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May 3 - Sts Philip and James (2024)

The culture of the church (the people) during the era of the Arian heresy is similar to what we find in the modern church culture. It can be summed up as bad theology. But what causes bad theology? Let’s ask the Church Fathers!
This clip gives helpful advice to average Catholics interested in diving deeper into theology and interpretation of scripture, and serves as a preface to a short series of podcasts where I’ll talk about a resurgence of the Church of the Arian heresy.

Where Does Bad Theology Come From?

Kasachstan ist das neuntgrößte Land der Erde, aber mal  Hand aufs Herz, wer von uns hat irgendeine Vorstellung, wie es dort aussieht, wer dort lebt, woran die Menschen dort glauben und wie es ihnen geht. Und doch gibt es geschichtlich bedingt viele Verknüpfungspunkte mit Deutschland, denn viele Russlanddeutsche sind unter Stalin in der Sowjetunion aus den Wolgagebieten hierher verschleppt worden. Über diese Geschichte und das Leben der Katholiken in Kasachstan spricht Volker Niggewöhner mit dem Weihbischof von Karaganda, Athanasius Schneider. (Erstausstrahlung: 1. Oktober 2006).

www.katholisch.tv

Netzseite von Bischof Schneider: https://www.gloriadei.io/

Kasachstan - wo Katholiken willkommen sind (Weihbischof Athanasius Schneider, 2006)

318@Nicea is an orchestral composition, in A major, celebrating the First Ecumenical Council of Nicea (325AD). It is Nicea, where 318 bishops from around the world gathered to assert the divinity of Jesus Christ, and denounce the heresy of Arius. 

The composition commemorates, in 2025, exactly 17 centuries (1700 years) since that significant Council of Nicea. The timing of the composition was by coincidence. For so many years, I had a persistent urge to celebrate the Council of Nicea in some artistic form. I had a novel or some form of drama in mind, but only last year I found myself venturing into this music composition.

The piece is composed of 318 music bars, almost by coincidence, a bar for each of the bishops in attendance at the Council of Nicea. The title of the piece reflects this, and I elected to add a Coptic subtitle, shomt she mit-eshmin khen Nikea, which means 318 at Nicea. This is homage to the great Coptic Orthodox Church that spiritually and doctrinally led the Council, through St Athanasius of Alexandria. It is St Athanasius who led the authorship of the Nicene Creed that is the basis for Christians’ belief in Christ the Lord, around the world. 

To guide the listener, I provided below a brief description for each of the ideas that inspired me through the composition. A time mark for each of these ideas is included.

0:00 – 2:40 Church of Alexandria and its spiritual growth. I included a couple of motifs that allude to two well-known tunes of the Coptic Orthodox Church, Evlogimenos (0:23-0:27; sung on Palm Sunday), and Golgotha (1:27-1:30; sung on Good Friday and adopted from burial rituals from the Pharaonic era).

2:41 – 4:12 Arius, his fall in heresy, and the danger the Church faces.

4:13 – 5:08 Sad divisions within the universal Church.

5:08 – 6:27 Constantine the Great calls a council to address the Arian heresy.

6:28 – 7:39 St Athanasius and Pope Alexandros prepare their defence of Christ and travel from Alexandria to Nicea.

7:40 – 8:43 Triumph of St Athanasius and the Church at Nicea against Arius and his heresy.

8:44 – 10:17 The Church is united in faith, condemning Arius.

10:18 – 10:47 Bishops develop the Nicene Creed based on faith of Christ’s divinity. 10:18-10:21 is a music motif (phrase) that reflects the sound uttered when one vocalises the word “Ho-moou-si-os” (ὁμοούσιος). This was the key term at the Council of Nicea, meaning “of the one and same essence”, when referring to the nature of Christ, being of the same and one essence with the Father. This motif is repeated in that section, to reflect the agreement that bishops had at Nicea, that this is indeed their faith. The celesta is clearly audible in this part, to symbolise the Divine guidance that led the Council of Nicea to have this faith in Christ. That is, it was the Holy Spirit who led the Council to assert Christ’s Divinity, as being of the one and same essence as the Father.

10:47-11:47 this is a military march, a reminder of the endorsement by the Roman Empire of the outcomes and canons of the Council of Nicea. It is based on a rhythm that Roman legions played at the time, when marching for war and during their military parades. It has a tempo of 120bpm and a time signature of 4/4, 4/4, 4/4, and 3/4 over a 4-bar unit that is repeated 8 times (a 32-bar section).

11:48 – 12:58 Continued spiritual growth of the Church. The Coptic Orthodox Church describes this during its liturgy, when reading Acts of the Apostles (Praxis): “the word of the Lord shall grow, multiply, be mighty, and be confirmed in the holy Church of God, Amen”.  

If you’ve come so far in this description, one thing remains that can make all the difference: lift up your heart to the Holy Trinity that He may unite all Christians in the one faith. The Scriptures teach us that there is  "One Lord, one faith, one baptism" (Ephesians 4:5).

Composer/Orchestrator: Kyrillos Guirguis
Copyright: Kyrillos Guirguis, 2024

YouTube link: https://youtu.be/2Q9plYlf1b8

318@Nicea

318@Nicea (Shomt She Mit-eshmin Khen Nikea)

May 2 - St Athanasius (2025)

Championing the Truth with every hard-hitting episode. Straight talk and interviews, taking you on a deep dive into the Catholic faith, theology, philosophy and history, while revealing the treasures of the lived Catholic experience. A Fiat Media podcast

Kyrillos Guirguis is an Australian composer who has been passionate about music since early childhood. His music is influenced by both Middle Eastern music, including Coptic Christian, and Western classical music traditions. His compositions occasionally use the Arabic and Coptic maqams (scales/modes) that utilise micro-tonality (quarter tones), giving his music a rich flavour. He enjoys orchestrating his own music, utilising principles developed by some of the great orchestrators such as Rimsky-Korsakov.

Kyrillos has been learning and playing the lute (oud) for several years. He uses the lute for most of the compositional process, which tends to focus on melody. However, his strong music theory and broad intimate knowledge with various instruments enable him to orchestrate effectively and compose for a wide variety of genres and ensembles. 

Kyrillos loves the oboe, bassoon, and the French horn, and can't resist including them in his orchestrations.

Kyrillos has only recently started to share his music with others, bringing to the world wonderful music that has deep spiritual meanings. The Valley Winds Ensemble, Massachusetts, considers him a composer with “strong compositional skills”, attesting to his abilities to write music that inspires others and appeals to both musicians and listeners alike.

One of the scholars at the Melbourne Conservatorium of Music described his compositional style as "evocative, setting him apart in the Western contemporary classical idiom".

Kyrillos is currently completing his postgraduate music studies at the Melbourne Conservatorium of Music, with a focus on music composition.

Kyrillos continues to compose inspiring music that is loved by many fans around the world. He is also pursuing opportunities to collaborate and to support others in their musical journeys.

Please subscribe to my YouTube channel: www.youtube.com/@kyrillosguirguis9825

Priest of the Diocese of Rochester (NY); Pastor of St. Peter's Parish (Clifton Springs, NY)

http://stpeterparish.us/index.html

Das internationale katholische Hilfswerk KIRCHE IN NOT ist eine Stiftung päpstlichen Rechts. Wir helfen verfolgten, bedrängten und notleidenden Christen weltweit ... damit der Glaube lebt!
KIRCHE IN NOT hilft der Kirche überall
dort, wo sie verfolgt oder bedrängt wird oder nicht genügend Mittel für die Seelsorge hat.
Das Hilfswerk wurde 1947 vom niederländischen Prämonstratenserpater Werenfried van Straaten
(1913-2003) gegründet. Damals organisierte Pater Werenfried in Belgien und den Niederlande Hilfe für die heimatvertriebenen Deutschen und rief zur Versöhnung mit den verfeindeten Nachbarn auf. Da er anfangs vor allem Speck bei den flämischen Bauern sammelte, nannte man ihn bald den
„Speckpater“.
KIRCHE IN NOT ist ein pastorales Hilfswerk, das in mehr als 130 Ländern aktiv ist. Schwerpunkte der Hilfe sind gegenwärtig die Kirche in islamisch geprägten Ländern, in denen Christen meist Bürger zweiter Klasse sind, der Wiederaufbau der Kirche in den Staaten des ehemaligen Ostblocks,
die Hilfe für die durch Sekten bedrängte Kirche in Lateinamerika sowie Unterstützung für die Kirche in Afrika, die oft in Auseinandersetzungen mit dem Islam steht. Immer wichtiger wird auch die
Neuevangelisierung in den westlichen Ländern.

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