Theme tune for the Mighty Brutal 6 - A party of adventures making their way through a dungeons and dragons homebrewed campaign

The Brutal 6 Theme

In This Together

Immerse yourself in the rustic world of medieval folk music. This collection of cinematic music blends timeless melodies with the cozy, spirited atmosphere of a bustling tavern. Perfect for fantasy fans, tabletop RPG adventures, or a quiet evening by the hearth.

Little Mysteries

Meet You At The Tavern

Riding my illegal e-bike to work as if it were a great steed into battle

Genoux Cassés , un duo qui te catapulte en Hollande à 5h du matun dans un champs de betterave, après avoir croisé un druide, tout ça avec du Lana Del Rey en fond sonore.

1 Le Chant du Druide - Bardix le Gaulois
2 TNT Records - The Last Of Mohicans (Remix) 
3 Kokwak - Les Visiteurs
4 Firemensch - Sadomasoquist [Orline EBM Remix]
5 Ceinture De Chastetée - Techno Médiévale
6 L'orbite vide - Mas
7 PAIEN EST
8 Corvad Feat. Lady N - Fame
9 Manau - La Tribu De Dana (Nems Remix)
10 CASTLE RAVE - Perceval
11 Le Temps Des Cathédrales (Kokwak Hardstyle Remix) 
12 Rave maria - Polmoya
13 Roméo & Juliette - Les Rois Du Monde [KOWZ Remix] 
14 CAROL OF THE BELLS (ASCO & Richard Reynolds Remix) ft. Jericho Gospel Choir
15 DJ Frantic - Braveheart (MATRAKK Remix)
16 EBM.2 (Delectro Remix)
17 Le Loup, le Renard et la Belette - Bardix le Gaulois
18 Why Here Why Now
19 Yellow Claw & Natte Visstick & RHYME - CRUSH
20 BOUNTYHUNTER - WOOPS (TECHNO)
21 Klangkuenstler - Engelsblut [CUT]
22 FØGG -   [ÇARKEP002]
23 Lord Of Techno - Agar
24 WNDRLST - Warpath Ahead Of Me
25 Carmina Burana - O Fortuna (Digital Mindz Hardstyle Remix) 
26 Chaussée Aux Moines - ZAY
27 Dr. Peacock - Trip To Ireland
28 Karlfroye - The Crowd
29 MACARENA - Perceval
30 My Lovely Hell - (Master Gabriel Lacambra)
31 Ameno - Vieze Asbak
32 Summertime Sadness - Constantine Bard

Genoux Cassés Medieval Happy Dark Rave

Morning bread and yesterday’s wine,
Strings are dusty, but the tune is fine.
Old boots creak on the castle floor,
I hum a song I’ve sung before.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Verse 2:
Coins in a cup, a wink from the cook,
A drowsy cat by the chimney nook.
Dreams of forests, green and wild,
But I miss the laughter of a child.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Bridge:
Sometimes I fight shadows in my mind,
Sometimes I just want bread and time.
But every day, I play along,
And find a little peace in song.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Outro:
Just another day, the song plays on,
From dusk till dawn, from dusk till dawn

Just Another Day (dark castle core story)

EMPIRUS

Seraphina Songweaver recalls meeting a silver tongued travelling man that shared tales of an adventuring group called the Brutal Six - A party of adventurers making their way through a dungeons and dragons homebrewed campaign

The Songweaver’s Lament

“For thy sweet love remember’d such wealth brings…”

Where Shakespeare’s quill meets the pulse of 126 BPM, Sonic Sonnet reimagines Judy Dench’s recital of Sonnet 29 as a techno liturgy. 

Layered over djembe, flamenco claps, and congas, her voice rises like a ghost in strobe-light — a sermon on self-worth and transcendence that trades the stage for the dance floor. 

Every beat feels like ink striking parchment; every kick drum, a heartbeat beneath a velvet crown.

Sonic Sonnet

I am a devoted admirer of medieval music, and for over two decades I have lived inside its echoes, its modes, drones, courtly dances, and sacred resonances, translating them into a modern voice that still feels as old as stone. My work is rooted in the Castle Core aesthetic: evocative, atmospheric, and architectural. I build music like one builds a fortress, by layering arches of melody over foundations of rhythm, by carving timbres that feel weather worn and timeless, and by letting silence act as shadow. The result is a sound world that is both cinematic and intimate, at once austere and richly ornamented.

I am a multi instrumentalist by craft and temperament, with the violin as my lifelong compass. Trained as a professional violinist, I treat the instrument not only as a melodic narrator but also as an engine for texture, bowed whispers, harmonics like candlelight, and double stops that carry the weight of stone walls. Yet the violin is only one voice in a broader choir. I play and record a range of instruments, strings, plucked and bowed, hand percussion and frame drums, drones and keyboards, sculpting each layer with a producer’s ear and a historian’s curiosity.

I handle the entire production process myself. Composition, performance, recording, editing, mixing, and mastering all live under one roof, which gives my music a coherent atmosphere, nothing feels imported; everything is grown from the same soil. Over the years, this self contained approach has evolved into a signature workflow: I begin with a pulse or a drone, something elemental that sets the scale of the room, and then I weave in motifs that move like lantern light through corridors. The violin often enters last, not as a flourish, but as a storyteller stepping into view.

My musical language draws on medieval modalities and rhythms, Dorian, Phrygian, and Mixolydian colors; isorhythmic hints; the grounded insistence of bourdon, as well as on the rough hewn beauty of folk traditions. I am less interested in historical reenactment than in living memory, the feeling that a melody might have been sung in a great hall, or hummed by a traveler at dusk, or carried by wind across a battlement. That is the soul of Castle Core to me, a sense of place made audible. The music does not describe the castle; it inhabits it.

After more than twenty years, I have learned to trust slowness. Some pieces emerge quickly, as if I had only to open a window and let them in. Others require patience, days of adjusting mic positions, repainting the sonic palette, moving from gut strings to steel, swapping a frame drum pattern for a subtler heartbeat. I welcome that process. It is how the music gathers depth. I tend to record in low light, with minimal screens, letting my ears guide decisions before my eyes do. When I mix, I aim for a breathing dynamic, peaks that feel like torch flares, valleys that feel like cloisters.

My influences are varied, but they all share a devotion to mood and materiality, early music ensembles, folk fiddlers, cathedral acoustics, and contemporary ambient composers who understand that a single sustained note can hold a landscape. I often imagine architecture while composing, gatehouses, keeps, chapels, stairwells, and I build arrangements to match them, narrow passages opening into vast chambers, concealed alcoves revealed by a modulation, a hidden door suggested by a counter melody.

As a performer, I value restraint. Virtuosity is a tool, not a destination. The violin can dazzle, yes, but it can also console, bless, and haunt. I am happiest when a line feels inevitable, simple, shaped by breath, aligned with the grain of the piece. When recording multiple instruments myself, I think in terms of ensemble etiquette, each voice knows when to step forward and when to recede. That is how the music keeps its dignity.

"Like mainlining Maya Angelou while snorting Notorious B.I.G. off Judy Dench’s pearls and listening to Umm Kulthum rap battle the Gummi Bears over a breakbeat apocalypse."

None of this should exist, and yet, here we are.

Welcome to the Underground.

I didn’t plan on making music — I just fell into it like a fever dream. One night I was Googling “how do I load a track in Ableton?” and now I’ve got nearly 30 originals, a full debut album (Chasing Sounds), and two concept projects (Neon Noir and Desert Dunes) — a dual release that sounds like BB King, Daft Punk, and Saladin drank Arak and smooked hookah all night.

What started as caffeine, chaos, and curiosity turned into something real — a fusion of trap, lo-fi, blues, dubstep, oud strings, and cinematic hip-hop. 

Sometimes it’s filthy. Sometimes it’s emotional. But it always hits.

I create from a place of Love, Reverence, and Rebellion — for the Black and Brown pioneers who built the foundations of rhythm, soul, and everything modern music stands on. Without them, none of us pushing buttons today would have a heartbeat to chase.

If I’m ever lucky enough to make money from this, a portion goes to the NAACP and to initiatives supporting PoC creators in EDM.

Because I don’t chase trends — I chase Soul.

And Soul is eternal.

New tracks tagged #BardCore