Blues-Jazz Monday Night
Recorded From Live Playlist,
Music by "Blondie" AKA Noa Maoz.
Monday 12.5.25
Played at Cactus9 Bar,
Jerusalem, ISR

Blondie (Monday Blues) - 12.5.25 @Cactus9

Get that loud in ya pipes.

Throwback mashup action for y'all.

We hope you dig the vibe on this 35th track in our "2 Throwed Minds Combined" series with the homie, SoulScrewedUp.



((if you're interested in getting some of your own custom digital artworks, dm the homie on Instagram @screwedupsince95 or send a message to "Soul Screwed Up" here on soundcloud, to start manifesting your ideas today.))

LastlyThis x SoulScrewedUp - Loud Pipes

DJrobvandessel 2024 take 158 voel een aan de telefoon angeline lelijk foorwijf

An album created for the modern era of artificial intelligence.

Step into the Light

Chasing Dreams

Gimme Glitter, Gimme Shine

AI Craze

Sweet Revenge is My New Routine

In deze podcast wordt muziekjournalist Oscar Smit door collega muziekjournalist Peter Schavemaker uitgebreid geïnterviewd over zijn onderzoek, zijn persoonlijke herinneringen én de rol van Paradiso als kraamkamer van de Nederpunk in zijn boekserie De Paradiso Punkjaren. Een must voor muziekliefhebbers en iedereen die wil begrijpen hoe een undergroundbeweging uitgroeide tot een blijvend hoofdstuk in de Nederlandse popgeschiedenis.
Bijna vijftig jaar geleden, in januari 1977, beleefde Paradiso de oerknal van de punk. The Damned, de Sex Pistols, The Ramones en Blondie stonden op het Amsterdamse podium – vaak nog voor een halflege zaal. Toch zou die periode de Nederlandse muziekgeschiedenis ingrijpend veranderen. Muziekjournalist en punkkenner Oscar Smit dook diep in die tijd en schreef de vijfdelige serie De Paradiso Punkjaren. Het eerste deel, 1976 Pre-punk – 1977 De Oerknal, verscheen oorspronkelijk in 2017 en is nu in herziene vorm uitgebracht.
De boekpresentatie op 31 augustus in de Grote Zaal van Paradiso gaat samen met de release van een unieke LP: Nederpunk: The Early Years 1977-1982. Twintig tracks, waarvan vijftien nooit eerder zijn uitgebracht, geven een rauw en authentiek tijdsbeeld van de begindagen van de Nederpunk. “Het is bedoeld als document,” zegt Smit. “Ik wilde een breed overzicht geven van hoe punk in Nederland rond 1980 klonk – mét verhalen bij de bands. Niet zomaar een compilatie, maar geschiedschrijving.”
In zijn boeken gebruikt Smit niet alleen krantenarchieven, posters en fanzines, maar ook gesprekken met muzikanten. Hij reconstrueert minutieus hoe punk in Nederland wortel schoot. Zo beschrijft hij het eerste optreden dat hij zag: The Damned in Paradiso. “Het was totaal overdonderend: een zanger als Graaf Dracula, een drummer die zijn bekkens in brand stak. Ik kende de studiomuziek, maar live was het een openbaring. Vanaf dat moment was ik bekeerd.”
Nederland kende in die tijd geen eigen equivalent van The Ramones of Blondie. Iedere band gaf zijn eigen draai. The Flying Spiderz uit Eindhoven waren de eerste Nederlandse punkband, Ketchup uit Den Haag zong in het Nederlands en Tedje en de Flikkers uit Nijmegen brachten openlijk homoseksuele punk met politieke lading. “In Nederland kon punk ook gewoon pret zijn, minder zwaar beladen dan in Engeland onder Thatcher. Ik noem dat ‘pretpunk’,” aldus Smit.
Naast Paradiso speelde ook de Nederlandse media een rol. OOR-journalisten, kleine radioprogramma’s als Rauhfaser en fanzines als Aambeeld brachten punk dichterbij. Toch vindt Smit dat de publieke omroep een kans liet liggen: “Punk werd weggestopt in niches, terwijl het veel meer aandacht verdiende.”
Wat begon als een persoonlijke fascinatie – posters van de muur trekken, knipsels verzamelen, reizen naar Londen – groeide uit tot een serieuze archiefcollectie en uiteindelijk deze boekenreeks. “Ik wilde het beeld van die jaren zo goed mogelijk bewaren, inclusief de taal en fouten van toen. Het is geschiedenis.”
En punk anno 2025? Volgens Smit springlevend. “Ik kan me voorstellen dat jongeren die nu bands als Bob Vylan of Waterschade ontdekken, hetzelfde gevoel hebben als ik in ’77. Punk is vaak doodverklaard, maar nog altijd urgent. Kijk naar de compilatie Girls to the Front – jonge Nederlandse vrouwen die hun stem laten horen. Punk is nooit een louter mannending geweest of alleen een  Amsterdams fenomeen.”
Interview © 2025 Peter Schavemaker Tekst, Audio en Podcast Producties. Alle rechten voorbehouden.

Podcast interview met Oscar Smit, auteur De Paradiso Punkjaren - Deel 1 (herziene uitgave 2025)

It was winter on the Bowery
Where the snow turned grey
And the streetlights look tired
Everybody’s chasing something
You were up against the door
Smoking that last cigarette
Like it was the only thing
Worth paying attention to
And I thought
Maybe I could be the next one
So I moved over to listen
Yeah just to listen

Inside Blondie was playing
Debbie’s voice cut the static
Telling every lost soul in the room
“You don’t have to stay stuck here forever”
You grabbed my hand and said
“She’s gonna be big someday”
I believed you
But I didn’t say a word
Sometimes silence
Feels safer than talking
I could feel your heartbeat
With every song

Blondie played 
And the city shook 
We were strangers
Pages in a book
Nothing promised
Nothing made
On the night 
Blondie played

I never caught your name
Saw you once months later
Laughing with somebody else
At a bus stop near Astor Place
And I thought
Yeah that’s the way this city loves you
Quick and hard
And then it moves on without apology

Blondie played 
And the city shook 
We were strangers
Pages in a book
Nothing promised
Nothing made
On the night 
Blondie played

Blondie Played (with Joliz)

I got my mind on my music and my music on my MIND, all the time. Shout out to Debra Harry and Blondie for making this hit a long time ago.

Rapture

TRACKLIST
Mocean Worker - JD
John Lewis - Good Trouble
Music For Sea Monsters - Good Trouble
The Dare - Kick
Culture Beat - Der Erdbeermund (Razormaid Mix)
Blondie - Rapture (Rhythm Scholar Remix)
Mocean Worker - Ah Yeah, That's Right
Fred Wesley & The Horny Horns feat. Maceo Parker - Discositdown
Mocean Worker - Tickle It
InXs - Tight (The Automator Mix)
James Brown & Lyn Collins - Rock Me Again & Again & Again & Again & Again & Again (Jam Master Remix)
Nile Rodgers & Chic - Chic Cheer (DJ Junk House Mix)
Dominic Dawson feat. ROY INC & Moitina - We Want The Funk (Acid Disco Remix)
Kool And The Gang - Open Sesame
Tony Toni Tone - Feels Good
Jesse Johnson - Free World
Chuck D, 1/2 Pint, Miranda Writes - Is God She?
Eric B & Rakim - I Know You Got Soul
Radiohead - National Anthem

GOOD TROUBLE

tg: https://web.telegram.org/k/#@lllsanya

Bm A6 D G

You call 
Me with you
I feel your pulse
With my hand

Don't disappear
Stay with me
I'll dive into you
With my head 

All my seams
With your needle
Wash your hands
With my tear

There's only you
And my peace
I've been ill
With you alone

I dream of those places
Where your trail goes
And all my movements
Are burned by bright light

I dream of those places
But you're not there
And all my movements
Are burned by bright light

places

Is it a pop star from the 1980s? Does it look like a club in Liverpool? Is it a Hamburg nightclub? Is it a musical genre that was gradually replaced by the Fab Four? Is this a nonexistent musical style? Does this constitute an alternative history of POP that never transpired? Is it existing right now? Will it come into existence if we all put our VR goggles on?

BARBIE M!SSILE

bbywave

RAPture ft chicory *Blondie/KnightRider/Led Zeppelin/mash-up

Cover of Blondie & The Nerves
Performed by FreeFreeDomDom 
Guitars by Adrian Bettencourt Andrade
Mixed by Toni Quiroga - Accept Productions

Hanging On The Telephone

Pastel Pagan threw down for us (and well) on the last Sublime Saturday at Gelato Vero for the season. We're so grateful she was available. I had a rare planned set, which is the first of three parts that I spliced and merged together to complete my last Obsession Session for a while, if ever again. You can check out Obsession Sessions IV under the Obsession Sessions playlist. 60 tracks and 4.5 hours long. Big Disco Energy!

Thank you to everyone who came out to dance, socialize, network, and enjoy the beauty of our San Diego sunset in one of the most iconic coffee shops in San Diego. Last, but not least, thank you to all of our guest deejays who reinforced the vibe with their storytelling and art. Your energy kept us all going.

TRACKLIST:

Thomas

Breakbot - Shades Of Black
Midnight Magic - Beam Me Up (Prins Thomas Diskomiks)
Marius - Jet Set (Ray Mang Version)
Bertrand Burgalat - Etranges Nuages (Yuksek Remix)
Lauer, Dita Von Teese, Daddy Squad - My Magic Number (Lauer Semi Dub)
Cicada - Cut Right Through (Reprise)
Arnaud Rebotini - Another Time, Another Place (Ipnotico)
Ibibio Sound Machine - Pull the Rope (Captain Planet Remix)
Dan Ghenacia - Rouge ou Noir (Extended)
Damon Jee, Rebolledo, Darlyn Vlys - Antiheroe (Rebolledo´s Cuco Heroe For Ever Version)
The Juan Maclean - I've Waited For So Long
Tiger & Woods - Gin Nation
Hercules & Love Affair, Aerea Negrot - Painted Eyes
Jay C - Fab Freddy Said (Peter Horrevorts Remix)
The Knife - Pass This On (Shaken-Up Version)

Pastel Pagan

New Order - Bizarre Love Triangle
Depeche Mode - World In My Eyes
Ministry - Revenge
Soft Cell - Tainted Love (Jamie Jones 4Z Remix)
Yaz - Don’t Go
Bananarama - Venus (Extended Club Mix)
Alaska y Dinarama - A Quién Le Importa
Trans X - Living on Video
Depeche Mode - Personal Jesus
Rosetta Stone - Adrenaline
Bronski Beat - Smalltown Boy
Blondie - Atomic
Boy Harsher, Boan - Machina
Orchestral Maneuvers in the Dark - So In Love
Depeche Mode - Policy of Truth
Ministry - Every Day is Halloween
Depeche Mode - Enjoy the Silence
Boy Harsher - Pain

Thomas

Laid Back - White Horse (Diamond Edit)
Roomtown Bats - Up All Night (Quark's Cornbuckle Gurnfest Edit) HQ - ReUP
Olivia, Three Less One - Anesthetized Feeling
Pale Blue - I Walk Alone With Acid
Rework - Lipstick
Tiga, Audion - Let's Go Dancing
Datassette - Blue Monday (V4)

Gelato Vero Sublime Saturdays 10 • 4 • 25

Alfred Dobisch is a multimedia artist from Hamburg, Germany. He employs artificial intelligence systems, studio effects, and hybrid men-machine techniques throughout every stage of his creative process. His songs are often simple. But sometimes they become multidimensional works with many layers of meaning.  His tracks are accompanied by his personal artwork and videos. His musical style is influenced by a multitude of musical genres from all epochs and musical traditions. He frequently uses surreal effects and juxtapositions. You can find both his artist blog and newsletter at www.foolishambition.eu. To get an overview of all his releases, visit his official YouTube artist channel under: https://www.youtube.com/@FoolishAmbition-ais.

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Cactus9 is a Bar\Lounge\Mini Club, based in down town Jerusalem, ISRAEL.
A home for all those who listen to music as a way of life and do not settle for mediocrity.
Join us here on Soundcloud and stay connected with the down town underground music scene of Jerusalem.
PEACE.

Music lover & singer-songwriter. Many thanks for taking the time to listen.

Unless noted, all songs Copyright © Robert S. Dean.

FreeFreeDomDom is a French indie pop duo blending electro flair with raw emotion. Formed by Laetitia and Philippe, their debut album Inséparables captures love in all its forms — luminous, chaotic, and free. 🦋

Home of everything best & 1st. | @mvttell mybbygirl.com
#Dreamhouse 💞💖💕💒 🎀👛💝👙🛍️🌸🦄

Mash-up electro/acoustic duo based in Leeds, UK.

Mixing and mashing tracks from the past few decades, grinding golden beans and having fun😁

Typically serving up 30+ songs in a 10-track set with a blend of tunes from Depeche Mode, Grandmaster Flash, Jamie T,  Basement Jaxx, Eddy Grant and many more … something a bit different from your usual cover band.

Follow us on insta https://www.instagram.com/goldblend_band/

As the son of a professional flamenco singer, Thomas has always been surrounded by music.  Exposure to flamenco influenced him because it has a dynamic range of emotions—from the "deep singing" style of cante hondo, to the more lively alegrias.  He has also worked in the corporate, independent, and online music industry for a number of years.  At one point he was a Content Manager for the Electronic Music genre at MP3.com, where he screened over 500 songs per day.  Exposure to a wide range of music explains the range of genres in his mixes—he uses whatever carries the mood.  From listening to Umm Kulthum's "Enta Omri" in his childhood, to New Wave and  Industrial as a teen, it became difficult for him to stick to one sound. Though vinyl was his original format of choice when he started in the 90s, the use of digital mixing has helped him better form soundscapes to expand your headspace.  Let him play with your moods for a spell.

New tracks tagged #BLONDIE