Muqadar مقدر

cowritten with Ashley Vance and Brittany Wuthridge

Couldn't You Tell Me

What the hell just happened

hello!! welcome to my second ever song!
this one tells the story of losing a significant other, but still having them be a part of your life. when they're giving you mixed signals that make you ask the question 'is it really over now?'. this one is THREE years old - it's been in development for absolutely ages and i'm so glad it ended up working out! originally it was in the wrong key, it sounded terrible, altogether a bad creation. it's awesome that it's worked out in the end.
perhaps you'll enjoy it, perhaps you won't - i appreciate you having a look either way!!

Is It Really Over Now?

“Just Another Name” blends 60s power pop with a moody, emotional edge. The track builds around punchy drums, warm guitar layers, and expressive vocals that push the song forward with intensity. It feels both anthemic and personal — a mix of frustration, reflection, and momentum — and it carries that signature Relics sound: classic-rock influence with a modern, polished feel.

Just Another Name

🤐💔 “Six Years of Silence” is a deeply emotional and soulful track by Hidden_Duo, exploring the pain, memories, and unspoken words that linger in the heart over the years.
With haunting melodies, raw vocals, and heartfelt lyrics, this song captures the weight of love and loss in a way that touches the soul. 🎶🌙

🎙️ Vocals & Composition: Hidden_Duo
🎧 Genre: Emotional / Indie Pop / Heartbreak
🔥 Mood: Sad • Soulful • Reflective

🎼 What this song is about:
“Six Years of Silence” tells the story of suppressed emotions, the words left unsaid, and the long-lasting impact of love that remained unexpressed. A song for anyone who has carried silence in their heart for years. 💔🕰️

Six Years of Silence

We all know those three little words. But you won't hear them from me.

Those Three Little Words

if you want me
walk in
if youre leaving
dont spin
im right here 
unmoved by your storms

if you feel me
lean in
if you doubt it
dont spin
i wont fold
just stay close 
or dont 

hold tight	  the drones are falling
one spark 	 well outrun the following
no chains 	 just static behind us
one chance 	 before the grid can find us

if youre coming
come bright
if youre leaving
leave tonight
no more smoke
no more half truths
just take your time
and you do you

i wont chase you
i wont turn cold
ill hold my ground
if you get bold
if you reach out
i wont let go 
but i wont drag
what wont come home
    
hold tight	  the drones are falling
one spark 	 well outrun the following
no chains 	 just static behind us
one chance 	 before the grid can find us

if youre coming
come bright
if youre leaving
leave tonight
no more smoke
no more half truths
just take your time
and you do you

if you love me
come through
if youre leaving
then fuck you too
no more smoke
no more half truths
just take your time
and you do you

i wont chase you
i wont turn cold
ill hold my ground
if you get bold
if you reach out
i wont let go 
but i wont drag
what wont come home

Come Bright

Sometimes we lose ourselves in conflicts with other people and have to find ourselves again. Della House brings original poetry to life through songs written by hand and performed with the help of AI-generated music.

Breathing Room

“Dirty Frame” is a neon-noir fever dream set in a world where desire and suspicion blur at every angle. The song opens with a dizzying, cinematic tilt—laughs that spill like guilt, glass that trembles, whispers that flicker at the edge of vision. Its imagery paints a relationship as volatile as a nightclub crime scene, where the glow of one lover feels more like a warning sign than warmth. The verse’s shifting perspectives and rhythmic stutters pull the listener into a space that’s unstable, electric, and crackling with unspoken accusations.

As the story deepens, the song becomes an examination of emotional deceit and vanishing truths. Every touch feels staged, every gesture a clue that evaporates as soon as it appears. The choruses strike like camera flashes, framing a love that’s been tampered with—contaminated with rumors, glitches, and mismatched intentions. By the second verse, the illusion fully unravels: messages fade like washed-out chalk, identities slip, and the protagonist finds themselves dancing with an echo. The world of the song feels like a maze of alibis, where shadows lie and reflections cannot be trusted.

The bridge fractures into a looping breakdown, capturing the disorientation of loving someone who constantly rewrites the rules. But the final chorus offers escape—a reclamation of self from a relationship staged like evidence in a case that never closes. Stepping out of the “dirty frame” becomes an act of liberation, a refusal to be defined by someone else’s chaos. The song ends not with resolution, but with clarity: the protagonist walks off the page, leaving behind a world of neon crimes and whispered misdirections, reclaiming their narrative from the blur.

DIRTY FRAME

Country artist with a Christian/Pop flare✨ 
Formerly known as Lexi Peto

Della House is an AI-generated singer and guitarist, with hand-crafted, original, human-written song lyrics. This is a poetry project brought to life with funky, folky, rootsy indie guitar-driven music. Tight and fragile folk styles and alt-rock song experiments that groove on their own, wrapped around introspective lyrics like a loose sweater on a cold day. Influences: Joni Mitchell, K.T. Tunstall, Neko Case, Beck, Citizen Cope, Vashti Bunyan, Stereolab, Tori Amos, Suzanne Vega, G. Love & Special Sauce, Julieta Venegas, Talking Heads, Gorillaz, The Police, They Might Be Giants, XTC

Icarae's music is as much about healing as it is about creating. A native of Missouri, he began his musical life at just five years old on the piano, later diving into electronic music with Fruity Loops Studio, Icarae [ick•er•eye] was born. He uses his antique baby grand piano and Ardour on Linux in his time away from work to explore the limits of synthesizers, a creative process deeply tied to his journey.

​Having bravely navigated struggles with alcoholism and mental health, Icarae's music is an open and honest reflection of finding peace and power in sobriety. His debut album, Polarized, is the result of this profound transformation. 

I’m Anbid Zaman — an artist and activist shaped by displacement, resistance, and the stubborn decision to live fully even when the world tries to make that impossible. I was born in Bangladesh and grew into my voice through grassroots queer organizing, where I learned early that courage isn’t something you perform. It’s a daily discipline.

My journey from danger to refuge changed me without erasing where I come from. I now live in Germany, working at the intersections of identity, migration, and liberation — supporting queer people facing violence while navigating the fragile, necessary work of chosen family, safety, and belonging. What guides me is simple and unnegotiable: justice without compromise, solidarity across borders, and the belief that marginalised voices deserve respect, not pity.

My music carries all of this. The sound is built from testimonial storytelling, emotional minimalism, and atmosphere shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the strange brightness of surviving. Every track holds both the weight of lived experience and a hope that refuses to disappear.

I build slowly and deliberately.
I KNOW, SLOW GROWS GLOW.

This is not just expression for me.
It’s continuation.
It’s resistance.
It’s a reminder that our stories carry power long before the world learns how to listen.

Slappin' 55% more Soundgoodizers on it than anyone since 2020.
Tanner Lee Thomas
electronlord@gmail.com

Atlanta based rock band. Bringing you new rock anthems!

New tracks tagged #Breakup Song