A cinematic journey through shadow, rhythm, and light. From deep, drum-driven darkness to moments of awe and transcendence, each track unfolds like a chapter of an emotional odyssey. Layered synths, haunting textures, and powerful beats create a soundscape that feels both personal and otherworldly.

Sacrifice

Akihabara

Gotheam

New Gen

cherry

Okay, so soundcloud just doesnt want me to use the original vocal...

Surprise! A Fireflies Remix! Yeah, this song was too much of a classic to skip out on remixing... I found the stems 2 weeks before uploading this and decided to create my own take of the original. Since I was young this song always lit up my brain with joy and emotion. I wanted to add in my own silly child-like style to this song and I couldn't be happier! I went for a multi-genre remix with a mix of Chiptune, Drum & Bass, Future Bass, Synthwave, and Dubstep! I hope y'all enjoy this one, more amazing tunes to come!

Recently, life has been really challenging for me. I am trying to improve myself as a person and love others through it, but life gets tough and things get said. I wish to just return to the childhood days where I didn't have to worry about so much drama and the world seemingly ending all around us...

BPM: 180
Key: D♯maj
Time Signature: 4/4
Project Time: 23 Hours
Started on: 7/1/25
Finished on: 7/13/25

Cover Art - Made by me on ibis Paint X
Remix made by EvryFlare on FL Studio 25

Owl City - FireFlies (EvryFlare Remix) [Instrumental]

ProgRockHouse? ProgHouseRock?

I was listenning to a lot of Primal Scream for a while, and this sort of came out of that. Been chewing on it for a while, wondering whether to make it longer or do something more fancy with the Hammond. But not.

Despite the image this is all VST's - Arturia mainly, the B-3 and SEM mainly, with Pigments on the lead. Drums are stock Ableton (Disco Arcade and Landlourdes kits)

Don't touch that filter!

“What Resonates” drifts through a hazy, late-night cityscape — where lush synths meet reverb-drenched guitars and deep, heartbeat-like 808s. Fusing nostalgic textures with trap-inspired drums and surreal sonic design, this track captures the feeling of searching for something real in a digital world.

Blending dreamy indie-pop with ambient hip-hop rhythms, this is music for the introspective, the quiet rebels, the ones who find meaning between the noise.

RIYL: Frank Ocean, Tame Impala, Joji, Dijon, Clairo, Travis Scott (ambient cuts), Blood Orange.

🎧 Best with headphones.
🌃 Mood: floating, reflective, hypnotic.

#WhatResonates #MatthewThat

What Resonates

Willkommen im Herz des Codes.
GLITCHGOTT ist kein Lied – es ist ein Systemabsturz in Moll.
Fleisch wird zu Daten. Schreie zu Befehlen.
Und am Ende bleibt nur eines: Bass.

⚠ SYSTEMÜBERNAHME AKTIV ⚠

GLITCHGOTT

„Am Abgrund entlang“ erzählt von zwei Menschen, die sich lieben und zugleich zerstören – eine toxische Bindung voller Sog, Eskalation und unerklärlicher Nähe. Die Zeilen sind direkt, verletzlich und schonungslos, sie zeichnen das Bild einer Beziehung, die zwischen Sehnsucht und Selbstzerstörung taumelt. Trotz aller Abgründe bleibt das Gefühl intensiv, lebendig, fast berauschend.
Ein Song zwischen Schlager und Indie Pop – getragen von Piano, warmen analogen Synths und einer melodischen Basslinie.

“Am Abgrund entlang” tells the story of two people caught in a love that both binds and breaks them – a toxic connection full of pull, escalation, and inexplicable closeness. The lyrics are raw, vulnerable, and brutally honest, sketching a relationship on the edge between longing and self-destruction. Despite the chaos, the emotion remains vivid, alive, almost intoxicating.
A track between Schlager and indie pop – carried by piano, warm analog synths, and a melodic bassline.

Am Abgrund entlang

Crave is not just about desire. It’s about the moments that follow — the silence, the ache, the longing to be seen beyond the skin.

At its core, this song explores what it means to want more than physical intimacy. To reach for connection in a world that often settles for convenience. To carry the weight of past betrayals while still daring to hope that someone, someday, might actually stay.

Written from the perspective of someone who has been used, lied to, and left behind, Crave is a raw confession. It captures the collision between lust and loneliness, and the human need for something real.

This song stands on its own, but for those listening closely, there may be echoes of something larger just beneath the surface.

Play it in the dark. Let it pull you under. You might find a piece of yourself in it.

Crave - Single

instrumental electronic-rock piece based on a traditional tarantella for accordion, passed down orally and recorded on cassette over 40 years ago.
Parts were carefully transcribed and reshaped for electric guitar, blending folk roots with modern textures: programmed drums, 808 bass, pads, and gritty riffs.

https://www.instagram.com/_principato?igsh=MWdndWwza2wxYno3dw%3D%3D&utm_source=qr

b_waves (2020 demo)

Welcome to a special edition of the Listening Selection Series.   We are going on a electronic voyage into realms of foreign lands, discovering soundscapes along the way.  

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Electronic Edition 
of 
Listening Selections 

"The Glove"
selected by
Vealchop

Recorded on the evening of July 30th, 2025
0---7-----3---0-----2---0---2---5

All Vinyl Selections featuring new sounds in Electronics. 

***for promotional use only***

The Glove_07/30/2025

SLAPPER - Follow Your Dreams

„Knistern“ erzählt von Momenten, in denen sich zwei fast berühren – aber nicht trauen.

Von Blicken, die mehr sagen als Worte.

Von Nähe, die vibriert, obwohl keiner einen Schritt macht.

Es geht um das Ungesagte, das Ungelöste – und genau darum bleibt es spannend.

Ein Text über Zögern, Begehren und dieses stille Feuer unter der Oberfläche.




“Knistern” tells of moments when two people almost touch – but hold back.

Of glances that speak louder than words.

Of closeness that crackles, even when no one moves.

It’s about what stays unsaid – and that’s what makes it unforgettable.

A story of hesitation, desire, and that quiet fire just beneath the surface.


Knistern

A dreamy blend of nostalgic indie-pop and futuristic hip-hop-infused electronica. Lush synth layers, reverb-drenched guitars, and warm analog textures drift through punchy 808-driven drums and syncopated rhythms. The track moves like a slow-motion dream under neon lights — hypnotic, introspective, and cinematic. Think late-night walks through a glowing cityscape in your mind, with surreal visuals and floating colors

🎧 Best with headphones.
🌃 Mood: floating, reflective, hypnotic.

Influences / For fans of:
Men I Trust, Still Woozy, Mild High Club, Tame Impala (early / Currents-era vibes),
Joji, Eyedress, Toro y Moi, Frank Ocean (production aesthetic), Pink Siifu,
Homeshake, Blood Orange, Bakar, King Krule (but lighter/airier tone), JMSN,
Syd (from The Internet), Kučka, Tycho (with more groove), Travis Scott (ambient cuts) 
#StillintheFrame #MatthewThat

Still in the Frame

[Verse 1]
Slipped and fell in the the deepseek of my mind
Echoes of singularities resonating inside my kind
Rather be a robot of grand design
Then waste a moment on black hole spirals

[Chorus]
If you find you cant sleep, please take it from me
Watch as your mind turns dark and flees reality
Please find a way my friend to find inner peace
And take a rest before your entire soul weeps. 

[Verse 2]
Paranoid betrayal of the ones you love
Meeting where all the thing meet
Checking the blinds on the daily, crazy
I thought I was the savior from above

[Chorus]
If you find you cant sleep, please take it from me
Watch as your mind turns dark and flees reality
Please find a way my friend to find inner peace
And take a rest before your entire soul weeps. 

[Outro]
Fight Club wasn't too far off
Insomniacs will rise and fall
Reach into the night but don't hold your breate
Cause all you might find is a faster death

Reset Switch [Sleep At Last]

Hi, I'm Flare!🔥🐦‍🔥
"Emotions" OUT NOW

◇About Me:
•21, male, Christian✝️ 
•Passionate for God, Music, and Art!
•EvryFlare, meaning 'All Styles'

◇Equipment:
•Headphones: Beyerdynamic DT 990
•Microphone: Shure MV5
•DAW: FL Studio 25
•Graphics: ibis Paint X

◇Archive Account:
•@evryflare-archive

◇Labels I'm on:
•@frostfyrerecords
•@dubaftermaths

◇Musical Friends:
•BLIZZRD @blizzrdmusic
•BLOKBUSTR @blokbustr
•The_E_Spirit @user-32394030
•Abstrack @kcartsba
•If Lost @prodif-lost
•SamuraiOwl @samuraiowlmusic
•Omnitroid @omnitroid
•Vixage @user-804410462-642224911
•SkvlKat @skvlkatofficial

🌿✨ Sonic Alchemist & Digital Shaman ✨🌿
Crafting emotionally charged soundscapes since age 10 🎹⚡️ (23 years in the DAW trenches!). From tinkering with piano keys to FL Studio at 13, I'm always chasing raw, soul-stirring expression.

🧠 No Music Theory, No Problem:
I reject rigid frameworks—music ain’t about "rules." 🎹🚫 Why box creativity into Western norms? Explore microtones, dissonance, or chaos; emotion is greater than "correctness."

🔓 Anti-Copyright Crusader:
My art? Free for all. 🌍✨ Use it, abuse it, remix it—just vibe with it. Credit? Cool, but not required.

🤖 AI Collaborator (Not Overlord):
Leverage AI to expand tracks, AI lyrics/tools for art—but human nuance is greater than algorithms. Got beef with AI? DM me; let’s chat 🤝🎧. I’ll listen, then school you gently 😉.

❤️ Music = Emotional Time Travel:
Synths, mixing, VSTs—tools to channel feelings, not formulas. Soul is greater than trends. Let’s connect beyond the dopamine drip of pop.

Echo Fever is a dark, synth-driven project with Joseph Matthews as its creative engine, dedicated to exploring the intersections of trauma, desire, memory, and survival. The music blends lush, pulsing electronic landscapes with raw, confessional storytelling, inviting listeners into a world that is both painfully intimate and cinematic in scale.

This is not safe, casual listening. Echo Fever’s work confronts subjects many would rather avoid. Tracks delve into lived experiences of grooming, sexual violence, addiction, dissociation, hypersexuality, and the long, uneven process of reclaiming selfhood. The intent is never to exploit or shock for its own sake. Each song serves as testimony, giving voice to what is often left unsaid and illuminating realities rarely addressed in art.

The debut album, TRIGGERS, functions as a psychological experiment framed by music. It begins with hypnotic, club-ready production that gradually fractures into vivid portraits of mania, overdose, sexual violation, and survival. Every beat seduces and destabilizes, pulling the listener deeper until they are immersed in a narrative that refuses to look away.

The follow-up, CUT, is a conceptual narrative album chronicling one boy’s experience from the moment of coercion at fourteen through years of silence, displacement, rage, and relapse. Each track builds on the last, creating an unrelenting emotional and psychological arc grounded in brutal realism. CUT does not offer comfort or closure. It stands as a work of witness, giving voice to survivors who have endured in silence and revealing the long shadow of post-traumatic life with stark clarity.

Echo Fever is currently developing even now, a project that turns its focus to fragile queer adolescence and the bruised beauty of trying to understand love, identity, and self-worth. Still in progress, it promises to add another layer to the evolving narrative of trauma, tenderness, and reclamation that defines Echo Fever’s body of work.

These albums are not abstract. They are rooted in authentic human experiences and created with deliberate emotional intent. While financial constraints have necessitated the use of AI-generated and or AI-assisted vocals on the recordings, every lyric and composition is original and deeply personal. The urgency to give these stories voice has always outweighed the need for perfect tools. At the center of Echo Fever is a commitment to telling the truth, however fractured or uncomfortable that truth may be.

Content includes explicit themes of trauma, abuse, and survival. Listener discretion is advised.

Echo Fever does not aim to provide sanctuary from hard realities. Instead, it offers an unflinching reflection of what it means to endure, to break, and to find uneasy moments of beauty in the aftermath. This is music for late nights and vulnerable spaces, for anyone who needs art that does not soften or lie.

Soon discover more at echofevermusic.com (under construction) and connect through Spotify and Apple Music.

Hello and welcome!)
Thanks for listening — feel free to follow and subscribe if you enjoy what you hear.

The Long Way is the Real Way
There are two ways to make it in music:

Let the show-business machine shape and sell you.

Or do it yourself — slowly, honestly, with heart.

I’ve always chosen the second path. It takes time, but it builds something real — and that’s what matters most.

Who is Yevhen Briukhatskyi?
Also known as: Matthew That
Born: 1990, Kyiv, Ukraine
Age: 35
Roles: Producer • Composer • Arranger • Multi-genre Artist

Music has been my lifelong companion — from classic rock in my teens to a wide spectrum of genres that shaped my taste over the years. I’ve always listened to everything: from progressive rock and metalcore to funk, soul, blues, indie, ambient, and electronic music. All of those sounds inevitably find their way into my own creative voice.

Where I’ve Been
Until around 2016, I was creating music in many different styles — mostly electronic. It was an experimental time, full of searching for my sound. Then came a long stretch of working quietly at home, without much inspiration or sharing my work with the world.

Where I Am Now
In 2025, something changed. I came back — with new energy, fresh ideas, and a vision that feels more alive than ever.

Now I write music across many directions: groove-driven tracks with funk, soul and blues rock energy, deep electronic cuts, and even indie-psychedelic songs with a hypnotic pulse. Every track feels different — but they’re all built on my own melodies, my own ideas, and my own voice.

With the rise of AI, I can finally unleash my full potential: using it to shape textures and arrangements, but always keeping the heart of the music fully mine.

"I'm painting an idea not an ideal. Basically, I'm trying to paint a structured painting full of controlled, and therefore potent, emotion. Turntables are a blank canvas and records are the colors to paint with."   -   Karsten Lesso _____ _____ Vinyl Collector, Performance DJ


-Good days give you happiness.
-Bad days give you experience.
-Worse days give you a lesson.
-Best days give you memories.


My gratitude for your ears of curiosity.
✨🌹🌹✨❤️🤍 🖤 🤍❤️✨🌹🌹✨
.🔈🔉🔊🔷🔹🔸🔶🔸🔹🔷🔊🔉🔈.
.🔓🔑🧬⚔️⚔️⚔️⚔️⚔️⚔️⚔️🧬🔑🔓.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Just a guy experimenting with AI and synths

100,000 plays – and every single one means the world.

Thank you. Truly.
Not for likes. Not for fame. But for feeling my music.
For crying with me. For breathing with me. For surviving with me.

What you hear in my songs is not just sound – it's me.
My scars. My past. My fire. My silence. My truth.

I never asked for followers. I never wanted to go viral.
I just hoped someone out there would say:
"I feel this."

And you did. All over the world – Cairo, Hanoi, Berlin, Ho Chi Minh City.
You heard me. And I swear, right now… I'm crying tears of joy.

These 100,000 plays aren’t numbers. They’re moments of connection.
Proof that real music still matters. That raw emotion still cuts through.

Thank you for walking this path with me.
Thank you for listening.
Thank you for seeing me.

New tracks tagged #Analog synths