Hey, back in the studio with a new snapshot from my life. When I listen to the piece afterwards, it seems like a big question. Searching. Almost longing for answers. Enjoy.
Yours truly,
Sebastian

>> Video <<

Improvisation: Day 268, 2024

Hey friends,
Me again. This time with a simple meditation at the piano, starting with the left hand and listening deeply. Simple and pure, like a good breath. It brought me joy—I hope it does the same for you.

Yours truly,
Sebastian

>> video <<

Improvisation: Day 28, 2025 (Piano Diaries)

Hey friends,
today, there are things on my mind. First, as you might hear in the music, I’m feeling a bit mixed up—part of being human, and I wanted to share it. Second, maybe a bit odd, but my piano tuner Peter (great guy, by the way) is coming tomorrow. My Mme Bechstein is long overdue for tuning, so I wanted to capture its current sound—imperfect, but special in its own way.
Let me know what you think—I’d love to hear your thoughts!
Yours truly,
Sebastian

>> Video<<

Improvisation: Day 41, 2025 (Piano Diaries)

Hey.
Me again. I wanted to share something special with you—my Piano Solo version of Butterfly, filmed live during the actual recording session. Before I officially re-release the full single, you can get an exclusive first listen to this warm, dynamic, and flowing piece.

This is part of my Music & Score Series, so you can also grab the sheet music if you’d like to play it yourself. Available on Bandcamp via this link:
https://sebastianmorawietz.bandcamp.com/album/butterfly-piano-solo-free-sheet-music-pdf

Enjoy the music, and let me know what you think in the comments!

Thanks for your support! 💙

Yours truly,
Sebastian Morawietz

Butterfly

Butterfly (Piano Solo)

This is a raw unedited, unproduced piano improvisation about a poem by Maestro Ray Hughes and also about a poem inspired on the same day completely unrelated, or is it?

By The Creek-(The Sound of Bliss) raw and unedited

"Pebble" Release Mix - Live Recording for Slothacid (04-2025)

Video: https://youtu.be/AfVQB4Bo_v8
First, a confession.
I don’t play Etude No.1 as fast as Mr. Glass indicated in his score. The honest truth? It’s a little too fast for me—and for Mme Bechstein, as I call my piano. But perhaps that’s part of the charm of this version: it’s a bit slower, more grounded. And in that space, something opens up. The dynamic expression has room to breathe. The tempo becomes a gently rising tide, like waking up slowly, aligning fingers, mind, and breath into harmony.

Admittedly, this is a rather personal interpretation. I’m not entirely sure Mr. Glass would give it his blessing. But then again, it is an etude—and I find this piece simply wonderful.

Over the past weeks, it has become something of a quiet companion in the early hours of the day. I’ve worked from the published score, gradually sketching my own notation to help understand how the sections interlock, how the pulse shifts and evolves. This slow discovery revealed a surprising depth—a kind of secret logic running beneath the surface.

There’s something endlessly captivating about Glass’s harmonic language. It’s modern, never cloying, and crafted with quiet intelligence. His use of subtle shifts—almost imperceptible at first—creates patterns that, through repetition, become almost meditative.

This recording isn’t about perfection or polish and not meant to compete with the many beautiful renditions already out there, performed on the most luxurious grand pianos. It’s my personal take—played honestly, on my own instrument, at my own pace. A moment captured in sound, without the pressure to impress.

If you’re a pianist—especially one still finding their way, as I am—I warmly encourage you to spend time with this piece. It has a way of revealing itself slowly, like light unfolding across a morning room. And perhaps, in its simplicity, you’ll find something of yourself reflected there.

I’d love to hear how this piece resonates with you. Leave a comment if you’d like to share your thoughts or your own experience with Glass’s music.

Yours truly,
Sebastian Morawietz

Studio Diaries: Glass Etude No.1 – My Morning Ritual

Was für ein Spaß! Danke an alle die trotz Regen so gefeiert haben! Es wurde geträumt, getanzt, geküsst, gelacht <3 
Danke Wurzel! 
Hoffentlich bis ganz bald! <3

PM FOR DOWNLOAD! ;)

Berndt Bechstein @ Wurzelfestival 2025 (3hrs Märchenwald Journey)

Video (Live Recording): https://youtu.be/ZBdZoVp5ES0

Hey, it’s me again

This is Memory Loop — a live recording from my ongoing Studio Diaries series, and the very first release from my new upcoming project Cycles I.

At the heart of this project is a dialogue between my acoustic piano — Mme Bechstein — and a digital environment I’ve been quietly building over the past months.
With a custom TouchOSC controller on the iPad, the whole setup has become an instrument of its own. It lets me improvise freely, shape sounds in real time, experiment with live-looping — and stay focused, fully in the flow, without distraction.

This is just the beginning.
I’ll keep refining and expanding this setup in the coming weeks, and Cycles I will grow from here — one piece at a time.

Thanks for listening.
Let me know what you think — I’d love to hear your thoughts.

Yours truly,
Sebastian

Video

Memory Loop (Live Looping Session)

Live Video: https://youtu.be/SUlkvdyt_UU

Hey – it’s me again!
This is Talking to Ghosts — the second release from my ongoing project Cycles I.

I’ve refined my TouchOSC loop engine for this one, making it easier to switch between loops in real time. It’s a quiet but important step forward in my setup — less distraction, more flow.

The piece itself has a strange kind of presence. The loops start talking back. Layers appear, disappear, reappear — like echoes of something that was once there. Or maybe still is.

Over the past weeks, this piece slowly became more personal. As the anniversary of my brother’s death approached, certain memories and emotions began to resurface — quietly, insistently.
I didn’t plan for it to become personal, but somehow it did.
There’s a feeling of reaching out — not knowing who (or what) might answer. A sense of speaking into something unseen, hoping to hear something in return.

Maybe that’s what looping is: a conversation with what’s left behind.

The world is shifting — AI, music, identity, everything. I’m trying to figure out what it means to exist as an artist right now. What can I offer? What am I even trying to say? I don’t have answers yet. But this is part of the search.

Let me know what you think of the piece — and of this format.
It means a lot to hear from you.

Yours truly,
Sebastian

Talking To Ghosts (Live Looping Session)

booking: booking@bornto.dance

Hailing from the beautiful country side of Germany, music producer and DJ Berndt Bechstein is forging his path in the electronic music scene, track by track. Music is an essential part of his life and you can find him in the studio every free second of the day, producing heavy hitting music aimed for the dance floor.

With his very distinct sound, Berndt’s tunes has already made the rounds in clubs around the globe, creating a frenzy where ever they are being played. The genre is hard to pin-point and swirls between groovy Techno, Tech House and Minimal. His driving style always carries the signature gnarly synths and perky percussions he is loved for.

In 2021 he joined the “SNOE” label family with the groundbreaking “Duck and Dive EP”, and the label has since then become his homebase. Through his solid releases he has already gotten support from artists such as Laurent Garnier, Jamie Jones, Joyce Muniz, Roger Sanchez and of course always from the label family Andreas Henneberg and Beth Lydi.

Berndt’s sound is groovy, playful and catchy. His passion lies in creating extraordinary experiences on the dancefloor and his sets are all about having fun and enjoying the fleeting, beautiful moments of the night.

2025 
01.01 Insel der Jugend 
03.01 Sisyphos Berlin
08.06 Zurück zu den Wurzeln Festival
28.06 Unique Open Air 
26.07 Hexenwerk Festival
02.08 Weinberg Fam. Tümmel - Laucha

2024

01.01 Insel der Jugend Magdeburg 
24.01 Insel der Jugend Magdeburg 
17.02 Sunshine Live Radio
30.03 Insel der Jugend Magdeburg 
14.04 Insel der Jugend Magdeburg 
09.05 Himmelfahrt Open Air Magdeburg 
15.06 Unique Open Air Harz
14.07 Sisyphos Berlin 
24.07 Insel der Jugend Magdeburg
11.09 Insel der Jugend Magdeburg
18.10 ARS Wernigerode
30.10 Insel der Jugend Magdeburg
02.11 Feinkost Club Ballenstedt
22.11 Echoes of Reflections Stream Magdeburg
14.12 Insel der Jugend Magdeburg
31.12 Insel Der Jugend Magdeburg


2023

21.01 Insel der Jugend Magdeburg 
22.04 Insel der Jugend Magdeburg 
18.05 Himmelfahrt Open Air Magdeburg
24.08 Home Sweet Home Magdeburg
27.05 Herz auf Hoher See Festival  Magdeburg
10.06 Zurück zu den Wurzeln Festival Juterborg
24.06 Unique Open Air Harz
28.06 Home Sweet Home Magdeburg 
08.07 Insel der Jugend Magdeburg 
14.07 Westhafen Leipzig 
16.08 Highlife Stream Leipzig 
02.08 Feinkost Club Ballenstedt
19.08 Home Sweet Home Magdeburg

Piano artist who loves to inspire, improvise, and heal.

Hello, I’m a composer based in Berlin, working at the intersection of classical, minimalism, and electronic music.

Thank you for listening and for adding my music to your playlists.

♡ Sebastian

If you’d like to get in touch, feel free to say hello here or through any of the social links below.

New tracks tagged #BECHSTEIN