed joined a local New Jersey group named Brandywine. Setting up a makeshift studio in their manager’s basement he recorded demos, and in 1971 the band went on to sign with and record an album for Brunswick Records (engineered by Bruce Swedien!). It was during the making of that record that Ed found himself drawn to the production and engineering side of the recording process. 
In 1972 he left the band and through his childhood friend Michael Bonagura was introduced to producer Tony Camillo and producer/engineer Tony Bongiovi, owners of Venture Sound Studios in Somerville, NJ. There he became involved with the building and wiring of the room and became a staff engineer where he received his first ‘hands on’ experience in professional recording. Ed recorded and mixed his first gold single, Gladys Knight & the Pips’ “Midnight Train to Georgia” and had a top ten hit with Bazuka’s at Venture Sound. 
After three years at Venture, Ed next took a staff position at Le Studio Morin Heights in Quebec, where he produced his first gold album for French-Canadian group “Garolou”. While visiting New York in 1976 he again happened upon Tony Bongiovi and his new partner, former Mediasound manager Bob Walters who asked him to join forces with them to start up a new studio. This studio was to become the legendary “Power Station,” where he played an intricate part in the design of the room and choice of equipment.
In 1978, feeling the constraints of being on staff, Stasium left Power Station to pursue an independent career. Ed has since recorded and produced such diverse artists as Ramones, Talking Heads, Julian Cope, Peter Wolf, Nona Hendryx, Mick Jagger, Jeff Healey, Joan Jett, Marshall Crenshaw, Living Colour, Soul Asylum, The Smithereens, Motorhead, Baby Animals, Biohazard, The Reverend Horton Heat, Shirley Caesar, Simon Phillips, Misfits, Blackfire, Joey Ramone, The Chesterfield Kings, Sihasin, Hoodoo Gurus, The Empty Hearts and The Long Ryders.
In 1988, prompted when his hearing-impaired daughter asked him what music videos being played on MTV were about, Ed established an awareness campaign for the closed-captioning of music videos. To this day all music videos are closed-captioned. 
Today, Ed lives in San Diego, California. He enjoys listening to his 78, 45, and LP record collection while enthusing about the creative musical possibilities of working in the ever-changing analog/digital recording environment. And if one of his recent projects happens to add another record to his wall, he’ll likely say “it was all about the music.”

SN2 | EP 8 Ed Stasium

Single from 'Some Blue Heaven' album

Performed & Recorded by Brendan P. Sullivan
Mixed by Brendan P. Sullivan
Mastered by Nicholas Bolton / Bolton Sound: boltonsound.com
Album art by Brendan P. Sullivan

House Plant

RE-3 (2012)

Dusk (2012)

Made by Plastic Yokai (Kosaka & Huey)
HEHEHEHEHEHEHEHHEHEEHEHEHEHH

Natural Business Man

Uncle Buch

🎧 Somewhere in the Static – A Dreamy Protest Song Made from Real News
A warm, analog-inspired ballad stitched from global chaos… by NewsMoose

Hey there, listener.
Ever felt like the world’s falling apart, but the songs on the radio feel... hollow?
This one’s different.
“Somewhere in the Static” is a 1960s-style harmony-driven song made from real headlines—layered in vibraphones, theremin, upright bass, and finger-plucked hope. It’s what the world might sound like... if we actually stopped and listened.

This isn’t just a protest song. It’s a soft rebellion.

🌍 Perfect moment to listen to this:
Late at night, when the headlines hit harder than the beats

Driving alone, thinking deeply about where we’re all headed

Anytime you want to feel calm and connected to the real world

🗞️ Real Headlines, Quietly Woven In:
🇮🇱 Gaza aid workers shot, environmental flotilla intercepted

🇺🇸 Trump supports Newsom arrest, unrest calls in National Guard

🇨🇴 Violence erupts at political rallies in Colombia

🇨🇦 Canada ramps up NATO defense spending

🌊 UN Ocean Summit begins

🤖 Getty sues Stability AI in a landmark creative rights case

💣 AI weapons escalate, threatening global peace

🇺🇦 Ukrainian researchers keep publishing despite war

🎾 Coco Gauff wins French Open — the one headline filled with hope

🎙️ Lyrics – Somewhere in the Static
vbnet
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[Intro]  
somewhere in the static hum  
where no wires come undone  
there I hum a quiet tune  
hoping peace might follow soon  

[Verse 1]  
eye wanna bee where the sky feels clear  
not where sirens ring in fear  
eye wanna bee where the sea don't burn  
where tides don't turn from what we learn  

[Chorus]  
always searching static peace  
held inside a dream  
thought the silence meant release  
but it's louder than it seems  

[Verse 2]  
eye wanna bee where the books still grow  
not where AI calls the show  
eye wanna bee in a common song  
where borders fade but voices strong  

[Verse 3]  
eye wanna bee where no guards wait  
not in streets that simmer hate  
eye wanna bee where the laws still bend  
toward justice that don’t pretend  

[Chorus]  
always searching static peace  
held inside a dream  
thought the silence meant release  
but it's louder than it seems  

[Outro]  
this ain’t just a song — it’s a sign  
from moose who reads between the lines  
if you felt the truth, come back and roam  
but if not — thanks for stopping home
🔁 If this moved you:
👍 Like the video — help the algorithm amplify empathy

🔔 Subscribe to join a movement where music meets journalism

📢 Share this with someone who needs to feel the news, not scroll it

💬 Drop a comment: Which lyric or headline hit you hardest?

🎨 Visuals by NewsMoose
Our cover art blends war imagery, news collage, and a silhouetted moose who stands still while the world burns. Because sometimes, the quietest voice says the most.

This is NewsMoose.
Where every melody has a headline.
New songs. Daily news. Real feelings.

Somewhere in the static

This song has been floating around since 2013. It was played and recorded with both Pixels and Bendays in the years between now and then. Never happy with any of the recorded versions, decided to take a stab at it for this 'solo' record I've been chipping away at since last year. 

This version:
Guitars - July 2024
Drums - September 2024
Bass, Synth and Vocal - July 2025

Haven't drafted any lyrics yet so repeated some none-sense lines to try out the new vocal melody. 

Photo - video still from July 2024 Hi8 footage of making my 'solo' album.

World Clock (rough mix July 2025; scratch vocal)

recording from 'maybe not beijing' @postpost beijing, in honor of the beautiful sunny days nomading around the mother earth.

spiritual getaway @postpost 0817

Single Art illustrated by Chris Peslak

Aaron Gold - Drums, Percussion
Mark Clifford - Vibraphone
Robert Shelton - Minimoog 
Christian Carpenter - Vocals, Juno 60, Guitar, Bass, Drum Programming

Written and produced by Christian Carpenter
Recorded by Robert Shelton
Mixed by Jake Aron
Mastered by Chris Gehringer

Prospecting

Always did hate to wake up
Never wanted to try
Rather refuse relations
Fantasy's fine
There's no logic in this brain
Simply sustained illusions
Options that paralyze 
A diminishing constitution
Nourished at night
Out prospecting every face

If it takes time
I will never choose to wait
I refuse to ever 
Face the risk of
Hedging on relief
If it takes time
I will never choose to wait
I prefer to always face the risk of
Hedging on the dream

Alone in the simple movements
Falling asleep at night
Choices not worth refusing
A freedom that's light 
Waking up in your own way
This honesty is amusing
Archaic and imprecise
The tactic that spawns confusion 
is always advised 
We can't speak this all away

If it takes time
I will never choose to wait
I refuse to ever 
Face the risk of hedging on relief
No faith to find
Is there any left to claim?
Sifting through the silt 
I wade prospecting for another dream

Wade prospecting for another dream
Wade prospecting for another dream
Wade prospecting for another dream

Always did hate to wake up
Never wanted to try 
Rather refuse relations
Fantasy's fine

Building sustained illusions
Reality compromised
Diminishing constitutions
Flourish in flight 

If it takes time
I will never choose to wait
I prefer to always
Face the risk of
Hedging on the dream
If it takes time
I will never choose to wait
I refuse to ever face the risk of
Hedging on relief
No faith to find
Is there any left to claim?
Sifting through the silt 
I wade prospecting for another dream

Prospecting

Arwen Lewis is a musician, songwriter, OMAD records recording artist, and radio/podcast host on The Arwen Lewis Show.  The Arwen Lewis Show features accomplished and upcoming musical artists through interview and song plays to celebrate their careers in the music business.

arwenlewismusic.com

Instagram: @arwenlewis
Instagram @thearwenlewisshow

Facebook: Arwen Lewis

NewsMoose is where music meets the moment. Founded by Sanjay, this genre-bending channel transforms global moods and fascinating facts into unforgettable songs that stick in your head and stir your heart.
Each track is a sonic snapshot of the world—whether it’s a quirky historical tidbit, a breathtaking natural wonder, or the emotional pulse of today’s headlines. NewsMoose doesn’t just report the world—it sings it.
From the cliffs of Prince Edward Island to the streets of Tokyo, NewsMoose blends storytelling with melody, crafting tunes that are as informative as they are addictive. With a style rooted in folk-pop, world fusion, and ambient vibes, the channel invites listeners to hum along while learning something new.
Whether you're chasing curiosity or just need a soundtrack for your day, NewsMoose is your musical passport to the planet’s wonders and whispers.

Record Label - from imagination and beyond!

NocturnalSol, a division of Heyday Media Group

The tracks posted here do not appear anywhere else and will include demos, outtakes, and rough mixes.

I've been writing and playing music since the year 2000. Past projects/bands of mine include the Bendays (2013-2022), Pixels (2012-2018), Green Bean/Short Wave (2004-2009), Doo Radley (2008-2011) and Ataraxis (2001-2005). 

I'm currently working on a solo record (started in late 2024) and playing with an, as of now, nameless trio with my wife (Jessica from youngest Sun) and our friend Lawrence.

This account will share past recordings and current demos/rough mixes for my album in progress.

Luah is Brendan Sullivan & co, a musician and artist living and working in Kingston NY - by way of Baltimore, born in South Florida.

Since the early 60's my life was music, recording studios and radio stations. And since the AM band was shut down in most parts of Europe, I think it's time now to remember and bring back a bit from those "Golden Days of Radio". Listen and enjoy!

inquiries: kirrilschreiber@gmail.com

Kirril - II [TAR187] Official Video
https://www.youtube.com/watch?v=EXm694fPo0M

https://hatredmeanswarzine.blogspot.com/2022/02/kirril-interview.html

New tracks tagged #Analog Recording