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isaac asimov's treasury of humor

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Isaac Asimov emmène ses lecteurs à travers les cinq siècles durant lesquels Rome assure son hégémonie sur le monde occidental, apportant la paix à une centaine de millions de personnes. Nous assistons ainsi, fascinés, grâce à la plume alerte du grand écrivain, au développement de deux des plus formidables héritages de l’Antiquité : le droit et le christianisme. Asimov emprunte à son métier de romancier l’art de peindre en quelques coups de pinceau des portraits hauts en couleur ; vulgarisateur surdoué, il n’a pas son pareil pour faire ressortir, en quelques pages, les traits les plus saillants d’une époque et mettre en valeur ses drames comme ses réussites.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Isaac Asimov - L'empire romain (Extrait n°2)

La Matematica in Asimov e nel mondo contemporaneo

Petite pièce écrite pour un petit ensemble de cuivres naturels (un musicien par partie, percussions), inspirée par Fondation d'Isaac Asimov.
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A short piece composed for a small ensemble of natural brass (one musician per part, percussion), inspired by Foundation by Isaac Asimov.

Foundation City

Lectura ambientada del cuento corto "Estoy en Puerto Marte sin Hilda" de Isaac Asimov.

Lectura Estoy En Puerto Marte Sin Hilda

Need some bargain basement Philip Glass? 

Foundation


Aucune nation dans l'histoire n'a laissé au monde un héritage aussi grand que celui des Grecs. Le grand romancier Isaac Asimov emporte le lecteur dans une merveilleuse fresque historique longue de plusieurs millénaires, de l’ère mycénienne à la Seconde Guerre mondiale.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Isaac Asimov - Les Grecs

Cuánto se divertían de Isaac Asimov

I hadn't completed this track in time for the Foundation album... but it would have fit well enough, I think.
The lead guitar is a Deusenberg Paloma, using its single coils
The softer harp-like guitar tone is played on a Gibson Memphis 335

Seldon's Dream

Rap song based off "The Last Question" by Isaac Asimov

The Last Question

6 - A Robots Story

En este episodio muy especial de Songmess seguimos adentrándonos en el underground de Guatemala, hoy conversando con la reconocida banda de shoegaze, Asimov! Con 10 años de trayectoria, la banda se ha consolidado como emblema del rock alternativo nacional, transitando la introspección y exploración sonora en discos que resaltan sus experiencias centroamericanas. Nuestra conversación abarca la producción de sus discos Epicentro I-II, su trabajo en la escena local al igual que a nivel regional, experiencias tocando en SXSW y presentaciones en KEXP y Freakout Fest en Seattle, además de algunos detalles de lo que será su próximo trabajo.

Con este episodio concluimos nuestra breve aventura centroamericana, pero ojo, en unos meses extermos retomando. Estén muy atentos que nuestra serie de verano sigue en llamas!


Playlist:
Asimov - “Furtivo”
Asimov - “Berlin”
Adiós Cometa, Asimov, Lumtz - “Las Torres”
Señor Del Rostro Solar - “Había Azacuanes en el Aire”
María del Destierro - “Playa”
Asimov - “Verbena”

Asimov Bandcamp: https://a-v-v.bandcamp.com/

Asimov Spotify: https://open.spotify.com/artist/1TP1eoIleToboJPNLpvypu?si=oHV61boYTRKbWrAfFgj1hQ

Asimov YouTube: https://www.youtube.com/@asimov2226

Asimov Instagram: https://www.instagram.com/asimovgt/

Asimov Facebook: https://www.facebook.com/asimovgt

Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en

Songmess Instagram: www.instagram.com/songmess/?hl=es-la

Songmess Facebook: www.facebook.com/songmess/?ref=settings

Songmess Twitter / X: twitter.com/songmess

#BOPS Playlist: https://open.spotify.com/playlist/2sdavi01h3AA5531D4fhGB?si=c7055efff2fb4e9e

Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.

Ep. 629 - Asimov

À propos de moi

Je suis musicien français, tubiste et compositeur spécialisé dans un domaine rare et profondément enraciné dans la tradition française : les orchestres de cuivres naturels. Ces ensembles, à l’histoire riche et singulière, reposent sur des instruments dits "d'ordonnance", dépourvus de système permettant le chromatisme, auxquels s’ajoutent des instruments chromatiques et des percussions pour enrichir leur palette sonore.
Qu’est-ce qu’un orchestre de cuivres naturels ?

Un orchestre de cuivres naturels se distingue par la combinaison unique d’instruments naturels et chromatiques. Voici son instrumentarium :

Les cuivres naturels :

    Clairon : Instrument en si bémol, connu pour son timbre clair et direct.
    Clairon basse : Frère grave du clairon, également en si bémol, jouant une octave plus bas.
    Trompette de cavalerie : En mi bémol, avec un son éclatant et vibrant.
    Trompette basse : Frère grave de la trompette de cavalerie, en mi bémol, une octave plus bas.
    Cor naturel : Instrument en mi bémol, partageant la même octave que la trompette basse, offrant des sonorités rondes et chaleureuses.

Les instruments chromatiques :

Pour compléter les cuivres naturels et harmoniser l’ensemble :

    Euphonium : Avec ses lignes mélodiques fluides et expressives.
    Tuba : Fondation grave et puissante de l’orchestre.
    Claviers de percussion : Glockenspiel, vibraphone, xylophone et marimba, ajoutant une dimension mélodique et percussive.

Les percussions :
Tous les instruments de percussion trouvent leur place dans cet ensemble : tambours, timbales, cymbales, tambourin, woodblock, et bien d’autres.

Mon univers musical

En tant que tubiste et compositeur, je puise dans cette palette sonore unique pour créer des œuvres qui allient tradition et modernité. Mes compositions mettent en valeur l’histoire et les spécificités des cuivres naturels tout en explorant de nouvelles perspectives sonores.

Originaire de Villers-Cotterêts

Je vis à Villers-Cotterêts, patrie d’Alexandre Dumas, célèbre auteur des Trois Mousquetaires. La ville accueille désormais la Cité Internationale de la Langue Française, installée dans le somptueux château renaissance de François 1er. Ce lieu emblématique célèbre la richesse et la diversité de la langue française tout en valorisant notre patrimoine culturel.
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About Me

I am a French musician, tuba player, and composer specializing in a rare and deeply rooted tradition of French music: natural brass orchestras. These ensembles, with their rich and unique history, rely on so-called "ordonnance" instruments, which lack a chromatic system, complemented by chromatic instruments and percussion to expand their sonic palette.

What is a natural brass orchestra?

A natural brass orchestra is characterized by its unique combination of natural and chromatic instruments. Here is an overview of its instrumentarium:

Natural brass instruments:

    Bugle (Clairon): A B-flat instrument known for its bright and direct timbre.
    Bass Bugle (Clairon Basse): The deeper counterpart of the bugle, also in B-flat, sounding one octave lower.
    Cavalry Trumpet (Trompette de Cavalerie): An E-flat instrument with a brilliant and vibrant tone.
    Bass Trumpet (Trompette Basse): The lower-pitched counterpart of the cavalry trumpet, also in E-flat, sounding one octave lower.
    Natural Horn (Cor Naturel): An E-flat instrument sharing the same octave as the bass trumpet, offering warm and rounded tones.

Chromatic instruments:

To complement the natural brass instruments and enrich the harmony:

    Euphonium: Known for its smooth and expressive melodic lines.
    Tuba: Providing the deep and powerful foundation of the orchestra.
    Percussion keyboards: Glockenspiel, vibraphone, xylophone, and marimba, adding melodic and percussive textures.

Percussion:

The orchestra includes all types of percussion instruments: drums, timpani, cymbals, tambourines, woodblocks, and more.

My Musical Universe

As a tuba player and composer, I draw from this unique sonic palette to create works that combine tradition and modernity. My compositions highlight the history and specificities of natural brass instruments while exploring new sonic horizons.

From Villers-Cotterêts

I live in Villers-Cotterêts, the birthplace of Alexandre Dumas, the famous author of The Three Musketeers. The town is now home to the International Center for the French Language, located in the stunning Renaissance château built under Francis I. This iconic site celebrates the richness and diversity of the French language while showcasing our cultural heritage.

https://www.youtube.com/watch?v=L0WHXovvtIE

https://www.youtube.com/watch?v=vFrU2RwDfBQ

Hey there. I'm Omar Francis aka Redd Split. From time to time, I produce and write chiptune music, mostly fused with jazz. By combining the bright tones of electronic 8-bit music with the improvisation, chord progressions and rhythms of Funk and some fusion, I am able to develop and a style of music that isn't very common or even heard of. I hope by posting my music on here not only will I gain more followers and likes (wouldn't mind that actually), but people will also enjoy my tracks and feel at least inspired to pursue and make music themselves. For me, music is not only just a way of personal self-expression, but a tool for improving the world around you on whether that be on the micro level by encouraging a child to his or her first music lesson as a potential outlet for them to inspiring or motivating large numbers of people.

I've been on Soundcloud for six years now and it's been great exploring the work of other artists.  There is so much generosity of spirit on this platform, it's just what you need when most of your music is made solo. 

I started out playing classical and Spanish guitar, then took up flamenco to ease myself away from the confines of musical notation. As a result, Latin rhythms often creep into my music. 

A friend introduced me to steel string and electric guitars just a few years ago and I still find the scope they bring dizzying... but what fun!

Société d'édition depuis 1919. #Humanites, #Antiquite, #Histoire, #MoyenAge, #SciencesHumaines, #Litteratures, #Philologie, #Grec #Latin

A bilingual podcast serving Latin American indie music with a side of mess, hosted by Richard Villegas. Email: songmessmusic@gmail.com

Qualche volta cambiare è impossibile. Tutte le altre volte si può.
Parlare di tecnologia significa organizzare le cose che sappiamo per trovare soluzioni che ancora non conosciamo.

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