With music that wouldn’t be out of place in a Sergio Leone western, the haunting and haunted vocals tell of isolation and the want for solitude. The polar landscape and the white walls of an institution are indistinguishable.

Another Broken Juliet

Borealis

Just a Heart

A song about a goodbye that leaves behind not a scar, but a steady, quiet flame. It's about a love that, even when it's gone, is carried like a candle in a dark room—a fire that remains, a name that is never forgotten.

Fire Remains

“Back to the Sea” is a contemplative, introspective song about recognizing oneself through another and understanding the shared essence of all beings. Through imagery of city lights, drifting waves, and night skies, it reflects on how connections act as mirrors, revealing fragments of our own identity and the truths we carry. Lines like “Finding fragments of me in your reality” and “Your soul feels like a faded memory” emphasize self-discovery, while the recurring imagery of the sea suggests the larger truth: we are all one, and in time, we fade into each other, becoming part of the same eternal flow. The song carries a dreamy, reflective, and meditative tone, inviting listeners to contemplate connection, unity, and the quiet beauty of shared existence.

Back to the Sea

In "Her Perfection," Red Clark crafts a compelling narrative that is both deeply personal and universally resonant. The song follows a storyteller who has traded in a life he "made" for the uncertain road ahead, confronting the reality of "broken dreams and broken bones." It explores the fascinating tension between a driving obsession and the quiet, unwavering support of a loved one who "just smiles and whispers baby it'll be ok." The song’s emotional core lies in the chorus, a moment of stark clarity and regret as the narrator comes to terms with the ultimate question: How could he have overlooked the perfection he left behind? It’s a timeless track about ambition, sacrifice, and the love that endures despite it all.

Her Perfection

"Saigo no Yoru" ("The Last Night") is a journey into the nostalgia of a perfect moment. A Melodic Trap track that captures the bittersweet emotion of a final summer night, where the joy of the present mixes with the sadness of an imminent farewell. A powerful synth melody and emotional vocals over a modern trap beat.

最後の夜

[VERSE 1]
At Grandma One's house, we run and play
Under apple trees all day
Sunshine dancing on the lawn
Laughter echoes until dawn
Skip and jump and climb so high
Picking apples from July

[VERSE 2]
At Grandma Two's house, we sit up straight
Dark wood furniture we hate
Sacred Heart with eyes that follow
Holy water, hard to swallow
Tick-tock-tick the mantle clock
Rosary beads, we dare not mock

[VERSE 3]
At Grandma One's house, cookies bake
Sticky fingers, chocolate cake
Rolling in the grass so green
Happiest place we've ever seen
Butterflies and buzzing bees
Summer lasts eternally

[VERSE 4]
At Grandma Two's house, curtains drawn
Candles flicker, light withdrawn
Crucifixes on the wall
Statues standing in the hall
Whispered prayers on wooden beads
"Sit still, child, and hush your needs"

[BRIDGE]
But wait, now that I think it through
Something strange but somehow true
Same address on both the doors
Same old creaky wooden floors

[VERSE 5 - REVELATION]
It's just one house, don't you see?
Summer sun or rosary
Same old grandma, same four walls
Garden bright or shadowed halls
Sunday mass or Saturday play
Just depends upon the day
One grandmother, one small house
Seen through sun or holy vows

My Grandmothers' Houses

"Autumn Story" is a melodic piano piece supported by warm strings. It creates a calm, romantic, and cozy autumn atmosphere, evoking a sense of peaceful reflection.

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#piano,  #strings,  #instrumental,  #romantic,  #autumn,  #calm,  #peaceful, #reflective, #emotional, #cinematic, #background, #soundtrack, #elegant, #melodic,  #soft,  #ambient,  #thoughtful,  #gentle,  #orchestral,  #delicate, #atmospheric, #neoclassical, #minimalist, #tender, #bittersweet, #hopeful, #pensive, #mood, #sentimental, #relaxing

Autumn Story (Piano & Strings)

FOREVER IN GOODBYE

Трогательный дуэт о любви, оставшейся в памяти как тихий свет. Он помнит. Она отвечает — из прошлого, из сна, из сердца.

«Ты осталась во мне» (скрипка версия 2)

«Ты осталась во мне» (саксофон версия 1)

«Ты осталась во мне» (саксофон версия 2)

A gently sentimental, lightly satirical story-song by Dr. Elliot Lach about the nicknames we outgrow—and the ones we never let go.
This track follows Kensington (formerly Kenboy), Winifred (once Winky), Skipper, Vivi, and all the summer-camp, prep-school kids who grew up and traded in their playful childhood names for serious adult versions.

But not everyone lets go.
Beebee still refuses to become Beatrice. Deedee proudly avoids Diedre.

With warm acoustic guitar, soft humor, and a nostalgic heart, Not Kenboy Anymore celebrates the sweetness of who we used to be…and how one old friend calling out your childhood nickname can drop you right back into the past.

Not Kenboy Anymore

The lyrics explore the struggle, and loss of being vulnerable, following the break up and the leaving the woman he thought he would marry. The lyrics describe the narrator's journey of confronting their ex-lover's new life and expressing a mix of heartbroken resignation and a plea to not be forgotten. The song's central theme is the painful realization that while some love lasts, some just hurts instead.

Sad Fractured Fiancé

“The Only Way to Love You Now” is a heartbreak confession from a man who realizes too late that love isn’t about holding on—it’s about stepping aside so the person you hurt can finally heal.

Over a slow-burning alt-country/Americana backdrop, Kade Merrin walks through the wreckage of a relationship he couldn’t stop breaking, owning every scar he left behind. This song lives in the space between apology and acceptance, where you’d “burn every bridge… just to unburn one with you,” but know deep down that the kindest thing you can do is let them go.

If you’ve ever watched someone you love finally find peace without you—and had to learn that real love sometimes means disappearing from their story—this one’s for you. Turn it up, sit with the lyrics, and let it hurt in all the right ways

© 2025 Kade Merrin (Mark Beegle). All rights reserved.
Written by Mark Beegle Registered with ASCAP.
Unauthorized reproduction, distribution, or use of this recording is prohibited.

The Only Way to Love You Now

“Paper Cup” is a raw, rhythmic folk-pop anthem about fragile love that still manages to hold enough. Motel rooms, plastic roses, sidewalk dandelions — the song celebrates small, temporary things that matter more because they won’t last forever.

Dry, percussive vocals ride a heartbeat kick drum, blooming into gang harmonies that feel like a whole room shouting truth at once. It’s intimate, gritty, hopeful, and human: love that leaks a little, but still holds everything that counts.

Paper Cup

“Explaining Heaven” is a devastatingly tender acoustic ballad about grief, loyalty, and the one heart in the house who doesn’t understand why the door never opens anymore. Fingerpicked guitar and low, mournful cello frame the story of a dog still sprinting to the gate, checking every window, stalling at the corner where you used to meet, and wagging at strangers who almost look like you. The narrator is stuck with the impossible task of “explaining heaven to a dog” while secretly clinging to the hope that maybe the dog sees something they can’t. It’s intimate, cinematic, and quietly brutal—the kind of song that sits with you long after the last line fades.

Explaining Heaven

First Love

I am an artist shaped by real life using reality to master what's  not—heartbreak, redemption, and the long road back to truth.
I started writing music as a way to make sense of the world around me: the people I’ve loved, the mistakes I’ve owned, and the hope I still chase. Every song I create is built on honesty—raw stories pulled from the deepest parts of my life. From dark piano ballads to acoustic confessions, my music is where regret meets healing and where the human heart finds its voice again.

I’m not trying to be perfect—I’m just trying to be real. My journey hasn’t been easy, but it’s given me something better than perfection: perspective. If my songs can make someone feel understood, less alone, or brave enough to face their own truth, then I’ve done what I came here to do.


YouTube: https://youtube.com/@cal_jm?si=Ncn7hbMf54pO1o2A Subscribe For More Songs And Music Videos 🔥🔥

🎶 Emotional energy in every drop.
💥 Happy Hardcore | UK Hardcore | Trance
🎧 Music that hits where it hurts and heals.
💡 Writing, producing & editing it all myself.
✨ New tracks dropping often — let’s rave and feel together

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Red Clark: Outlaw Spirit, Modern Country Storyteller.

From the wide-open expanse of a Utah/Nevada cattle ranch to two decades as a bull rider on the rodeo circuit, Red Clark's life is the wellspring of his music. Now rooted in Franklin, TN, he fuses the raw authenticity of his cowboy past with a potent, contemporary country sound.

Drawing inspiration from icons like Waylon Jennings, Chris LeDoux, and Cody Johnson, Red crafts a unique blend of traditional Texas grit and 70s outlaw spirit. His songs are honest narratives of love, loss, and the hard-won lessons of life, delivered with a toe-tapping rhythm and a reflective depth.

This powerful blend is evident across his prolific 2025 releases, including the hard-hitting "In a Bad Way," the soulful "Fool for You," and the upcoming emotional close to the year, "Is It Getting Better?" (12/12). With recent radio play on syndicated stations and interviews with The Tim Kelly Show and Western World Radio, Red Clark's distinctive voice is making its mark.

Off stage, Red remains a man of the outdoors, finding solace and inspiration in nature through photography, hunting, and fishing.

Wuwi | 東京発。眠れない夜と壊れた夢のためのカワイイグリッチ。

Singer + Songwriter • Influences: Aretha Franklin, Joss Stone, Norah Jones, Janis Joplin, Amy Winehouse, Adele, Alabama Shakes, Hiatus Kaiyote

I make cinematic music and hope you enjoy it. 🎶
If it speaks to you, feel free to subscribe. Thank you for listening.

Songs about the rich gumbo of relationships....

I write songs, sing when I feel brave, and produce for artists who let me touch buttons. Genre? Whatever sounds good. Feel something? Good—that means it’s working. Music’s my therapy, yours too maybe.

Music Studio, covering any genre, any kind of artist.

Part swing chanteuse, larrikin cowgirl and passionate witness, Aussie singer songwriter Tracey Bunn has spent over 20 years honing her craft, touring relentlessly in venues and festivals across Australia, Ireland, Europe and the UK, both solo and with her original band the Toe Sucking Cowgirls. Her exuberant live shows have garnered praise around the world and her songwriting has drawn a swag of awards.  Her debut album 'By The Wayside', produced by Anne McCue and recorded in Nashville with some of its’ finest musicians (including Aussie legends Bones Hillman and Mark Moffat) is a luscious blend of country, folk and pop rock, sometimes reminiscent of kd lang and Patsy Cline. 

“Her honest heartfelt songs convict her of the heinous crime of being a fine writer, observer and teller of tales. She is a woman who demands we listen and then delivers.” MAVERICK MAGAZINE UK


New tracks tagged #Bittersweet,