Dear Peaches (Prod. Chemist) - CLEAN VERSION
https://ffm.to/dear-peaches-clean

"Dear Peaches" by G-Wizz, The Slayer is a heartfelt and emotional track that delves into themes of love, betrayal, and emotional struggle. The song narrates G-Wizz's experience with a toxic relationship where he felt unappreciated and disrespected. He reflects on the pain and confusion caused by his partner's games and lack of genuine affection. Despite his attempts to show love and understanding, he ultimately realizes that his efforts were not reciprocated. The track captures his journey through heartbreak, his struggle to move on, and the lingering memories that continue to affect him.

The lyrics convey a sense of vulnerability and raw emotion, with G-Wizz expressing his frustration and sadness over the situation. The production by Chemist complements the emotional depth of the song, creating a poignant and resonant listening experience.

Lyrics by G-Wizz, The Slayer 
Produced by Chemist (@user-317818816)
Mixed by Tyler Tonic (@tylertonic-za)
Mastered by Tyler Tonic (@tylertonic-za)
Cover by G-Wizz, The Slayer
Published by Dreams Of Colour (@dreamsofcolour.official) 

Follow Chemist (@user-317818816):
www.instagram.com/chemist_cook_ups

Follow G-Wizz, The Slayer (@gwizztheslayer):
www.instagram.com/gwizztheslayer
www.facebook.com/gwizztheslayer
www.twitter.com/gwizz_theslayer
www.tiktok.com/@gwizztheslayer

Bookings/collaborations/enquiries contact: gwizztheslayer@gmail.com

I Don't Think It Was Love

Dear Peaches

SAVE

Dear Peaches - Clean Version

G-Wizz, The Slayer – “Metamorphosis” ft. HellRaizer  
https://ffm.to/metamorphosis-g-wizz

Produced by Chemist | Released via Dreams of Colour Records

“Metamorphosis” is a raw, unrelenting anthem of transformation—where pain becomes power and identity is forged in fire. South African artist G-Wizz, The Slayer delivers one of his most emotionally charged performances to date, confronting themes of ego death, mental unrest, and personal evolution with poetic precision and visceral force.

Opening with the haunting line “Shed my skin, now I rise from the grave”, the track immediately plunges listeners into a dark rebirth. G-Wizz’s verses are confessional yet defiant, chronicling a journey through depression, isolation, and self-reinvention. His lyrics—“I’ve been going through some changes / I am not the same”—speak to the disorientation of growth and the clarity that comes from surviving it.

The production by Chemist is cinematic and confrontational, blending distorted 808s, tribal percussion, and ghostly textures to create a soundscape that feels both ancient and futuristic. It’s a sonic battlefield where every bar lands like a blow, and every silence feels like a breath before the next storm.

HellRaizer’s feature adds a volatile edge, delivering a verse that’s equal parts fury and catharsis. His lines—“Turned to a beast, I can’t be ignored / Speak my name, watch the blood hit the floor”—mirror G-Wizz’s themes of destruction and rebirth, amplifying the track’s emotional intensity. Together, they form a dual force: one introspective, one explosive—both unflinchingly real.

“Metamorphosis” isn’t about healing in a traditional sense. It’s about burning everything down to rebuild from the ashes. It’s about embracing the chaos, the scars, and the solitude that come with becoming something new. As HellRaizer put it, *“We didn’t write this to chase a sound or follow a trend. It came from real places—pain, change, and the kind of inner shift you don’t always come back from the same.”

For fans of Denzel Curry, JPEGMAFIA, Ghostemane, and XXXTentacion, this track offers a gripping blend of industrial hip-hop, punk rap, and emotional storytelling. It’s a perfect fit for playlists like Alternative Hip-Hop, Mosh Pit, Anti-Pop, and Fresh Finds—and for anyone who’s ever had to tear themselves apart to find out who they really are.

Metamorphosis Ft. HellRaizer (Prod. Chemist)

Lyrics by G-Wizz, The Slayer & HellRaizer (@pctech1)
Produced by Chemist (@user-317818816)
Mixed by Lac Didit (@ac_didit)
Mastered by Lac Didit
Cover by G-Wizz, The Slayer
Published by Dreams Of Colour (@dreamsofcolour.official) 

Follow Chemist (@user-317818816):
https://www.instagram.com/chemist_cook_ups

Follow G-Wizz, The Slayer (@gwizztheslayer):
https://www.instagram.com/gwizztheslayer
https://www.facebook.com/gwizztheslayer
https://www.twitter.com/gwizz_theslayer
https://www.tiktok.com/@gwizztheslayer

Bookings/collaborations/enquiries contact: gwizztheslayer@gmail.com

Follow HellRaizer:
https://www.facebook.com/hellraizer0322

Demons Don't Sleep

Metamorphosis

Kapers by bioniX19

Uses sampled voice clips from a few places:

- 1983 film Videodrome (mostly voice clips, but a few sounds too)

- Homer from The Simpsons

- An answering machine message from Hunter S. Thompson ( specifically the beep from the answering machine and a few words. It's towards the begining and goes like:


[beeps]

"Dio
I uh yeah
[beeps]
Dio
Uh
Audio video)


----‐-------


The "lyrics" appear in the following order:

"Civic TV: The one you take to bed with you" - Videodrome

[beeps]

"O...
I uh yeah"
[beeps]
"O...
Uh Audio / video" - Hunter S. Thompson

"The television screen...
Has become the retina of the minds eye.
The television screen...
has become the retina of the minds eye.
That's why I refuse to appear on television...
except on television." - Videodrome

"Soon all of us will have special names.
Names designed to cause the cathode ray tube to resonate." - Videodrome

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"Teacher!
Mother!
Secret...
lover..." - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

"TELEVISION!" - Homer Simpson

[Beeps]

Nemesis (Hypothetical Death Star)

This is probably older than any if the other Dead Chemist material I've shared on SoundCloud so far. There are no words / lyrics. I don't believe there was any outside sampling beyond native tools within the DAW I was using.

A few notes that I believe are relevant to the creation of "Half-Reaction"

• I recall exploring this experiment shortly after someone told be about a genre of music called Drone. I wasn't going for that kind of sound in particular. I was intrigued by the use of sustained sounds, notes, or tone clusters called drones.

• I'd also recently watched a documentary on the history of synthesizers. The different approaches to creating sound that had emerged as East Coast vs West Coast in some way in the US. East Coast being more like synth as piano or organ. West Coast being less... beholden to traditional means of interaction or composition. Eurorack modular synths were also an intriguing tool and approach brought up.

Half-Reaction

Another old experiment I'm digging up...

It doesn't have lyrics in the traditional sense. It samples words from informational / educational videos surrounding the duck and cover civil defense measures. There was some degree of intentional distortion added as well.

A few other sounds were sampled beyond words:

- alarms / sirens
- explosions

The "lyrics" appear in the following order:

"Remember what to do friends?
Now tell me right out loud
What are you supposed to do when you see the flash?"

"Duck & cover"

"Repeat: The United States is under nuclear attack. Take shelter immediately in your area fallout shelter."

"Duck.
Cover..."

"If they're dropping an atomic bomb
It may go off any second now
Whatever happens,
I'll give the signal when it's alright to get out"

"Duck.
Cover..."

"Duck.
Cover..."

"Five
Four
Three
Two
One"
*EXPLOSION SOUNDS*

"Duck.
Cover...
Duck & cover"

"The blast shock passes in a matter of seconds
And the heat and blast effects
You can see and feel
You cannot sense the presence of nuclear radiation effects"

"Duck.
Cover...
Duck & cover
Duck.
Cover...
Duck & cover
Duck.
Cover...
Duck & cover"

"Duck"

"Cover'

"Take cover immediately in your area fallout shelter"

"Cover"

"Take cover immediately in your area fallout shelter."

"Duck"

"Take cover immediately in your area fallout shelter."

"Cover"

"Duck"

"Duck & cover"

"Duck.
Cover..."

"Nothing to do now but wait for orders from authorities and relax"

"Duck"

"Cover"

"Duck.
Cover...
Duck & cover
Duck
Cover...
Duck & cover"

"Nothing to do now but wait for orders from authorities and relax"

Bomb Pop

Quantum Travel Feat Ash-K47

Loc-nar does not have lyrics in the traditional sense. The words are sampled from the 1981 animated film Heavy Metal.

There are a few tiny sounds here and there sampled a bit too, but sparingly so. The cheers toward the end of the track are a notable example.

The "lyrics" for Loc-Nar appear in the following order:

"I have chosen you
because you are the future who could destroy me.
With your death...
I break the chain."

"My power infests all time...
All galaxies...
All dimension."

"Even in death...
My powers continue."

"Look again.
Look deep into me...
In some worlds
I am worshiped as God"

"Death!
"Death to all who oppose!"

Loc-Nar

Ðecay has no lyrics in the traditional sense. It samples a few lines of dialogue from the character Hannibal Lecter from the NBC TV series Hannibal. It also samples a lion.

The samples appear in the following order:

"The lion is not in the room"

"The lion is not in the room"

"You have to convince yourself the lion is not in the room"

"The lion is not in the room"

"The lion is not in the room"

'When it is, I assure you:
You will know"

Ðecay

Another experiment without "lyrics" in the traditional sense. The words are sampled from the 1989 film adaptation of Shakespeare's Henry V, specifically portions of the St. Crispin's Day speech as performed by Kenneth Branagh. The words appear in the following order:

"Old men forget"

"For he to-day that sheds his blood with me
Shall be my brother; be he ne’er so vile,
This day shall gentle his condition"

"He that outlives this day, and comes safe home"

"He that shall see this day, and live old age,"

"And gentlemen now a-bed
Shall think themselves accursed they were not here,"

"Then will he strip his sleeve and show his scars.
And say ‘These wounds I had"

"From this day to the ending of the world,"

"We few"

"We happy few"

"We few"

"We happy few"

"We few"

"We happy few"

"We few"

"We happy few"

Accursed (They Were Not Here)

OPEN TO COLLABS, HMU ON IG @gwizztheslayer

G-Wizz, The Slayer (born Cameron AR Stander) is a maverick in the South African music scene, fearlessly fusing Punk Rap, Emo Rap, and Hardcore Hip-Hop into a powerful sonic concoction. Hailing from the picturesque town of Knysna, his music pulses with raw energy and emotional intensity, painting vivid narratives drawn from his own life and the world around him. Inspired by the rebellious spirits of Tyler The Creator, Lil Wayne, Eminem, and Kanye West, G-Wizz began his musical odyssey in 2007-08, laying down his first tracks as a teenager and crafting a sound that's unmistakably his own.

G-Wizz’s lyrics are a cathartic journey through themes of depression, resilience, and self-discovery, striking a chord with fans who have walked similar paths. His DIY approach to music production, often creating his beats with FL Studio, showcases his dedication to authenticity and artistic control. Each track is a reflection of his personal experiences, resonating deeply with his audience and earning him accolades for his relatable and introspective songwriting.

But G-Wizz isn't just about the music—he’s a beacon of awareness, using his platform to shed light on pressing societal issues. His songs transcend mere entertainment; they are rallying cries for change and sources of inspiration for many. With an ever-growing fanbase and an unyielding commitment to his craft, G-Wizz, The Slayer, is a formidable force in the music industry.

His brainchild, Dreams Of Colour Records, stands as a testament to his entrepreneurial spirit and his relentless pursuit of creative freedom. G-Wizz's music is not just an auditory experience; it's a manifesto of his artistic vision, delivered with unfiltered passion and intensity

Follow G-Wizz, The Slayer (@gwizztheslayer) on:
www.instagram.com/gwizztheslayer
www.facebook.com/gwizztheslayer
www.twitter.com/gwizz_theslayer
www.tiktok.com/@gwizztheslayer

Bookings/collaborations/enquiries contact: gwizztheslayer@gmail.com

NEXT STOP: 

- 26 Avril  #RougeGorge / Avignon
- 27 Avril #Private Party / Flassan
- 3 Mai  #RougeGorge / Avignon
- 8 Mai  #RougeGorge / Avignon
- 11 Mai #Private Party /CDP
- 06 Juin  #RougeGorge / Avignon
- 07 Juin  #RougeGorge / Avignon
- 14 Juin #Radio Zinzine / Aix en Provence
- 21 Juin  #RougeGorge / Avignon
- 22 Juin  #Private Party / Avignon
- 20 Juillet  #Private Party / Montelimar
- 01 Août #Kabarouf / Avignon
- 02 Août  #RougeGorge / Avignon
- 09 Août  #RougeGorge / Avignon
- 28 Août  #Wake Park / Le Pontet
- 28 Septembre  #Private Party / Villeneuve les Avignon
- 12 Octobre  #ALK / Dions
- 19 Octobre  #DT System / Bellegarde
- 28 Décembre #Electro-Love#4 / Roaix


Biographie: 
Amoureux de la musique, passionnée par la technique 

❇️ Dj/Producer ❇️
📧 Booking: unitedmusic.info@gmail.com
📱 linktr.ee/chemist_of_techno
⭐ Facebook: https://urlz.fr/jHMi
👾 Instagram : chemist_of_techno

Thanks for dropping in :) – Musical Reflections

Music is more than sound—it’s my lifeblood, my compass, my constant evolution. Today, my energy flows through the hypnotic pulses of techno and house, but the foundation was laid deep in the 90s, a golden age of hip-hop steeped in California's rich cultural mosaic. What fuels it all? Community. Whether you're an artist, an explorer, or simply driven by curiosity, you're welcome here. Passion is the only credential. If you're ready to dig in, let's journey together.

In the vibrant heart of West Alameda, California, amid the buzz of Buena Vista, a young Latino named Jess Pulgarian—nicknamed “Breeze” by his crew—grew up tuned to the rhythms of his surroundings. The streets sang in acid techno beats, hyphy hip-hop anthems, and whispers from the underground. They didn’t just play music—they became music.

Jess didn’t chase music. Music chose him. He remixed his environment, turning salvaged electronics into beat machines, blending hip-hop storytelling with futuristic synths until he birthed a sound that was utterly original. This love for tech and tunes fused into cyberpunk hip-hop—a collision of urban grit and sci-fi sonics.

Through tough times and long nights, he stayed locked in. Odd jobs, scraped savings, and a second-hand laptop kicked off what would become an underground rise. As “Glazzes,” he electrified late-night sets in raw club spaces, spreading his sound across SoundCloud and TikTok. His tracks hit with rawness and finesse—and listeners took note.

But fame brought new trials: the need to evolve, the dance between creativity and industry pressure. Jess never wavered. Change was a catalyst, not a compromise. Through collaboration and fearless experimentation, he kept building.

Now known as “Bionix,” Jess continues to redefine boundaries. He’s built a career rooted in sonic innovation and community impact—supporting his family, uplifting others, and refining the beat every step of the way. His next goal? Launch workshops in Alameda that pass on his journey to rising creatives.

Before you bounce, a little reminder: life’s rhythm is bold. Embrace range. Stretch your sound. Whether making music or making moves, let creativity be your compass.

I appreciate everyone who likes my music and listens, thank you for listening dont forget to follow the dopetok klick , fridays I produce so be on the look out , please reach out to me if theres any requests ill try to reach out as soon as possible , for the love of music.....

New tracks tagged #CHEMIST