Remixes de temas originales más temas que nunca llegué a grabar.

No Quiero Sentir

Nada De Ti

Me Quiero Engañar

Nesse episódio do Podcast da Lambda powered by TIVIT, Fernando Okuma, Juliana Ueda, Paulo Endoh e Priscila Torres batem um papo sobre como estamos usando a IA no nosso dia a dia. 

Participantes:
Fernando Okuma - @feokuma
Juliana Ueda - @julianaueda
Paulo Endoh - @pauloendoh
Priscila Torres - @priscilatorresoli

Pauta:
Quais ferramentas estão usando?
Já usou para ajudar na criação de rotinas de estudos?
Já trocou o Google por alguma IA? 

​Edição:
Compasso Coolab

Créditos das músicas usadas neste programa:
Music by Kevin MacLeod (incompetech.com) licensed under Creative Commons: By Attribution 3.0 - creativecommons.org/licenses/by/3.0

#413 - Como estamos usando IA no dia a dia

Welcome to AI Revolution, where we dive deep into the latest advancements in AI technology and explore how it's transforming industries, from entertainment to business. In this episode, discover how ByteDance and other tech giants are shaping the future of AI-generated videos with groundbreaking tools like Pixel Dance and Seaweed, which are redefining the way content is created. Join us as we unpack the hardware challenges, ethical questions, and the potential global impact of these AI innovations. Tune in to stay ahead of the curve and be part of the AI evolution that’s reshaping our world.

AI Revolution Podcast: Exploring the Future of AI-Driven Video & Tech Innovation

Los Costos Iniciales y Ocultos al Implementar IA en un Ecosistema de CRM: El Arte y la Ciencia de Entender, Calcular y Medir los costos de IA. Este episodio de Conversaciones de CRM fue creado usando Google NotebookLM y Descript a base de este artículo en mi blog: https://www.cx2advisory.com/blog/los-costos-iniciales-y-ocultos-al-implementar-ia-en-un-ecosistema-de-crm-el-arte-y-la-ciencia-de-entender-calcular-y-medir-los-costos-de-ia

En las últimas semanas, había estado enfermo con un virus de respiratorio, lo cual no pude grabar ningún episodio del #podcastdecrm por lo cual acudí a usar Google NotebookLM y Descript.

#conversacionesdecrm
#podcastdecrm 

AI in CRM: Initial and Hidden Costs, ROI, and Implementation Strategies

Electronic background piece on the artificial intelligence brief

Artificial Mind

Outcast

Pinn's Game

Song about counter active measures, you are welcome ;)

Quantum Enforcement

Hello World! 
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A TIVIT é uma multinacional brasileira que conecta tecnologia para um mundo melhor. Com mais de 25 anos de atuação e operações em dez países da América Latina, é especialista em criar projetos digitais transformadores. Por meio de suas linhas de negócios em constante evolução, a companhia apoia empresas na sustentação e escalabilidade, com soluções de nuvem (pública, híbrida e privada), e possibilita ambientes seguros, com recursos de segurança cibernética, além de desenvolver tecnologias com foco em Inteligência Artificial e oferecer serviços voltados à automação e soluções SaaS. A transformação digital gerada pela TIVIT impacta milhões de pessoas diariamente. Nos visite em www.tivit.com

Podcast con sugerencias y tips de CRM, Engagement, Marketing, Ventas, Servicio, Comunidades y Redes Sociales (Customer Relationship Management).

Film score, concert music, jazz, songs…
Shop : https://www.sylviafilus.com/category/all-products
Website : www.sylviafilus.com
Composer, born in Poland and established in Paris (France), Sylvia Filus is graduated in Film Music Composition and in Orchestration (First Prize). 

She has composed music for several movies, chamber music ensembles, symphonic orchestra and big band. In 2008, at the request of the Pomeranian Society Musica Sacra and the Chamber Orchestra of Gdynia, Sinfonietta Nordica, she wrote the Cycle of 3 melodies for mezzo-soprano, barytone, and orchestra, which was performed during the festival The Music of Words in Gdynia (Poland). 

In 2010 she was commissioned by the Polish Strauss Society to commemorate Chopin’s 200 Anniversary and wrote Fantasia in "Salt" Minor performed by the orchestra Obligato at the Symphonic Chopin concert in the Salt Mine of Wieliczka (near Cracow). During the same year, Sylvia Filus was honored with the Trophy of Women‘s Success by the Association France-Euro-Méditerranée and became finaliste of the competition International Music Prize for Excellence in Composition awarded by the National Academy of Music.

In 2011 Sylvia Filus composed for her first feature film Le Bout du monde (The End of the World) by the marocan filmmaker Hakim Noury and for the documentary « Avec toi sans toi » by Francesca Ragusa. Commissioned by Lobster Films and SACEM for the european film collection on line Europa Film Treasures she wrote music for two silent movies: “Danseur de jazz” (feature) and “Troppo Bello!” (short). 

In 2012 Sylvia composed for the full length documentary « Fishermen » by Viktoria Marinov and in 2013 she has been awarded in the International Composition Competition "Artistes en herbe" in Luxembourg. 

In 2014 she took part of the B.O. Concert, 25 french composers film music concert in Paris and in the Spring Concert in Padua (Italy), where her piece "The Cobweb" was premiered by the orchestra I Solisti Veneti conducted by Claudio Scimone. 

In 2020, Sylvia Filus composed music for the movie « Quand je serai grande » (When I grow up) by Yves Levy, which received the Sacem grant for original music and in 2021, to the the poetry « Les plaisir de la porte » (The pleasures of the door) by Francis Ponge as well as the poetry by Jolanda Podejma-Eloyanne. 

On 2023 she writes music for the short movie « À Fleur de peau » by Kathie Kriegel and takes part of the program Crescendo and the residency TRIO from Maison du Film and Sacem.

FEATURES:

« Le Bout du monde » (The End of the World) by Hakim Noury - 2011
« Le Danseur de jazz » by Benito Perojo (1927) - 2011

DOCUMENTARIES: 

« Avec toi sans toi » by Francesca Ragusa - 2011
« Fishermen » by Viktoria Marinov - 2012
« Floris » by Jacqueline Kalimunda - 2014

SHORT MOVIES:

« Personal Best » - fiction by Viktoria Marinov - 2004
« Undo » – experimental documentary by Jean-Gabriel Périot - 2005
« Onchocercose » – animation by Christophe Gautry - 2005
« Réconciliation » – fiction by Alain Gilot (France) - Émergences 2006
« Accord parfait » (The Perfect Tune) – animation by Izabela Bartosik - 2006
« Les Saisons du souvenir » (Seasons of Souvenir) – fiction by Nicolas Rogez - 2007
« This Emotion » – experimental by Viktoria Marinov - 2008
« Samare » – animation by Nicolai Troshinsky - 2008
« La Main » (The Hand) – fiction by Rémy Ginestet - 2009
« Troppo bello! » - silent by André Deed (1909) - 2011
« La Cravate Bleue » - fiction by Niels Michon Fisher - 2012
« Confession » - experimental fiction-documentary by Kamil Krolak - 2013
« Quand je serai grande » - 45’ fiction by Yves Levy - 2020
« À Fleur de peau » short fiction by Kathie Kriegel - 2023

PARTICIPATION AS ARRANGER AND/OR MUSIC SUPERVISOR:

« Bis repetita » - feature by Emilie Noblet - 2024
« Sukrit’s Sundays » – short fiction by Vasant Nath - 2009
« Réveries d’antant » – short fiction by Christopher Poulain - 2009

New tracks tagged #Artificial Inteligence