1 - Omen Of Death And Glory [0:00/1:40]
2 - Sailing In Ymir's Blood [1:41/4:32]
3 - Tail Of Jormungandr (w. CAVE CASTLE) [4:33/6:48]
4 - Rune Master [6:49/8:54]
5 - Odin's Eye [8:55/10:27]
6 - The Sanctuary Of Yggdrasill [10:28/13:11]
7 - Loki's Spells (w. KULTMESSER) [13:12/15:30]
8 - Funeral Of The Gods [15:31/16:52]

CHANTS OF THE MIDGARDR SERPENT ( FULL TAPE )

Official forecast: 100% chance of synths and sunshine. Open ears, not umbrellas.

Today's Forecast: Sunny (Instr.)

Weekend jamming and syncing, featuring some ringmodulation on the CS-30

16.05.2025 re-recorded due to clippings and digital artifacts on the prior recording. Thanks for pointing that out @Kraftraum.

10.05.2025
Image: Nele V.

Space

Sonic Aurora

(2025)Tomorrow🔁 #mobygratis @mobygratis (New half improvised work, inspired from Brian Eno, Moby, Robert Fripp and Tangerine Dream in progress, not finished!)
*🎹 Software instruments: Arturia "Analog Lab V". "Macho Swell" from Roland JD-800. Samples from: The Beatles, "White Album", Deluxe Edition Vol 4 "Sessions" - "Dear Prudence", John Lennon speaks about Prudence at the end. "brandish_GB3AD1300082-mobygratis" ("The track you have licensed is Brandish") and "branch 1 inst mix ab oz-85bpm"("The track you have licensed is branch1"): #mobygratis @mobygratis
https://mobygratis.com/
*Hardware instrument: "Arturia Keystep 37".
*Inspired by: Kosmische musik/Cosmic music, Floataway, Brian Eno, Daniel Lanois, Roger Eno, Roedelius, Moebius, Moby, Vangelis, Bladerunner, Jean-Michel Jarre, Tangerine Dream, Edgar Froese, Jerome Froese, Christopher Franke, Johannes Schmoelling, Peter Baumann, Klaus Schulze, Thorsten Quaeschning, New Age, Kate Bush, Terry Riley, Ralph Lundsten, Ludwig Göransson, Pink Floyd, Enigma, Genesis, Tony Banks, Peter Gabriel, Phil Collins, Gary Numan, David Bowie, Supertramp, Kraftwerk, Hans Zimmer, Robert Fripp, The Beatles and Larry Fast/Synergy.

Tomorrow(2025)🔁

“My Garden Enclosed” is a piece that pays homage to the Song of Songs - one of the most sensual and enigmatic texts of the Bible.

Lupus Vox blends fragments of the original poem with a contemporary, personal lyric. The result is an intimate, sensual story of longing, desire, and the memory of touch.

This track is built on a pulsating rhythm, with clear influences from club music and the Berlin School. It weaves delicate analog arpeggios, warm ambient pads, and a sultry voice into a sonic garden.

Every breath and every whisper matters - and silence often says more than words.

This is a song about love that lingers between a sinful moment and its echo.

About The Beloved who whispers sensually into your ear.

About a wild rose… whose fragrance arrives before the flower ever blooms.

My Garden Enclosed (from Song of Songs)

Dear friends, I would like to share a short electronic ambient meditation-reflection, focused on the mystery of our participation in the beautiful dynamic impermanence and interweaving of time and space, temporality and eternity, birth and death, the manifest and the unmanifest. 

Let these words be an intuitive accompaniment to the musical flow:

Trying to recreate the map of reality:
Every flower, sound and leaving being.
Marker on the map of time:
You are here.

Maria Mindzero (Cells Interlinked) 

Behringer ARP 2600, Clavia Nord Lead A1r, Roland J-6, Elektron Model Cycles, Korg SQ-1, Korg Giga Delay, Strymon Cloudburst reverb, Strymon TimeLine Delay, Korg Kaoss Pad, SPL Vitalizer (Jack 9736, 9319, MK2-T 9739).

Maria Mindzero (Cells Interlinked) - I`m a Sequence (birthday synthesizer improvisation)

Slower and darker we get, each year, every step, every breath...

Darker Shades Of Spring

Spontanious jamming and syncing with the sound studio and siblings.

Happy atheist pride day everyone!


06.06.2025
Image: the primarily used setup

Quantum Resonance

✨Dear friends, today, on my birthday day, I would like to share my short electronic ambient meditation-reflection, focused on the mystery of time and timeless. 

https://youtu.be/TofzrGozwq8?feature=shared

∞ 44 ∞ 
Time is eternity embodied in a sequence of moments.
28 years ago, while listening to Klaus Schulze's new album, I was puzzled by a question that was a clarification of Jimi Hendrix's question:
"Are You Sequenced?"
Still contemplating this question, which I would not like to exchange for any of the possible final answers, I feel this - not quite, but I am on the path of endless sequencing of eternity in time. And I feel that I myself am this sequence, rooted in the creative silence of the source, and directed towards the perspective of rhythmic repetition leading to endless deepening and development.



Albert Alexxdrum "Cells Interlinked" - I`m a Sequence (birthday synthesizer improvisation)

Awakened
This is not my story.
It’s about someone I love — someone who’s slowly begun to rise again.
After darkness. After silence.
I’ve watched her spark return, gently, like morning light on tired skin.
This piece holds that quiet shift — from surviving to living.
A pulse, a whisper, a reminder:
She’s still in there.
She has Awakened.

Awakened

Symphonic schemes part 1

Singular Oddity

The track is a blend of electronic, stage and screen, classical and pop elements. Its atmosphere feels like an eclectic mix of different genres that are all interconnected in some way. The sound is energetic with a strong beat that keeps the listener engaged throughout the song's duration. Emotionally, it resonates strongly with feelings of happiness or joy as well as sadness or despair depending on how you interpret it.

Sound Sculptures - The First Contact

Bandcamp: https://wavefiler.bandcamp.com/track/inlets
Streaming links: https://lnk.dmsmusic.co/wavefiler_inlets

“Inlets” is a near ten-minute composition built as a single arc, yet structured into three main sections—each acting as an access point into the piece’s evolving landscape. These “inlets” offer different ways of entering the flow, as textures shift and moods deepen. The sections fold into one another, resisting fixed divisions and forming a continuous, tidal movement.

The piece ends by subtly returning to its beginning, creating a loop-like structure that suggests endless return rather than finality. Time in Inlets feels circular, ambient, and spacious—less a path and more a terrain.

Adrian Johnson’s artwork visually echoes this form. Bold, overlapping shapes in vibrant color create a composition that feels both structured and fluid. No single focal point dominates; instead, the eye moves rhythmically between curved and angular forms, tracing a dynamic geometry that reflects the piece’s musical logic. Like the composition itself, the artwork invites entry from multiple directions—each perspective reshaping the whole.

At its core, “Inlets” is about permeability—how beginnings blur into middles, and endings gently open back toward the start. Time becomes less linear and more tidal, as if one could enter or exit the piece from any point and still arrive somewhere meaningful.

Synths recorded to tape using TEAC-3440 and Tascam 414 mkII machines

Music by Steve Zydek
Artwork by Adrian Johnson
Mastered by James Bernard at Ambient Mountain House

Wavefiler - Inlets

A subtle journey through thought, motion and memory.
A window seat in sound — where time expands, emotions blur, and every tone carries weight.

This is not a track that rushes.
It listens. It breathes.
And somewhere between the soft adlibs, the distant rhythm, and the glimmers of melody — you find yourself traveling without moving.

🎧 Best experienced with headphones.
🌫️ Let it carry you.

Traverse

Having trouble with my recently achieved obie m1000 i was just playing around with u-he and moog

11.07.2025
Image: Voiceboard of the Oberheim Matrix1000

Obie Dawn

Reisender

Berlin School-inspired electronica meets cinematic AI composition.


Recorded May 14, 2025 at 11:43 using AI v4.5 – All elements (composition, instrumentation, mix, and atmosphere) generated through artificial intelligence.

🔊 Best with headphones.
🚆 Inspired by movement, memory, and mechanized melancholy.

Signals in Transit

I don’t just make music—I shape sound into emotions and journeys. Ambient is my calling, but I never let boundaries define me. I experiment, push limits, and trust my instincts to create something that feels real.

I don’t chase trends, fame, or numbers. Music flows through me naturally, and I follow where it leads—sometimes into the unexpected. If my sounds resonate with others, that’s a bonus. But in the end, I create because I love it.

Peace 🫶

synth music / lo-fi / ambient / beats / sound design / textures / quirky / liminal / etc / etc / etc /\/\/\/\/\/

Lupus Vox /ˈluː.pʊs vɔks/ — Synth-powered creature. Born in the '70s, analog heart beating in human skin. 

Habitat: neon-lit soundscapes, the space between reflection and dance.

Behavior: oscillates between melancholy and celebration, irony and sincerity. Often found howling at the absurdity of existence, occasionally whispering truths. A living entity, navigating the digital world with a wink and a smirk.

Warning: May dance, may brood, sometimes likes to swear or damage some manuscripts.

My current musical project consists of composing music and tagging other artists, regardless of their genre. In recent years, I've discovered great talents, both professional and amateur, self-taught like myself. I also want to highlight musicians who stand out for their beautiful songs. Thank you to all my followers for believing in me, and I also appreciate the excellent music they create. Greetings to all! One more clarification about the musicians I follow: each author's music fills me with joy and is a source of energy for life!

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
---
Every track was recorded between 1980 and 2025.
---
Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
---
"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
---
"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
---
"Love is the only thing that transcends all dimensions, including time and space." <3

RVGNARXK J
Rapper, Songwriter & Producer.
It's Time to the Dungeon Rap
Phonk Rapper try again

Dear soundcloud, is this a funeral ⬛️ ?
Give us the orange 🟠 design and the far superior, old uploader back!

Thanks for listening!
Soundclouder since February 2010. Love YOU, the community! 🫶
Influences from ABBA to Zappa... mostly #instrumental #synth #em #ambient. Just a bloke with some gear. 😎

🇪🇺🏳️‍🌈🇺🇦☮️🌱

Cells Interlinked – Electronic / Ambient / Berlin-School / Experimental music project based in Lviv, Ukraine. 

Music of Cells Interlinked inspired by classic analogue / berlin school sounds and based on the principle of deep interaction of simple, repeating melodic sequences. These phrases rotating around their axis, like a mantra in meditation, lead the attentive listener from the surface to the depth. They weave a web of sound in which everything, like in reality itself, is impermanent and interconnected.

New tracks tagged #BerlinSchool