A twangy snarl from the secretaries of punk. “More” blends deadpan sass, raucous glam riffs, and a vengeance-fueled stomp. Dolly Parton with The Dead Kennedys' brass knuckles.

A scream into static. “More” is the spark of rebellion, when numbness shatters and the want surges through like voltage.

Elbow Don't Have Eyes

MORE

You said you’d keep your lights outside 
My heart and I don’t breathe
Let’s go outside so we can talk about it

I need you now come dig me out
Somewhere I can’t be
I found myself
Know yourself sing to me

I know you’re gonna kill me
I need your love it’s endless
Like I need you now
Like I need you now
Like I need you now

You keep your light on when you walk outside
And the trees are brown
You know what you said keep your menthol hid
It’s 9 o’clock
And you hold your hands up just like this

I know you’re gonna kill me
I need your love it’s endless
Like I need you now
Like I need you now
Like I need you now

Dig Me Out

I don’t wanna be your boyfriend anymore
I don’t wanna be your girlfriend anymore
I don’t need to know that my hair looks like a boy
I don’t need to know that my hair looks like a boy

I don’t wanna blame a cellphone anymore
I don’t wanna beat myself up anymore
I don’t need to know that my hair looks like a boy
I don’t need to know that my hair looks like a boy

Hang on
You said I suck
I know I don’t

I don’t wanna blame a cellphone anymore
I don’t wanna have a cellphone anymore
I don’t need to know that my hair looks like a boy
I don’t need to know that my hair looks like a boy

Baby don’t on my cellphone anymore
I don’t know her cellphone anymore
I don’t need to know that my hair looks like a boy
I don’t need to know that my hair looks like a boy

I said I want it
Incinerate it
I know you won’t

Say you wanna be here?
Everybody needs you
Everybody needs you

So everybody needs you
Everybody needs you
And you know you gotta be
Everybody needs you

Cellphone

Someones calling at the station
I don't know something girl
You know it’s submission
I say am I selling short

Cause I don’t care
I don’t care
I don’t care
I don’t care

I don’t care
I don’t care
I don’t care
I don’t care

You say your love’s only fine
All innocent you turn me on
You know it’s over at 8 o’clock
Back up, sad than cheerful

Everything you say it’s all a game yeah
It’s complicated you’re over my head
It’s all in my head it’s complicated
You’re overrated don’t fuck with my sad

Cause I don’t care
I don’t care
I don’t care
I don’t care

I don’t care
I don’t care
I don’t care
I don’t care

Elaine
Elaine
Elaine

I just want to feel a let-down 
I just want to feel a let-down 
I just want to feel a let-down 
I just want to feel a let-down 
I just want to feel a let-down 
I just want to feel a let-down 
I just want to feel a let-down
I just wanna feel let down

Care

Highway driving
Feeling something
Gone nowhere
Float 
Stay in rhythm
She’s all dressed to get it done

Highway driving
Feeling something
Going so fast
I don’t know when
She’s a time bomb
Elevation

I like when you sew yourself into my hand
I like you like that
She’s all dressed to get it done in my heart in my hand
I like you like that

Highway drive
It’s all I know
And there’s summers in your eyes
I don’t look like I’m now
And their souls in my head
And I don’t like you in bed
And there’s summers in my heart
Heart is in my harder
And I know this is a cure
And I know this is a cure
And I know this is a cure
And I know this is a cure
And I know this is a cure
And I know this is a cure
And I know this is a cure
And I know this is a cure

I like when you sew yourself into my hand
I like you like that
She’s all dressed to get it done in my heart in my hand
I like you like that
I like when you sew yourself into my hand
I like you like that
She’s all dressed to get it done in my heart in my hand
In my heart in my hand

Highway Meditation

[Verse 1]
She says,
It helps with the lights out.
Her rabid glow
Is like braille to the night.

She swears
I'm a slave to the details,
But if your life is such a big joke,
Why should I care?

[Chorus]
The clock is set for nine,
But you know you're gonna make it eight,
So that you two can take some time,
Teach each other to reciprocate.

[Verse 2]
She feels that my sentimental side
Should be held with kid gloves,
But she doesn't know
That I left my urge in the icebox.

She swears
I'm just prey for the female—
Well then hook me up and throw me, babycakes,
'Cause I like to get hooked.

[Chorus –Variant]
The clock is set for nine,
But you know you're gonna make it eight.
All the people that you've loved—
They're all bound to leave some keepsakes.

I've been swinging all the time.
Think it's time I learned your way.
I picture you and me together—
In the jungle, it will be okay.

[Bridge]
I'll bring you when my lifeboat
Sails through the night—
That is supposing that
You don't sleep tonight.

[Verse 3]
It's like learning a new language,
Helps me catch up on my mind.
If you don't bring up those lonely parts,
This could be a good time.

It's like learning a new language—
You come here to me.
We'll collect those lonely parts
And set them down.

You come here to me.

[Outro]
She says brief things,
Her love's a pony,
My love's subliminal.

She says brief things,
Her love's a pony,
My love's subliminal.

She says brief things,
Her love's brief,
My love's subliminal.

She says brief things,
Her light is brief,
My darkness eternal.

———

"Subliminal Love" is a jagged, cinematic ode to miscommunication and intimate irony—where one love flickers, and the other haunts. Driven by post-punk guitar swells and brooding baritone vocals, this E♭ Major anthem conjures the ghost of Interpol through angular riffs and subliminal ache.

A relentless, rapid pulse. A name that lingers even when she won’t.
Stream. Repost. Fade in.

———

Genre: Post-Punk Revival  
Key: E♭ Major  
BPM: 133  
Time Signature: 4/4

———

A tribute to the legendary band 'Interpol'.

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

Subliminal Love

Oxford post-hardcore Fugazi-influenced trio

Achilles (Live July 2025)

Cats Eyes (Live July 2025)

Untitled (Live July 2025)

My new single "DREAMING AWAKE" is out now today on all platforms! From my upcoming album "Euphoric Melancholy".

This was the starting point of my album, when in the winter of 2020 an existential music jam i recorded became this track and kicked off my belief in making my own music again, after a period of writers block following my first album "Vertigo At History's Edge".

I wanted to push the boundaries of what I was capable of as a musician and this track became a 9 minute epic full of shifts in texture and mood with big instrumental moments, again with myself playing and singing every part and mixing every second.

I also wrote this facing the end of my 20s and it was about that reckoning with the inevitable passing of time, and the power that realization gives us to risk it all and take a chance on ourselves and the things we believe in; to rage against the dying of the light.

This song, as well as all of the others on Euphoric Melancholy, are a kind of emotional cartography of the journey I went on to become who I am today.

Euphoric Melancholy - out 26th September 2025!

Dreaming Awake (Single)

Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.

Spinner Fall
Tim Darch bass, vocals
Toby Coates drums
Andrew Thompson guitar

twitter @spinnerfall_OX4

From Oxford's Nightshift magazine review January 2012:
Spinner Fall feature
former members of Oxford hardcore
pioneers Skydrive and Callous as
well as post-rockers From Light To
Sound but bear only a passing
resemblance to any of those, opting
instead for an intensely turbulent
noise that somehow marries
shoegaze glissando with a postpunk
brittleness and a throat-shreddingly
hectoring vocal
delivery that can variously remind
you of Ride, Husker Du and The
Fall, all at the same time. One
slower, almost robotic number
skirts close to Comsat Angels’
‘Independence Day’ but it’s when
they stamp on their myriad pedals
and just let the guitar soar that they
really envelope you.

Music In Oxford July 2013 
http://www.musicinoxford.co.uk/2013/07/11/soundcloud-roundup-for-11-july-2013/
Riffs! WE HAVE RIFFS!!!! Punky, spiky goodness. Haven’t seen them live yet, but if they can deliver the goods, they may just be bloody ace.

“Dark age, sonic raiding party” 🎶 💔 New Album: Elbow's Don't Have Eyes - 13 track out Friday the 13th 🎶

Mitchel Emms is a multi-instrumentalist Singer / Songwriter & Producer from the Midlands, UK.
 
As a solo artist, Mitch writes, produces and records all his own material in which his goal is to entice the listener into an emotional musical journey whilst combining pop melody with influences spanning  rock, indie, alternative, post-rock, prog and psychedelia, heard on his 2019 debut solo album "Vertigo At History's Edge" and his second album, 2025's "Euphoric Melancholy".

Mitch has been in the music industry since the age  of 10 years old, fronting multiple bands and projects, appearing on TV and radio, touring around the UK and Europe, and placing as a quarter finalist on BBC's The Voice at age 19. From 2024 onward, he appeared internationally as a live multi-instrumentalist for Rambert Dance's "Peaky Blinders: The Redemption Of Thomas Shelby" and as a vocalist on tour with "The Rock Orchestra".

New tracks tagged #Angular