The track is my first result obtained by interaction between data recorded from Bidens frondosa and the cellular automata algorithm.

Bidens frondosa (Turin, Murazzi)

The result of a jam session in my vegetable garden for testing the system which allows human, plant and computer to make and play music together.
This track is made by my interaction with Jerusalem artichoke (Helianthus tuberosus) and cellular automata algorithm.

Ciapinabò (Home garden, improvisation)

Radio Interview with OPIRG Guelph.
On eco-printing and practices to commune with our non-human kin through art.

RadiOPIRG - Interview with Catherine Euale (July 7 2022)

In his latest work entitled Novacene, James Lovelock imagines a future in which machines will be equipped with artificial intelligence that will surpass human intelligence; this intelligence will allow them to control and safeguard life on Earth and the destiny of the entire universe.
Symbiotic Concert investigates this scenario through an installation that involves humans, plants and computers in the process of musical creation.
The collaboration between these three beings is made possible by a system that monitors the behaviors of humans and plants using sensors for body diagnostics and sensors for environmental monitoring. The data produced by these devices is analyzed and processed by algorithms and neural networks to generate music in real time, establishing the timbres and structure of the composition based on the different behaviors observed.
Symbiotic Concert presents a reflection on the inclusion of non-human beings within human society, a topic that poses problems for the way we see and represent them within our institutions and organizations. By involving humans and non-humans within an artistic process such as music through the mediation of technology, Symbiotic Concert offers an experience in which to enjoy a way of living based on alliance and the altruistic rediscovery of relationships.

>> L’orto che cura - Il margine, Collegno, Italy.
>> 23 March - 24 March 2024

https://enricoturletti.com

Symbiotic Concert - L'orto che cura, Collegno

Das Stück "late BIRD SONG 9811362" basiert auf der Aufnahme mit der Nr. 9811362 aus dem Online-Archiv des Projekts "DAWN CHORUS".  

Dieser Link führt zur Original-Aufnahme der Vogelstimme/n:
https://explore.dawn-chorus.org/sound/9811362

DAWN CHORUS ist ein Citizen Science und Kunst Projekt. Es lädt weltweit dazu ein, das Morgenkonzert der Vögel zu erleben, aufzunehmen und online eigene Audiofiles zu teilen.

Das Projekt ist in der Stille der Covid-Pandemie enstanden. Es wurde vom Naturkundemuseum Bayern mit dem BIOTOPIA LAB und der Stiftung Kunst und Natur, mit Unterstützung der Max-Planck-Gesellschaft, ins Leben gerufen.

Ebenso wie für das Projekt DAWN CHORUS spielte die Zeit der Stille auch für das internationale Kollektiv ALLIGATOR GOZAIMASU eine zentrale Rolle. 2020 starteten die Künstler:innen das Episodenalbum "Solange Bunte Balken Durchlaufen" - ein Album, das sich Zeit nimmt für die verschiedenen Tempi und Bedürfnisse unsicherer Zeiten.

Klangforscher:innen und Musiker:innen des ALLIGATOR GOZAIMASU wurden im April 2024 eingeladen, auf Basis der gesammelten Vogelstimmen Songs und Soundscapes zu produzieren.

https://dawn-chorus.org

late BIRD SONG 9811362 enthält Fragmente und Beiträge von folgenden Soundliebhaber:innen:

DissiNotRA (vocals), Gustavo Moi (bass, harmonium, synthesizer, cymbals, vocals, production), Elisabeth Anna Maria Kaiser (vocals), Stephanie Müller aka Rag*Treasure (vocals), Laura Theis (vocals)

Die Zeichnung ist von Thomas Glatz

late BIRD SONG 9811362

A short operatic piece with a libretto drawn from the artist's exchanges with medical institutions and third parties as she attempts to track down her own samples and data.
Part of the project "Is a biobank a home?"
https://deweyhagborg.com/projects/is-a-biobank-a-home

Concept and Libretto by Heather Dewey-Hagborg
Composed, performed, recorded and arranged by Niki Main 

Correspondence Song

Alligator Gozaimasu is a band of many voices and noises. The music collective started in 2015 and consists of round about 60 sound lovers and musicians from all over the globe. It is a fluid sonic body, sometimes vibrant and buzzing, other times calm and in search for tiny auditive details.

New tracks tagged #Bioart