Initié et dessiné par Jul Quanouai
Composé, performé et réalisé par Simon Saint-Hillier
Mixé par Etienne Perez
Masterisé par Gabriel Meunier
Imprimé et distribué par Simili-bois

Randsome Bitbop

Bazoni-77 Analogue Foresta

Uluzzian Trap

We proudly present: 2024 World Triathlon Para Cup Besancon at Besancon, France

📅 𝗗𝗮𝘁𝗲: [15 June 2024 - End]
🎥𝐖𝐀𝐓𝐂𝐇 𝐋𝐈𝐕𝐄⭕► https://towr.etvsports.xyz/sports.php?live=2024+World+Triathlon+Para+Cup+Besancon

░H░A░P░P░Y░ ░W░A░T░C░H░I░N░G░ ░E░N░J░O░Y░

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Arnhem.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights.

𝐋𝐈𝐕𝐄𝐒𝐓𝐑𝐄𝐀𝐌$!> 2024 World Triathlon Para Cup Besancon @Live®

2024 World Triathlon Para Cup Besancon <Live2024>

We proudly present: World Triathlon Para Cup Besancon 2024 at Besancon, France

📅 𝗗𝗮𝘁𝗲: [15 June 2024 - End]
🎥𝐖𝐀𝐓𝐂𝐇 𝐋𝐈𝐕𝐄⭕► https://towr.etvsports.xyz/sports.php?live=World+Triathlon+Para+Cup+Besancon+2024

░H░A░P░P░Y░ ░W░A░T░C░H░I░N░G░ ░E░N░J░O░Y░

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Arnhem.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights.

World Triathlon Para Cup Besancon 2024 <Live2024>

Gare d'Eau Bossa

"J'ai tout donné pour ce foutu rap,
beaucoup plus que le nécessaire.
Amour et respect pour mes prédécesseurs."

Enregistrement : Saih, FKJ Music Studio
Prod, Mix, Master : Freaky Joe Beats

Ce son n'est pas récent mais je tenais à le sortir
pour tout le respect et l'admiration que je porte à Shao.
Merci à toi d'avoir accepté mon invitation.
Merci également à La Fausse Patte pour le visuel.
Et un énorme merci à Freaky Joe Beats aka le producteur routier
sans qui je ferais sûrement plus de musique aujourd'hui.

Instagram :
@ bap.too.black , shaoofficiel , saih_trsk 
     la_fausse_patte , freaky.joe.beats

PLUS QUE NÉCESSAIRE feat Shao (Prod. Freaky Joe Beats)

Heeeeey, ladies and gentlemens, that was a private live concert for my friend in Nowhere with memories of cool moments ! 

Tracklist : 
0 : Anaee ft. Upside Hat – Le DJ qui s’ambiance seul (intro) (00:00)
https://www.twitch.tv/anaee/
1 : Ponce - Floral (Psychopack Remix) (00:32)
2 :  Hysta & Helen Ka - Amertume (06:17)
3 : Nothing But Thieves - ID (09:05) 
4 : Upside Hat ft. Lady Croco - ARE YOU HUMAN ? (10:35)
5 : 2080 - Casse toi FACHO (13:23)
5 : Olivia O. - Pitbull (15:34)
6 : Upside Hat & TIP STEVENS - La Fête de la Saucisse à Mulhouse (19:06)
7 : Billie Eilish - L' Amour De Ma Vie (Live Performance from Amazon Musics Songline) (21:25)
8 : Upside Hat ft. Clara Doxal & Zerator - Y VEUT PAS FAIRE RTRB (Out Soon) (24:33)
9 : Upside Hat & Vagablond & Docteur Ostie ft. Guillaume & Horty_ - Débrouillarde à Jamais (29:57) 
10 : KTRL - Don't Fall Asleep (36:18)
11 : Cutie Cutie - Lost Station (37:57)
12 :  Olivia O. - Untitled (39:49)
13 : Skone - A La Poursuite d'un Oiseau Bleu (42:41)

I respect every form of life, 

- Upside Hat

PRIVATE CONCERT IN NOWHERE (RAEVE 8)

Dj set enregistré le 28/09/2024 los du festival Détonation à Besançon (France) avec @sassou-551263251

Detonation Festival Dj Set

<3 Sassou B2b Blackou - Dj set @ Detonation Festival 2024 <3

artisan alterbop / shooting guard #85 / expérimental populaire / folk de synthèse / faiseur empirique dans les vestiges alluvionnaires / inventeur du Bazoni-77 Analogue Foresta

Ablozé is a project that blends the rhythms of electronic music with the melodies of the Middle East.

It all started in Damascus, where I first picked up the guitar. From there, my musical journey took me to the Besançon Conservatory in France, where I delved into exploring the art of making music.

Now, based in Cairo. I am driven by a desire to continually explore new musical horizons, fueled by the connections I make with people I meet and the places I travel.

Through my music, I invite listeners to join me on a journey of sonic exploration and cultural discovery.

Instagram: 
https://www.instagram.com/abloze.said/
Full tracks: 
https://hyperfollow.com/abloze

Hérité de son passé de motard parcourant l'europe à dos de TGV, Vincent Black alias Blackou partage avec les bisontins le sens de la fête et des surnoms improbables.
Pousseur de disques éclectiques, vous le trouverez  derrière les platines autant en mode deep house cool cool qu'en plein set "Tekos"
Avec ses comparses du Boom Tchak, il aime se donner des défis et voyager dans des endroits improbables du monde de la musique et d'ailleurs.

Played alongside : COTTON CLAW, SUN GLITTERS, APHRODITE, THA TRICKAZ, UNDERGROUND RESISTANCE, COLLEGE, MEI TEI SHOW, HIGH TONE, DAVE CLARKE, POPOF, JULIAN JEWEIL, MARC ROMBOY, THE HACKER, TAMBOUR BATTANT, BANDITOS, IXY, DUB INCORPORATION, JMPZ, BLACK STROBE, LAURENT HO, RUBIN STEINER, LES TËTES RAIDES, ONE SELF (Dj Vadim crew), NIVEAU ZERO, BMHOT, MASS HYSTERIA, WATCHA, TETRA HYDRO K, SHITMAT, KRUMBLE, MATT CANTOR...

Where ? : New Morning (Paris), Recyc'Art (BXL), Rex Club, Tryptique, Glaz'art, Batofar, Marché Gare, La Rodia, Le Moulin de Brainans, L'Usine (Genère), Diff'art (Parthenay), Rock School Barbey (Bordeaux), Marseille

Nouveau titre dispo, "Plus que nécessaire" feat. Shao prod. by Freaky Joe Beats.

New tracks tagged #Besançon