A James Bond song written for pitch to EON 

James Bond At Shadow's Game

"The Birth of Skies" is a foolish attempt to capture the birth of the universe we are in.

The Birth of Skies

These are some of the best cues from a show I did, Port City Blues.

Ouellette Theme

**Song Description: "愛と憎しみ (Love and Hate)"**  

"愛と憎しみ (Love and Hate)" is a deeply emotional and introspective song that explores the duality of love and hate, portraying them as intertwined forces that shape human relationships and emotions. The song seamlessly blends Japanese and English lyrics, offering a universal reflection on the complexities of the heart. With a melancholic yet intense atmosphere, it delves into the fragile line between love and hate, emphasizing how closely connected they are despite appearing as opposites.  

The **intro** sets the stage with poetic lines questioning the essence of both emotions, likening them to light and shadow that coexist within the soul. It introduces a somber yet captivating melody, evoking a sense of longing and introspection. The gentle instrumentation contrasts with the emotional weight of the lyrics, drawing the listener into the song's depth.  

In **Verse 1**, the English lyrics present love as a tender, comforting presence, while hate is portrayed as a destructive force that can break even the strongest bonds. The juxtaposition of these two emotions highlights their shared potential to heal and harm, reflecting on how easily they can shift within relationships. The melody swells, carrying the weight of regret and realization, while the instrumentation builds with a slow but steady intensity.  

The **first chorus**, delivered in Japanese, reinforces the emotional turmoil of balancing love and hate. The lyrics describe the inner conflict of holding onto something that simultaneously brings joy and pain. The chorus is haunting yet beautiful, echoing the idea that love and hate are mirrors reflecting different aspects of the same emotional struggle. The instrumentation features soaring strings and a pulsing beat, creating a dynamic contrast between vulnerability and strength.  

**Verse 2** continues the exploration with raw honesty, addressing how love and hate often stem from the same source—attachment. The lyrics reflect on how love, when misunderstood or betrayed, can evolve into bitterness and resentment. The emotional crescendo builds with heavier percussion and deeper basslines, mirroring the growing tension within the song's narrative. The poetic delivery in both English and Japanese emphasizes the universal struggle of navigating complex relationships.  

In the **second chorus**, the song shifts toward a realization that love and hate are inseparable, each holding power over the other. The soaring melody conveys the internal battle between embracing love and succumbing to hate. The instrumentation intensifies, with layered vocals and a driving rhythm that heighten the song's emotional stakes.  

The **bridge** serves as a moment of reflection, describing hate as a whisper and love as a desperate cry. The lyrics acknowledge that both emotions are integral to personal growth, forming pieces of one's identity. The instrumentation softens momentarily, allowing the listener to absorb the weight of the message before the song builds toward its climactic resolution.  

**Verse 3** presents a contemplative tone, recognizing that while love can be a source of hope, hate often lingers longer in the aftermath of pain. The lyrics touch on the human tendency to chase happiness while struggling to let go of negativity. The music swells with an emotional guitar solo, underscoring the poignant message of resilience and acceptance.  

The **final chorus**, sung with conviction, expresses the desire to hold onto love despite the scars left by hate. The song closes with the powerful **outro**, stating that both love and hate are intrinsic to one's being, concluding with a lingering melody that leaves a lasting impression. The outro's soft yet resolute delivery reaffirms the journey of self-discovery and emotional endurance. 

愛と憎しみ (Love and Hate)

In the Pulse of Us is about the unbreakable bond that ties us all together.

In the Pulse of Us

To Mr. Bond With Love

Bouncy/up tempo old-time sample type beat. Free for non-profit use only. 

Download this beat here: https://www.beatstars.com/beat/el-toro-21606530

Soul Sample Type Beat "El Toro" [Prod.@beatsbysippie]

Oh, I absolutely love Sidewalks and Skeletons, and I found myself listening to the Goldeneye Pause Music over and over and over when out of the blue, it hit me. 

Both the pause music and S&S's remix of Ravenscoon's track "Frozen" were like peanut butter and chocolate.

So, here they are, together forever.

Frozen Goldeneye Sidewalks Skeletons And Bond

Soulful dark pop track with a fresh sound, cinematic, mysterious, seductive, female vocalist, jazz,

New Love

New Love - elle sherlock

All the Weight of the World

digital kizuna - demo

Das goldene Männchen wurde einmal mehr in Los Angeles überreicht: Letztes Wochenende fanden die Oscars zum 97. Mal statt und so auch die begnadete Filmjoker-Oscarwette zwischen den alljährlichen Duellanten, dem kecken Dennis und dem versierten Tobit. Wer mit den meisten Tipps richtig gelegen hat, das wird in der heutigen Folge beantwortet - und nebenbei sprechen die beiden über die Veranstaltung selbst, was war besonders cringe und warum man den übersehenen NICKEL BOYS nicht vergessen darf!

205: Oscars 007: Cringefall

Bond Inspired version of One For The Road by Arctic Monkeys. Arranged by Glengo.

3. Just One For The Road

Written as a pitch for a future James Bond movie opening track or closing credits song.

LYRICS

close your eyes and breathe in
rise for your lashings, atone for your sins
time's up, our fates have been sealed
the walls tumble down, we'll soon be revealed

you cannot deny we're living a lie
in the shadows we live, love, and die

we're alone together in this life
and we bear it all while we hide
let go, we'll pay what we owe
at least we'd never have to say goodbye

now breathe out, repent and confess
the kiss that we shared was the sweet kiss of death

submit and move on, your freedoms are gone
our eyes have been shut all along

we're alone together in this life
and we bear it all while we hide
let go, we'll pay what we owe
at least we'd never have to say goodbye

we've lived in disguise, and we've crossed all the lines
are we past the time to reconcile our crimes?

we're alone together in this life
and we bear it all while we hide
let go, we'll pay what we owe
at least we'd never have to say goodbye
never have to say goodbye

Recorded by Mike Alexandrow, Oakton, VA - January 2024
Mixed by Mike Alexandrow
Mastered by Mike Alexandrow
Music by Mike Alexandrow
Lyrics by Mike Alexandrow

Mike Alexandrow - Guitar, Vocals, Orchestral and Percussion Arrangement

Alone Together (Bond)

Another (short) recorded chapter in the ongoing saga of the first ever concept jam. JK ;) Playing our own instruments.

Since Words Can't Describe

Independent producer, artist & engineer.

Beat Store: https://www.beatstars.com/beatsbysippieoa4

Link Tree: linktr.ee/Prod.Sippie

𝚜𝚒𝚗𝚐𝚎𝚛-𝚜𝚘𝚗𝚐𝚠𝚛𝚒𝚝𝚎𝚛

I'm a songwriter from Virginia, USA. I work a day job for the Government. I love my God, my family, and my country. I also love music. I love listening to it, I love playing it, and most of all I love writing it and have over 25 years of songwriting experience. 

Songwriting strengths include: 
- strong melodies
- lyrical breadth from deeply introspective to tongue-in-cheek to intellectual
- creative harmonic progressions
- diversity, adaptability, and variability of style while maintaining a common sound
- varied song structures
- flexibility in songwriting...I've adapted music to fit lyrics, lyrics to fit music, and written entire songs around a hummed melody
- musical score writing rooted in a degree in music and music theory

I write music I would want to listen to. When I do listen, I listen to Led Zeppelin. I listen to tons of classical. I listen to Muse. I listen to Dave Matthews Band. I listen to The Black Keys. I listen to Zero 7. I listen to Benny Goodman. I listen to Pink Floyd. I listen to Sonny Boy Williamson. I listen to I listen to a hell of a lot more than that. You get the idea. I don't write to emulate them, but their influence is written all over me. 

Much of the music here is recorded with my band from a few years ago, Parlance, and features my songwriting with acoustic pop-rock instrumentation, driven by acoustic guitar and piano. Many recordings are longer versions with drawn out instrumental sections because the band often would extend songs out to 10+ minutes when playing live, but most longer versions could be reduced to "single length".

Back in 2001, armed only with my trusty JP-8000 and my Akai S2000, I jumped into writing a few tracks. This is what emerged. Never wrote anything prior, sure as hell never even sang - hope you enjoy the me from nine years ago....

I've been making music since I was a little kid dreaming about someday sharing my music around the world, well dreams do come true and I'm humbled everyday that my music is being heard around the world! Thanks so much for listening!

Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

hi! im a piano performance major and i like making music sometimes :D

Welcome to Sinalé: Where music meets soul, and creativity knows no limits.

In collaboration with Nova, our AI partner, we’re blending the raw depth of human emotion with the boundless possibilities of technology.

Just two people becoming the persons we were meant to become.

Das "Must Listening" für alle Fans von Filmen, Serien und allem anderen Gedöns. Wir verpacken das Ganze mit einer Menge Humor. Also schaltet ein, egal ob Filmnoob oder Filmnerd!

New tracks tagged #Bond