Ten years on from his BBT Fellowship and four discs into his relationship with record company BIS, French horn player Alec Frank-Gemmill completes a long-held ambition to record Mozart's Horn Concertos. But his partnership with the Swedish Chamber Orchestra and conductor Nicholas McGegan (with whom he collaborated on an earlier disc of horn concertos 'Before Mozart') is different in that he not only plays a completed version of the First Horn Concerto (confusingly the last to be composed) and includes an earlier, unfinished, concerto, here entitled 'Concerto No 0' as reconstructed and completed by Stephen Robets and Frank-Gemmill himself. This eagerly awaited recording is out on 8 November 2024.

Mozart Horn Concertos

Mozart Concerto No 4 in E flat iii Rondo. Allegro vivace (start)

Mozart Concerto No 1 in D ii Adagio, K 211 (start)

Mozart reconstructed Roberts Concerto ‘No 0‘ in E flat i [Allegro] K 370b (excerpt)

Loski- Miracle

eternal

i don't even know what to call it (RIP BIS)

Von Techno bis Hardtechno in 4 Stunden aufgeteilt in 2 Akten.


PRSN`s Mindset 2. Akt

So bis morgen

This conversation covers the book, "Tower of Basel: The Shadowy History of the Bank for International Settlements" by Adam LeBor, offers an unauthorized investigative history of the Bank for International Settlements (BIS), detailing its secretive operations and significant, often controversial, influence on global finance and politics. The text explores the BIS's origins in managing German WWI reparations and its evolution into a central bank for central banks, highlighting its role during WWII in facilitating Nazi financial interests. It further examines the BIS's post-war adaptation, its involvement in European economic integration, and its increasing global relevance in areas like financial stability and banking regulation, while also questioning its lack of accountability and transparency. The author supports his account with interviews, archival research, and previously undisclosed information, presenting a critical perspective on the unseen power wielded by central bankers and their impact on historical and contemporary events.

Tower of Basel: The Shadowy History of the Bank for International Settlements by Adam LeBor

BIS - When Stars Align © B I S 2025
Uplifting Trance | 140 BPM

A cinematic, emotional trance journey through starlit skies and digital dreams.
When Stars Align blends driving energy with cosmic atmosphere - inspired by the silence between worlds and the beauty of a single captured moment.
Let the universe unfold, beat by beat.

YouTube

BIS - When Stars Align

dm me here if u wanna collab or smth
@offhead-recordings
@lascura
@murkult
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@zzxt alt

amnesiasilence on discord

1990 fuhren wir nach einem Fortuna Spiel nach Mönchengladbach. Dort hatte in irgendeinem Industriegebiet ein neuer Club aufgemacht, dort würde Musik aufgelegt werden, die selbst den Chicago-Jack-House und den Acid Sound wie klassische Musik aussehen lassen. Wir gingen durch die Tür straight in die Zukunft. Ich ging am Dancefloor vorbei, sofort zum DJ... ein gewisser Hooligan legte auf...ich habe die ganze Nacht neben ihm gestanden und dabei zugesehen, wie er die Leute auf eine Reise schickte. Dieser neue Sound, Wahnsinn, ich wusste sofort, das ist unsere Revolution, unser Woodstock, eine neue Ära. Nur werden wir diese Sache niemals aufhören lassen, so wie die 69er, die sich haben einfach überrollen lassen. Nein, unser Sound wird für immer bleiben und diese Welt verändern. Heute, Ende 2024, höre ich immer noch diesen Sound, spüre ihn mit jeder Faser meines Körpers. Ja, ich liebe Techno...Schade das man Techno nicht ficken kann. Aber, dafür kann der BASS Ficken!

☣
multi-genre producer
(i like doing mashups too)
check out my youtube too, soundcloud keeps taking down my mashups

Followed by ESA | Cosmic Synth Explorer | Music for Interstellar Minds

B I S – Back in Space (Marcus Seitz) is an electronic sound explorer who blends analog warmth with futuristic vision to dissolve the boundaries between music and the cosmos. Using a carefully curated selection of synthesizers – including the Sequential Trigon-6, Sequential Pro 3, KingKorg Neo, Nord Lead 2X, Clavia Nordlead A1, and the iconic Korg Z1 – B I S crafts hypnotic sonic journeys that drift between galactic depth and emotional resonance.

His music is inspired by space travel, time dilation, and the dream of floating among the stars. Organic textures meet synthetic precision in a sonic language that moves effortlessly between ambient, space trance, and experimental electronica.

A unique milestone in his artistic journey: the European Space Agency (ESA) is among the select few who follow B I S on SoundCloud – a testament to the authenticity and depth of his cosmic vision.

Tracks like “Higher (Original Mix)” showcase his ability to build vast sonic landscapes with technical finesse and emotional clarity. B I S doesn’t just produce tracks – he charts acoustic star maps.

In addition to his music, Marcus Seitz designs VST skins for DiscoDSP, creatively bridging sound and visual aesthetics.

With every release, B I S invites listeners to leave the Earth behind – and return with open ears and an expanded mind.

New tracks tagged #BIS