Arch of the Covenant

1999 (intro)

lycanthropy

My Favorite Sin

preface: everything in this description that is written in between [brackets] is not true anymore as the song has evolved a lot since i initially wrote this description. i could rewrite it but i'd like for you to know my thoughts during the process of making the song. you'll just have to imagine how whatever i'm referring to sounded until i (maybe) someday publish an earlier version of the song :D
ps. dates are written mm-dd-yy

the idea behind the lyrics and song title is the lack of meaning, and the creation thereof when first listening to the song. say a song has a sad or dark title, you'll have the foreknowledge of it being a sad song before ever hearing it (obviously). 'Yuawa Iguo' is meaningless, written in a non-existent language. someone listening to it for the first time will have no clue of what mood the song will be.

when i first listened to lingua ignota (aka kristin hayter), i had no idea what to expect in terms of sound, because of the name. when i think of "lingua ignota" now, i think of literal agony and desperation. it's the feeling and meaning i subconsciously added to the name after i heard her music. that's what Yuawa Iguo is supposed to be.

funnily enough, this song started out as easily one of my calmest (unreleased) tracks ever. it was supposed to be a nice ambient piece... it's safe to say it didn't evolve into one. the initial concept was made on 6-10-25 [, that being the deep strings you hear with the weird noisy pluck with an insanely long tail, around the start of the track].

the next day, i worked on it some more and added some weird noise synth... just to forget about the entire project until the end of the following month. until i found it again, i forgot it'd ever existed, haha. i was scrolling through my projects on 7-30-25, because what's the point of starting a new project with older unfinished song ideas already sitting there, yk. i opened the project and i continued working on it, still with the ambient idea in mind.

the exact part where the the transition between calm and loud [is] (was, at the time of writing this), was supposed to transition into... the same calmness, just with more instruments. i laid that exact thing down, but then removed it and added the aggressive drums you hear now. i don't know what made me refrain from the initial idea, but i'm glad i did. i myself love the route this track took more than whatever ambient thing i could've made it to be in some alternate universe........

oh yeah, fun fact, most of the screamo background vocals were not recorded for this track! i recorded them a whiiiiile back, inspired by 100 gecs, believe it or not. specifically the outro to 800 db cloud. that part is so cool.

total time spent on the project: 15 hrs, 25 min

thanks for reading :)
much love, georges 

Yuawa Iguo

поносmp3

bass station 2 noise Synthesizer 
Candy Changes Colors
A story about people who change colors. 
Hope you understand.

Candy Changes Colors

Terminal Drone

Blackened Modulation

Shadows Beneath Static

Black Current

LOUD WARNING!

the genre of this track does not have a name yet. i'm thinking something involving bubblegum. key features include happy, upbeat, very simple melodies that have been deep-fried with tons of distortion and digital clipping to the point that it's basically unlistenable, plus some screaming on top and punk or metal drums underneath. if you're an experimental musician or producer, feel free to make more in this style! maybe it'll catch on in underground metal and electronic/noise circles :3

New tracks tagged #BLACK NOISE