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The 30th anniversary of Sharjah Biennial is celebrating "Thinking Historically in the Present," by dissecting and looking into ones past, present and future.

Sheikha Nawar Al Qasimi, Vice President of Sharjah Art Foundation, gives us an overview of what to expect in this year's edition of the biennial.

Sheikha Nawar Al Qasimi Talks Sharjah Biennial 15

Barbadian artist Annalee Davis grew up surrounded by trauma, anxiety and fear that was deeply rooted in the land, souls and minds of her people. With a turbulent history dealing with colonialism, slavery and the erasure of her culture, she decided on an act of rebellion: healing through plants.

Annalee speaks about her apothecary that contained all kinds of plants such as lemongrass and cerasee, that she grew from scratch with Yeori Guépin for Sharjah Biennial 15. A place that allows people to slow down, recalibrate and drink tea.

"Pray to Flowers – A Plot of Disalienation": Annalee Davis's Apothecary in Bait Al Hurma

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Given the manifold political, climate, and technological crises unfolding just two months into 2023, one wonders if that ominous future our species so fears is much closer than we anticipated. It is a tense and dramatic time, but it does further underscore the importance of the cultural figure Hito Steyerl.

The German filmmaker’s bold artworks investigate emerging technologies and media, and she often sites these inquiries within society and politics, globalization, and capitalism. Yet despite the complexity of the subject matter and her research-intensive process, Steyerl’s works are readily enthralling, often manifesting as highly ambitious, immersive architectural environments.

It is no small wonder that her work has reached a global stage. Last year, her largest-ever retrospective, called “I Will Survive,” wrapped its European tour at the Stedelijk Museum in Amsterdam. And just last month, her exhibition called “This is the Future” opened at the Portland Art Museum, where it is on view until mid-June.

On this week’s episode, European editor Kate Brown spoke to Steyerl to tackle some of the questions about what artificial intelligence, the metaverse, crypto, and an increasingly imperiled natural world might mean for us.

Hito Steyerl on Why the Metaverse Has Already Failed

In February 2023, we travel to the United Arab Emirates for the first time. We’re here to witness and celebrate Sharjah Biennial 15: Thinking Historically in the Present. Four years in the making, the exhibition is ambitious and expansive. More than 100 artists from 70 countries are presenting projects in 19 venues across the emirate. 

One afternoon, we wander through Sharjah’s heritage area to Bait Obaid Al Shamsi, the personal residence of a local pearl merchant and his family from the mid-19th century until the 1970s. In a small courtyard outside his multi chambered installation, we meet artist Shiraz Bayjoo to talk about how his project engages history—a pervasive theme in this Biennial.

The artist shares the storied past of the Indian Ocean and the island archipelagos of Mauritius and Madagascar, off the southeast coast of Africa. Keep listening to hear the orientalist tropes that he disrupts in Searching for Libertalia, a project that recovers the history of a purported pirate colony founded in the late 17th century.

Our conversation with Shiraz Bayjoo reveals one artist’s approach to Thinking Historically in the Present. Searching for Liberatalia materializes a cultural narrative that might come closer than real history to showing us the way through rupture, dislocation, and uncertainty to a place of growth and renewal.


Story: Cathay Byrd
Sound Design: Anamnesis Audio
Special Audio: Searching for Libertalia, Sharjah Biennial 15

Fresh Art International

Searching for Libertalia—with Shiraz Bayjoo

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Next week, the art world will descend into the Venetian Lagoon for the Venice Biennale, the most highly anticipated art event of this year. The Brazilian curator Adriano Pedrosa is at the helm of the prestigious group exhibition, which is now in its 60th edition, and his show includes more than 300 artists and collectives presented in the historic Arsenale and the Central Pavilion in the Giardini. Many of these artists, who are largely based or from the global South, are on view for the first time in these revered spaces.
There are multiple ways to look at the show and its title "Foreigners Everywhere," which is inspired by a famous work of the same name by artist collective Claire Fontaine. It is both an acknowledgement of the artistic positions of exile of the immigrant or outsider, but also importantly asks of the audience to think about who exactly is a foreigner... and who is not. Pedrosa argues that deep down we are all foreigners, and this exhibition, which the curator describes as a "provocation," arrives as the world is facing a multitude of emergencies centered around the very concepts of exile and belonging.
Just as everything was coming together over the last weeks ahead of the April vernissage, Artnet's Kate Brown spoke to Pedrosa about what visitors can expect from "Foreigners Everywhere" and his overarching vision for the show. He shared his views on how one should navigate an exhibition of this scale, and discusses his background as a curator in São Paulo, which included organizing pioneering exhibitions of marginalized perspectives and histories during Jair Bolsonaro's populist reign in Brazil. The two also speak about Pedrosa's understanding of what it means to be a foreigner from both a political and artistic perspective.

Why Adriano Pedrosa Sees His Venice Biennale As 'Paying a Debt'

Read Book : new-suryaalonso666.blogspot.com/?txt=0300196873 | Whitney Biennial 2014 | A striking accompaniment to thebiennial exhibition which presents the perspectives of three innovative guest curators The Whitney Biennial the Museums signature exhibition has charted some of the most exciting new work in contemporary art since it was first introduced inThree guest curatorsStuart Comer Anthony Elms and Michelle Grabneroffer diverse views of contempor

⚡Read🔥PDF Whitney Biennial 2014

‘Eyes On’ is all about the significant happenings and events taking place in the Emirate of Sharjah. Covering the major aspects of life in the Emirate such as real estate, health, education, culture, and more. Be it a corporate exhibition or a family funfair. Be it for the professional or the child in you... Tune in before the weekend to find out how to plan your weekend in Sharjah.

Fresh Art International with curator Cathy Byrd features Conversations About Creativity with Joan Jonas, Jason Moran, Irene Hofmann, William Pope.L, Theaster Gates, Tania Bruguera, Stephen Vitiello, Camille Norment, Franklin Sirmans, Cheryl Pope, Lynda Benglis, Jillian Mayer, Sylvie Fortin, Andrea Bowers, Remy Jungerman, Louis Grachos, and more.

a weekly podcast that brings the biggest stories in the art world down to earth. Go inside the newsroom of the art industry's most-read media outlet, artnet News, for an in-depth view of what matters most in museums, the market, and much more.

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