2016 lives on forever, backbeat remix out nowww

- Christian & Zay

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Dagny - Backbeat (Different Font Remix)

While Poland in the mid-16th century occupied an area of about 100,000 square miles (260,000 square km), with some 3.5 million inhabitants, the Commonwealth at its largest point in the early 17th century comprised nearly 400,000 square miles and some 11 million inhabitants.450,000 Poles died and around one million were wounded while fighting in the Austrian, Russian, and German armies, which by 1916 included close to 2 million Polish soldiers.

004 AURELIUS

One movement of 2 books of Preludes and Fugues for harpsichord.

Jade Mirror

Video Game Track. Free to use-->


chopsmusic72@gmail.com 

- Machine Gun Turtle -

O Sacred Head Now Wounded

Over the Moon is a song about that one feeling: when everything suddenly feels light. When someone walks into your life and, for the first time, you let go—of your past, your doubts, the need to know where you’re headed. Just two voices in a car, a laugh that hits like music, and the sky wide open.

It’s a ride through backbeats and stars, telling the story of a love that wasn’t planned—but changed everything. Poetic yet direct, with a touch of jazz and a dash of rock ’n’ roll.

For anyone who’s ever floated above the world, not knowing how long it would last—and not caring.

Over the Moon ist ein Song über dieses eine Gefühl: Wenn alles plötzlich leicht wird. Wenn jemand in dein Leben tritt und du zum ersten Mal wirklich loslässt – Vergangenheit, Zweifel, Richtung. Eine Fahrt ins Ungewisse, zwei Stimmen im Auto, ein Lachen, das wie Musik einschlägt.

Zwischen Backbeat und Sternen erzählt der Song von einer Liebe, die nicht geplant war – aber alles verändert. Mal poetisch, mal direkt, mit einem Hauch Jazz und einer Prise Rock ’n’ Roll.

Für alle, die schon mal über der Welt geschwebt sind, ohne zu wissen, wie lange das hält – und denen das egal war.

Over the Moon

In the quiet edge of a forgotten scrapyard, a rust-speckled robot named Lumo sat beneath a crooked satellite dish, humming old radio tunes to no one in particular. One morning, a bright blue bird with a bent feather landed on his shoulder, curious and fearless. Lumo froze, his sensors softly whirring, not wanting to scare it off. The bird chirped once, then twice, and Lumo responded with a synthesized melody, mimicking the notes. Day after day, the unlikely pair met—metal and feather, signal and song—teaching each other the language of sky and steel, forging a friendship in the stillness where machines sleep and wild things dream.

Robot & Bird

Cut & Disorder is a sonic collision forged in the furious static between genres, layering dense, sample-saturated textures with glitchy breakbeats, warped funk loops, and distorted rhythms. The album drifts between dubwise dystopian atmospheres, playful sample chaos, and raw digital aggression, crafting a soundscape that is at once hypnotic and hostile. Tracks feel like transmissions intercepted from a collapsing system—stitched together from propaganda, protest, and post-industrial decay. This is not just music—it’s a weaponized remix of rebellion, broadcast through noise.

Gaslighter

Trip Drum

Come Up [HIP HOP RAP]

Punch Drunk Groove

Maple Taylor

A torch-tinged vignette that moves in scenes—quiet confession into sharp lift, then a final, late-night glow. A chest-forward alto rides a piano-first groove while the band answers in tight bursts. The feel leans jazz and blues with modern neo-soul color and a hint of retro warmth—space, tension, and a chorus that lands clean on the downbeat.

[LYRICS]

Lost and found, funny place.
You never know till you do.

I’ll be your umbrella when the sky lets go,
I’ll be your glasses when the world’s a blur.
I’ll be your small lighter when the power’s out,
Your calm in the thunder when you’re full of doubt.

They say what’s lost ain’t always gone,
Sometimes it waits to lean on.

I’m your lost and found when the world spins round,
A friend at your side when you’re feeling down.
Button for your coat when it will not close,
The flower you pressed in a book no one knows.

That one glove you lost, yes sir, I’m her.
I’ll be your map when you lose your street.
That lucky coin waiting under your seat,
I’ll be your charger when your spark runs weak.

I’ve been forgotten and I’ve worn some dust,
Still I’m your mirror when you need to trust.

I’m your lost and found when the world spins round,
Come find me again when you’re feeling down.
I was yours all along, just out of sight.

Just out of sight.

Lost and Found (My Mini Rhapsody)

A torch-tinged cut built for movement—quiet tension into sharp lift, then a clean hit on the downbeat. A chest-forward alto rides a piano-first groove while compact horns answer in quick bursts. The feel blends jazz and blues with a modern snap: space where it counts, grit where it matters, and a chorus that lands hard without going lounge or pop.

[LYRICS]

Lost and found, funny place.
You never know till you do.

I’ll be your umbrella when the sky lets go,
I’ll be your glasses when the world’s a blur.
I’ll be your small lighter when the power’s out,
Your calm in the thunder when you’re full of doubt.

They say what’s lost ain’t always gone,
Sometimes it waits to lean on.

I’m your lost and found when the world spins round,
A friend at your side when you’re feeling down.
Button for your coat when it will not close,
The flower you pressed in a book no one knows.

That one glove you lost, yes sir, I’m her.
I’ll be your map when you lose your street.
That lucky coin waiting under your seat,
I’ll be your charger when your spark runs weak.

I’ve been forgotten and I’ve worn some dust,
Still I’m your mirror when you need to trust.

I’m your lost and found when the world spins round,
Come find me again when you’re feeling down.
I was yours all along, just out of sight.

Just out of sight.

Lost and Found (Swinging Grit)

A street-parade pulse tightened for a late-night room. A chest-forward alto rides a piano-led groove while compact horns answer in sharp bursts. Press-roll pickups pull into a clean backbeat, then the band drops to stop-time before the chorus hits hard. Dry, close, and swaggering—torch mood without the lounge.

[LYRICS]

Lost and found, funny place.
You never know till you do.

I’ll be your umbrella when the sky lets go,
I’ll be your glasses when the world’s a blur.
I’ll be your small lighter when the power’s out,
Your calm in the thunder when you’re full of doubt.

They say what’s lost ain’t always gone,
Sometimes it waits to lean on.

I’m your lost and found when the world spins round,
A friend at your side when you’re feeling down.
Button for your coat when it will not close,
The flower you pressed in a book no one knows.

That one glove you lost, yes sir, I’m her.
I’ll be your map when you lose your street.
That lucky coin waiting under your seat,
I’ll be your charger when your spark runs weak.

I’ve been forgotten and I’ve worn some dust,
Still I’m your mirror when you need to trust.

I’m your lost and found when the world spins round,
Come find me again when you’re feeling down.
I was yours all along, just out of sight.

Just out of sight.

Lost and Found (Parade at Midnight)

AFTER PARTY IBIZA - BACKBEAT.. by Ari Wild

Immerse yourself in a journey through retrofuturist soundscapes and introspective electronics. "Boss Past Nine" blends the hypnotic, evolving arpeggios of Berlin-School with the complex, abstract beats of modern Downtempo. A perfect soundtrack for late-night focus or creative inspiration.

For Dancers & Choreographers:

Tempo: 98 BPM (Stable)

Time Signature: Primarily 4/4, with experimental 7/8 phrases in the bridge section for dynamic shifts.

Rhythmic Feel: A foundation of laid-back, groovy Trip-Hop drums is overlaid with intricate glitch and breakbeat patterns, offering layers for both foundational movement and detailed accents.

Structure: Composed of evolving 32-bar sections, allowing for the development of complex choreographic phrases and storytelling.

Recommended Styles: Contemporary, Experimental, Lyrical, Abstract Hip-Hop, Modern Ballet.

Follow Soundcloud.com/Samanaz:
Spotify: Spotify.com/user/Samanaz

(Keywords for the Algorithm)

Track/Artist: Boss Past Nine, [Artist Name]

Genres: Electronic, Ambient, IDM, Experimental, Berlin-School, Downtempo, Electronica, Kosmische, Braindance, Progressive Electronic, TripHop, Glitch, Breakbeat.

Mood & Vibe: Atmospheric, Ethereal, Meditative, Introspective, Melancholy, Soundscape, Cinematic, Dark Ambient, Chill, Groovy, Laid-back.

Technical & Instruments: Synth, VintageSynth, AnalogSynth, ModularSynth, Sequencer, Arpeggio, Sound Design, Abstract Beats, Complex Rhythms.

Use Case & For Fans Of: StudyMusic, FocusMusic, SciFi, Retrofuturism, Soundtrack, Tangerine Dream, Boards of Canada, Aphex Twin, Warp Records.

Dance: contemporary dance music, lyrical dance soundtrack, dance competition songs, experimental choreography, 98 BPM electronic music.

Boss Past 9

Chrome Prayer

Genre: Techno | Ambient | Industrial | Soundtrack
Location: UK / Poland
Services: Music Production • Live Performance • Video Game Soundtracks • Sound Design

Contact: techspec22@icloud.com
Biography
IronHertz447 is a techno and ambient-industrial producer whose sound fuses the melancholy of post-communist silence with the electrified pulse of the future. Born in Poland and forged through years of underground exploration, IronHertz447 builds raw sonic architecture that speaks of defiance, survival, and spiritual evolution. Initially introduced to the scene through a grassroots concept under the alias Techspec22, the artist honed their craft with limited gear but limitless drive. That phase served as the foundation. IronHertz447 is the transformation — a rebirth with sharpened sound, elevated vision, and full-spectrum production capability.
Driven by deep roots in analog culture and an obsession with dystopian aesthetics, IronHertz447 crafts music that resonates through the body and burns into the mind. From immersive soundscapes to dancefloor detonations, every track is a story of resistance, rhythm, and rebirth.
Artistic Vision





The name “IronHertz” symbolizes power and pulse.

“Iron” stands for strength, legacy, and inner fire.

“Hertz” reflects the frequency of sound, connection, and revolution.



Together, it becomes a signal — one that blends ambient sorrow with industrial rebellion, giving listeners a raw emotional charge.

Offerings
🎮 Video Game Music Production – Atmospheric, cinematic, and tension-driven scores for immersive gameplay
🎛️ Techno Live Shows – Electrifying live sets with modular energy and dark elegance, tailored for underground spaces or digital stages
🎚️ Sound Design Services – Original textures and beats crafted for visual media, installations, or collaborations
🎧 Custom Tracks – Commissioned works for labels, filmmakers, or artistic projects

Ambient depth meets techno aggression
Strong Polish cultural influence, evoking a post-industrial landscape
Music rooted in authenticity, never filtered, always felt
Ready for both club stages and conceptual sound exhibitions

Motto
“Same fire. Sharper edge. Heavier impact.”

Christian & Zay 🌙

Mgmt:
tyler@differentfont.com

Bookings:
ale@ascentartistagency.com

Promo:
differentfontmusic@gmail.com

A dreamer who does everything she dreams.
Currently in Milan.

Been makin' music and uploading them for the past 2 years. Decided to upload my music here as well since it wasn't uploaded along with Spotify and all those platforms. Hope you enjoy! If you want my other songs visit my Spotify and YouTube Music channel! :) I make ALL kinds of music, I don't stick to one genre, I find that boring and yes I do label what genre of my music is to make it easier to find them!

Spotify: https://open.spotify.com/artist/0148V6ER1ECSM1Jly5pAB5?si=9mWqSxlPSCGN8wQ68i67_w

YouTube: https://youtube.com/@christophercappstopic?si=azGg3SlX5TqGGRhR

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Hiya, I am an English DJ producer, into really varied music so I hope you like tracks I place on the cloud! If so, I’d love to hear from you and please share to your friends!  dubcheq@musician.org

613 / 819 Love! One of the last to crawl out from the underground and throw down. Used to set up and tear down warehouse raves in Ottawa / Gatineau in the 90s and 00s. I know and love my friends and community. I made tracks way back then just for friends and some meme tracks. Now it is time that I lay down my theory and step into the ring. The last Littlest Hobo. Omnium Rerum Principia Parva Sunt.

Ken Walicki is an American composer who is widely recognized and acknowledged for his dramatic, and engaging music, which reflects the times in which we live. Because of his unusual and interesting background, his sound world has evolved into a unique combination of Art, Pop, Jazz, and World music. Walicki‘s influences include Gyorgy Ligeti, the Beatles, Led Zeppelin, Public Enemy, and much more. He was one of the first composers to use turntables in his music and the first composer to have turntables and a D.J. as regular members in a standing ensemble. His music has been performed throughout the world by, among others, the Kronos Quartet, ETHEL, the New Century Saxophone Quartet, the Soldier String Quartet, the Divan Consort, and members of the New York Philharmonic, The Los Angeles Symphony, The Los Angeles Chamber Symphony, The Detroit Symphony, The Pacific Symphony, the Istanbul Borusan Orchestra, and the SWR Kaiserslautern Orchestra. He is the composer-in-residence for the new music ensemble The Divan Consort. Walicki has received grants and commissions from a variety of organizations and performing ensembles including the American Composers Forum, the National Endowment for the Arts, the Jerome Foundation, the Kronos Quartet, the Mary Flagler Cary Trust, and Meet the Composer.
Growing up playing guitar in local Detroit garage bands, Walicki decided, at early age, he wanted to dedicate his life to music. His education included a two-year period in Germany as a Fulbright scholar where he studied with Karlheinz Stockhausen, Helmut Lachenmann, and Rolf Hempel. He was also an active participant in master classes with Aaron Copland, Samuel Barber, and William Schumann. After returning from Germany, he studied with Jere Hutcheson at Michigan State University where he received his Ph.D. Walicki enjoys traveling and finds it to be a fantastic source of inspiration. After
spending a large amount of time in the Middle East and the Indian Subcontinent, he has found these cultures to be particularly close to his heart. Together these experiences have made him a composer of diverse, accessible, physically, and spiritually moving, yet intellectually rigorous music. In addition to his music being presented in traditional concert music venues such as Lincoln Center in New York and the Liszt Academy in Budapest, his music has also been performed in new music clubs such as CBGB’s, the Knitting Factory, and countless cafes and storefronts throughout the world. Without compromising his values, he has made a point of writing music that relates to people and their situations. Walicki has collaborated with a variety of artists in the classical, pop, theater, film, and dance worlds, including Lydia Lunch, Dora Ohrenstein, the Doug Elkins Dance Company, Emmy winning producer/director Mark Obenhaus, American Opera Projects, Bermuda Triangle, Bang on a Can All-Stars, the Kronos Quartet, Divan Consort, and Ensemble Green. He was the founder and composer of the Ken Valitsky Ensemble, which included Regina Carter and Thomas Chapin as members. Previously, besides being on the faculty at New York University, Walicki has taught composition in Istanbul, Turkey at the Center for Advanced Music Techniques(MIAM), a department of Istanbul Technical University. Currently, he lives in Southern California with his son, and the family dogs. His music is available on Knitting Factory Works, C.R.I., CRS Artists, Channel Records, Albany Records and Ravello Records.

Not qualified but making music either way

Instagram.com/failureguyben

From mood-setting Leitmotifs to high-energy dance routines. Your FYP is ready for this. 🫧 🎧
🔥 "Instant playlist material. OBSESSED."

New tracks tagged #BackBeat