Another essential from the Audiomatique archives! A track that was groundbreaking in its day and still resonates. Are you hearing it for the first time or is it a classic you're rediscovering?
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Dark Flower (Fever Mix)

Recorded Live at Radio Artifact
Freekbass - bass guitar, beats, producer
Live Recording & Mixing & Mastering Engineer - Andrew J Tetrick

Dance Automatic (LIVE)

Imagine a Rock Band playing atonal funk metal with a DJ & MC, with the structure based on the last movement of Beethoven's 9th symphony. The difference is there isn't an orchestra. It's a rock band with assistance from a computer. There aren't solo singers and a choir; there's a DJ and an MC playing turntables.

Exposion of the Nuclear Family-"Part 1"-0'00", "Rap"-16'25", "Finale"-23'45"

Imagine a Rock Band playing atonal funk metal with a computer. 

Species Compatibility

Certificate of Existence

Satisfied is a synth-driven pop song with catchy melodies about parties and feeling like time is running out but being hopeful.

Satisfied (Lemonade)

This is a powerful track that might attract all kinds of spiritual entities, be they celestial or demonic, as you play this track to accompany your prayers, summoning ritual or whatever may apply to your circumstances. We are here to serve all of your occult and religious needs; concerning the background vibes, at the very least.

Lost in Revelations

feel good melodies and glitched out grooves

Wave

What A Difference A Day Makes

A tribute to the brave miners ("Los 33") trapped underground for 69 days in 2010. Inspired by rescue events following the Copiapó, Chile, mining accident at the San José copper–gold mine, each segment of this short instrumental track represents a specific part of the miners' journey, from being trapped deep below the surface on August 5th, 2010, to making it to the surface alive on October 13th, 2010. An energetic Hip Hop rhythm sets the stage with a contagious vibrancy reminiscent of a hard-working scene, then the warmth of Country acoustic rhythms and soulful traditional Latin guitar notes lead the way through the elements of disaster, hope, and struggle. Ethereal keys gracefully emerge, elevating the experience to the new and joyful heights of rescue. Equally fitting for an evening drive, dancing, a driving workout, or the perfect backdrop for a breezy summer day.

Rescue Story (Instrumental Version)

Follows through a movement of 4 sections, Peace, Subdued, Anguish, Adrenaline.
Driven Primarily by a Mechanical sounding Una Corda and both a clean and distorted electric guitar with Orchestral and Industrial percussion.
Only spent about 2 days on this, inspiration seemed to come quick and easy for this one which is always a welcome surprise :)

Dessert Mirage

SCATTERED GUTZ [PROD. BY CUJOS FATHER]

Shukra6ix has great love for strings in his arrangements, he says he would love to share some in his new arrangement........... ROYGAVEMESTRINGS......... this is also an dedication to the guy who showed him how to pull the strings...... He says "gam gam gam" 

ROYGAVEMESTRINGS

Yamaha CS01 with a bass guitar and a drum machine

Patchwork

Orange Berry Donuts

jellyturtlefish

A rough idea recorded this evening that will hopefully develop into something. 

All that you can't leave behind

THIS SONG WAS CREATED ENTIRELY BY CUJOS FATHER, AND HAS BEEN BROUGHT TO YOU BY DIRTY DOG PRODUCTIONS. ALL RIGHTS RESERVED.
PRODUCER: CUJOS FATHER
MIX/MASTERING ENGINEER: CUJOS FATHER
COVER ART: CUJOS FATHER

PISTOL SMOKE [Prod. by CUJOS FATHER]

Songwriter and enthusiastic co-writer, hit me up for a write! CarolynCatesMusic@gmail.com

idyll Mind is the artist/producer named persona created by Joshua Gough in 2012 and since 2013 now includes Don Reece as a permanent second member, introducing lyrics and vocal performances into the mix.

Discography:-

Music Albums
idyll (2012) - Trip hop/Electronica (concept album)
(AM/PM) (2012) - Dance/Electronica
Pulling Strings (2012) - Rock/Electonica
Anesthesia Rising (WIP)
Untitled Acoustic Album (WIP)

Film Score/Soundtrack Albums
Fist Full of Roses (2013)
The Busker and the Boy (WIP)


One man enterprise with guests. From prog to ambient and then some. Loves a T-Bird bass, analog synthesizers and compressed guitars.

https://open.spotify.com/artist/1Y6Q6X2kihOrD8jkxNa7Zf?si=vqckbxy2TBOTa-UbUhXOOg

https://www.instagram.com/o_man_2023?igsh=MXFyeGpkejBvc3k1

https://youtube.com/@oman3809?si=-AMoHxYnb0a4v3ir

https://oman5.bandcamp.com/



Cujo's Father•Dirty Dog Productions•Audio Engineer•Producer•Musician•Artist• INSTA @_dirtydogproductions_ DM 4 Studio Time•Features•Collaboration•

Bassist. If you like Bass Guitar you've come to the right place. Addison Funk House Featuring Poetry Of ModrakinThe Poet https://www.amnestyorarmageddon.com/

SOME TUNES 4
BEAUTIFUL PEOPLE 


       AIM
       AIM
       AIM

IG: Shukra6ix 

*Introduction:*

We are Ludo Loco, an Experimental Independent Improvisation Ensemble from Leiden, the Netherlands. 
We are an ensemble with Jeroen Keereweer on the keyboard and Robert Veltema on the bass guitar.
Ludo means, in Latin: to Play/Mock/Tease/Trick and Loco just means: Crazy, Mad or Insane, in Spanish. When you listen to our music you'll understand why that is our band's name. '

*The Ludo Loco Way of Making music:*

Hi, I'm Robert from Ludo Loco and I would like to tell you about the Ludo Loco methods of how we make our music and why the end result is always unique and original. 
All of our songs, already over 200 tracks, have only ever been played once and  this is always recorded on a computer. We are not capable of any reproduction of our tracks. In fact, in my case after I finish playing the bass part, I usually have no idea what I have just played and I have listen to the recording to realize if it was any good, authentic, original, but above all, doesn't contain any ugly errors that would ruin the whole track.

We usually need two takes, because there's only two of us and we usually want: bass, keys, drums (keyboard drumming) and sometimes an electric guitar. So the second take is usually the keys, if the bass and drums were laid down first. Sometimes we record piano and bass simultaneously, which often results in very sensitively played music with a lot of emotion poured in it from our inner muses.
 
We have the skills to create music in the heat of the moment, without it being erratic, random or filled with errors. It has to be great on the first try. Though we do have nights were we really suck, but those tracks we just discard and we move on.

I honestly haven't heard any other ensembles or bands that come close to our unique Ludo Loco Sound, or that match our Playing Style.
So, everything is improvised and because we've played together so much in our lives, we respond very well and immediate to each other, as the song evolves and grooves into different intensities, building up, playing variations, climaxing, bringing it down eventually with a proper ending. 

I think that if people know their instrument very well and have become bored with playing fixed songs and don't like rehearsing the same tracks over and over (like I was), they could learn how to cast off these chains of regular, written music, and develop the skill of playing by feeling only, while still being able to implement a song structure while you record it. I say people who know their instrument very well, because you need the muscle memory to help you guide your improvised track.

At least for me, this way of creating spontaneous, authentic, original music, is way more fun than practicing with a band and getting it all perfectly memorized. 
I use that space in my brain; from not memorizing anything; for allowing me to play with a lot of feeling and be creative, but also critical of how I sound, whether it is nice to listen to, whether I'm playing something totally new. Just monitoring myself and directing the creative process mentally into the next phrase of a song. I love when I make it sound cool and groovy, so that's what I usually prime my head for and for the rest it's just about having great fun with playing my part. 

In all, I have yet to hear anything anywhere that compares to our music style. I would love to know about others who make music this way. When you talk about improvising, people automatically think of Jazz, but with Jazz you have to know the standards and you're kind of only allowed to improvise over a standard from the real book. Jazz is kind of weird like that. 

We use freedom of expression to the max and I feel like we are doing something good, but also very rare... It's definitely not mainstream music, but as a niche, there's still many people who will enjoy our music and if we can find a way to reach these people, then we will be enriching their lives with something that I feel is very special.

Freekbass is one of the great bass players. He has graced the cover of Bass Musician Magazine, Bass Guitar Magazine/UK, three times, and has been featured in Bass Player Magazine, several more. He has hosted master classes at “Bass Player Live” in Los Angeles and New York and “The London Bass Guitar Show”. And along with these bass superpowers, Freekbass has a funk music pedigree that is authentic. He has worked alongside funk legends, Bootsy Collins (who gave him his nickname during a studio session) calling Freekbass “The New Spiritual Warrior for the Funk” and keyboard icon, Bernie Worrell, who guested on many of Freekbass’ albums and live projects. He's shared the stage with Bootsy, Catfish Collins, Buckethead, Corey Glover, Umphery's McGee, Mike Gordon, and Dumpsta Phunk, to mention some highlights. And he's recorded/colaborated with so many talented artists, such as Stefan Lessard (DMB), Billy Sheehan, Mudbone Cooper, Doug Wimbish and Karina Rykman, to name a few. 

Side project, "Headtronics" features Freekbass on bass, DJ Logic on beats, Richard Fortus (GnR) on guitar and Steve Molitz on keys. The group performs completely improv, creating original music, live on stage. 

Freekbass has his own project, Freekbass & The Bump Assembly, touring since 2016 - lead by Freekbass on bass and vocals, featuring drummer, Rico Lewis (previously with George Clinton), Sky White on keys (Foxy Shazam) and vocalists, Sammi Garett (formerly Turkuaz) and Riley Comisar, and guitarist Nate Lewis. Known for their danceable, infectious grooves, this show is nonstop energy. Freekbass also tours solo, recently performing at the final Sacred Rose festival. As "Freekbass Solo Grooves", he essentially performs as a DJ creating beats and grooves live and plays bass, guitar, keys and percussion, building music on stage using a loop station. And occasionally, Freekbass hits the road as bass player for other touring bands or can be seen as Artist at Large for festivals.

Freekbass is also well know for his bass instruction. He has several bass teaching platforms and videos, and has taught master classes at Gerald Veasley's Bass Boot Camp, Bass Player Live and The London Bass Guitar Show, UK.

Freekbass has released nine albums to date, including his 2020 release "Krameria", from Eddie Robert’s label (The New Mastersounds), Color Red. Childhood friend and Grammy Award winning songwriter, Itaal Shur, co-wrote several of the new tracks on "All The Way This. All The Way That"., an album which will also features Roberts, Garett, Lonnie “Meganut” Marshall, and the late, “Razor Sharp” Johnson. And in Cincinnati, one of the original hotbeds for funk music and home to James Brown label, King Records, Freekbass won the 2019 “Best Funk/R&B Band” at The Cincinnati Entertainment Awards, his fifth time winning the award. 

in 2020, Freekbass began to cultivate new platforms to perform within. He organically connected with fans via Facebook Live chats on Saturday nights, which evolved into a weekly feature on JamBase, interviewing musicians and industry pros, talking about music in a world of social distancing. To date, Freekbass has interviewed Stefan Lessard (Dave Matthews Band), Laura Lee (Khruangbin) and Eddie Roberts (New Master Sounds). The progression was a leap from his monthly feature in Bass Musician Magazine, called "Bass2Bass with Freekbass" in which Freekbass interviews inspirational and relevant bass players. 

Freekbass has now segued into the world of streaming live music on TikTok, Twitch and YouTube. Freekbass currently streams live improv original tunes on TikTok, Sunday-Fridays, 10pm EST.

You are welcome to send a private streaming-link to info(at)audiomatique(dot)com only. Please understand we will not react on demos sent through Facebook or Soundcloud messages, or to download- or public streaming-links (as we are not interested in signing music that was around on the internet already).

And last but not least please note that you might not hear from us in case we don' t think the material is strong enough for a release or doesn’t fit in our schedule anymore. We receive so many demos everyday and are simply unable to answer all. 

Thanks for understanding.



Ken Walicki is an American composer who is widely recognized and acknowledged for his dramatic, and engaging music, which reflects the times in which we live. Because of his unusual and interesting background, his sound world has evolved into a unique combination of Art, Pop, Jazz, and World music. Walicki‘s influences include Gyorgy Ligeti, the Beatles, Led Zeppelin, Public Enemy, and much more. He was one of the first composers to use turntables in his music and the first composer to have turntables and a D.J. as regular members in a standing ensemble. His music has been performed throughout the world by, among others, the Kronos Quartet, ETHEL, the New Century Saxophone Quartet, the Soldier String Quartet, the Divan Consort, and members of the New York Philharmonic, The Los Angeles Symphony, The Los Angeles Chamber Symphony, The Detroit Symphony, The Pacific Symphony, the Istanbul Borusan Orchestra, and the SWR Kaiserslautern Orchestra. He is the composer-in-residence for the new music ensemble The Divan Consort. Walicki has received grants and commissions from a variety of organizations and performing ensembles including the American Composers Forum, the National Endowment for the Arts, the Jerome Foundation, the Kronos Quartet, the Mary Flagler Cary Trust, and Meet the Composer.
Growing up playing guitar in local Detroit garage bands, Walicki decided, at early age, he wanted to dedicate his life to music. His education included a two-year period in Germany as a Fulbright scholar where he studied with Karlheinz Stockhausen, Helmut Lachenmann, and Rolf Hempel. He was also an active participant in master classes with Aaron Copland, Samuel Barber, and William Schumann. After returning from Germany, he studied with Jere Hutcheson at Michigan State University where he received his Ph.D. Walicki enjoys traveling and finds it to be a fantastic source of inspiration. After
spending a large amount of time in the Middle East and the Indian Subcontinent, he has found these cultures to be particularly close to his heart. Together these experiences have made him a composer of diverse, accessible, physically, and spiritually moving, yet intellectually rigorous music. In addition to his music being presented in traditional concert music venues such as Lincoln Center in New York and the Liszt Academy in Budapest, his music has also been performed in new music clubs such as CBGB’s, the Knitting Factory, and countless cafes and storefronts throughout the world. Without compromising his values, he has made a point of writing music that relates to people and their situations. Walicki has collaborated with a variety of artists in the classical, pop, theater, film, and dance worlds, including Lydia Lunch, Dora Ohrenstein, the Doug Elkins Dance Company, Emmy winning producer/director Mark Obenhaus, American Opera Projects, Bermuda Triangle, Bang on a Can All-Stars, the Kronos Quartet, Divan Consort, and Ensemble Green. He was the founder and composer of the Ken Valitsky Ensemble, which included Regina Carter and Thomas Chapin as members. Previously, besides being on the faculty at New York University, Walicki has taught composition in Istanbul, Turkey at the Center for Advanced Music Techniques(MIAM), a department of Istanbul Technical University. Currently, he lives in Southern California with his son, and the family dogs. His music is available on Knitting Factory Works, C.R.I., CRS Artists, Channel Records, Albany Records and Ravello Records.

Composer, photographer, solo bassist, and cat lover. 

Please check my Bandcamp page for a more extensive selection of my work.

Experimenting with 6 strings, sometimes with 3 or 2, mostly making loops and drones, and something close to solos. 

Some magical sounds created together with a good friend Kr. (bass) under the name "Akvareļi". Other magical sounds created with +Alvls (drums) as blice "Dža".

Pedals used:
JamMan SOLO x1
Mooer Ninety Orange phaser
TC Electronics Flashback Delay & Looper
Behringer OD300
Behringer Bass BDI 21
Dunlop Cry-Baby wahwah
Undulator Tremolo
NUX Chorus
Korg PB-1 Chromatic Tuner

Everything (Williams Strat; Musima Eterna DeLuxe 25) through a Marshall Fender Champion 100 guitar amp
Orange 50 bass amp
Recording with Zoom H1 Handy Recorder, Audacity + M-Audio M-Track quad

New tracks tagged #Bass guitar