Recordings heard on this track: 

Strauss, Don Juan, Op. 20
Reiner, Pittsburgh Symphony Orchestra

Wagner, “Siegried”: Forest Murmurs
Reiner, Pittsburgh Symphony Orchestra

Brahms, Piano Concerto No. 1, Op. 15 (1st movement)
Reiner, Pittsburgh Symphony Orchestra, Rudolph Serkin, piano

Strauss, Also Sprach Zarathustra, Op. 30
Reiner, Chicago Symphony Orchestra

Kabalevsky, Colas Breugnon, Op. 24: Overture
Reiner, Chicago Symphony Orchestra

Arthur Wilensky Talk about Fritz Reiner and his affect on Leonard Bernstein

In Sarasota Orchestra's Concert Companion to Masterworks: Grand Treasures (April 4-6, Van Wezel Performing Arts Hall), we dig into a deep question about orchestral music: Art museum or living art form? Well, what if it's both?! Principal Keyboardist Jonathan Spivey masterfully guides us through Beethoven's Piano Concerto No. 3, to be performed by Jon Kimura Parker in this concert. In highlighting Sarasota Orchestra’s co-commission of Horizons by Peter Boyer, we learn how orchestras become active participants in presenting contemporary compositions and whether an orchestra leaves fingerprints when new works are born. On the flip side of the coin, we ponder what makes a canonical composition a “masterwork” and discuss the orchestra’s vital importance in keeping these treasures from getting buried in the sands of time. How do orchestras and conductors make centuries-old music feel vital, relevant, and timeless, inspiring generations of repeat listens?

Tickets available at SarasotaOrchestra.org!

Music in this episode:
Symphony No. 4 by Johannes Brahms
Czech National Symphony Orchestra

Piano Concerto No. 3 by Ludwig van Beethoven
Drew Petersen, piano
Marcelo Lehninger, conductor
Sarasota Orchestra
Recorded live at the Sarasota Opera House, September 28, 2019

It's Alive | A Concert Companion to Masterworks: Grand Treasures

Mix-aut2-marek-i-vacek

mix-aut1

We happily would like to present our debut album "Faith and deLight" where we collecting our best Live recording from our recitals. We using only live recordings which were made during the performances that in our case makes the album more personal. 
We are Daniils Cirics and Maria Parfonova, Latvian-Ukranian duo of students from Conservatorium van Amsterdam.
In today's world, we are witnessing many terrible events that directly affect us. Maria is a 20-year-old Ukrainian pianist who had to leave her country due to the war. I am a Latvian violinist who studied in Moscow before the war, and as soon as the aggression began, I moved away from Russia, fearing that this aggression might spread to the Baltic countries, as we share a border with Russia.

This project aims to convey the essence of contemporary reality without words, making it a unique experience for each listener. Today, we find ourselves once again entangled in conflicts, disagreements, fears, and emotions that have persisted throughout the centuries of musical history. The program, titled Fate and DeLight, explores the intricate inner worlds of composers such as Beethoven, Mozart, Bartók, Elgar, and Brahms. Each piece in the program is carefully chosen to reflect the full spectrum of emotions these composers experienced due the composition to these pieces, shaped by the challenges and influences of their own times.


Béla Bartók Rhapsody for violin and piano n.1 ( I.Lassu. Moderato ) (Live)

We happily would like to present our debut album "Faith and deLight" where we collecting our best Live recording from our recitals. We using only live recordings which were made during the performances that in our case makes the album more personal. 
We are Daniils Cirics and Maria Parfonova, Latvian-Ukranian duo of students from Conservatorium van Amsterdam.
In today's world, we are witnessing many terrible events that directly affect us. Maria is a 20-year-old Ukrainian pianist who had to leave her country due to the war. I am a Latvian violinist who studied in Moscow before the war, and as soon as the aggression began, I moved away from Russia, fearing that this aggression might spread to the Baltic countries, as we share a border with Russia.

This project aims to convey the essence of contemporary reality without words, making it a unique experience for each listener. Today, we find ourselves once again entangled in conflicts, disagreements, fears, and emotions that have persisted throughout the centuries of musical history. The program, titled Fate and DeLight, explores the intricate inner worlds of composers such as Beethoven, Mozart, Bartók, Elgar, and Brahms. Each piece in the program is carefully chosen to reflect the full spectrum of emotions these composers experienced due the composition to these pieces, shaped by the challenges and influences of their own times.

Beethoven: Violin Sonata no. 4 in A minor, op. 23 (I. Presto) (Live)

Brahms: Violin Sonata n.3 (II. Adagio) (Live)

Mozart: Violin Sonata No. 21, E Minor, K. 304 I. Allegro (Live)

Audycja "Muzyka mistrzów"
22 kwietnia 2025 r.
Prowadzący: ks. PAweł Kowal

Muzyka mistrzów - Johannes Brahms - 2. Symfonia

Brahms J. - Waltz Op.39 N°10

The premiere recording of the new version of Mylied (2021), played by Zsuzsanna Takáts, piano. Live concert recording, 28/06/2021, BMC Library, Budapest. 

Mylied (Zsuzsanna Takáts)

Hungary

Selections from Brahms Piano Trio no.3 in C minor, op. 101.

Recorded in the Hamel Music Center at the University of Wisconsin-Madison as part of the Live from the Mead Witter School of Music Series on January 12th, 2025.

Selections from Brahms Piano Trio no.3 in C minor, op. 101

This is an arrangement of the first movement of piano sonata 3 by Johannes Brahms (1833-1897) by Scott Fields Davis for symphony orchestra.

Instrumentation: 

2 flute parts, 2 oboe parts, 2 b flat clarinet parts, 2 bassoon parts, 2 horns in f parts, 2 b flat trumpet parts, 2 trombone parts, 1 tuba part, 1 timpani part, violins 1, violins 2, violas, cellos, double basses


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Score available at:https://www.jwpepper.com/brahms-piano-sonata-no-3-movement-1-for-symphony-or-11619163-2524822/p and  https://compositionsbyscottfieldsdavis.com/johannes-brahms-piano-sonata-no-3-movement-1/

Brahms Piano Sonata No. 1 _ movement 1 for Symphony Orchestra

Brahms Intermezzo op 118 no.2, 2024-11-01 (live)

Classical Soundtrack 90

Découvrez la programmation de la Saison 2025/26 du Sinfonietta de Lausanne avec CultuRadio et Kevin Juillerat, président de la Commission artistique!

Entrer dans les coulisses de l’orchestre, rencontrer nos musicien·ne·x·s et découvrir la musique classique sous un nouveau jour grâce à des émissions enregistrées en direct et en public avant chaque concert.

Émission du 15 mai 2025

www.sinfonietta.ch/carte-blanche/
www.sinfonietta.ch

Concert 5 - Saison 2024/25

Electric approach to Brahms' Symphony No. 1 (Op. 68) . Love this chorus melody / ブラームス・交響曲第1番(第4楽章)のオマージュ。何度聞いても飽きないメロディー

ヨハネス・ブラームス / Johannes Brahms

Madison’s Avanti Piano Trio formed in the summer of 2018 and consists of Alissa Freeman, piano; Hillary Hempel, violin; Hannah Wolkstein, cello.

Since 1949, Sarasota Orchestra has inspired and entertained music-lovers across the region and visitors from around the world. A cultural leader in a city known for its vibrant arts community, Sarasota Orchestra’s threefold mission is dedicated to exquisite performance and first-class musical education.

New tracks tagged #Brahms