FUCK YOU MAGA TRUMP JUSTICES YOU MOTHER FUCKING COCKSUCKERS. 
This music is for a standard woodwind quintet with a few extra voices in sections for additional effect. Probably around 10 players in total. Microtones are modally placed quartertones. Composed originally as the winds section for Milko, for large chamber ensemble, and rearranged and sped up. Imagine mice performing on meth.

MAGA JUSTICES DESTROY DEMOCRACY AND FREEDOM

Visit us at: https://certpot.com/certifications/

(CompHand) Complaint Handling Certification Exam

Certificate in Complaint Handling Certification Exam

(cch2019) Complaint Handling 2019 Certification Exam

Ali et son Avis sur Booking.com" est une chanson humoristique qui raconte l'expérience d'un client fictif, Ali, qui laisse un commentaire trompeur sur une réservation annulée à l'Auberge PVT. La chanson met en lumière les revendications exagérées d'Ali et sa demande de remboursement pour une nuit où il n'a jamais séjourné. Avec des paroles satiriques et une mélodie entraînante, cette chanson vise à dénoncer les avis injustes et à rappeler l'importance de l'honnêteté dans les évaluations en ligne

Ali et son Avis sur booking.com

Ali et son Avis sur Booking.com

Ali Et Son Avis Sur Booking.Com

Chartered Banker Institute in Complaint Handling Certification Exam

take that risk fuck what they say
you a bitch fuck what you claim
heard he dissin this his last day
get the bread fuck all the hate
get that bag fuck whoever hating
got people saying that i wont make it
hurts to see that you're changing
need to go up, losing patience

look in the mirror
wan change my appearance
tired of your shit
don’t wanna hear it
it’s bullshit
i can see through you clearly
they see the numbers
now they wanna be us
call me if needed
you know imma be up
send me a text
you know that i’ll be there

who can i really trust
nobody
ain’t never need shit from anybody
ain’t never need no fucking handout
broke bums got they hands out
they dissing us cause they fanned out
ain’t tryna fit in im tryn stand out
i never fit in anyway

anywhere

spotify

handout (zachcs, imago meri)

James Townsend
Series: Return to the Lord
Malachi 2:17-3:5
St John's Downshire Hill - Sunday 29th September 2024 - 6:00pm

Where Is The God Of Justice? - Malachi 2:17 - 3:5

Torah Studies 5785
Class 11: Parshat Shemot
The Ideal Jew
Hint: It’s Not a Rabbi
With Rabbi Ari Sollish
Recorded live at The Torah Center ATL on Tuesday, January 14, 2025

Scholars and clergy are great, but they’re not the ideal Jew. What is the ultimate goal for all of us? The story of two defiant midwives in ancient Egypt and their Divine reward offers a profound clue.

Torah Studies 5785 - 11 - Shemot: The Ideal Jew | Rabbi Ari Sollish

Torah Studies 5785
Class 12: Parshat Va'eira
How Big Questions Bring Us Closer to G-d
Reframing Doubt as a Pathway to Spiritual Growth
With Rabbi Ari Sollish
Recorded live at The Torah Center ATL on Tuesday, January 21, 2025

Can doubts strengthen belief? This class redefines the role of difficult questions in Judaism, showing how challenges can deepen our understanding and connection to Torah.

Torah Studies 5785 - 12 - Va'eira: How Big Questions Bring Us Closer to G-d | Rabbi Ari Sollish

I can't sleep and this is how I feel this morning.

Supplication of the Damned

An old man complains about music these days, in a manner that slowly reveals just how unreliable his memory is

License/Purchase

Too Damn Loud

so excited this one is finally out!! <3

FREE DOWNLOAD: https://laylo.com/cyclops/t5Ak4Wi4

EYE SPY EP

NOISE COMPLAINT

FREE DOWNLOAD 👁️

BOOGIE T & CYCLOPS - NOISE COMPLAINT

Overall theme, a complaint submitted to HR in a porn company.

--

🎤 [Verse 1 – Male Rapper: “Professional Stroke”]

Yo,
They called me in, said I crossed a line,
But I signed the waiver, I read every line!
They said, “It’s work, not pleasure, don’t mix the two.”
But I was literally cast to mix with two!

I showed up clean, robe and all,
Scene called “Pool Boy Bangs ’em in the Hall.”
HR’s like, “Sir, we need to chat…”
I’m like, “Was it the hat? I thought it matched the mat!”

Consent forms signed, I kept it polite,
She moaned, “Harder!” — I said, “Just right?”
Now you tellin’ me I went too far?
I thought the plot was ‘Naughty at the HR’!

⸻

🎙️ [Verse 2 – Female Rapper: “Not That Kind of Scene”]

Look—
I’m a pro, I’m seasoned, I do the job,
But I don’t consent to a backstage slob.
We wrapped the take, director yelled “Cut!”
Then this fool stayed in character—with his junk still up!

He said, “Great scene! Wanna debrief?”
While strokin’ lotion like a fresh roast beef.
Nah, fam. When we say action, it’s framed and clear,
But off-camera hands? Nah, disappear.

It ain’t a kink if I ain’t signed on,
It’s extra gross when the cameras gone.
So take your ‘method acting’ and put it to rest—
You ain’t Brando, boo, just underdressed.

⸻

🎙️ [Verse 3 – Male Rapper: “HR Got Me Bent”]

Hold up—
I stayed on script, didn’t improv much,
Just a lil’ ad-lib when we bumped and touched.
You said “slap it,” I did! That’s the cue!
Now I’m in a suit, talkin’ shame with you?!

HR got forms like, “Describe the thrust.”
With a diagram and a timeline—bruh, what?!
I said, “We filmed that on Tuesday morn.”
They said, “It’s Wednesday, and now she’s torn.”

She said I lingered? Naw, I’m just slow to zip,
I didn’t know she was done—I thought it was after-clip!
Next time I’ll bow and leave with grace,
Instead of stayin’ around for that “bonus face.”

⸻

🎙️ [Verse 4 – Female Rapper: “Read the Room… and the Contract”]

Listen—
You ain’t slick ‘cause you got stage names,
You crossin’ lines like it’s sexy games.
But off set is sacred, that’s how we live,
And you mistook a moan for a life to give.

Just ‘cause I scream “daddy” don’t mean you’re mine,
That’s the gig, not a Valentine.
A role is a role, a soul ain’t sold,
And if I say “wrap,” that ain’t code for “hold.”

You ain’t bad, just bad at readin’ tone,
Next time, brother, leave your script alone.
And HR? Fix them policy gaps—
“Thou shall not grope between the claps.”

⸻

🎙️ [Bridge – Both Rappers: HR Training Manual Interlude]

(Male):
“Chapter 3: When Lube is Work-Approved.”
(Female):
“Appendix B: When ‘Smack’ is Sued.”
(Both):
Blurred lines, tight scripts, and tighter rope—
But when the scene ends, you don’t get to grope.

⸻

🎙️ [Outro Hook – Together]

🎵
It’s a wild job, but the rules still stand,
Just ‘cause it’s sexy, don’t mean hands are unplanned.
When the camera’s off and the lights go down,
Respect is king — even in PornTown. 🎵

Lines Were Crossed (But Which Ones?)

Lyrics:
You know my heavenly bride
You know i'll look for you
Through the storms and the sea 
And even if death may be

Where are you my very heart
My ever shinng star
You know i look for you
and I know that you wait for me

Malorne protect this sailor 
Lead him to the one he loves
For i know your gift true 
and i know that mine is too

And may the mother disagree
Then i'm heathen as heathen can be
You know my vow i keep
And never broken it shall be

I carved it in a Willow tree
Ever blossoming y'see
As beautiful as you
And one day i'll be with you x2



Oh the rose is gone
oh the rose is gone
if I can't have my only one
Then let this world begone
And we did no wrong
as the one who once stood strong
they called you malorn
king of sea and shores, king of the sea and shores
oh willow roses gone
Pestilence in his song
Dead roses cover the burial grounds
and the tide has made us one


where do you go, where do you go
Where do head to my dear when the sun is gone
I am featherless for you, lifeless without you
Ellen come back to me
 Ellen don't leave me be
I am always yours
even when the rains drowns me



Me vern dél
me vérende mah
Ellen si vetar da
Brek ski va tla anna

Chants of love, salt and pestilence

ig cwtak
https://soundcloud.com/plague_civitas

The Torah Center ATL takes pride in offering innovative, inclusive, and impactful educational programs to all. People from a diverse spectrum of life find the Center to be a warm and non-judgmental community in which to experience the richness and authenticity of Jewish learning and heritage. 
~
Support our work!
http://thetorahcenteratl.org/donate

Creative music producer.

Music, quirky, inspired, enjoy!

Mostly radio friendly & TV friendly tracks.  HD quality.  No swear words.

If you’re messaging me, tell me which song you liked.  It’s hard to know who is copying & pasting, and possibly a bot.

#snafflesmusic

(Private) (@) (private) (.) com

Born Woolfinius Jackson Whürl to two itinerate circus gymnasts, Woolfin would grow tired of the performance life and would go on to seek quieter pastures as a painter and later a writer.

Like, follow, comment, share. There's more coming. Always.

See phrases.pub for lyrics, licensing, and a full, searchable catalog.

Phrases and Phases Publishing is a one-man label, archive, and reality-refraction field. Founded by J. Adam Walters - lawyer-turned lyricist, satirist, and architectural dropout from polite society - it's the home for songs that shouldn't exist, poems that go to far, and fictional universes with better paperwork than the Library of Congress. 

From folk elegies to parody rap to theocratic cartoon trauma epics, everything here is written by a human who uses AI as a collaborator and instrument rather than an outsourced brain, and finished only when it reaches a space where laughing hurts, or hurting laughs.

https://allmylinks.com/willhelmconrad,
I am a multimedia storyteller. I blend visuals, music, voice overs, and writing in order to make immersive stories.

An Anglican evangelical church close to Hampstead Heath. Living for Jesus, sharing his good news.

i have two eyes sorry 

MGMT
andrew@distortedmgmt.com

BOOKINGS (NA)
max.freeman@unitedtalent.com

BOOKINGS (ASIA)
david.gordoni@unitedtalent.com

To all concerned: 
I am announcing publication of my new book, NOW AVAILABLE:
https://www.routledge.com/Maqam-Melodies-Pitches-Patterns-and-Developments-of-Music-in-the-Middle-East-and-other-Microtonal-Writings/Thoegersen/p/book/9789815129052
My book, Polytempic Polymicrotonal Music, is available on Amazon. 
https://www.routledge.com/Polytempic-Polymicrotonal-Music-The-Road-Less-Traveled/Thoegersen/p/book/9789814968294

I have a new album out through Magic&Unique Group Records on Spotify and other digital streaming platforms:
https://open.spotify.com/album/5qWHmcvyAemvVn2TJH1bio?si=OD5TmPptQ-ypr8WOI0EZKA&nd=1

https://whitecentipedenoise.com/products/peter-thoegersen-facebook-cantos-cdr-flea
My CD via Flea label has been out since April, 2021, featuring the wonderful Lore Lixenberg singing over my microtonal piano accompaniment
Hope you enjoy it!

https://www.newworldrecords.org/collections/vendors?q=Peter%20Thoegersen

From the liner notes on my CD now available on AMAZON and New World Records:
"The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic Polymicrotonal Music." That means he has musical layers simultaneously moving in different tempos, plus, even more radically, that he has different microtonal scales playing at the same time. Few composers have aimed at such fervent and heterogeneous multidimensionality. And yet, while Thoegersen's music can seem overwhelming at first, running through it is a level of charm and simplicity that belies the initial impression.

In total, these three pieces emphasize a particular side of Thoegersen's output. The image his music creates of ornately mathematical structures filled with intuitively friendly melodies maps on to the personality of the man himself: outspoken and acerbically ruthless in his musical opinions, Thoegersen is also marked by a jolly sense of humor and an inexhaustible love of cats and other animals that make him ultimately less imposing and more personable than he might seem at first. The same can be said for his music. And by going further than anyone else has gone in terms of this particularly American concept of fusing the polytempic with the polymicrotonal - extending and combining the conceptual worlds of Ives, Cowell, Nancarrow, Partch, Carter, even Frank Zappa and many others - he has created a special place for himself within American music."                                                             

-Kyle Gann (from the liner notes)

New tracks tagged #COMPLAINT