Part of the soundtrack to the play 'Amid the Clouds' by Amair Reza Koohestani, produced by Pop Up Theatre in Association with Directions Out Theatre Company. Performed at Smock Alley Theatre in Dublin on May 2025 

Refugee Camp

My reach is limited.
No motive left to want it.

The thought sounds sweet –
to find a path
that holds,
that holds me.

Tired after sleep.
From the very first moment,
unable to expand.

Crystal Sand

mAEn is an Italian anthropo-alchemic duo formed by Maurizio Chiantone and Enrico Pofi, Neapolitans. This strange transmutability of the two is the result of a continuous research on languages and the incredible world of sounds that surrounds them. Acoustic sparks and sound microclimates with and through which structures and new ways of creation are experimented regarding the relationship between man, media and technology. For a long time, their own kermesse rest on constant attention to the infinite possibility of combination and manipulation of the codes, which are the distinctive and transversal elements that compose them or the dynamic and creative potential connected to the production or implementation of an event.

Description of the performance

mAEn processes in any available space, using supports acoustic and digital, building their own performances on a minimal research concept.
In this direction, ethnic materials and sound objects, self-made, commonly used, metals, woods, glass, plastics, that can be urged, are used in an open and experimental way.
Use instead of the new technologies offered by digital tools tablet, phones, keyboards, pads, sequencer, contributes to the creation of a connected set in a key aesthetic and formal.
The material mood integrates with the virtual one.

In the Court of Mustilli's Winery / Taste

In the Court of Mustilli's Winery / Ape

In the Court of Mustilli's Winery / Sex

mAEn is an Italian anthropo-alchemic duo formed by Maurizio Chiantone and Enrico Pofi, Neapolitans. This strange transmutability of the two is the result of a continuous research on languages and the incredible world of sounds that surrounds them. Acoustic sparks and sound microclimates with and through which structures and new ways of creation are experimented regarding the relationship between man, media and technology. For a long time, their own kermesse rest on constant attention to the infinite possibility of combination and manipulation of the codes, which are the distinctive and transversal elements that compose them or the dynamic and creative potential connected to the production or implementation of an event.

mAEn processes in any available space, using supports acoustic and digital, building their own performances on a minimal research concept.
In this direction, ethnic materials and sound objects, self-made, commonly used, metals, woods, glass, plastics, that can be urged, are used in an open and experimental way.
Use instead of the new technologies offered by digital tools tablet, phones, keyboards, pads, sequencer, contributes to the creation of a connected set in a key aesthetic and formal.
The material mood integrates with the virtual one.

Fifth Element is the result of contact with the space available, using both acoustic and digital supports, aiming at a minimal research concept. In this direction, ethnic, self-built, commonly used metals, wood, glass, plastics, stressable materials and sound objects are used in an open and experimental way. The electronic and technological supports, offered by digital tools tablets, phones, keyboards, pads, sequencers, contribute to the realisation of a connected whole in an aesthetic and formal reading key. The material mood is integrated with the virtual one.

Tide

Spark

Flow

Pulse

Zephyr

CRYOGENISM

ZERO

ELEGY OF DEAD STARS

AMUSE ME

BONECRACKER

AETHIRIUM

Composed, arranged, performed, and produced by
Carlos Vivanco

Suspiros Del Alma

Lost In Time

Against The Grain

This evening a difficult task... a struggle in the soul... an event that is not easy to deal with... a real storm of thoughts battling with each other...


THE GREAT FIGHT

G3NOT /ˈdʒiːnɑːt/
I'm not here to fit in - I'm here to short-circuit your algorithm.
Noise with a grin. Silence with intent.
G3NOT: The glitch you can't debug.

/breɪk/

This isn't music - it's sabotage in stereo.
Smile. It's not a mask.
G3NOT - your skip button's existential crisis.

I'm on SoundCloud from November 2015.
I'm just an amateur self taught pianist and composer, a lover of music and I'm glad to have discovered the planet SoundCloud and its interesting people.
Sometimes I compose something or I improvise a song , and if I like it i send it to SoundCloud to make it listen. I thank you for the time you want to devote to listen to my songs.

https://www.facebook.com/nibbio.bruno.31

https://www.facebook.com/ALCANTARAThoughts-about-music-133810100554200/

https://www.youtube.com/channel/UCey0oBme9y_GMKslMChF-9Q?view_as=subscriber

Experienced composer with a rich background across diverse sonic landscapes and a deep understanding of theatrical storytelling. His work seamlessly blends the warmth of organic orchestral and
analogue sounds with innovative, experimental textures, enhancing the emotional impact of each performance. Beyond composition, his
expertise in sound engineering and music production ensures a holistic approach to sound design, creating immersive auditory experiences that resonate with audiences.

In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax , Johanna Hugring, Martina Hoogland, Amanda Garrett , Mila Watson and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Neapolitan, graduated in Double Bass at the Conservatory of Naples, a Master in Digital Writing at the Faculty of Educational Sciences of Florence and graduated in Electroacoustic Musical Composition at the Conservatory of Benevento, he is strongly attracted by the possibilities of interchange of codes and their distinctive and transversal constituent elements . The research areas focus on the interactions between Visual and Sound Art and push towards a study aimed at the relationships between phonemes, signs, perception and environment in a holistic and minimalist direction. There are numerous performances and installations in which he participates with a wide versatility between cultures, styles and artistic models and in which he operates on multiple levels of interest: compositional, planning, didactic; between exchanges of thoughts and actions shared with artists and creatives.

New tracks tagged #Avangarde