opus 155,2 - Konzertstück für Englischhorn und Orchester c-moll

101 bpm. I am quite sure the genre isn't really "Industrial", but several elements does support it somewhat, including 2 electric guitar vst's with modifications and few slight rock elements.

I am absolutely sure there is certain genre for this. Inform me by whoever knows it.

Black Lime Stake

枯葉の厚い絨毯の上に
夕闇の静けさの中に
ただ鈴虫の声が響く
街が焦げていく
なにか全てにとっての
最終回みたいな
さわやかな切なさが
ふいに心揺らす
秋の道

街灯がそろそろつき始めて
肌寒さを感じ始めたよ
枯葉の匂いが寂しくて
僕はポケットに手を入れた
町あかり窓から漏れる
夕飯の香りが
黄昏に僕を閉じ込める
一人暮らしの
帰り道

帰り道

Andante Patetico e Doloroso is a 1918 photoplay composition by Gaston Borch (French, 1871-1926). According to its subtitle, it was intended "for deep sorrow, sickness or death". It's a slow and gentle piece in the late romantic/classical orchestral style.

This all-new recording was produced by @MLucas using OMR. The OMR process starts with a digital scan of the original theater orchestra sheet music. The scans are converted into music xml using SoundSlice and then assembled into a score in a professional music notation program. The resulting score is opened as MIDI in a DAW (Logic Pro) and each part assigned a sampled sound and then edited and mixed.

Cover art by MLucas.

Public Domain, No Rights Reserved.

Andante Patetico e Doloroso (Gaston Borch)

Dreamy piano andante in F major.

Composed, performed and produced by Phil Justin

#elohim #pianosolo #sibelius

Elohim

A dream became a sentence.  A sentence became a poem.  A poem became a song.  
A divine fragment, reflected in a dream, manifested in sound. This is its melody, this is its echo.

~The Sound of Creation. 
The Language of God.~

~The language of God, in all I see,
Forever and always, You speak to me,
The sound of creation, Your voice so clear,
In every whisper, I know You’re near.~


LYRICS:

Verse 1: 
In the stillness of the night, I hear a sound,
A whisper in the quiet, where peace is found,
Every star that lights the sky,
Speaks of wonders far and wide.

Pre-Chorus: 
In the rhythm of the rain, in the rustling leaves,
I feel Your presence, bringing me to my knees.

Chorus: 
The sound of creation, echoes in my soul,
A symphony of life, making me whole,
From the mountains high to the oceans deep,
Your love is the song that my heart will keep.

Verse 2: 
In the dawn’s first light, Your grace unfolds,
In the quiet of the day, Your peace takes hold,
Every heartbeat, every sigh,
Tells the story of the sky.

Pre-Chorus: 
In the laughter of a child, in the tears we cry,
I hear Your language, reaching from the sky.

Chorus: 
The sound of creation, echoes in my soul,
A symphony of life, making me whole,
From the mountains high to the oceans deep,
Your love is the song that my heart will keep.

Bridge: 
In the chaos and the calm, You make me whole,
In the fire and the cold, You heal my soul,
Every moment, every breath,
In Your love, I conquer death.

Chorus: 
The sound of creation, echoes in my soul,
A symphony of life, making me whole,
From the mountains high to the oceans deep,
Your love is the song that my heart will keep.

Chorus: 
The sound of creation, echoes in my soul,
A symphony of life, making me whole,
From the mountains high to the oceans deep,
Your love is the song that my heart will keep.

Verse 3: 
The language of God, in all I see,
Forever and always, You speak to me,
The sound of creation, Your voice so clear,
In every whisper, I know You’re near.

Chorus: 
The sound of creation, echoes in my soul,
A symphony of life, making me whole,
From the mountains high to the oceans deep,
Your love is the song that my heart will keep.


~By faith we understand that the universe was created by the word of God, 
so that what is seen was not made out of things that are visible. 
(Hebrews 11:3)~

A very special thanks to our producer Pedro Bossio at Powerhouse Studio in Austin TX!

Sound of Creation

NIGHTSKY

Searching spiritual poetry rapped, spoken and sung over lush baselines, atmospheric electronics and a floating piano line. This is religious music with a beat.

In Rise and Fall

Intro

I closed my eyes, sun burned bright,
Colors bled into the night.
Time dissolved, a flame that died,
Whispers scream, I can’t hide.

Verse 1

A melody cuts, sharp and slow,
Through a dream I’ll never know.
Every note, a jagged tear,
Love I lost, still choking here.

Pre-Chorus

She was there, I reached too late,
A fading ghost sealed my fate.
Her voice rips, won’t let me go,
A wound that bleeds through every blow.

Chorus 

She’s the echo of a star, crashing through my veins,
Burning in the dark, driving me insane.
Never mine to keep, tearing at my core,
A love that breaks me down, I’m screaming for more!

Verse 2 

Morning stretched, shadows bite,
Every sound a losing fight.
A fleeting ghost, a brutal tune,
Echoes howling at the moon.

Pre-Chorus

She was there, then turned to dust,
A burning scar I can’t untrust.
Her voice slams, a cruel beat,
Drags me under, no retreat.

Chorus 

She’s the echo of a star, crashing through my veins,
Burning in the dark, driving me insane.
Never mine to keep, tearing at my core,
A love that breaks me down, I’m screaming for more!

Outro

Light burns out, her song won’t die,
A raging ache, my last goodbye.
She’s my star, lost in the roar,
Echoes crash forevermore.



Crashing Star

They say that those in the forest can hear the screams of those who got lost in it before if they prick up their ears and listen...

An experimental piece that I wrote as a test for a personal project in Unreal Engine 5, but it turns out that I like it quite a bit. 

Tension

This is a track I wrote for a personal Unreal Engine project; this is meant to act as a motif for a much larger work, but as-is it's a simple but heartbreaking piece. 

I had a lot of fun using the Noire piano for this!

Lonely Vessel

Acoustic genre, soulful, haunting, loving, song for grieving with peace to release. For whole track see my Spotify. Thank you :-)

Be An Angel  (Part of track)

09 - (Unknown Artist) - 52DANIELEXXX x JASIO12 (REUPLOAD)

Enjoy this beautiful Harpsichord Piece - in my own Organ Transcription - by the Belgian baroque composer Joseph-Hector Fiocco, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Fiocco J.-H. - "Andante" from "Pièces de Clavecin" op. 1 (organ)

opus 158 - Konzert für Violine und Orchester Nr. 3 g-moll 2. Satz

Expose your young band to significant literature early on with this excerpt from Tchaikovsky's famous fantasy overture.  Lyrical writing with colorful harmonies make this an ideal piece for concerts and assessments.  Available from C. Sharp Music, Inc. at www.csharpmusic.net

CB-1045_Andante

Orchestral backing track for the iconic Habanera from Carmen (Bizet), 100% performed with virtual instruments:

Berlin Strings, Berlin Woodwinds, Berlin Brass, Berlin Percussion (Orchestral Tools)


🎤 Ideal for: Mezzo-sopranos, opera rehearsals, auditions, or studio recordings.
💼 Need a custom tempo/key? DM for tailored versions or other opera/musical backing tracks.

Carmen Habanera Backing Track | L'amour est un oiseau rebelle (Bizet)

"Depression & Resolve – Viola Concerto"
A deeply personal orchestral piece in two movements.
Movement I (Adagio): A dark, emotional journey through depression.
Movement II (Andante): A bittersweet search for peace and acceptance.
Composed entirely with free orchestral VSTs (VSCO & VPO) in Cubase 12.
This is my first orchestral work — I hope it resonates with you.

Depression & Resolution

Wer hier "moderne" Musik erwartet oder gar einfordert, muss sie anderen Ortes suchen. Ich fühle mich ganz und gar der romantischen Musikausrichtung des 19. Jahrhunderts verpflichtet und versuche ihr wieder Leben einzuhauchen.
Oder auf Englisch:
I see myself in the continuation of classical traditions and try to create music in the style of romantic composers of the 19. century. So I regret to let miss any modern style or understanding of present tastes... look for them please at other places. 
Like an old saw, all is already said, but not by everyone.
Was nicht heißt, dass ich nur in der Vergangenheit umherstreife.....

"If you were not good enough, that means there is room to improve"


E-mail: N/A ( Under construction )

"Professional Composer & Music Producer | High-Quality Virtual Instrumentation

Welcome to my SoundCloud! I specialize in crafting premium backing tracks, production music, and custom compositions using top-tier virtual instruments (Orchestral Tools, Berlin Series, and more). Whether you need cinematic scoring, dynamic arrangements, or polished demos for your projects, I deliver rich, realistic, and emotionally compelling soundscapes tailored to your vision.

Let’s collaborate! DM for commissions, licensing, or custom work. #ComposerForHire #ProductionMusic"

I love playing with words, finding new ways to put them together to express what I feel. I hope my poems encourage others to share their feelings openly and honestly. My aim is to paint pictures with words, making them sing in a way that touches everyone's heart and mind. Through my poetry, I want to create moments that everyone can see themselves in, exploring emotions and thoughts that connect us all.

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

This is the sonic portfolio of Deku-P, also known as Matcharomateks.

I am an electronic composer who specializes in atmospheric music, specifically those that can give the listener a strong sense of place. 

This is a collection of works that I have written from 2018 to now.

For all business inquiries, please email matcharomateks@gmail.com. 

Thank you!

Phil Justin is a composer, performer, arranger and producer. He has done projects under the monikers of Ozone Ghost, Pleiadian Agenda, and Shatter the Matrix, as well as other projects and working with bands and artists. Phil also writes alot of orchestral music for both soundtracks and the performing arts, as well as huge orchestral transcriptions of famous piano works. Phil Justin currently has over a dozen album projects: ranging from bombastic symphonic scores to many styles of electronica, as well as funk, jazz, metal, rock, world music and solo piano. Enjoy it :)

Catherine Taylor Dawson is a  singer songwriter / professional musician/ recording artist. 
Her music collaborations and recording work are extensive and versatile, from commissioned work recreating vocal performances of established artists, to live club PA's and writing/recording with other artists and producers in numerous styles & genres.
Her style and messages are that of the journey of healing, inspiration and positivity.

Public Resource is a non-profit organization based in California. We believe universal access to human knowledge is the great promise of our time.

New tracks tagged #Andante