Ziemowit Kosmowski - voc, guit, bass guit.
Agata Poremba-Kosmowska - perc.
lyrics & music - Ziemowit Kosmowski
all rights reserved - Ziemowit Kosmowski, Stoart, ZAiKS, Sony Publishing
recorded, mixed & mastered - Ziemowit Kosmowski
production - Ziemowit Kosmowski
photo - Jacek Poremba

Not So Far by Ziemowit Kosmowski (05'33)

Welcome to Tape Op's DISCussion, where we call our friends and music community notables to talk about their favorite records. For this episode we chat with guitarist/composer Rafiq Bhatia about Bill Frisell’s 2001 release with Dave Holland and Elvin Jones. Enjoy!

DISCussion - Episode 34: Rafiq Bhatia

Alejandro Paz, Apostata, Anime., “Incomplete”, Allerbien, Banjarnegara, Angelo, Al B Sure, Agnetha Fältskog, Anahtar, --dead, Amex Deep, Amf​, Animesong, Beat,Sudden, Big Bunny, Athens ----, Alesh, ---mg, Arachnid , Adoração Espontanea, 歌舞伎, 星の旅人, Ascari, Canzoni Libere Da Diritti D'autoreks, ---luckyfish, $Crubonthehill, Abidinpaşaspotçular, Anderson,  Advertisement , Adorasyon , («, 办理美国文凭学位证qq微信----------买佛蒙特大学研究生毕业证,办uvm文凭成绩单，仿制uvm毕业证，精仿佛蒙特大学, -ndyear, Allandee, Adobepremiere, Anoint, Accessperformancesafrica Do Sul

Astro, Cinema (FREE DOWNLOAD)

Oscar Bineau - Saxophones
Robin Nitram - Guitar & composition
Ewen Grall - Drums

Recorded in Brussels by Jacopo
Mixed and mastered in Berlin by Vale Schwarzbeck
Cover photo taken in Paris by Tom Tanguy

Livourne 66

Ta Van

Oscar Bineau - Saxophones
Robin Nitram - Guitar
Ewen Grall - Drums

Franz Liszt - Composition

Recorded in Brussels by Jacopo
Mixed and mastered in Berlin by Vale Schwarzbeck
Cover photo taken in Paris by Tom Tanguy

Vallée d'Obermann

Vallée d'Obermann

Ewen Grall - Drums
Robin Nitram - Guitar & Composition
Oscar Bineau - Tenor saxophone

Ta Van (Live)

With each trip around the Sun, a fresh chapter unfolds in "The Morning After" saga. It's my personal musical diary, where melancholic melodies of jazz, indie, folk, and downtempo flow like a gentle sigh. A sanctuary from the club's thumping pulse, each song carries a story, an echo of emotion. Some float free, whimsical and light, while others hold the weight of significance. This annual ritual, I suspect, will be my lifelong companion, a soundtrack to the ever-turning seasons of my soul.

Tracklist:
Saffronkeira with Paolo Fresu - Religion as an Illusion
Ambrose Akinmusire, Bill Frisell, Herlin Riley - Flux Fuelings
Jambal and Tristan de Liège - Collisions of Light
|||||||||||||||||||| - Outlook Remains Untouched
Conic Rose - Uli
The Smile -Teleharmonic
Unknown Mortal Orchestra - Nadja
Searows - House Song
Haley Heynderickx - The Bug Collector
Bastien Keb - Nigel
Marta and Tricky - When It's Going Wrong
Feist - Forever Before
The Smile - Wall Of Eyes
The Irrepressibles - Will I Ever Find a Home
Scott Orr - Blue
Laura Misch - Portals
Feist - Hiding Out in the Open

The Morning After #26

It starts with  a little quote from from  Holiday For Strings ....Gretsch 6120 Players Edition  ..

Butterfly

I first heard this melody on Ornette,s Crisis record and it stuck  with  me ...
I played my Grestch Chet Atkins  Players Edition  6120 Nashville.

Comme Il Faut   (composed by Ornette Coleman)

Back at it with another full  Journey, deep into the heart of the Jazz Mountain. We're gettin jazzy and funky in the first set of this one, so get ready to rock! And, of course, we'll take you on a trip to the depth of your mind, body, and soul. Strap in and get ready for another fun, wild ride. Thanks for tuning in!

Jazz Mountain Journey 8 -  Set I

misterG f greenarrowradio hangs with Jenny Scheinman talking about her new album, 'All Species Parade' out now on Royal Potato Family.

Jenny Scheinman

This is my impression from conversations, images, scenes, and stories of urban life--in particular, a dream I had in which George Gershwin's Concerto in F kept looping against a black & white "movie" of 1920s New York City. Rather than feel overwhelmed by metropolis, I harmonized with it and let it absorb me. The music bed is from Cafe Khufu live improv sessions in lower East Side Manhattan, with the lovely Frisell-ian guitar work of Richie Devletian and the spot-on dumbek-beatwork of my friend and colleague Felipe Torres. It’s track #6 on my recently reissued I LIKE THE STREET album. 

Big Town Winding Down

1 Álbum 100 Palavras #85: Bill Frisell – East / West (2005)

Um podcast de Francesco Valente: 

1 álbum “sem” ou “100” palavras, por semana! Uma pérola musical da história da música, descrita em 100 palavras! Cada dia da semana, às 14h na Rádio Olisipo. Boa escuta!

"East / West" (2005) é um álbum duplo ao vivo do guitarrista Bill Frisell, capturando sua abordagem única ao jazz, folk e experimentalismo. O disco é dividido em duas partes: "East", gravado no Village Vanguard, em Nova York, e "West", registrado no Yoshi’s, em Oakland. Frisell apresenta interpretações inventivas de clássicos como "I Heard It Through the Grapevine" e "Shenandoah", além de composições autorais. Com uma sonoridade atmosférica e improvisação expressiva, ele transita entre o lirismo e a abstração. "East / West" destaca sua capacidade de reinventar melodias, criando paisagens sonoras que unem tradição e inovação com fluidez e sensibilidade.

1 Álbum 100 Palavras #85: Bill Frisell – East / West (2005)

or ends 040225

decemberhunting unplugs and is glad to have met you 041025

Hi everyone I am a Transqueen    who plays  Guitar . I  chronicle my adventure here along with a pic or two !

Radio Olisipo is an online radio station based in Lisbon. It promotes ethnomusicological research, independent music, follows the release of the records of musicians based mainly in Lisbon and opens their playlist to DJs from around the world.
https://radiolisipo.com/

Oscar Bineau - Saxophones
Robin Nitram - Guitar
Ewen Grall - Drums

Jazz Mountain is a free jazz, jam, and psychedelic rock podcast. Featuring 2 sets and an encore, just like a jam band show, we take you on a magical improv journey and rage!

“Johnny is a virtuoso…” –Brian Wilson
“A delightful entertainer…” earcandy.com
“Pop music with a conscience…” Goldmine magazine
“The Harry Houdini of rock’n’roll” Spotlight magazine

Entertainer, songwriter, and “Singer at Large” Johnny J. Blair is known for his brand of “pop music with a twist,” influenced by Americana, British Invasion rock, old school soul/r’n’b, psychedelia, and punk/new wave, with melodicism breathed by classical, gospel, jazz, and world music. 

As a solo acoustic act or when fronting a band, Johnny engages an audience. He was called “a white James Brown” by Brown’s legendary drummer, Clyde Stubblefield. Johnny’s current itinerary includes performing in assisted living homes for people with disabilities and dementia: “Music goes through the brain into places where math and language don’t reach. It heals, and it makes a difference.”

Since the 80s, Johnny has issued full-length recordings to a global audience— from the “new wave concept album” DOOR IN THE WATER, to the soulful masterwork FIRE, to the bare-knuckled acoustic “agitpop” of TREADMARKS, to the “Ziggy Stardust meets PET SOUNDS” of GRATEFUL to the glam-tango tinged masterwork I LIKE THE STREET (with musical support from The Badlees, Eric Biondo/Beyondo, and Mike Garson, David Bowie’s pianist).

Johnny has worked with a range of acts—most prominently with Davy Jones of The Monkees (“I learned valuable stagecraft from David”). Johnny played and worked with Jones for 20 years, and he was the touring bassist/vocalist with The Monkees 45th Anniversary Tour of the UK and USA. Other artists Johnny has played with are John Bechdel (Ministry), David Cassidy, Buddy & Julie Miller, and Al Stewart (“Year of the Cat”). 

For 2019, Johnny on the beat with fresh material and a new album in the works, WE’RE GETTING CLOSER TO THE SUN. He says, “I’ve played the Royal Albert Hall, CBGB’s, Disney, The Fillmore, Las Vegas, Mabuhay Gardens, the Tokyo Billboard, holy temples in India, desert islands, Caribbean cruise ships, churches, prisons, garages, biker bars, and picnics, but I’ll really hit it big when I play for you!”

New tracks tagged #Bill Frisell