++##Feebian

++##ACTMAN w p2wcate

++##Sonder

++##Evil Outro or Sumthin

Daw: FL Studio 24
Plugins: OZone 11, Waves audio

(westcoast hiphop)- radio ready! - same day mix and master - Ryan cali

++##ManifestWitMeTwin w slattino, c7press (slattino)

I wanted to try something different..

 I was using an older PC windows just to play on it and realized how bad CPU was. I couldn't even use my regular mix template because too many plugins. I couldn't even play audio because of the plugins maxing out. I thought to myself if I truly had to make a mix like this could I do it. Did I TRULY need to mix and master the traditional sense. I figured to myself if I add my template , as long as the recordings are good I could mix this way. I thought if my top down approach is as good as I thought it was, I figured slapping on my plugins and then exporting and then listening to the song beginning to end was the same thing. Instead of dozens of stems I'd treat the song itself as one stem. Think about it 30 minutes listening to stems or 6 times listening to the song itself has to be the same right? Same goals same ears, what's the difference? I prove it here.. The only difference in this case were the plugins I used. You're thinking if I export the song how can I tweak parameters without actually listening to the stems. Easy, I used only presets! Not only that I used plugins I was unfamiliar with.

WavesFactory
Soundtoys
Fabfilter
Valhalla
Lindell audio

Daw: FL Studio 25

Remember , this is art. You can literally do this shit however you want to.

I mixed and mastered this song listening to the song only 6 times. This song is almost 4 minutes long. So less than 30 minutes. 

I prove there is no wrong or right way. If it SOUNDS good it IS GOOD!



(country) -radio ready!- (experimental mix) -AFTER-

I wanted to try something different..

 I was using an older PC windows just to play on it and realized how bad CPU was. I couldn't even use my regular mix template because too many plugins. I couldn't even play audio because of the plugins maxing out. I thought to myself if I truly had to make a mix like this could I do it. Did I TRULY need to mix and master the traditional sense. I figured to myself if I add my template , as long as the recordings are good I could mix this way. I thought if my top down approach is as good as I thought it was, I figured slapping on my plugins and then exporting and then listening to the song beginning to end was the same thing. Instead of dozens of stems I'd treat the song itself as one stem. Think about it 30 minutes listening to stems or 6 times listening to the song itself has to be the same right? Same goals same ears, what's the difference? I prove it here.. The only difference in this case were the plugins I used. You're thinking if I export the song how can I tweak parameters without actually listening to the stems. Easy, I used only presets! Not only that I used plugins I was unfamiliar with.

WavesFactory
Soundtoys
Fabfilter
Valhalla
Lindell audio

Daw: FL Studio 25

Remember , this is art. You can literally do this shit however you want to.

I mixed and mastered this song listening to the song only 6 times. This song is almost 4 minutes long. So less than 30 minutes. 

I prove there is no wrong or right way. If it SOUNDS good it IS GOOD!

(country) -experimental mix- BEFORE -(read description)

++##Toxsick (everythingblessed)

++##Premonition

++##imgonna kill u ig

++##CrashDummy w slattino, janesoteric (everythingblessed)

++##PABWTS (me n jane)

++##2od

The story of Regina Spektor is one of a truly self-made artist. In 1989, at nine years old, Spektor and her family emigrated from Moscow to the Bronx in New York. Her love and affinity for playing the piano found her studying in high school at the Manhattan School of Music, and as she continued her classical studies she was also being exposed to and fell in love with pop music, hip-hop, and punk rock. Her self-released albums 11:11 and Songs led to a growing audience and opening slots for The Strokes and Kings of Leon. She was soon signed to Sire Records, who released her third album, Soviet Kitsch. Fast forward many years, and the list of accolades and accomplishments for Regina is long. She has released eight studio albums, featured at the Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury festivals, performed at the White House for the Obamas, wrote the theme song for the Netflix series Orange is the New Black, and has had songs appear in multiple films. 
She recently reissued her albums Begin to Hope, Far, What We Saw From The Cheap Seats, Remember Us To Life, and Live in London all exclusively on vinyl.
Geoff Stanfield caught up with Regina from her home in New York to discuss her early years, her passion for the craft, and takeaways from working with producers such as Jeff Lynne, Jacknife Lee, John Congleton, and Mike Elizondo. 

Enjoy!

Episode 108: Regina Spektor

++##On The Low w janesoteric, slattino #TWK (slattino)

Birds - Instrumental

https://on.soundcloud.com/nEJ95DukDKFI0Q82sq (samson link)
https://soundcloud.com/slattino
https://soundcloud.com/yurrington

++##kant compare w yurr x slattino (prod samson)

Shadow - instrumental

I make a lot of instrumentals in my spare time; they need somewhere to go.

Heavily inspired by alternative rock, metal, and pop-punk.

Human Heart , Digital Hands
Genre-Hopping Mix & Master Engineer|
Click this link if you wish to hire us! 
https://www.upwork.com/freelancers/anhaudioservices

https://allmylinks.com/arthurgreen1484

🟢 Budget Friendly– $20 (mix only) (streaming service ready only)
                                  
• 1 Song
• 1-Day Delivery
• no revisions
budget friendly!
no vocal editing or melodyne , no advanced techniques
*available 24/7!*

Mixes on this page are all stylistic choices and does not reflect how he (ANH) operates within a professional environment. 

-Team

New tracks tagged #Audioengineer