0:00:12  DEAD LIGHTS  "Doom Doom Trash"  Doom Doom Trash - EP [2022 Cold Transmission Music]
0:04:15  Local Suicide & Skelesys  "Built To Fail"  You Are Mine - EP [2022 Snap, Crackle & Pop]
0:09:02  Poison the Vicar  "Affront (feat. Leæther Strip)"  Affront (feat. Leæther Strip) - Single  [2022 Grab the Bat Killer]	
0:19:22  Lifeless Past  "Miles Away"  Discarnate Objects  [2019 TAOM RECORDS]
0:22:16  House Of Light  "House of Love"  House of Love - Single  [2022 649130 Records DK2]
0:27:13  Attrition  "The Silent Mind"  The Hidden Agenda (Remastered)  [2009 Two Gods]
0:31:03  Her Absence Fill the World  "Neon Arabesque"  Neon Arabesque - Single  [2022 Detriti Records]
0:35:21  The Voodoo Spells  "Gallows Tree"  [2020 (Istanbul, Turkey)]
0:35:32  Wet Leg  "Ur Mum"  Wet Leg  [2022 Domino Recording Co.]
0:42:52  MAN + MACHINE & EMKE  "ROOM TO CRY (VELVET CLAW VERSION)"  [2022 Istigkeit Records]	
0:46:26  Viagra Boys  "Ain’t No Thief"  Cave World  [2022 Diktator]
0:55:55  Dechakhal  "Ellos"  Extrañas Voces  [2022]
1:00:20  Tearful Moon  "I Love You More Than Death"  Under the Red Veil  [2020 760627 Records DK]
1:04:55  The Red Moon Macabre  "THE DEEP COUNTRY DARK"  ANTIQUITY  [2022]
1:09:52  Male Tears  "Domin8"  Domin8 - Single  [2022 TopTear]
1:15:00  Varsovie  "série noire"  L'ombre et la nuit  [2021 Icy Cold Records]
1:18:22  Claustrophobia  "Cut and Run"  Cut And Run EP  [2022]
1:23:37  Glass Spells  "Shattered"  Shattered  [2021  Negative Gain Productions]
1:27:36  Tempers  "Sightseeing"  New Meaning  [2022 Dais Records]
1:33:07  Lebanon Hanover  "Digital Ocean"  Sci-Fi Sky  [2020  Fabrika Records]	
1:37:13  Slow Danse With the Dead  "Lost and Alone"  Lost and Alone  [2022 SDWTD]
1:40:12  Crying Vessel  "Blossom"  Blossom - Single  [2022]
1:43:13  OddZoo  "Fiberglass"  Overdriven Monsoon  [2021 Music Of The Void]
1:50:14  JKS  "Scream"  Break The Smile, Vol. 1 - EP  [2022]

Darkwave 04-21-2022 with Sic Dog

0:00:00  Station ID: Valley Free Radio, WXOJ-LP 103.3 FM Northampton, Massachusetts, USA (SIGNED)
0:00:12  Skinny Puppy  "illisiT"  Weapon  [2013  Metropolis Records]	
0:04:24  In Death It Ends  "A Gentle Sickness"  Sanctum Mortus  [2016]		
0:22:08  Patriarchy  "Suffer (Kontravoid Remix) [feat. Kontravoid]"  Suffer Remixes - Single  [2022]
0:27:43  Air Midnight  "Rise From The Grave"  Higher Sky EP  [2022  F-A-R (Bialystok, Poland)]
0:33:38  PSA PUBLIC - Bird Note: Ponderosa Pine Savanna
0:35:00  Sad Madona x Mega Sega Drive Club  "Idole"   [2022 dramatic dance]
0:39:08  Terminal Serious  "Nobody Sees Us (feat. Çağla Güleray)"  Gift For You  [2022]
0:43:41  Attrition  "Shotgun"  Take Five - EP  [1987  Two Gods]
0:53:52  The Todds  "Just to Sedate"  Orwellian - EP  [2022]
0:57:18  Undine  "Ghost Frequency"  Ether  [2022]
1:02:06  Orbe  "Capsule"  Post-Cycle EP  [2022  No Signal]
1:09:28  Sydney Valette  "Station Stop"  Station Stop - Single  [2022 Icy Cold]
1:14:01  Night Club  "Die in the Disco"  Bye Bye Lullaby  [2021]
1:18:01  Kite  "Panic Music"  Panic Music - Single  [2022  Astronaut Recordings]
1:22:40  SDH (Semiotics Department of Heteronyms)  "Maybe a Body"  Maybe a Body - EP  [2022  Avant! Records]
1:28:55  PSA - Bird Note: The Wild Parrots of San Francisco
1:30:39  Mercvrial  "Be That Someone"  Be That Someone - Single  [2022  Crafting Room Recordings]
1:34:09  IAMTHESHADOW  "Remind Me"  Remind Me - Single  [2022]
1:38:34  Aiers  "Trust Again"  Trust Again - Single  [2019  Lapthor Records
1:41:50  Shanx FM  "Hearse"  Hearse - Single  [2022  Cold Transmission Music]
1:43:35  Lunar Lock  "Black Dagger"  Black Dagger - Single  [2022  Lunar Lock]
1:46:45  BLÄCKLIST  "The Final Resistance"  Afterworld  [2022]
1:52:00  Show Promo: The Town Crier
1:54:45  Shadowlands"  Perfect Void"  Perfect Void - Single  [2022]

Darkwave with DJ Viking Woman with Sic Dog @  WXOJ-LP 103.3 FM 05-05-2022

Arc of Attrition 2024 (Livestream2024)

📅 𝗗𝗮𝘁𝗲: [26 Jan 2024 - End]
📌 𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: [Porthtowan, United Kingdom]


🎥𝐖𝐀𝐓𝐂𝐇 𝐋𝐈𝐕𝐄⭕► https://us.etvsports.xyz/sports.php?live=Arc+of+Attrition+2024


░H░A░P░P░Y░ ░W░A░T░C░H░I░N░G░ ░E░N░J░O░Y░

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Porthtowan, United Kingdom.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights.

Arc of Attrition 2024 (Livestream2024)

Sports999

🔴[LIVE'STREAMING] Arc of Attrition 2024 ,:  LIVE!! **

📅 𝗗𝗮𝘁𝗲: [26 Jan 2024 - End]
📌 𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: [Porthtowan, United Kingdom]


🎥𝐖𝐀𝐓𝐂𝐇 𝐋𝐈𝐕𝐄⭕► https://us.etvsports.xyz/sports.php?live=Arc+of+Attrition+2024


░H░A░P░P░Y░ ░W░A░T░C░H░I░N░G░ ░E░N░J░O░Y░

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Porthtowan, United Kingdom.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights.

🔴[LIVE'STREAMING] Arc of Attrition 2024 , LIVE!! **

Welcome! This is the first take on the first installment in the podcast series, The Riff. This first take looks at my own testimony and reflects on the practices I deal with as a music educator. Quotes are based on the literature read below, APA Citations in no particular order:

Robison, T., & Russell, J. A. (2022). Factors impacting elementary general music teachers’ career decisions: Systemic issues of student race, teacher support, and family. Journal of Research in Music Education, 69(4), 425-443. https://doi.org/10.1177/0022429421994898

Killian, J. N., & Baker, V. D. (2006). The effect of personal and situational factors in the attrition and retention of texas music educators. Journal of Music Teacher Education, 16(1), 41-54. https://doi.org/10.1177/10570837060160010106

Hancock, C. B. (2009). National estimates of retention, migration, and attrition: A multiyear comparison of music and non-music teachers. Journal of Research in Music Education, 57(2), 92-107. https://doi.org/10.1177/0022429409337299

Potter, J. (2021). Elementary general music performances and teachers’ perceptions of stress. Update: Applications of Research in Music Education, 40(1), 36-44. https://doi.org/10.1177/87551233211010401

Conway, C. M. (2003). An examination of district-sponsored beginning music teacher mentor practices. Journal of Research in Music Education, 51(1), 6-23. https://doi.org/10.2307/3345645

Mateos-Moreno, D. (2022). Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession. International Journal of Music Education, 40(4), 489-501. 10.1177/02557614211073138

Kuebel, C. R. (2019). Preparedness of instrumental music majors teaching elementary general music. Journal of Research in Music Education, 67(3), 304–322. https://www.jstor.org/stable/48595536

Gallo, D. J. (2018). Mentoring and first-year teacher supports: How do music educators measure up? Bulletin of the Council for Research in Music Education, 217, 7–26. https://doi.org/10.5406/bulcouresmusedu.217.0007

Ozturk, O. & Ozturk, G. (2020). Music Teacher Burnout: A Discussion in terms of Professional Status and the Value of School Music Education. International Journal of Progressive Education, 16(5), 370-389. doi: 10.29329/ijpe.2020.277.23

McLain, B. P. (2005). Environmental Support and Music Teacher Burnout. Bulletin of the Council for Research in Music Education, 164, 71–84. http://www.jstor.org/stable/40319261

Goodrum, S., Slepicka, J., Woodward, W., & Kingston, B. (2022). Learning from Error in Violence Prevention: A School Shooting as an Organizational Accident. Sociology of Education, 95(4), 257–275. https://doi.org/10.1177/00380407221120431

Take 1, A look into attrition!

Redo! This is part 2 of my installment on the Riff. I was more heavy on details from the literature. I hope this helps in developing a dialogue on what we are dealing with in elementary music education as it ties into attrition. Literature in APA citations below, APA citations in no particular order:

Robison, T., & Russell, J. A. (2022). Factors impacting elementary general music teachers’ career decisions: Systemic issues of student race, teacher support, and family. Journal of Research in Music Education, 69(4), 425-443. https://doi.org/10.1177/0022429421994898

Killian, J. N., & Baker, V. D. (2006). The effect of personal and situational factors in the attrition and retention of texas music educators. Journal of Music Teacher Education, 16(1), 41-54. https://doi.org/10.1177/10570837060160010106

Hancock, C. B. (2009). National estimates of retention, migration, and attrition: A multiyear comparison of music and non-music teachers. Journal of Research in Music Education, 57(2), 92-107. https://doi.org/10.1177/0022429409337299

Potter, J. (2021). Elementary general music performances and teachers’ perceptions of stress. Update: Applications of Research in Music Education, 40(1), 36-44. https://doi.org/10.1177/87551233211010401

Conway, C. M. (2003). An examination of district-sponsored beginning music teacher mentor practices. Journal of Research in Music Education, 51(1), 6-23. https://doi.org/10.2307/3345645

Mateos-Moreno, D. (2022). Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession. International Journal of Music Education, 40(4), 489-501. 10.1177/02557614211073138

Kuebel, C. R. (2019). Preparedness of instrumental music majors teaching elementary general music. Journal of Research in Music Education, 67(3), 304–322. https://www.jstor.org/stable/48595536

Gallo, D. J. (2018). Mentoring and first-year teacher supports: How do music educators measure up? Bulletin of the Council for Research in Music Education, 217, 7–26. https://doi.org/10.5406/bulcouresmusedu.217.0007

Ozturk, O. & Ozturk, G. (2020). Music Teacher Burnout: A Discussion in terms of Professional Status and the Value of School Music Education. International Journal of Progressive Education, 16(5), 370-389. doi: 10.29329/ijpe.2020.277.23

McLain, B. P. (2005). Environmental Support and Music Teacher Burnout. Bulletin of the Council for Research in Music Education, 164, 71–84. http://www.jstor.org/stable/40319261

Goodrum, S., Slepicka, J., Woodward, W., & Kingston, B. (2022). Learning from error in violence prevention: A school shooting as an organizational accident. Sociology of Education, 95(4), 257–275. https://doi.org/10.1177/00380407221120431

Take 2, An exploration on attrition from the literature.

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had to

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Hazel Hendley, CPO at Ordnance Survey says the mapping agency's retention is the "envy of her peers"...

CPO, Ordnance Survey - How mapping out three major EX principles improved our attrition rates

Un prêtre vous répond 2025-02-21

Various projects reside in this sonic landscape, such as the Riff, an educational podcast series dedicated to the praxis of music education. I will discuss relevant issues that are pressing in our profession today! Take a seat, pour a cup of coffee, wear your thinking cap, and enjoy.

Darkwave DJ at 103.3 FM WXOJ-LP, Valley Free Radio, Northampton, Massachusetts. Known as The Viking Woman.

Radio Maria est née en Italie dans les années 1980. Elle s'est rapidement développée en Europe et dans le monde pour atteindre 83 pays en 2024. En France depuis 1998,  sa mission est de diffuser l'Evangile en harmonie avec la doctrine et les indications pastorales fournies par l'Eglise catholique, dans la fidélité au Saint Père, et en utilisant toutes les possibilités que peut offrir un moyen de diffusion radiophonique. Radio Maria est une radio catholique, mariale, d'évangélisation.

Strap in, we're heading into the most complex or divisive areas of workplace cultures. It's the HR Grapevine podcast! Join us weekly for an in-depth chat with an expert in working life.

New tracks tagged #Attrition