The Art of Seeming Okay

The Beat Left Without Me

I'm Fine

After the Applause

Nothing Left to Want

One Tabulet

बजरंगबली | Bajrangbali

¡El latido del todo!

¡La canción sin final!

The official instrumental version of "Go Tell It! (Big Band Swing)" from the album "The First Spark: Christmas 2025".

This version strips away the vocals to shine a spotlight on the intricate brass arrangements and the driving swing groove. The perfect upbeat background music for a lively holiday gathering.

🎤 Listen to the Vocal Version with new lyrics here: [Link to the vocal track once uploaded]

Credits: Arrangement & Production by Otoniel Rojas

Tell it on the Mountain Soundtrack

This is a high-energy, big band swing reimagining of the classic "Go Tell It on the Mountain," featured on my upcoming album "The First Spark: Christmas 2025".

We took the traditional melody and injected it with roaring brass, a driving swing rhythm, and brand new verses to match the upbeat energy. This track is a prime example of how we are using AI tools to create massive, complex arrangements that bring a retro sound roaring into the future.
Lyrics: Run run run to the highest hill Shout it loud let the heavens spill... 

Run run run to the highest hill
Shout it loud let the heavens spill
The news that shakes the earth below
Christ is here let the trumpets blow

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Clap clap clap let the rhythm rise
Praise the Lord under open skies
Stars they shine His holy crown
Love has come to this broken town

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Born in a manger but rules the stars
Healing hearts near and hearts afar
Every knee shall bow every tongue confess
This is the day of holiness

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Credits: Arrangement & Production by Otoniel Rojas

📅 Album "The First Spark : Christmas 2025"

Tell it on the Mountain

Step into a winter wonderland where the golden age of swing meets the magic of Christmas! "Snowflakes & Brass" is an original instrumental composition that wraps the warmth of the holiday season in velvet brass and dancing rhythms.
Born from an original melody and chord progression crafted with pure Christmas joy in mind, this track was then brought to life through AI-assisted orchestration, allowing the spirit of the big band era to breathe new life into the festive season. Picture snowfall outside frosted windows, a crackling fire, and a room full of people ready to swing the night away.
Featuring lush horn arrangements, walking bass lines, shimmering piano fills, and that unmistakable swinging shuffle, this piece captures everything we love about both vintage jazz and Christmas cheer—wrapped up in one irresistible package.
Perfect for holiday parties, cozy evenings, or anyone who believes Christmas deserves a little more brass and a lot more rhythm.
An original composition enhanced by AI creativity. Human heart, machine magic.

Snowflakes and Brass

Original: https://www.nicovideo.jp/watch/so45512053
Music: Producer was not revealed
Vocals: Hatsune Miku

Mushoku Tomei Sai - MIKU&U feat. Hatsune Miku

Christmas Far Away

Stone Piano - More To Come

More To Come

The Gift Of Peace And Joy

[Style: Big Band, Fast Swing, Jazz, Energetic, Brass Section, Male Vocals] [Tempo: Fast]

[Intro] [Spoken] Allez, Robi, fais chauffer le moteur ! Un, deux... un, deux, trois, quatre ! [Brass Hit]

[Chorus] Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors Je suis mince, c'est vrai, mais j'ai du poids ailleurs Je ne frappe pas, mes hommes font le sale labeur ! Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors C’est le cerveau et le reste qui valent de l'or Moi je ne frappe pas, mes frères te règlent ton sort !

[Verse 1] [Walking Bass] Shot, shot, shot, la demoiselle perd la tête Shot, shot, shot, je suis jeune mais je t'arrête Shot, shot, shot Shot, shot, shot, l'argent n'est qu'une facette Tout le monde se bat, mais veut rejoindre ma clique Pourquoi les aider ? Ils ont la mémoire amnésique Pourquoi chercher les autres ? Seul, je suis une élite La théorie, ils la connaissent, mais la pratique les limite ! Shot, shot, shot, la demoiselle perd la tête Shot, shot, shot, je suis jeune mais je t'arrête Shot, shot, shot Shot, shot, shot, la richesse n'est qu'une facette

[Chorus] [Explosive Brass] Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors Je suis mince, c'est vrai, mais j'ai du poids ailleurs Je ne frappe pas, mes hommes font le sale labeur ! Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors C’est le cerveau et le reste qui valent de l'or Moi je ne frappe pas, mes frères te règlent ton sort ! (Yeah, yeah !)

[Verse 2] [Fast Flow] Regarde mon canon te refaire le portrait J’ai l'usine qui tourne, pas de couteaux, que du frais Verse le champagne, la dame entre en jeu C'est le drame, le choc, elle a du feu dans les yeux Je fais des sous au quartier, c'est l'héritier Avec lui, le niveau ne va jamais monter Je monte en voiture, mode sport, festival Je vois l’aiguille grimper, ma signature est fatale !

[Bridge] [Building Tension] Ne me dites pas qu'il y a un meilleur patron Je suis un tank, un canon, une crise de nerfs, un typhon T'es une pleureuse, tantum ! Je tire une taffe, je zoome, pleine tête, BOOM ! Je te descends, sans un poing, juste en fumée Oh, wow, le portefeuille est bien chargé Fini de chanter les crimes, la rue, le casier Oh, wow, neige blanche et caramel glacé On ne parle que d’oseille, montre-moi ton caractère Oh, wow, c’est une question de savoir-faire Avec lame, rimmel, le loup mange l'agneau Oh, wow, des poupées dans mon château Je ne suis pas méchant, mais en théorie... je suis là-haut !

[Chorus] [Grand Finale] Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors Je suis mince, c'est vrai, mais j'ai du poids ailleurs Je ne frappe pas, mes hommes font le sale labeur ! Si je mets la main sur toi, tu vas perdre le nord Même tes frères, ta famille, te jetteront dehors C’est le cerveau et le reste qui valent de l'or Moi je ne frappe pas, mes frères te règlent ton sort !

[Outro] [Piano Trill] Oh, wow Oh, wow [Big Finish]

MC Codrin, CRXMONA - Le Caïd a la Petre Ștefan (French Electroswing Edit)

War es nur ein Alptraum? Diese Fee von einem anderen Stern hatte keine freundlichen Absichten.

X2-1B

Everybody's Fine

This is a work of fiction. Any resemblance to reality is pure coincidence. I have both God and the power of anime on my side!

これはフィクションです。現実と似ているところがあっても、それは単なる偶然です。私は神様とアニメの力を味方につけています！

John Tabacco is an American composer, singer songwriter, producer, recording engineer, multi instrumentalist and graphic artist. He has engineered /mixed and mastered music for hundreds of New York recording artists as well as projects released on BMG: The Kemelions, RCA: Faze, Rampage/Rhino: Rhett Forrester, Columbia: Rebbie Jackson, Rykodisc : Bob Marley, Columbia: Chris Jasper, Electra: Sonia Dada and Nickleodeon’s Are You Afraid Of The Dark? He is the CEO of It Iz What It Iz Music Publishing which currently holds over 750 songs in its catalog. He has been an associate producer for IndiMusic TV and hosts a bi-weekly radio program (CLAM RADIO) on college radio WUSB.fm since 1999. He is currently the head of A&R at Modern Voices Digital Distribution.

His musical background consists of extensive study of orchestration with noted 20th century composer John Lessard, harmony with the late electronic music maverick Bulent Arel, and composition with Stony Brook University professor Peter Winkler. He received his BA in Music from Stony Brook University in 1983. 

Like an unfolding musical diary / puzzle, Tabacco’s music and art are constantly being re-worked, juxtaposed and intertwined. His style is a melding of pop - jazz -rock - avant garde / aleatory, classical and comedy.  He has been recording his music non stop since 1979.

Of note: In 1989 the satirical, absurd house song "Go House Yourself" co-written by Tabacco, Pati and DiMauro reached position 39 on Billboard's dance chart. 

In 2014 Tabacco signed a record deal with Texas, indie label, Muffin Records. They released his CD “Unfulfilled Shopping Carts Syndrome” internationally.

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

A creative music producer and songwriter with a passion for crafting unique sounds and meaningful stories. Also skilled in graphic design and communication, with both an eye and an ear for what feels right. Combining music, visuals, and ideas to bring projects to life in a fresh and authentic way

New tracks tagged #Big Band