Compuse esta bulería a partir de una danza sueca llamada "Polska".

La flauta que toco es una flauta barroca de madera afinada en 392hz, copia de las flautas que se tocaban en la época de J.S.Bach.

Lina León, flauta y composición
Pau Baiges, piano y arreglos

Bulepolska

by  @thenewofthetower  (YouTube)
All rights reserved
Official video: https://youtu.be/gbOsbfIKLLs

🌑 "Almas Perdidas" es una poderosa fusión de Bulería flamenca y Dark Trap que fusiona la tradición con la vanguardia. 🎶 La intensidad de la Bulería se encuentra con los 808 profundos del Dark Trap, creando una atmósfera oscura, misteriosa y llena de emociones profundas. Los golpes de percusión flamenca se entrelazan con los sintetizadores innovadores, mientras que el piano sombrío y las percusión hipnóticas evocan una sensación de tristeza y angustia. 💔🎧

🔥 The New Of The Tower brilla una vez más con su maestría en la fusión de géneros musicales, llevando la experiencia sonora a un nuevo nivel. Su capacidad para transmitir emociones intensas con sonidos que desafían las fronteras de lo conocido sitúa a la banda en la cima del panorama musical actual. 🌌🎶

Siente el alma de "Almas Perdidas" y acompáñanos en este viaje sonoro donde la tradición flamenca se une con la oscuridad del trap, creando una obra única que habla directamente al corazón. 💫🎤

Letra:

Verse 1:
Cruzando sombras, buscando luz,  
pero todo se desvanece al final,  
el eco de un alma que ya no ve,  
la verdad que no quiero entender.

Chorus:
Almas perdidas en la oscuridad,  
perdí mi rumbo, mi libertad.  
El viento susurra un adiós,  
y mi alma se aleja de Dios.

Verse 2:
Cayendo al vacío sin parar,  
los recuerdos no me dejan respirar,  
en cada paso siento el peso,  
de todo lo que nunca será.

Almas Perdidas (Original Mix)

by thenewofthetower (YouTube)
All rights reserved
Official video: https://youtu.be/rbr4oVdle-Y

🌙🎶 "Aullidos en la Noche" es un viaje emocional entre la oscuridad y la desesperación, donde la bulería flamenca se fusiona con el dark trap para crear una atmósfera de dolor y soledad. 🎧🔥

Con líneas de bajo profundas 808, percusiones hipnóticas, piano sombrío y una guitarra flamenca sutil, esta canción nos lleva a un paisaje sonoro donde los ecos del pasado y los miedos del presente se encuentran. 🌑🎸

Una canción dedicada a aquellos que atraviesan la oscuridad, buscando una salida en la noche, pero sabiendo que algunas heridas son profundas y difíciles de sanar. 💔

🎤 La banda The New Of The Tower, siempre innovando en la fusión de géneros, te invita a sumergirte en esta atmósfera única que no solo muestra la maestría en la música, sino que también transmite emociones crudas y reales. 🌟

🔊 ¡No olvides darle like, comentar y suscribirte para más música única! 🔔

Letra:

Verso 1 (Cante)  
Aullidos en la noche, la luna me llama,  
las sombras me rodean, me envuelven el alma.  
Tus huellas se borran, el tiempo se para,  
y aunque te busque, el miedo me habla.

Estribillo (Cierre)  
Aullidos en la noche, no hay salida,  
los ecos de tu voz me atan a la vida.  
La oscuridad arde, mi alma perdida,  
entre sombras y miedos, sigo la herida.

Verso 2 (Cante)  
Cada paso que doy, la tierra se quema,  
las estrellas no hablan, la noche se llena.  
En cada rincón, tu ausencia me suena,  
y el silencio me ahoga, me rompe, me frena.

Estribillo (Cierre)  
Aullidos en la noche, no hay salida,  
los ecos de tu voz me atan a la vida.  
La oscuridad arde, mi alma perdida,  
entre sombras y miedos, sigo la herida.

Puente (Jaleo y Palmas)  
Ay, qué oscuro va el camino,  
las sombras me arrastran al abismo.  
Ay, tus huellas ya no existen,  
pero en mi pecho, aún persisten.

Final (Cierre)
Aullidos en la noche, ya no hay paz,  
pero en cada lágrima, te vuelvo a encontrar.  
Aullidos en la noche, ya no hay más,  
te llevas mi alma, pero nunca mi verdad.

Aullidos en la Noche (Original Mix)

Enregistré au zoom h2n sur la terrasse d'une auberge de jeunesse a Seville 

Pajarito x Ebla Sadek (buleria électronique, 2019 maquette )

Entrevista a António Nicòlo Zito, artista e contador de histórias italiano, elegeu Lisboa como sua morada e fonte de inspiração há cinco anos. A sua transferência para o extremo ocidental da Europa foi animada pelo desejo profundo de mergulhar na língua, na cultura e nas narrativas locais, alimentada por um intenso fascínio pelo legado marítimo e pela vibrante curiosidade intelectual da cidade. A sua vocação artística e pedagógica tem raízes num estudo atento da transição da oralidade para a escrita e do universo dos contos populares.

António Nicòlo Zito 
https://www.instagram.com/antonionicolozito

Na música Israel Fernandez.
Produtora & Apresentadora: Ana Oliveira e Carmo
Diretor Artístico: Deivis Matos
Curadoria & Tradução: Freddy Roldan Rivero

Olé! A vida é no ritmo do zapateado. A tua dose de flamenco autêntico está aqui. Junta-te à comunidade! 💃🔥

https://www.instagram.com/lahoradelflamenco/ https://www.youtube.com/@lahoradelflamenco
https://www.facebook.com/flamencoatlantico2

Entrevista a António Nicòlo Zito - La Hora del Flamenco - 2025/06/07

🎼 Title: MI ARTE
A soul-stirring masterpiece.

This instrumental fuses the raw emotion of flamenco guitar with the deep pulse of modern rap drums, crafting a journey between pain and power, street and spirit.

Each note bleeds emotion — from the mournful Spanish melodies to the cinematic drops that elevate your verses to something bigger than life.

Ideal for heartfelt rap, conscious lyrics, or any artist ready to pour their truth into a timeless sound.

🎧 Produced by: Yassinoxter | NoxVault Sounds
📥 Free download (non-profit use only)
💎 Own the exclusive rights via NFT: https://exchange.art/series/🎧%20NoxVault%20Exclusive%20Beats/nfts

#FlamencoRap #EmotionalBeat #FreeBeat #Yassinoxter #NoxVaultSounds #InstrumentalMasterpiece

MI ARTE

Una canción que nace de la oscuridad, pero se eleva con luz.
Rap melódico y flamenco se funden en este tema de superación, cicatrices y fuerza interior.

Cada verso es real, cada nota vibra con verdad.

🎙 Instrumental, letra y voz: Yassinoxter x NoxVault Sounds
🎼 Estilo: Urbano emotivo 

📥 Free download / Solo para uso personal – No uso comercial

💬 Déjame tu opinión y comparte si te llegó al alma.

— NoxVault Sounds 💀🎵

#SinMiedoAlSol #RapLatino #PopUrbano #MotivaciónMusical

Sin miedo al sol

Programa dedicado ao flamenco como uma das músicas livre do mundo.

Produtora & Apresentadora: Ana Oliveira e Carmo
Diretor Artístico: Deivis Matos
Curadoria & Tradução: Freddy Roldan Rivero

Olé! A vida é no ritmo do zapateado. A tua dose de flamenco autêntico está aqui. Junta-te à comunidade! 💃🔥

https://www.instagram.com/lahoradelflamenco/ https://www.youtube.com/@lahoradelflamenco

Programa- 2025/06/28

Hoje o La hora del flamenco é um programa especial. No dia 10 de Maio entrevistámos em direto no Instituto Cervantes de Lisboa a Ildefonso Vergara Camacho, autor do livro “Cien años de Flamenco y Radio”, e do qual eu e a Rádio Amália, com muito orgulho, fazemos parte.

Vamos descobrir, com quem mais sabe, como a rádio se tornou palco, casa e aliada do flamenco ao longo de um século. Ildefonso vergara Camacho, Licenciado em Publicidade e Relações Públicas pela Universidade de Sevilha e doutorado pela Universidade de Sevilha no programa de Flamenco: "Flamenco, uma abordagem multidisciplinar ao seu estudo”, iniciou a sua carreira profissional  na Radio cadena Española,em Huelva, em 1986.

Ingressou na Cadena Ser em 1990, trabalhando na Rádio Almonte e na Rádio Huelva, e desde 1992, na Rádio Sevilla, onde ocupou o cargo de Diretor Comercial Regional da Cadena Ser na Andaluzia. O seu trabalho como executivo de rádio foi combinado com palestras e consultoria sobre temas relacionados com o flamenco em vários programas de rádio e publicações escritas na Cadena Ser.

Neste programa especial, conversamos com o autor Ildefonso Vergara Camacho, que nos revela como o rádio se tornou, ao longo de um século, o palco e o grande aliado do flamenco. Descubra a fascinante história da rádio e a sua importância na divulgação desta arte.

Produtora & Apresentadora: Ana Oliveira e Carmo
Diretor Artístico: Deivis Matos
Curadoria & Tradução: Freddy Roldan Rivero

Olé! A vida é no ritmo do zapateado. A tua dose de flamenco autêntico está aqui. Junta-te à comunidade! 💃🔥

https://www.instagram.com/lahoradelflamenco/ https://www.youtube.com/@lahoradelflamenco
https://www.facebook.com/flamencoatlantico2

Entrevista a Ildefonso Vergara Camacho - La Hora del Flamenco - 2025/07/05

Programa dedicado ao Flamenco como uma das músicas livres do mundo.

Programa dedicado ao flamenco como uma das músicas livre do mundo.

Produtora & Apresentadora: Ana Oliveira e Carmo
Diretor Artístico: Deivis Matos
Curadoria & Tradução: Freddy Roldan Rivero

Olé! A vida é no ritmo do zapateado. A tua dose de flamenco autêntico está aqui. Junta-te à comunidade! 💃🔥

https://www.instagram.com/lahoradelflamenco/ https://www.youtube.com/@lahoradelflamenco

Programa - 2025/07/12

Programa - 2025/07/26

09. Suite II 3. Vida

Mio caro Puccini

UN MENSAJE A TU CORAZON

SENTE A ALMA, VIVE A PAIXÃO! O programa que celebra a Arte do Flamenco! Sábados 12h | Radio Amalia 92.0 FM 🎙️🔴

https://www.instagram.com/lahoradelflamenco/ https://www.youtube.com/@lahoradelflamenco
https://www.facebook.com/flamencoatlantico2
https://soundcloud.com/lahoradelflamenco

NoxVault Sounds
Studio-quality Beats & Global Vibes

Hey there! I’m NoxVault Sounds – your go-to vault for moody hip-hop, gritty trap, and experimental soundscapes. Whether you're an artist hunting beats that hit different or a listener craving raw emotion, welcome home.  

🔥 What you’ll find here:
→ Free fire beats for hungry up-and-comers (yes, really!)  
→ Original multilingual tracks – from Arabic poetry to French flows & Spanish soul  
→ NFT drops on Solana: own exclusive beats forever

I am more than just a producer; I am building a community where music meets innovation. You are invited to snag a free beat, or collect something truly unique.  

👇 Let’s connect everywhere:  

NFT Marketplace: https://exchange.art/series/🎧%20NoxVault%20Exclusive%20Beats/nfts

Socials: @NoxVaultSounds  

One beat at a time. ✨

Producteur vaguely
Pas masterisé (et vaguement mixé dans certains cas), si quelqu'un.e fait ca propre à prix doux suis chaud.

Born in Torre Pacheco, he completed his advanced studies in Orchestral Conducting at the Manuel Massotti Littel Higher Conservatory of Music in Murcia under the tutelage of José Luis López García and José Miguel Rodilla. He pursued higher studies in Jazz Composition and Arranging in Madrid with Félix Santos Guindel and refined his skills through masterclasses with José R. Pascual Vilaplana, Jorma Panula, Bruno Aprea, Ricardo Frizza, Atso Almila, and Miguel Romea, among others. In 2006, he was awarded the “Young Murcian of the Year” prize by the Youth Institute and the Presidency Department of the Autonomous Community of Murcia in recognition of his musical and artistic career. Among other accolades, he has won two Gold Medals and twelve Silver Medals at the Global Music Awards in California. He has collaborated with various ensembles, including the Orquesta Sinfónica de la Región de Murcia and the WDR Funkhausorchester. Notably, his four-hand transcription of the four books of Suite Iberia by Isaac Albéniz, created for the Valero-Rodríguez duo, has been performed in Spain, France, Italy, and Belgium. He holds a permanent teaching position at the Cartagena Conservatory of Music, serves as director of the school and band of the Agrupación Musical Ntra. Sra. del Pasico in Torre Pacheco, is the principal conductor of the Lorca Symphony Orchestra, and has been the arranger for the OSRM since the 2020 season.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

New tracks tagged #Buleria