From the Andrew Niccol Sci-Fi master piece "Gattaca", this track composed by Michael Nyman is really lifting you up: It is an ever moving theme, no pause, movements after movements until the end. It trully inspired me some trancey vibes to fit right in my album.

Composed by Michael Nyman
Distributed by Anthem New Colorful Drawings Music & Sony Music Publishing Ltd

Youtube visualizer: https://youtu.be/lFXN-1sArl8

Original track available here: Michael Nyman - The Departure: https://youtu.be/J4QciefVcGQ?si=MadCeS9clJDUb0yg

I DO NOT OWN THESE MUSICS. ALL RIGHTS AND PROFITS ARE RESERVED TO THE RIGHTFUL AUHTORS, OWNERS, DISTRIBUTORS AND MOVIE STUDIOS

Michael Nyman - The Departure - DJ Kuark Past  DNA Mix

This title was a no brainer to remix, as Terminator 2 -  Judgement Day is part of my unconditionnal love of Movie Original Soundtrack that support brilliantly the narrative intensity. It also had to be the last track of my mix for its "industrial/post-apocalyptic" vibe. Hope you like it as much as I enjoyed producing it.

Youtube visualizer available here: https://youtu.be/TEl7QPC6hVU

Original version Here:
Brad Fiedel - Terminator 2 Theme: https://youtu.be/CnQm2_cAZvo?si=vOVjRV_-h0z1r2yf

I DO NOT OWN THESE MUSICS. ALL RIGHTS AND PROFITS ARE RESERVED TO THE RIGHTFUL AUHTORS, OWNERS, DISTRIBUTORS AND MOVIE STUDIOS

Brad Fiedel - Terminator 2 - DJ Kuark No Fate Mix

For making the final track list of my Motion Mixture Mix, I had to rework completely my original remix of Hans Zimmer for the Ron Howard movie "Da Vinci Code", to have more groove and vibes. I came with this version which I'm really proud of in terms of "deconstruction" of the original title while keeping the core symphonic vibe of it.


Written by Hans Zimmer
Published by Anthem New Colorful Picture Music & Sony/ATV Tunes LLC

Original Titles Here:
Hans Zimmer - Chevaliers de Sangreal: https://youtu.be/CpHkMZxNLV0?si=uFdeO6VCyxKYgXbL

I DO NOT OWN THESE MUSICS. ALL RIGHTS AND PROFITS ARE RESERVED TO THE RIGHTFUL AUHTORS, OWNERS, DISTRIBUTORS AND MOVIE STUDIOS

Hans Zimmer - Chevalier de Sangreal - DJ Kuark 'Neath Ancient Roseline Mix

This was the 1st remix of this masterpiece composed by Hans Zimmer for the Ron Howard movie "Da Vinci Code" I produced for "Motion Mixture". Its symphonic density lead me to keep it out of the final mix of my DJ set. However, I wanted you to discover it as I do like it a lot!


Written by Hans Zimmer
Published by Anthem New Colorful Picture Music & Sony/ATV Tunes LLC


Youtube Visualizer: https://youtu.be/hlkIpuZnNb0

Original Titles Here:
Hans Zimmer - Chevaliers de Sangreal: https://youtu.be/CpHkMZxNLV0?si=uFdeO6VCyxKYgXbL

I DO NOT OWN THESE MUSICS. ALL RIGHTS AND PROFITS ARE RESERVED TO THE RIGHTFUL AUHTORS, OWNERS, DISTRIBUTORS AND MOVIE STUDIOS

Hans Zimmer - Chevalier de Sangreal - DJ Kuark Symphonic Extended Mix

🎧 Melodic Deep Track Premiere

Heard Right - Arrival (Radio Edit) [Euphonic Visions]

📅 Out Oct 22th, 2025
🏛 Label: Euphonic Visions
🎧 Buy: https://www.beatport.com/it/release/arrival/5456743
—
💥 Like the vibe?
Repost, leave a comment, and follow to support the artist & label!

📡 Discover more:
▶️ Subscribe to our YouTube premieres: bit.ly/2Vscwee
🎵 Follow our Spotify playlist: spoti.fi/3eKJDW4
—
🎛 Artist: Heard Right
▶︎ SC: @heardrightmusic
▶︎ IG: www.instagram.com/heardrightmusic/?hl=en

🏛 Label: Euphonic Visions
►SC: @euphonicvisions
►IG: www.instagram.com/euphonicrecords
—
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PREMIERE: Heard Right - Arrival [Euphonic Visions]

FREE DOWNLOAD: https://hypeddit.com/carlosminetti/voices-in-my-head-vs-arrival-edit

Tracks used: 
Anyma, Argy & Son of Son - Voices In My Head
Kream - Arrival

No copyright infringement intended. Promotional use only. All rights and credits go directly to its rightful owners! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

FREE DOWNLOAD

Anyma, Argy & Son of Son Vs Kream - Voices In My Head (Minetti 'Arrival' Edit)

It’s been a year since the last time we sat down for a pod but this one is least recorded within the last month - we’re making progress!

Joe hosts JT, Sam, and Jono to talk all things games, TV (except this episode), and film.

Games
* Joe starts the show discussing Death Stranding, Hideo Kojima's unique open-world action game where you play a courier trying to reconnect a post-apocalyptic United States.
* Sam heads to Steam Deck Corner to check out the wacky physics-based comedy of What the Golf? (a game that makes fun of golf) and the digitally adapted classic board game, Carcassonne (where players build a medieval French landscape one tile at a time).
* JT and Jono give their first impressions after picking up the brand-new Switch 2 console.

Film
* Jono and JT review two major new films: the sleek sci-fi sequel Tron: Ares (about a highly advanced program crossing into the real world) and the gritty biographical sports drama The Smashing Machine (starring Dwayne Johnson as legendary MMA pioneer Mark Kerr).
* Sam took inspiration from Ed Gein to watch the 1960 horror classic Psycho, directed by Alfred Hitchcock.
* Joe wraps up the reviews with two genre films: Weapons: A new supernatural mystery-horror film about a group of children who all vanish at the same time and Arrival: Denis Villeneuve’s thoughtful sci-fi drama about a linguist (Amy Adams) trying to communicate with aliens who have landed on Earth.

Get in touch with us:
X - https://x.com/DSTEPodcast
Email - dontspoiltheending@gmail.com


00:00:00 - Intro
Games
00:04:53 - Death Stranding
00:19:33 - Steam Deck Corner > What the Golf? > Carcassonne
00:25:12 - Battlefield 6
00:29:40 - Switch 2 > Pokemon
Film
00:43:59 - Tron: Ares > Jared Leto
00:48:46 - The Smashing Machine
01:03:00 - Psycho
01:17:37 - Weapons
01:39:40 - Arrival
01:45:41 - Outro

Episode 57 - Weapons

Louise (Rough Mix)

This song captures the feeling of finally finding your own pace after years of rushing, chasing, and constantly reshaping your life. It’s about reaching a point where the noise quiets down, where doubts lose their power, and where you can simply stand still and realize you’ve arrived—within yourself and in your world. There’s a calm confidence running through the story: the sense of sorting out your chaos, letting go of “what ifs,” and discovering the value of the present moment. Listeners can expect a warm, grounded, and liberating reflection on what it truly means to feel at home in your own life.

Dieser Song fängt das Gefühl ein, nach Jahren des Rennens, Kämpfens und Neu-Sortierens endlich das eigene Tempo gefunden zu haben. Es geht um den Moment, in dem der innere Lärm leiser wird, Zweifel ihre Macht verlieren und man merkt: Ich bin angekommen – bei mir, in meinem Leben. Eine ruhige, selbstbewusste Gelassenheit durchzieht die Geschichte: das innere Chaos zu ordnen, die „Was wäre wenn“-Gedanken loszulassen und den Wert des Jetzt zu spüren. Die Hörer erwartet eine warme, erdige und befreiende Reflexion darüber, was es wirklich bedeutet, sich zuhause zu fühlen.

Angekommen

Hab studiert, gelesen, zugehört, gefragt
Und immer wieder
Mein Leben auf später vertagt
Bin gerannt, hab gekämpft
Und Grenzen verschoben 

Bin gescheitert
Wieder aufgestanden
Hab mich neu sortiert
Soviel passiert
Auf dem Weg

Kein Ziel mehr, das drängelt
Ich bleib jetzt hier
Bin angekommen
Bei mir
Kein „was wäre wenn“
Kein „irgendwann“
Und kein „vielleicht“
Nur jetzt
Nur noch hier

Hab aufgehört zu rennen
Geh jetzt spazieren
Und hab aufgehört zu frieren

All der Hustle ums große Geld
Hat mir den Blick verstellt
Auf das, was wirklich zählt
Die echte Welt

Keine Kompromisse mehr

Und kein Ziel mehr, das drängelt
Ich bleib jetzt genau hier
Bin so was von angekommen
Bei mir
Kein „was wäre wenn“
Kein „irgendwann“
Und kein „vielleicht“
Nur jetzt
Nur noch hier
Mit dir
Reicht

Hab mich selbst getroffen
Irgendwo auf dem Weg
Der Kaffee schmeckt wieder nach Kaffee
Nicht nach Sehnsucht
Hab meinen Kompass gefunden
Nicht mehr auf der Flucht

Zuhause

Kein Ziel mehr, das drängelt
Ich bleib einfach hier
Angekommen
Bei mir

Mein Chaos sortiert
Hab aufgehört zu suchen
Gefunden, was bleibt:
Gelassenheit


Angekommen

Pianaura - Arrival Of The Birds (Piano Version)

Listen on Spotify: https://open.spotify.com/track/1hcR9zYC7lJ0qSRVlNjRwz?si=1ac94d927986451c

/// Pianaura:
- Spotify: https://open.spotify.com/artist/0Pi9OAmjDj1P4XoJXzlRUw?si=ce6adeec3d1043bf
- YouTube: https://www.youtube.com/channel/UCBJMlTY0PbwCZ4y_-FOWwTg

/// Instrutalica Records : 
- Instagram: https://www.instagram.com/instrutalica/
- Facebook: https://www.facebook.com/instrutalica
- Spotify: https://open.spotify.com/user/31bsrg52sqn3vsf4ujyhekttsdyy?si=92feb4dad80e4c5f

Instrutalica Records / Town Music Group. All rights reserved.

Arrival Of The Birds (Piano Version)

Stream on Spotify

Pianaura - Arrival Of The Birds (Piano Version)

Former metal band drummer, I discovered digital musics in 1990. I started to mix in Singapore during summer 1992. There, I met some very popular DJs and Bands such as Jeremy Healy & MC Amos, who had their summer residence in S'pore, Sasha, Alfredo from Ibiza, Leftfield or Jesus Loves You. The sound was definitely under balearic and London progressive influences.

When I got back to France, the Techno and the Underground scene were in full motion except in Clermont-Ferrand where I was studying! In order to deal with that lack of events and to please the growing need of an emerging Techno lover scene, I decided to organize the first rave parties of this area within two buddy organizations, Mykonos and E2N Concept. In these days, the sound was a mix of the different techno influences, trance, acid trance and even harder with some transcore and acidcore. In no time, we were entertaining 800 to 1,000 people every month. The apotheosis was reached in July 1995 with the organization of the big independent rock festival "Rock au Max" techno closing party.

Summer 1995, I moved to the South of France and I quit party organization to focus on my djing. I mixed in various parties and raves on the riviera where I met DJs from all around the world like Miss Kittin, DJ ESP, Damon Wild, Stephanovic and last but not least, Jeff Mills!

I mixed in some well remembered parties such as the closing party of the Marseille first Lesbian & Gaypride where I first mixed next to Jack de Marseille. In these years I was also a radio DJ on Top FM. We had a 2 hour show, Cyberline, every Friday where we presented the Techno music news before I mixed live an hour set.

April 1996 is an important milestone as it my big House Music revelation during my trip to New York. I discovered another way to party and a very extended club scene. I've seen the most famous DJs of that time: Junior Vasquez, Dany Tenaglia, Lil Louie Vega or Roger Sanchez. I've been to the most famous clubs as well with outstanding sound systems like the Tunnel, the Roxy, the Palladium or the Limelight. I came back from NYC with 150 plates in my bags and begun a new start. I left the underground rave scene to start mixing in clubs. I've been to the most well-know places between Marseille and Nice, mixing with pure House DJs like Luke Skywalker (ex-Queen resident), or Jack de Marseille among others.

End of 1996, I moved to Paris and was recruited by the independent house music label Radikal Groov (RKG). I mixed for them both in rave parties and clubs. I mixed on radio and clubs (Paris, Spain, Belgium...).

In 2000, I decided to be a lonely wolf again and I kept mixing for various clubs in France (Queen, the Gibus, the Folies' Pigalle...) with a residency for 2 years at the Club Med World in Paris.

My style is definitely an aggregation of all these experiences I had for the past thirty years and I'll always try my best for you, still 100% mixing on vinyl decks, to give you best emotional, sensual and universal sets while you're on the dancefloor dancing!

🌍 For Demo Submissions: https://townmusicgroup.com/demo-drop/

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Welcome music lovers from around the world! As a highly respected & rapidly-growing global electronic music collective, we are here to share & support quality music and artists. 

We accept deep house, melodic house, progressive, techno, melodic techno, a bit of downtempo, & deep tech only.

■ Repost requests -> promo@melodicdeep.com
■ Exclusive Premieres (official tracks/remixes) contact us at: promo@melodicdeep.com

A podcast that talks all things games, TV, and film
Joe hosts JT, Sam, Ste, and Jono

New tracks tagged #Arrival