Another composition arrangement I made on Bach's BWV 245 nº 19, Arioso: "Betrachte, meine Seel, mit ängstlichem Vergnügen".

Composition on BWV 245_19 (v.5)

Magic Arp Original

Magic Arp Edir -rdxz

Po Warszawsku, Warsawian Way

Composition/arrangement I made on J. S. Bach's Cantata BWV 22 nº 1, Arioso and Chorus: "Jesus nahm zu sich die Zwölfe und sprach".

Composition on BWV 22_1

Composition/arrangement I made on J. S. Bach's Cantata BWV 28 nº 3, Arioso: "So spricht der Herr: Es soll mir eine".

Composition on BWV 28_3

Composition arrangement I made on J. S. Bach's Cantata BWV 87 nº 1, Arioso: "Bisher habt ihr nichts gebeten in meinem Namen".

Composition on BWV 87_1

Johann Sebastian Bach: Arioso from the cantata No. 156. ("Ich steh' mit einem Fuß im Grabe")   Arranged by Árpád Pejtsik. Béla Pukánszky- cello, Erzsébet Dombiné Kemény - piano. Szeged (Hungary) 14.11.2024. Recording of a concert in the hall of the University of Szeged

Johann Sebastian Bach_Arioso_PB_DE_14_11_2024

Sampled from：All I Need (Jacob Collier with Mahalia & Ty Dolla $ign)
Reference：Arioso, Air on the G String (J.S.Bach)

Bring it! (ft. J.S Bach)

This is a recording of the world premiere performance of the fourth movement (Arioso) of Aaron Alter's "Cantata of Praise" for chorus and chamber orchestra on March 23, 2025 by The New Mexico Bach Society Chorale and Orchestra at the Hope in the Desert Episcopal Church, Albuquerque, New Mexico.

Cantata of Praise is a setting of the poetic interpretation of Psalms 118 and 150 by the Elizabethan poet Mary Sidney Herbert, from her book "The Sidney Psalter" from around the year 1599, with some added text from Psalm 118 in the original Hebrew and from The King James Bible.

The music in Cantata of Praise displays a wide range of influences. The fourth movement shows influences of Bach’s sacred cantatas and "Classic" Rock.

Cantata of Praise was commissioned by the New Mexico Performing Arts Society.

The performers were:
New Mexico Bach Society Chorale and Orchestra
Franz Vote, Artistic Director and Conductor

André García-Nuthmann, tenor soloist

New Mexico Bach Society Orchestra
Linda Marianiello, flute
Elaine Heltman, oboe
Joshua Petersen, clarinet
Lisa Grodin, concertmaster
Carla Kountoupes, violin 2
Lisa Di Carlo, viola
Joel Becktell, cello
Bob Barney, double bass
Joshua Pielemeier, piano

Text: 4th Movement (Arioso for Tenor:)
(from Psalm 118)
You righteous troop with me rejoice,
Consort with mine your joyful voice:

Text is from The Sidney Psalter, The Psalms of Sir Philip and Mary Sidney
Published by the Oxford University Press (2009)
Copyright Hannibal Hamlin, Michael G. Brennan, Margaret P. Hannay and
Noel J. Kinnamon, 2009
Reproduced with permission of the Licensor through PLSclear.


Cantata of Praise - 4th movement (Arioso) for Tenor soloist and Chamber Orchestra

Genre: Techno | Ambient | Industrial | Soundtrack
Location: UK / Poland
Services: Music Production • Live Performance • Video Game Soundtracks • Sound Design

Contact: techspec22@icloud.com
Biography
IronHertz447 is a techno and ambient-industrial producer whose sound fuses the melancholy of post-communist silence with the electrified pulse of the future. Born in Poland and forged through years of underground exploration, IronHertz447 builds raw sonic architecture that speaks of defiance, survival, and spiritual evolution. Initially introduced to the scene through a grassroots concept under the alias Techspec22, the artist honed their craft with limited gear but limitless drive. That phase served as the foundation. IronHertz447 is the transformation — a rebirth with sharpened sound, elevated vision, and full-spectrum production capability.
Driven by deep roots in analog culture and an obsession with dystopian aesthetics, IronHertz447 crafts music that resonates through the body and burns into the mind. From immersive soundscapes to dancefloor detonations, every track is a story of resistance, rhythm, and rebirth.
Artistic Vision





The name “IronHertz” symbolizes power and pulse.

“Iron” stands for strength, legacy, and inner fire.

“Hertz” reflects the frequency of sound, connection, and revolution.



Together, it becomes a signal — one that blends ambient sorrow with industrial rebellion, giving listeners a raw emotional charge.

Offerings
🎮 Video Game Music Production – Atmospheric, cinematic, and tension-driven scores for immersive gameplay
🎛️ Techno Live Shows – Electrifying live sets with modular energy and dark elegance, tailored for underground spaces or digital stages
🎚️ Sound Design Services – Original textures and beats crafted for visual media, installations, or collaborations
🎧 Custom Tracks – Commissioned works for labels, filmmakers, or artistic projects

Ambient depth meets techno aggression
Strong Polish cultural influence, evoking a post-industrial landscape
Music rooted in authenticity, never filtered, always felt
Ready for both club stages and conceptual sound exhibitions

Motto
“Same fire. Sharper edge. Heavier impact.”

Does anyone wanna rap?
Making Sampling beats, from Lo-Fi, Jazz, Cinema, alternative Rock, and other
Respect many artists

Aaron Alter is a composer from Carlsbad, California. His music is published by Universal Edition and Silverwinds Publishing. Aaron calls his new music his "New Beginning" because it is an exploration of a new style and energy that defies categorization.    

A native of Chicago, Aaron Alter's musical background was a product of the rich musical life that he found growing up in the Windy City. Aaron received his Bachelor of Music degree from Northwestern University, where he studied piano with Frances Larimer and Gui Mombaerts, and composition with Lynden DeYoung and David Noon. He received his Master of Fine Arts Degree from Princeton University, where he studied with Milton Babbitt and James K. Randall.  

Aaron’s new music was first performed in 2015, with the performance of “Homage to Josquin” for two flutes, piano, electric bass and drum set by The New Mexico Performing Arts Society in Santa Fe, New Mexico. “Homage to Josquin” received an Honorable Mention in the 2016 American Prize competition for Chamber Music Composition.  

Works such as "Solar Rays" and "Vanilla, Chocolate and Strawberry" defy genres and exist in Classical ensemble and Jazz Big Band versions. Both the classical piano trio (piano, violin and ‘cello) and Jazz Big Band versions of “Solar Rays” have received Silver medals at the Global Music Awards. Aaron’s Introspective Blues #1 for Flute and Harp has become his most popular work, with over 16,100 plays on SoundCloud and over 5,200 plays on Jango Internet Radio. Aaron’s music has been featured on the albums “One Minute”, “Two Minutes”, “Gimel” and “Daleth”, by the flutist Iwona Glinka on the Sarton and Phasma Music labels, all of which have won Silver Medals at the Global Music Awards.  

Aaron has received two commissions in the past two years for choral works with an instrumental ensemble from The New Mexico Performing Arts Society.  The first commission, “Together We Create and Sing! (inspired by the music of Franz Joseph Haydn”) was a semi-finalist at the 2018 American Prize competition for Choral Music Composition and received a Silver Medal at the August 2019 Global Music Awards.  The latest commission, “Lo Lanu Ha-Shem” (a setting of Psalm 115) received a Silver Medal from the March 2019 Global Music Awards.  

Aaron is a regular contributor of compositions to the repertoire of the flutist Iwona Glinka, the pianist and Steinway Artist, Susan Merdinger, the pianist Vania Pimentel, The New Mexico Performing Arts Society and Composers Concordance in New York.  

Aaron also serves as an Executive Board Member of the Carlsbad Friends of the Arts.

Professora de Filosofia; compositora e arranjadora de, preferencialmente, música clássica, mais precisamente, da obra de Johann Sebastian Bach.

New tracks tagged #Arioso