🚀🥃 Throwback Time! 🎶 Check out this older mashup I crafted years ago: Hardwell's "Spaceman" meets Morgan Wallen's "Whiskey Glasses"! Blending EDM with country vibes, this track takes you on a nostalgic journey through genres. Give it a listen and let me know what you think! 🎧✨

Morgan Wallen Vs Hardwell - Whiskey Glasses (VDJ JD Festival Trap Mash Up)

#5 - BLAST FROM THE PAST (ROCK N ROLL MIX) - (Wake Me Up Before Go)

VOLUME TWO of the 00's EDIT PACK IS COMING SOON!

Grab VOLUME ONE HERE: https://hypeddit.com/nathjennings2022/nathjennings00shousepartyeditpack76newedits

Grab MORE DOWNLOADS HERE: nathjennings.com/downloads

< Make sure to follow the socials below >

Facebook - facebook.com/nathjenningsaus
Snapchat - nath_jennings
Instagram - nathjennings_
Twitch - nathjennings_
YouTube - Nath Jennings

CLICK ME

Nath Jennings: 00's House Party Edit Pack (VOLUME TWO) *COMING SOON*

Tribute To OSCHA"s FINEST (FT. ASUHAMA COMODESI, GING BRANIUM) (flick off mason)

[Intro]
Back when boom bap banged and the bars were blessed,
We studied gods with mics—no need for tests.
This one’s for the greats, the raw, the real,
Let me show you how the golden era made us feel…

⸻

[Verse 1]
Eminem, pen venom in a padded cell,
“Lose Yourself” still hits like a warning bell.
Nas said it best, “Sleep’s the cousin of death,”
So I write in the dark just to honor his breath.

B-Real lit the blunt, then lit the booth,
Voice high as the sky, but his bars told truth.
Canibus came with a vocab unmatched,
Spit one verse, had whole careers detached.

Snoop slid in smooth with that laid-back flow,
“Gin & Juice” in his cup, talkin’ death row.
Meth from the Clan, sharp sword in his verse,
Brought the pain, uncut, like a Shaolin curse.

⸻

[Chorus]
This is for the ones who paved the path,
With a mic and a rhyme and a righteous wrath.
Each bar a brick in the temple of sound,
Legends of the game, forever crowned.

⸻

[Verse 2]
ODB was the chaos that the beat obeyed,
Wildstyle genius in every phrase he sprayed.
Busta bust through like a verbal cyclone,
Spit so fast he could bend time zones.

Dr. Dre laid the blueprint—beats and bars,
Built the West Coast sound that still hits hard.
Sticky Fingaz, raw with a razor grin,
Tales from the gutter where the pain kicks in.

50 came with hooks and a bulletproof vest,
“Many Men” tried, but he outlived the rest.
Mobb Deep taught us hell was real on Earth,
“Shook Ones” still echoes what a bar is worth.

⸻

[Bridge – Beat slows, soulful loop]
Big Pun hit the pocket with a Latin pride,
“Dead in the middle of Little Italy” he’d glide.
Gang Starr kept it jazzy with a monk-like grace,
Guru dropped gems at a champion’s pace.

Beastie Boys broke molds, flipped the whole scene,
Three white kids spittin’ like a dream-team machine.
Outkast brought the South with a space-age bounce,
“Elevators” raised the roof in every ounce.

⸻

[Verse 3]
DMX barked pain, every scar in his throat,
Each prayer was a poem, every growl a note.
Ludacris snapped with charisma and punch,
Turned slick talk into lyrical brunch.

KRS-One—the teacher, the voice, the flame,
Dropped science and truth in every name.
Bizarre from D12 with a twisted mind,
Dark humor in bars only he could find.

2Pac was the poet, the prophet, the fight,
“Keep Ya Head Up” still shines like light.
Biggie? Flow silk, every word a feast,
King of the East, never ceased, rest in peace.

⸻

[Outro – Beat fades to vinyl crackle]
Mic gods etched in the grooves of the game,
Carved with cadence, rhythm, flame.
Their words live on, immortal, unfurled,
90s raised us… now we rhyme the world.

Mic Gods

Transport yourself to the 1800s UK, how would we all cope?

---

(Verse 1 – The 1800s)
Yo, step back, welcome to the scene
Eighteen-something, streets ain’t clean
Got a toothache? That’s your doom
'Cause the barber’s also runnin' the surgery room

No NHS, just a priest and a prayer
If your leg’s infected—saw it off right there
Cholera in the tap, soot in your lung
Kids workin' shifts 'fore their teeth had sprung

Vote? Only if you’re male, land and pale
Women silent, stuck on society’s rail
Rights? Limited. Wages? Pitiful
Die at forty, that's statistically typical

No bin men, rats ran the game
Smoke stacks rising, sky full of blame
Wash once a week, maybe—if lucky
Life was cheap, short, dirty, and mucky

(Hook)
Now you moan 'bout a crack on your iPhone screen?
You got central heat, Wi-Fi, and vaccines
Look around, don't get it misunderstood
You might not feel rich—but you haven’t had it so good

You got rights, got voice, got time to complain
While your great-great-gran birthed ten in the rain
Food in the fridge and the water runs clean
That’s luxury, fam—nineteenth never seen

(Verse 2 – Zooming In on Then vs Now)
Got taxed back then? Yeah—but no say
Just a duke and a lord takin' what they may
Today you whine when the rates get bumped
But at least the pound ain’t locked in a trunk

Wanna talk rights? Try zero, zilch
No safety laws when you're workin’ that mill
Fall in a loom? Your arm's the cost
Boss shrugs once, productivity lost

You tweetin' stress from your ergonomic chair
But they were breathin' coal dust in the tenement air
Childbirth back then? A coin toss fight
Now you got midwives, pain meds, and light

(Hook)
Yeah, you're vexed 'cause the Wi-Fi’s slow
But nobody's typhoid sick in the flat below
We got flaws, but let’s get it understood
Compared to the past—you haven’t had it so good

Netflix, Uber, Deliveroo drop
You got ten ways to earn without leavin' your block
Universal vote, clean code of law
Back then? Jail for stealin’ bread from a store

(Bridge – Spoken Word Style)
No antibiotics.
No social safety net.
No weekends.
No childhood past the age of ten.

And if you were poor?
Forget it.
You lived, worked, died—
and maybe made a mark as soot on a chimney wall.

(Final Verse – Message to the Present)
So check your blessings in the modern light
Ain’t sayin' life’s perfect, but respect the fight
We stand on the bones of the ones who bled
For the rights and the dreams you inherit instead

So next time you sigh 'cause your bus runs late
Think of walkin’ miles just to earn that plate
Gratitude’s power, let’s get that in the blood—
'Cause truth is, my G, you haven’t had it so good.


Haven’t Had It So Good

Tim returns with another nostalgic “Blast from the Past”—this time diving into the final issue of 2019, The World of Myth Magazine Issue #79. It’s a massive release featuring the explosive finale of Through the Eyes of Madness by David K. Montoya, the editorial reflections of Stephanie "Lupa" Bardy, and an all-star lineup of authors including Gabriella Balcom, Jim Bates, Steve Carr, Dawn DeBraal, Walter G. Esselman, and many more. From eerie Christmas miracles to dark fantasy legends and sci-fi apocalypses, Tim takes listeners on a whirlwind tour of one of the most eclectic and emotional issues ever published. Grab a cuppa and jump into the shadows, snowstorms, and sweet-twisted surprises of Issue 79.

The World of Myth Bits #330 - A Blast From The Past Part Twenty-seven

🔊 *[Intro]*  
Yo, turn the volume up, let’s take it back,  
To the era of boom-bap, no mumble, just facts.  
When the mic was a weapon, beats hit like fire,  
And every rhyme told a story to lift you higher.  

🔥 *[Chorus]*  
We was livin’ that *Nuthin’ But a G Thang* way,  
Rollin’ deep like it’s *California Love* every day.  
Before the world got cold, before the game changed,  
Man, I miss the vibe of them good old days.  

🎤 *[Verse 1]*  
Yo, it was all a dream, late nights writin’ lines,  
Had the tape deck spinnin’, press rewind one time.  
I was *Hypnotized* by the way Big flowed,  
That *Juicy* inspiration had the whole world cold.  

We was cruisin’, bass bumpin’ *Regulate* smooth,  
Posted on the block with that *Check the Rhime* groove.  
Back when *Me Against the World* felt real,  
And every song was a movie, every verse had feel.  

🔁 *[Chorus]*  
We was livin’ that *Nuthin’ But a G Thang* way,  
Rollin’ deep like it’s *California Love* every day.  
Before the world got cold, before the game changed,  
Man, I miss the vibe of them good old days.  

🔗 *[Bridge]*  
They say time moves, but legends don’t fade,  
Still hear Pac whisperin’ through the Serenade.  
From *Dear Mama* love to that *Protect Ya Neck* sound,  
Every classic still echoes, forever profound.  

🎶 *[Verse 2]*  
Now I’m watchin’ the game, feelin’ lost in the mix,  
Ain’t no more *Mo Money, Mo Problems*, just clicks.  
The beats still knock, but the soul feels missin’,  
Back when Rakim had wisdom, and Nas had vision.  

Can we bring it back? Feel the *Ruff Ryders’ Anthem*,  
Let the DJ cut it like it’s 96, throw tantrums.  
We still ride, still vibe, keepin’ heads ringin’,  
And when the beat drops—still *Can’t Stop, Won’t Stop* singin’.  

🎧 *[Outro]*  
So let’s reminisce, let’s pour one out,  
For the legends who built it, no fear, no doubt.  
From Brooklyn to L.A., ATL to the Bay,  
90s hip-hop forever—the good old days.  

The Good Old Days

In Episode, Tim takes listeners on a nostalgic deep dive into The World of Myth magazine's past, reviewing both Issue 80 (January 2020) and Issue 81 (February 2020) in one jam-packed episode. From zombie apocalypse tales and haunted cyclists to poetic reflections on spring and human tragedy, Tim explores the highs, horrors, and heartfelt moments that shaped these editions. He shines a light on standout stories by Cooper Rose, Michelle E. Lau, and Jim Bates, and celebrates artistic gems by Van and Alonzo Ross. With his signature charm and Aussie wit, Tim also touches on behind-the-scenes memories from PCE 2020 and gives props to regular contributors, returning creatives, and new voices alike. This is a must-listen for fans of the magazine’s legacy and those eager to rediscover where the myth all began.

The World of Myth Bits #333 - A Blast From The Past Part Twenty-eight

Tim takes us on a nostalgic journey back to March 2020 with “Blast from the Past #29.” This episode revisits Issue #82 of The World of Myth Magazine, a time capsule from the early days of global lockdown. From giraffe-themed jumping castles and pandemic panic to the creative spark that never dimmed, Tim explores the stories, poems, and artwork that defined the issue. With reviews of grim fairy tales, surreal sci-fi, emotional poetry, and a surprisingly hilarious Minecraft PE write-up, this episode is both a heartfelt nod to resilience and a celebration of the creative spirit that thrived in isolation. Plus, don't miss the return of the always-entertaining Myth Master interview!

The World of Myth Bits #334 - A Blast From The Past Part Twenty-nine

Like | Comment | Follow

Creative music producer.

Music, quirky, inspired, enjoy!

Mostly radio friendly & TV friendly tracks.  HD quality.  No swear words.

If you’re messaging me, tell me which song you liked.  It’s hard to know who is copying & pasting, and possibly a bot.

#snafflesmusic

(Private) (@) (private) (.) com

Joshua Duerksen, renowned by his DJ name DJ JD, was raised in the Mid-West and California, where his musical tastes were shaped by a diverse range of genres, spanning from Classic Rock and Country to Hip Hop and 90's Dance. He firmly believes that "Good music knows no genre."

Following his graduation from high school, JD enlisted in the United States Navy, dedicating a decade of service to his country. While stationed in Norfolk, Virginia, he had the privilege of meeting several influential DJs who became his mentors, imparting invaluable knowledge about the various aspects of DJing.

In between deployments, JD diligently honed his mixing and performance skills, gaining experience as a Club DJ, Mobile DJ, and Dive Bar DJ. After completing his naval service, he relocated to Idaho and founded a mobile disc jockey entertainment company, specializing in providing exceptional DJ services for weddings, birthday parties, and school dances.

In 2009, JD embarked on a new venture, joining XMiX DJ Music Pool as a video editor. In this role, he skillfully re-edited music videos to match the remixes produced by the talented editors and producers at XMiX, catering to the needs of Video DJs and facilitating seamless music video mixing. During his tenure, JD significantly enhanced his audio editing prowess and mastered the art of creating audio edits and remixes. These creations have been featured in nationally syndicated country mix shows and embraced worldwide, wherever country music finds appreciation.

DJ Chilly Barbados,

For over 30 yrs, DJ Chilly has had crowds jumping across the world. Chilly is a talented DJ, producer and radio broadcaster. In Barbados, Chilly is highly sought out as a DJ for luxury events, weddings (destination), private and major events. Known for his ability to seamlessly mix different genres of music and his high energy, he has been also a regular feature at festivals, carnivals and private parties across the world. Chilly is based in Barbados, New Jersey and available worldwide.

Let Chilly's energy, charisma and deep musical knowledge help take your event to the next level!

DJ Chilly is available for: 
Private Parties
Weddings
Corporate Events Carnivals Parades Conferences
Trade Shows Concerts

Contact info
chillsoundbb@gmail.com https://www.djchillybarbados.com/ https://www.instagram.com/djchillybarbados/ https://soundcloud.com/djchillybarbados

New tracks tagged #BLASTFROMTHEPAST