...es gibt SO viel zu tun und alles muss man selbst machen...
Kennt ihr? ;) 
Bernie Basti & Marc kennen das seit Jahren und können euch helfen - mit Tools, die euer Bandleben erheblich erleichtern und euch gemeinsam aufs nächste Level bringen!
Das ist KEINE Werbe-Folge, wir nutzen all die genannten Tools selbst in unseren Bands und wollen euch unsere Erfahrungen mitgeben :)

Garantie: mindestens eins dieser Tools wird bei euch richtig was bewirken - meldet euch und sagt uns, wies gelaufen ist!

Ihr nutzt andere Tools? - meldet euch unbedingt bei uns, auch wir wissen nicht alles und möchten gerne dazu lernen!

Bernie: https://www.instagram.com/bernielorig/
-- GODSLAVE: https://www.instagram.com/godslaveband/
Basti: https://www.instagram.com/basti.eog/
-- EMPIRE OF GIANTS: https://www.instagram.com/empire_of_giants/
Marc: https://www.instagram.com/marc.wuestenhagen.produzent/
-- THUNDER & LIGHTNING: https://www.instagram.com/tnlmetal/

Hier findet ihr alle Tools aufgelistet: 
https://docs.google.com/spreadsheets/d/1ZyGcY5AiPNa3E3F3O1CxCu9b7psdfdsaMTJLGw7kupU/edit?usp=drive_link

#192 - DAS sind die besten Tools für deine Band!

“Stuck” is an immersive audio-visual experience: a live session album captured entirely in 360° video, placing the viewer at the very center of the performance. The album explores the many shapes of entrapment — emotional, relational, physical, societal, and temporal. Each track is a different room within the same inner maze. A body-and-soul experience — meant to be seen, heard, and felt.”

FAMILIAR SEA (360° Live Session)

QUICKFIRE (360° Live Session)

FAR3W3LL (360° Live Session)

YOUTOPIA (360° Live Session)

SPLIT (360° Live Session)

TAKE FIVE
el12 Opole Politechnic Band – Generacja 2.0 w składzie:
Bartosz Dorosiewicz - saksofon tenorowy
Michał Duszak - gitara basowa
Gustaw Rydzak - perkusja*
Przemysław Ślusarczyk - stage piano
Rafał Ślusarczyk - instrumenty perkusyjne**
* 2, 5, 6, 7, 8, 9, 10, 11, 14, 17, 18
** 1, 3, 4, 12, 13, 15, 16 | dzwonki: 7, 9, 18

więcej o zespole na: www.el12.orkiestra.opole.pl

wydawca: Przedsiębiorstwo el12 Sp. z o.o., mix: Gustaw Rydzak
rejestracja: Michał Duszak, Gustaw Rydzak, projekt okładki: Przemysław Ślusarczyk

Nagranie na żywo z koncertu z cyklu "Muzyczne impresje - cykl koncertów wędrownych" 
dokonano 7 marca 2025 roku w Sali Konferencyjnej Miejskiej Biblioteki Publicznej w Opolu.

Wydawnictwo niekomercyjne, demo zespołu. Nie przeznaczone do sprzedaży.


Blue Bossa - komp. Kenny Dorham

Cheeck to Cheeck (Heaven) - komp. Irving Berlin

Cafe Regio - komp. Isaac Hayes, ar. Przemysław Ślusarczyk

Pod Papugami - komp. Mateusz Święcicki

Wake me up – songwriters: Tim Bergling, Egbert Dawkins, Mike Einziger

Fly Me to the Moon - Bart Howard

"The Full Hundred" is an audio documentary that chronicles the inspiring stories of Americans who have researched, fought for, and lived through pay and funding inequity in the United States. I was first inspired to write this piece in 2022 when, as an untenured Professor at the University of Colorado, I received notice from my university that I would be receiving a raise thanks to the Colorado Equal Pay for Equal Work Act. Curious what this meant and why I was receiving it, I dove into research mode. I quickly learned that my university had determined that I was being underpaid compared to my male colleagues of similar experience and expertise, and that, in accordance with the new Colorado Equal Pay Act, my compensation would be increased moving forward to adjust for the pay discrimination I had experienced. Following this news from the Equal Pay Act, University of Colorado colleague and Engineering Professor Shelley Miller sued the University of Colorado for owed backpay and reached a settlement that provided backpay for over 400 underpaid women faculty members at our university. It is an incredible story of justice and morality that impacted me immensely, and I was determined to explore it further—along with the broader issue of funding and pay inequity in our country. 

In composing the piece, I conducted interviews with four people involved in this fight. They are: 

Jessie Danielson, Colorado State Senator and Author of the Equal Pay for Equal Work Act 
Terra McKinnish, University of Colorado Economics Professor and Labor Economist 
Kris Livingston, University of Colorado Executive Senior Associate Athletic Director 
Michael Uy, University of Colorado Music Professor and Researcher in Arts Funding 

Using audio clips from these interviews, I wove these stories together into a sonic fabric of storytelling which you will hear as an electronics track played in the hall during the performance. Within this story, the wind ensemble acts as a live film score to the voices of these interviews. In conducting the interviews, I came to realize just how complex and multifaceted the fight for equal pay is in this country. Pay inequity results from a multitude of factors, including discrimination, bias, personal choices, childcare, gender expectations, and access to education, resources, and opportunities. 

The title for the piece comes from the statistic that, compared to white men, white women make 77¢ on the dollar, Black women make 61¢, Latina women 58¢, and Native American women 53¢. Equal pay will not be achieved until every demographic of our society makes the full 100¢ on the dollar—until everyone has equal access to funding, resources, and education. 

Huge thank yous go out to Senator Danielson, Dr. McKinnish, Executive Senior Associate Athletic Director Kris Livingston, and Dr. Uy for generously sharing their time, stories, and work with me. I would also be remiss if I didn’t extend my deepest gratitude to Dr. Matt Dockendorf for his invaluable work in organizing this consortium and bringing this piece to life with his students. - Annika Socolofsky, January 2025

Composed by Annika Socolofsky
Performed by the University of Colorado Wind Symphony & Matt Dockendorf
Recorded by Kevin Harbison (wind ensemble) and Annika Socolofsky (interviews)
Mixed by Jonathan Galle
Commissioned by Matt Dockendorf & The University of Colorado Bands and a National Consortium

The Full Hundred (2025) // University of Colorado Wind Symphony

just a rough party mix with live instrumensts & vocals > for my dear buddy max - one of the best private celebrations so far <3

thx @scheibosan for recording

Sai_Set_at_Max Doblhoffs 50´s birthday celebration_28.06.2025

A freestyle jam with my girls from banksia luna. Ziah Harvey and Madeleine Cavanagh.  Check out banksia luna on the socials.

Voices in Wild Harmony - a Banksia Luna freestyle

Chill, sunny, and full of good vibes—this jam is all about letting loose and having fun in the sun!

Sunny Side Jam


Jack's got a secret buried in the dirt
Billy J’s laugh cuts like a steel shirt
Paul’s got a map but it’s missing the way
Sticks taps the rhythm that keeps the wolves at bay

[Chorus]
Oh Jack oh Billy J
Paul's on the run but he can't stay
Sticks in the corner with his own method play
Jack Billy J Paul Sticks
They’re legends today


Jack moves like shadows across the night
Billy J’s words set the fire alight
Paul’s always looking but he’s never found
Sticks breaks the silence with a hollow sound

[Chorus]
Oh Jack oh Billy J
Paul's on the run but he can't stay
Sticks in the corner with his own method play
Jack Billy J Paul Sticks
They’re legends today


They’re whispers in the alleys they’re carved in the stone
Each name a melody each tale a groan
Jack’s method’s sharp Billy J won’t sway
Paul and Sticks
They’ll dance the grey away

[Chorus]
Oh Jack oh Billy J
Paul's on the run but he can't stay
Sticks in the corner with his own method play
Jack Billy J Paul Sticks
They’re legends today

Held

Juliette Armanet - Partir un jour 
#Niskens
------------
LETRAS - PAROLES - LYRICS :

Pour l'envie que l'on a
De guider ses pas
Pour garder ses émois
Écouter son cœur qui bat

Pour savoir regarder
Un ciel étoilé
Tendre les mains à son destin
Vouloir plus fort encore demain

Partir un jour sans retour
Effacer notre amour
Sans se retourner, ne pas regretter
Garder les instants qu'on a volés
Partir un jour sans bagages
Oublier ton image
Sans se retourner, ne pas regretter
Penser à demain, recommencer

Pour l'amour que l'on donne
Mais qui s'abandonne
Amour que l'on pardonne
Pour un rêve qui nous étonne

Pour le goût retrouvé
De la liberté
Ouvrir les yeux, sans se dire adieu
Penser à rien, rêver un peu

Partir un jour sans retour
Effacer notre amour
Sans se retourner, ne pas regretter
Garder les instants qu'on a volés
Partir un jour sans bagages
Oublier ton image
Sans se retourner, ne pas regretter
Penser à demain, recommencer

Partir un jour sans retour
Effacer notre amour
Sans se retourner, ne pas regretter
Garder les instants qu'on a volés
Partir un jour sans bagages
Oublier ton image
Sans se retourner, ne pas regretter
Penser à demain, 
recommencer
...

Juliette Armanet - Partir un jour #Niskens

L.V.N.E

I have a deep love for music across all genres,and I want to create music that transcends those boundaries myself.

Beware of suspicious people who comment and follow you posing as artwork designers! They are all scammers. They demand money and I actively report their spam!

el12 Opole Politechnic Band - Generacja 2.0 to nowy projekt muzyczny, którego premiera miała miejsce 22 maja 2021 roku podczas II rejsu IX edycji "Z orkiestrą po Odrze". Pomysł i kształt zespołu narodził się w październiku 2020 roku podczas jednego z wieczorów XXIV edycji Warsztatów Muzycznych. Pomysłodawcą projektu jest Przemysław Ślusarczyk. Zespół rozpoczął pracę nad nowym repertuarem w styczniu 2021 roku. Repertuar stanowią utwory z pogranicza jazzu, rocka, popu, z elementami bluesa wzbogacone o improwizacje. Działalność zespołu jest niekomercyjna.

Zespół tworzą muzycy rekrutujący się z Orkiestry Politechniki Opolskiej i Orkiestry Dętej Opolskiego Elektryczniaka:
- Bartosz Dorosiewicz - saksofon tenorowy,
- Michał Duszak - gitara basowa,
- Gustaw Rydzak - instrumenty perkusyjne,
- Przemysław Ślusarczyk - stage piano,
- Rafał Ślusarczyk - instrumenty perkusyjne.

3BM are temporally transcended musically content welded with historically innovative melodical material transposed and transmogrified.

(my channel is not monetized)...
LIKE / SHARE / FOLLOW
Find me also on the channels below:
. YOUTUBE :  
https://www.youtube.com/channel/UCjD9L95ugeIZfWgdVwaJeXg
. AUDIOMACK :
https://audiomack.com/artist/niskens
. HEARTHIS :
https://hearthis.at/niskens/#tracks
. INSTAGRAM :
https://www.instagram.com/niskens1866/
. AMAZON MUSIC :
https://amazon.fr/music/player/albums/B0F3KJQSHC?marketplaceId=A13V1IB3VIYZZH&musicTerritory=FR&ref=dm_sh_RvLI2xmhk03K56Qve8vR6kYAH&trackAsin=B0F3L2Q7DS
. APPLE MUSIC :
https://music.apple.com/fr/album/faux-h%C3%A9ros-single/1806395312
. SPOTIFY :
https://open.spotify.com/intl-fr/track/29LuldMVQrKU6BH5DDY3Bn?si=4b1d557bc88a4603
. YOU TUBE :
https://www.youtube.com/watch?v=md03qsKn4LA&list=OLAK5uy_lPBIvIArQQJBaeyDzesufLUr2HGuOz0nc&index=2


--------
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Peace & Love for All
--------

in <3 with electronic music since 1995.... i love to collect different styles and create mixes ....... my fav styles: downtempo, slow&deephouse, techno & groove/funk edits. lets see what comes next ;) enjoy 

all mixes ready for download ... track id by request ;)

Annika Socolofsky is a composer and avant folk vocalist. Described as “unbearably moving” (Gramophone) and “just the right balance between edgy precision and freewheeling exuberance” (The Guardian), her music erupts from the embodied power of the human voice and is communicated through mediums ranging from orchestral and operatic works to unaccompanied folk ballads. She is Assistant Professor of Composition at the University of Colorado Boulder and holds her PhD in Composition from Princeton University.

YOUR METAL/HARDCORE BAND DESERVES MORE...
Dein Podcast rund um das Bandleben in einer Hardcore oder Metalband. 
Hier findest du Tipps, wie du mit deiner Musik erfolgreich werden kannst. Experten, Selbstständige und Profi-Musiker sprechen in diesem Podcast über das, worauf es wirklich ankommt, wenn man mit seiner Band auf den großen Festivals zocken möchte.

New tracks tagged #Band