This is a song originally recorded by Australian band "The Dingoes" in 1973. It's my first attempt at a multitrack recording. Constructive criticism on my performing, recording and mixing welcome.

Way Out West

Zerllia is turning whispers into anthems with the release of her newest single — a capricious, emotionally-charged track that dives headfirst into the quiet chaos of uncovering the truth. Inspired by WA’s relentless South Westerly winds and the haunting storytelling of artists like Billie Eilish and Michael Jackson, this song is one of her fastest creations to date — and perhaps one of her most honest.

“There was this one day where I could almost hear people talking through the wind,” she recalls. “I was already deep in my feels listening to “Birds of a Feather”, and suddenly it just all came together. Within an hour, the whole thing was written.”

There’s no single story behind the lyrics — rather, a collage of situationships, friendships, and fractured connections where words were twisted and the truth eventually came out. “We’ve all been there — when someone lies, and you know something’s off. Eventually, the truth always breaks through. This track is that moment, that release.”

One particularly raw memory came from a past relationship where a small lie cracked open something bigger. “He said he was home. Turns out, he was out clubbing, at the strip club — the whole thing. I didn’t even have to dig, it just came out during an argument. That moment stuck with me, and you can feel it in the song.”

Blending emotionally-charged lyricism with RnB pop sensibility, the single captures the heat of betrayal with a cool, haunting edge. Written during a freezing WA winter — her first after moving from tropical Queensland — the track took shape as she sat curled up next to a tiny wall heater, listening to “Smooth Criminal” and “Birds of a Feather” on repeat. “I even used a pre-chorus I wrote for a totally different song — but it just fit so perfectly, it was meant to be.”
The single forms a crucial chapter in Zerllia’s upcoming EP, a carefully woven storyline tracing the rise and rinse of a toxic relationship. “This song marks a turning point in the narrative — where illusions fall away, and truth takes center stage. It’s not about rage, it’s about release.”
Bold, honest, and sonically compelling, this track is a cold dose of reality wrapped in moody pop — and it’s bound to resonate with anyone who’s ever learned the hard way: you can only hide the truth for so long.


Stream

Whisper

“Sky’s the Limit” is an anthem of resilience and renewal, dedicated to veterans navigating life beyond military service. It captures the emotional landscape of those who, after the uniform comes off, begin the complex journey of rediscovering identity, purpose, and passion.

For many veterans, the transition to civilian life brings both visible and invisible challenges. Yet within that transition lies the opportunity to dream again—to pursue goals that may have once seemed out of reach. This track is a tribute to that spirit. With its hopeful lyrics and driving energy, it reflects the strength found in rebuilding, the courage it takes to dream, and the belief that limitations are meant to be challenged.

Lines like “Don’t tell me dreams can never stay” and “Defying gravity, bending the will” speak directly to the veteran experience: pushing forward despite the weight of memory, adapting with purpose, and striving toward a future defined by ambition, not adversity.

“Sky’s the Limit” is more than a song—it is a salute to those who continue to rise.

Sky's the Limit

Flex and Fade is a bold, high-impact anthem capturing the relentless pursuit of success against all odds. With commanding imagery of wealth, independence, and strategic power, the track reflects the mindset of those who rise from adversity through pure grit and vision. Lyrically grounded in themes of self-made triumph, “Flex and Fade” speaks to individuals who understand that every calculated risk and every long night builds an empire.

Beyond its trap-influenced production and sharp wordplay, the song conveys a deeper message: triumph is not gifted—it's earned. The narrative moves from humble beginnings to a position of influence and respect, underscored by lines like “From the jungle to the penthouse skyline” and “No handouts, just hustle and skill.” This ethos makes the track particularly meaningful for veterans transitioning into civilian leadership, entrepreneurs shaping their own legacy, and any listener with a drive to redefine their destiny.

Whether it's read as a celebration of street hustle or a metaphor for broader personal or professional transformation, "Flex and Fade" is a resonant call to keep pushing forward, regardless of where you began.

Flex and Fade

"Number 1" is a haunting and introspective narrative from the perspective of a veteran battling silent injuries—most notably PTSD. The song explores the inner dialogue of someone trying to maintain a sense of worth and identity in a world that often overlooks invisible wounds. Repeating the mantra “I’m number one” becomes a desperate act of self-affirmation, a fragile shield against the creeping weight of trauma, isolation, and self-doubt.

As the verses unfold, the cracks begin to show. The bravado slips into vulnerability, and the need for escape leads to substance use. The final lines leave listeners with a confronting image: a man, once a symbol of strength, found alone with drugs in his possession. It's a poignant reflection of how the invisible scars of service can lead to deeply personal battles—often unnoticed until it's too late.

Mi Mate Music gives voice to these experiences not to glorify the pain, but to shed light on the hidden struggles of our veterans. This track is part of a broader mission to help broken people tell their stories and help others better understand the enduring impact of invisible injuries.

Number 1

CAN’T LET GO

“Make the Bed” is a powerful commentary on the lived experience of veterans coping with Post-Traumatic Stress Disorder (PTSD). The lyrics reflect the isolation, mistrust, and emotional struggle many veterans face after returning from service. The refrain, “Don’t bang, just make the bed,” symbolises the necessity for veterans to create safe, controlled environments and focus on self-care rather than confrontation or conflict.

The song highlights how veterans may feel disconnected from those around them, often finding themselves alone despite being surrounded by others. It also acknowledges the ongoing internal battle that many veterans endure, including the challenge of reconciling their past experiences with present realities.

By addressing these themes head-on, “Make the Bed” offers both recognition and respect for the sacrifices of veterans, while encouraging reflection on the importance of mental health support, patience, and resilience.

Make the Bed

“I Come First” is a triumphant declaration of independence and self-prioritisation. With an upbeat, soulful tone and empowering lyrics, this track captures the moment you decide to put yourself first — not as an act of defiance, but as a long-overdue celebration of self-worth.

The song opens with clarity and calm: “There’s no problem to be fixed / There’s no path I need to find”. These lines set the scene for a personal rebirth, one rooted in freedom from external expectations. Rather than chase after someone else’s approval or fix someone else’s problems, the narrator embraces a new season of life — blooming with self-acceptance and joy.

The chorus is infectious and powerful:
“I come first / The sun is out and my cheeks are hot...”
Set against imagery of spring and personal awakening, the repeated affirmation reinforces a message that’s both universal and deeply intimate. It’s a song made for windows-down drives, solo walks, or the playlist you turn to when reclaiming your energy.

The bridge offers emotional gravity, reflecting on past sacrifices:
“All my life / I’ve put me last...”
— but it quickly turns that reflection into resolve. There’s no bitterness here, only a clear-eyed commitment to never abandon oneself again.

With vibrant production and heartfelt vocals, “I Come First” serves as an anthem for anyone ready to choose themselves — with pride, power, and joy.

I Come First

“Checking In” is a tender, introspective ballad that speaks directly to the emotional truth of boundaries, self-care, and the necessity of inner clarity before supporting others. Minimalist in arrangement and profound in message, this song invites the listener to pause, breathe, and reflect — not just on what they give to others, but what they need for themselves.

Opening with the simple but powerful words: “First you check in / What do you need?”, the track gently guides us through the internal conflict of wanting to help, to give, and to show up — but being unable to do so without first achieving personal stability. This sentiment is captured succinctly in the refrain:
“I can’t help you / I have to help me”.

The structure is intentionally stripped back, allowing space for the lyrics to resonate deeply. Through subtle repetition and soft vocal delivery, the track builds emotional weight without ever becoming overwrought. It’s the sonic equivalent of a quiet realisation, or a deep breath after a long day.

The bridge, marked only by a soft “Mmm”, gives room for reflection — a moment to sit with what’s been said. By the time the final verse arrives, the song circles back with more certainty and acceptance: the boundaries drawn are not out of neglect, but from care — for both self and others.

“Checking In” is ideal for meditation playlists, self-reflection moments, or quiet evening listening. It offers comfort, encouragement, and a respectful call to listen to your own needs first — because only then can you show up fully for others.

Checking In

🌾 The land is quiet here... but it remembers.

“The Land Remembers” is a slow-burning ballad of rust, roots, and reckoning.
A boy, a brim, a fading orchard—haunted not by ghosts, but by memory in the soil.
Every verse holds breath like heat. Every chorus hums with what’s been lost... and what still lingers.

🎙️ Narrative folk with atmospheric weight
🔥 Grief woven through silence and sun
🪶 A mother’s scent. A land that sings. A story not yet done.

This isn’t just a song—it’s a place.

The land is quiet here

This one’s for the stupid couch critics..... the absolute fucking retards who think clean energy’s a scam because “it uses steel.”
It ain’t about perfection, it’s about direction.
This track shreds thru the lazy arguments, the cherry-picked bullshit, and the fossil-fuel fanboys clinging to smoke while the planet burns.
Raw, sharp, and 100% Aussie.
Lyrics by Magoozla > delivered with self taught hectic as fuck AI precision prompting.

Vocals and beat powered by Suno.

Steel and Hot Air

Fall Down For This || NOW AVAILABLE ON SPOTIFY, iTUNES & ALL MAJOR PLATFORMS

Spotify: https://shorturl.at/DI4P8
triple j unearthed: https://shorturl.at/ViMmW
iTunes: https://shorturl.at/twFZf

lyrics.
A little long I been learning for this
Wouldn’t mind letting go before this
Wouldn’t mind it getting real before this.   
I call it fine while getting hung up all the same
And I don’t live it for no fame 
I’m gonna put it on my fate
I’m not gon’ fall down for this
Come on by a little more, we’ll get it going till late
I know my limits all the same
Come on by a little more, we’ll explore till late
I’m not gonn’ fall down for this
Come on by and we can talk more through this
I ain’t letting you down, (I ain’t lettin’ you down) 
I ain’t letting you down, (I ain’t lettin’ you down)
If you come on by when we can talk this out
I know I can show, I know how it sounds
How it sounds. 

Hey there,
I’m gonna call out all my failings
I’m gonna show up for my baby.
I’m not gonna hold out on my lady
I’m gonna show up for my baby
And you don’t ever have to change, yeah
I gonna hold it now and pray
That I don’t ever break this  
I gonna do my best to give it all to this
All to this… (to this, oh)

And you’re the best friend I could have made yet
I won’t let nobody get in the way of it
You’re holdin it down, while I’m feeling my way, yeah
And yet I know it’s gonna be okay, yeah 
Coz we’re gonn’ hold this down our way, yeah
We’re gonna do this shit, no phasin’
And I’mma love you the way I’m feelin’ 
And in the end it’ll be amazing 
Coz we’re gon’ make this town our way, yeah
And it’s gone be left the way we made it 
Coz in the end it’s gonna be the greatest
Coz that’s our way and it’s you and me there
And I’mma love you the way I feel it
Coz in the end it’s just you and me there

And I’m gonna call out all my failings
I’m gonna show up for my baby.
I’m not gonna hold out on my lady
I’m gonna show up for my baby
And you don’t ever have to change, yeah
I gonna hold it now and pray
That I don’t ever break this  
I gonna do my best to give it all to this
All to this… All to this. Oh.

Written, performed, produced and mixed by TABLÓMOTÏF.

Insta: @tablomotif || Look to the “Reels” tab to find the “Making of” this track.

Fall Down For This

KÄSE KOCHEN has compiled an epic mix comprising of his recent album A Subtle Shift In Perspective plus an onslaught of epic unreleased remixes of the album tracks. The sounds of the Käse Kochen sobriquet are an enigmatic & satisfying blend of various sub genres of contemporary progressive dance music. A homogenous amalgam of synthetic & organic sounds; instrumental, digital and found - resulting in something truly profound. Originating in the forest dwelling doof scene of Northern New South Wales, Käse Kochen has ripened into an impressive Australian artist, gracing internationally sought slots including Rainbow Serpent Festival’s Market Stage, Shankra Festival’s Horizon Floor (Switzerland), Subsonic Music Festival and Elements Festival’s Main Stage.

Tracklist:

Käse Kochen & Enrique Lazcano - Maelstrom
Käse Kochen & Enrique Lazcano - Tone Deaf (Beyond Senses Remix)
Käse Kochen & Enrique Lazcano - Tone Deaf
Käse Kochen & Enrique Lazcano - Enchantment Aeternum
Käse Kochen & Enrique Lazcano - And So It Begins
Käse Kochen & Enrique Lazcano - Akuma
Käse Kochen & Enrique Lazcano - Akuma (Chamberlain VIP)
The Riddler - Hammerhead - (Käse Kochen Remix)
Käse Kochen & Enrique Lazcano - Tsunami
Käse Kochen & Enrique Lazcano Tsunami (Timo Lissy Remix)
Käse Kochen & Enrique Lazcano - Forever In An Hour (Hypnagog Remix)
Käse Kochen & Enrique Lazcano - Forever In An Hour
Käse Kochen & Enrique Lazcano - Seed Of The Sun
Käse Kochen & Enrique Lazcano - Images Of The Divine
Käse Kochen & Enrique Lazcano - Unstable Portal
Käse Kochen & Enrique Lazcano - Polymorph
Käse Kochen & Enrique Lazcano - Polymorph (Dysphemic Remix)

https://soundcloud.com/k-se-kochen | https://soundcloud.com/stoneseed_music

:: Archives ::

https://soundcloud.com/radiozora/sets/stone-seed-series

KÄSE KOCHEN | Stone Seed Series Ep. 33 | 16/05/2025

Cash Bag

Welcome to the soundtrack of your 72-hour bender. Confession is a chaotic genre-crash of hypertrap and dub-reggae, laced with shit you weren't expecting.  The song has been spiked with a little Hot Rock Ricky who turns sleep deprivation into performance art confessing his love for regrettable bad habits at 4AM in a servo bathroom.

Confession

Seja talks to her guest Sally Seltmann (New Buffalo) about her studio set-up, her dogs, co-writing sessions and how to keep ideas fresh. They chat about their shared similarities, working with and taking criticism from your partner, self producing and record label politics. Sally tells Seja about the financial side of being a songwriter vs feeling satisfied creatively, how making music is medicine and about the joys of hearing her daughter play music. 

Sally’s strange show story was illustrated by Seja. All illustrations can be seen on instagram @hearsejpodcast or on the HearSej Facebook page.

#102 - Sally Seltmann

This interview first aired on Tuesday the 3rd of June, 2025 on ONE FM 98.5 Shepparton.

One FM announcer Craig Stott talks to Dave Gleeson from The Screaming Jets and The Angels on his birthday.  He talks everything he is up to now.

Craig Stott is a presenter on One FM and can be heard Tuesday mornings from 9am-12pm.

Contact the station on admin@fm985.com.au or (+613) 58313131

The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1.

PRA AMCOS (Australasian Performing Right Association Limited  and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1

Craig Stott Interviews Australian music legend Dave Gleeson - June 3, 2025

Digital hustler, lyrical architect, and the voice of the breach.
Poet of the poor. Voice of the unheard.
I write every lyric from the gut then weaponise Suno and Rip X Daw to deliver it harder than half the rap game ever could.
This ain’t industry fluff. It’s rhythm and poetry dragged through mud, sharpened with truth, and spat back at the system.
Tracks are built in the storm, not the studio.
Every drop’s a protest. Every rhyme’s a brick through the window.
Listen close or get out the fuckin’way.

Mi Mate Music – Giving Sound to Silent Struggles

Mi Mate Music is a purpose-driven creative project transforming lived experiences into powerful, emotionally charged tracks. Founded by Dennis Weston, this initiative supports individuals—particularly war veterans living with invisible injuries such as PTSD and other mental health conditions—in expressing what too often goes unsaid.

Through music, we help broken people tell their stories in ways that are honest, raw, and empowering. These tracks are more than just songs—they are lived moments, captured in sound.

Our mission is twofold: to support healing through creative expression, and to foster greater understanding of the silent battles many veterans and others endure daily. Every lyric and every beat is crafted to inspire empathy, connection, and insight into the challenges of mental health injuries.

Whether you're navigating your own journey or seeking to understand someone else's, Mi Mate Music offers a soundtrack grounded in truth, resilience, and hope.

Your support helps us continue turning real stories into music that matters.

Writer & Producer 
Website: www.gawzy.com (Coming Soon) 
Email: info@gawzy.com
Instagram | Facebook: @gawzy
YouTube | TikTok | X (twitter): @iamgawzy

Aussie indie music creator, bringing back 90's europop vibes with a fresh, contemporary twist. 
A lover of music in all its shapes and colours now writing and producing my own songs.

Lost in a concrete jungle, but pining for the country life.

Tasmanian-born, hybrid Toronto based DJ and producer
Insta: @ harrisii.music

Musician and synth-enthusiast Seja talks to her guests about their creative endeavours, where they came from, and what inspires them.
She is also asking about the strangest or worst show/experience the person has had as part of their artistic venture.  The answer to this question will not only be played on the podcast, but also illustrated by a different artist each time. 
Illustrations will be posted on the HearSej Facebook and Instagram pages.

One FM Community Radio Station airs a range of programs, including  "Ethnic Programs"  (in languages other than English), specialist interview programs such as "Shepplife" and health programs (So Much More)which are podcast here.  We also podcast a range of local sports programs as part of our Super Saturday Sports Show.  
Goulburn Valley Community Radio Station  Inc. (One FM 98.5) podcast site operates under APRA AMCOS (Australasian Performing Rights Association and Australasian Mechanical Copyright Owners Society) and ACMA (Australian Communications Media Authority) Licence Number  1385226/1.

The programs are recorded and first aired at One FM 98.5 Community Radio Station in Shepparton (Victoria, AUSTRALIA), and produced with the assistance of the Community Broadcasting Foundation or the National Ethnic and Multicultural Broadcasters' Council.

All intro and outro music for So Much More podcasts are taken from Beneplacito Boogaloo composed by Terry Barbossa and Matt Holland.

https://radiozora.fm - We are all connected through the same frequency...

info@radiozora.fm

TABLÓMOTÏF is a sonic shapeshifter from Sydney, weaving cinematic alt-pop with electronic grit, ambient depth, and hip-hop-infused rhythms. Emotionally charged and sonically expansive, his music explores identity, chaos, and catharsis.

Having been busy with some new sounds, bigger waves are now on the horizon.

Follow:
IG @tablomotif | TikTok @jackmotif

Join our DJ + Industry mailing list to hear and download our unreleased tracks before anyone else: 

https://www.labsixrecords.com/dj-mailing-list

Contact: hello [at] labsixrecords [dot] com

New tracks tagged #AustralianMusic