Music from the Original Motion Picture Soundtrack - Rubber Room

Fanning the Flames

初めて音ゲーに提供した楽曲です、ぜひお聴きを！

Cl0ck is Never End.(old ver.)

人生初音ゲー曲、リメイク版です！

Cl0ck is Never End.（Remake ver.）

As clock mechanisms tick, a certain rhythm arises.

I aimed for a more mysterious style of song this time, with a focus on percussion and SFX. This track sounds a little more video game-y, likely due in part to the very strange sample choice. Also wanted to end things on a major chord this time so it ends happy :)

Instrument Links:
https://onlinesequencer.net/ (Electronic Drum Kit)
https://github.com/sfzinstruments/GTow…rchSamplingProject/
https://modarchive.org/forums/index.php?topic=2406.0 (Requires a torrenting client)
https://www.youtube.com/watch?v=AGjxfx8sy6s&t=207s (Vibrephone)
Ones I can't link directly:
Bells - SGM SoundFont
Buzzing Synth - Mains Hum from Mic
Clock Ticking - Random Stock Sound
Metal Hit - FL Studio default SFX
Riser - My Breath

Inside the Big Clock

Charlie'z Golden Ticket [OFFICIAL]

I had this concept for a song saved for a while, but I finally decided to finish it. I didntn't  put on youtube yet since i am to lazy to make a video for it.

Fake Seconds

11L-clock_ticking_sound

For the ULC (Undertale: Last Corridor) ARG. Not by me. 

Made by XXXXXXXXXXXXXXXX

https://helphelphelphelphelphelp.carrd.co/

FATE (ALT)

Music for a late-game stage in an imaginary spaceflight shmup videogame. Imagine flying through space but it's actually under the down ground. Woah! Where did all of this space come from? Oh, big snakes ate all of the dirt to build their ultimate weapon, and now total planetary implosion is imminent. The snakes have never been lower.

btw yes i know the word is Airspace, but it's my fantasy setting and i get to pick the better sounding word 


Digital Apiary

Aerospace Beneath the Crust of the Collapsing Planet

Clock It

Icky Sticky Paper Factory

From the concept album “Art Official” - “Ghost Road” explores death not as an end, but as a sacred migration—each verse a step further away from ego, from identity, from noise.

Ghost Road

【This beat is free for NON-PROFITABLE USES ONLY, and i must be credited in the title. You don't have the rights to copyright my work and monetize it for your benefit under any circumstances. Purchase a lease or exclusive rights by contacting me via email, or instagram.】

────────────────────────────────────
✦ 👥 Production by Flexxed

✦ 💰 Purchase the beat via contacting me by email or socials

✦ 📬 Email: prodbyflexxed@gmail.com
────────────────────────────────────

Buy / Lease

[FREE] Supertrap x Trap Type Beat "CLOCK" (prod. Flexxed)

A relentless ticking pulse unfolds into dark, layered arpeggios, echoing the eerie mechanics of a broken clock. Time effort ~2-3 hours.

The Clock

Artist link:
https://soundcloud.com/croc62009

LynxCrab - Clockhead

Hardcoreと重低音とピアノが大好きなへんてここんぽーざー。

•📧 Contact: neyoooo36@gmail.com
•💸 Support: paypal.me/neyoooo36
•📸 Instagram: _.neyoooo
•🌴 linktr.ee/neyoooo

Make Electronica Great Again
Independent Artist

neyoooo hailing from Poznan, Poland, is an artist whose musical journey is defined by his quest for originality and creativity. Unlike many artists who draw from specific influences, neyoooo doesn't limit himself to inspirations from established icons. Instead, he embarks on a continuous journey of self-discovery, experimenting with new sounds and collaborations. His music is rooted in the Drill genre, yet he deftly blends it with the strong, pulsating beats of electronic music, creating a powerful hybrid that is unmistakably his own. This fearless approach to music-making allows neyoooo to switch styles effortlessly, refusing to be confined to a single genre.

🔥We cooking in the furnace🔥

SUBMISSION ON DISCORD SERVER!!!
https://discord.gg/C4MzhbmNWv

Owner:
Sosomra: https://soundcloud.com/sosomra

A&R's
Kuu: https://soundcloud.com/kuudes
Heshamstep: https://soundcloud.com/heshamstep

Cover artist:
CHXD: https://soundcloud.com/chxdbeats

Members:
BLINDFOLD: https://soundcloud.com/blindfoldtunes
LCM: https://soundcloud.com/lcm-promotions
PorterSteele: https://soundcloud.com/portersteelemusic
T43 1nkn0wn: https://soundcloud.com/t431nkn0wn
Tonixity: https://soundcloud.com/tonixity_chunes
LURID: https://soundcloud.com/luriid
Byakugan: https://soundcloud.com/byakuganmusic
VOOL: https://soundcloud.com/souls-animator
Dredorum: https://soundcloud.com/darkdredorum
VanderHell: https://soundcloud.com/im-at-your-moms-house-lol
C0D3: https://soundcloud.com/codedubstep
DatSnowyPenguin: (no account :c)
Lieselotte: https://soundcloud.com/lieselottedubz
lateeyes: https://soundcloud.com/lateeyes
DEEPAW: https://soundcloud.com/fuckdeepaw
AstralDivinity: https://soundcloud.com/voidtexmusic
ERSH: https://soundcloud.com/theershproject
Antifreak: https://soundcloud.com/antifreakdubste
Demonic Pressure / Grim_Reapaah: https://soundcloud.com/lilithtolu
Nortz: https://soundcloud.com/nortzobaken
Kowai: https://soundcloud.com/officialkowai
BangTymek: https://soundcloud.com/bangtymek_the_riddim_cat
FrxstFxre: https://soundcloud.com/officialfrxstfxre
constanta br dubz / stancia: https://soundcloud.com/constdubz
TurboDrive: https://soundcloud.com/turbo20000
GANII: https://soundcloud.com/ganiidubz
Distorted Vortex: https://soundcloud.com/dv-official
TOEHOE: https://soundcloud.com/itoehoe
ashton.: https://soundcloud.com/trackbyashton
Lotus / lotos.: https://soundcloud.com/spawn_dubstep
Quantum Path: https://soundcloud.com/quantum-path
CHXNDLR: https://soundcloud.com/chxndlrbeats
REIREIM3: https://soundcloud.com/reireim3
Project Edge: https://soundcloud.com/projectedge
victormuniz: https://soundcloud.com/victormuniz-2
HaloSPAM Music: https://soundcloud.com/halo-bambi-spam-new
INFXNITY: https://soundcloud.com/infxnitymusic
SKVARTY: https://soundcloud.com/skvarty
GeneralLucas: https://soundcloud.com/generallucas
Potato KingX: https://soundcloud.com/pk_x
LynxCrab: https://soundcloud.com/croc62009

I consider myself a man of the people.

The people being myself.

 cough cough.

I'm always trying to get better, but all the music I make is for me, to make myself happy, unless said otherwise.

profile picture by me.

FRIEND LIST
@darealhktuber
@unfunnyguy
@fungalfella

I make games and music but I usually procrastinate.

Slavez is a raw, unflinching music project created by writer and producer DC Farley—a sonic rebellion against modern conformity, consumer control, and psychological chains. Blending industrial grit, ambient unease, and lyrical introspection.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

IG: iamtrindadream
Music available on Spotify, Apple Music,Tidal,iheart Radio,Pandora...

My fans I appreciate your support and love. I do this because this is who  I am. I hope what I do you feel and to those I can help you get your music heard groups I’m good where I’m at with my people don’t bother sending a message I won’t respond!

really just still in my undertale arc (for wayy too long)
Professional Reuploader
(also check out my playlists they're peak)

New tracks tagged #CLOCK