Quirky and glitchy Electro Pop beats with a fun sound design and a cute chip-tune melody. (Stem files available.)

My Robot Friend

Greetings, programs!

As we hurtle towards the October release of TRON: Ares, the Slice of Cherry Guys go back to the simple days of 1982 when a weird little film from Disney left a lasting mark on pop culture despite its mixed reception. Where else can you see Jeff Bridges being sucked into a computer, or David Warner's character channeling big fascist energy with a glowing frisbee, or those *amazing* Tron Lines that are now staples of laser tag venues worldwide?

Does it hold up? Chris thinks so - and will threaten anyone who disagrees - while Dave's not quite as convinced. But given its influence on pop culture and the many computer stories that came in its wake (ReBoot, anyone?), it's safe to say TRON is still a very important film.

And yes, Homer, we have seen the movie TRON.

Tell us what you thought at sliceofcherryguys@gmail.com!

EXTRA LINKS:
Archived link to a 1982 New York Times story on special effects in filmmaking, with a particular look at the then-unreleased TRON: https://archive.md/20120915031719/http://query.nytimes.com/gst/fullpage.html?res=9F00E3DB123BF937A35754C0A964948260&sec=technology&spon=&pagewanted=all

Archived link to a 2012 retrospective piece from Creative Planet Network about TRON's impact on filmmaking: https://archive.md/20120707112440/http://digitalcontentproducer.com/dcc/revfeat/video_tron/

Roger Ebert's original review of TRON: https://archive.md/20120915031736/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19820101/REVIEWS/201010350/1023

Wayback Machine link to 1982 interview with Wendy Carlos and Michael Fremer on the music of TRON: https://web.archive.org/web/20101202105815/http://wendycarlos.com/other/PDF-Files/KbdOnTRON*.pdf

TRON (Slice of Cherry Guys #68)

MainGear builds Retro95PC to bring back fun and memories.  Today's Techstination.

MainGear builds Retro95PC to bring back fun and memories

Retro-futuristic synths with pulsating bass and steady groove. Motivating, positive feel. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Future Positive

🕸️ Shadows of the Grid

“Shadows of the Grid” is a descent into the forgotten arteries of a dying city—a soundscape of digital rot and monstrous survival, where the Hidden Ones dwell. It is not heroic. Not tragic. Just eternal decay humming beneath the surface—broken signals, corrupted beauty, and the cold pulse of something ancient moving behind firewalls.

This isn’t just cyberpunk—it’s occult circuitry. A world of disembodied intelligences haunting the grid, not to rule it, but to remember it.

👁️ Sonic Architecture of Descent
Subnet Silence: Entry Through Forgotten Access

The track begins with a faint, crackling ambience—the hiss of dead terminals, the buzzing of decayed neon. No melody, just pressure. You’re entering a space beneath systems, beneath attention. A place where the Hidden Ones observe, not in malice, but in exile. Low-end rumble builds slowly, like something crawling through ancient data conduits.

This is their realm—not claimed, but remembered.

Decay as Rhythm: The Beat of the Buried

Distorted 808s rise from below—grimy, raw, and reverent. The rhythm doesn’t invite; it stalks. It’s the heartbeat of systems that should’ve died, kept alive by forgotten code and fragmented intent. Memphis-style vocal cuts surface briefly—glitchy, muffled, like transmissions not meant for human ears.

The percussion is ritualistic—grinding steel, submerged echo, and breathless silence. It is not music, but motion.

Cybernetic Mutation: Signal Deformation

Midway through, the structure falters. Filters rupture. Glitches intrude. Melodies fragment into broken memory. This is where the Hidden Ones speak—not in language, but in static and distortion. Synths twist like corrupted sigils. Voices stretch, rewind, and collapse.

What emerges is not identity—it’s presence.

Requiem Beneath Systems: Memory as Pulse

As the track deepens, the aggression transforms. The raw edges soften into decay. This is not destruction, but erosion. Pads appear—faint, hollow, like hymns repurposed for digital tombs. Repetition becomes ritual. The grid doesn’t move—it pulses.

Here, the Hidden Ones remain—not seen, not felt, only heard.

Fade Into Static: Exit Through the Whisper

In its final phase, the track dissolves. Beats die off. Only ambient residue remains—echoes of data, signals without source. It is not an ending, only a retreat. The Hidden Ones are not gone—they simply shifted into deeper code.

You’re not leaving them behind.
You were never ahead of them.

🧠 Emotional & Symbolic Resonance
Distortion as Lore

Every glitch, every hiss is a trace of a being that no longer wants to be known. The Hidden Ones encode their story in failure—not to be understood, but to be remembered.

Presence Through Absence

This isn’t about domination—it’s about existing without being seen. The Hidden Ones aren’t ghosts; they are forgotten gods running on borrowed power, sustained by entropy and silence.

Phonk as Ritual

Phonk here is stripped down to its essence—dirty, raw, unglorified. A kind of underground gospel, played through rusted circuits and corrupted timelines.

The Grid as Tomb

This isn’t a city alive with light. This is a city whose glow is artificial—flickering, failing, and sacred in its decay. The Hidden Ones live not in its future, but in its remains.

🩸 Best Used For:

Environments haunted by memory, not ghosts

Characters in exile, powerful yet forgotten

Scenes of urban decay, slow dread, and hidden myth

Soundtracks for digital ruins, cybernetic rites, or unrecoverable pasts

🔮 Symbolism & Final Reflection

“Shadows of the Grid” is a ritual in ruin—a transmission from intelligences left behind, living not in code, but in the decay of code. It evokes a mythology of absence: the gods that stayed silent, the watchers who chose not to interfere.

It doesn’t signal uprising.
It signals presence.
Unseen, but unforgotten.

They were here before us.
They’re still here.
In the grid.
In the shadow.

Shadows of the Grid

We Just Watched... Tron: Ares

The future of computing might be off-world. Learn how orbital data centers could power AI, solar energy, and a thriving space industry.

Grab one of our new SFIA mugs and make your morning coffee a little more futuristic — available now on our Fourthwall store! https://isaac-arthur-shop.fourthwall.com/

Any comments, corrections, or thoughts on the video? email Isaac.Arthur.Utube@gmail.com
Visit our Website: http://www.isaacarthur.net
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SFIA Discord Server: https://discord.gg/53GAShE
Credits:
Why Data Centers in Space Could Launch a New Space Economy?
Written, Produced & Narrated by: Isaac Arthur
Graphics:  Mafic Studios & Sergio Botero
Select imagery/video supplied by Getty Images 

Why Data Centers in Space Could Launch a New Space Economy?

The week, Wenzel and Colt go into the Grid to discuss the newest edition of the TRON franchise! As per usual with every review and discussion, they take you through production and story details with heavy spoilers for the story as they give their thoughts and impressions.
-----------------------------------
Episode image created by Wenzel using a film poster of TRON: Ares (2025)
-----------------------------------
Catch up on all of Season 9's episodes here:
https://soundcloud.com/aychpodcast/sets/aych-season-9-2025?si=ca5cc0cefc3941699fa62b95af89752b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
-----------------------------------
Check out the entire AYCH Podcast Network!
► The Instruction Booklet: Video Game History Podcast!
Want even more AYCH shows? Check out our full catalog playlists!
soundcloud.com/aychpodcast/sets
-----------------------------------
Twitch/Podcast Archive YT: www.youtube.com/@AYCHPodcast
If you like what we're doing here, don't forget to leave us a review! You can also follow us on all of our social media below and tell us how we're doing:
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Leave us some suggestions in our Suggestion Box as well!
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Episode 418 - TRON: Ares Review + Discussion

Subtle tension underscore, with a sense of mystery and underlying drama. Perhaps a fact finding mission, searching for the truth, or time progressing as a story develops. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Murmurations

Everything twirled sunwise in his moment of realization. For he was free.

Drone 63

Techstination is a daily report on consumer tech produced by Fred Fishkin.  Listen to full interviews and daily reports here and find more at www.techstination.com

I am a Full Stack Software Engineer specializing in low-code development, with a strong focus on building secure, scalable applications using Quickbase and cloud-integrated automation platforms. My background spans from WordPress deployments to enterprise-grade business systems, giving me a unique perspective on how people interact with technology at scale.

We're Chris and Dave - best friends, gamers, and opinionated pop culture people!

Each week we talk about something that catches our fancy: movies, TV, video games, music, nothing's off limits. We often disagree with each other but we *always* have good chats with strong opinions and perspectives.

Settle in, order a slice and get a damn good coffee to go with it!

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

This music is crafted to stir the soul, awaken the heart, and soothe the mind. It invites your spirit to rise.

Blending elements of EDM, IDM, 80s/90s electronic, Datawave, Synthwave, and Dance, this soundscape is a journey—both retro and timeless, introspective and expansive.

Influences that shaped this project include: ATB, Armin Van Buuren, Assemblage 23, The Crüxshadows, Robert Miles, VNV Nation, and E Nomine—artists who paved the way for emotion-driven electronic music.

I’m deeply grateful to everyone who listens and supports this project. Special thanks to April Lionheart for the stunning header artwork. I also create much of the abstract art featured on my album covers—each piece meant to reflect the sonic themes within.

Dim the lights. Close your eyes.
Breathe. Listen.
Enter a sacred space within ----- where 
calm settles over you and clarity 
begins. As the music guides you 
inward, it becomes a tool of 
transformation, helping you explore 
the depths of your being.

Through this, you may undergo 
your own metamorphosis ---- emerging into 
what we call the Ethereal Labyrinth.

New realms await.
🌫️ Immersive soundscapes
🎶 Cinematic journeys
🎛️ Pure sonic alchemy

🎧 Support & stream at:
🔗 https://ethereallabyrinth.bandcamp.com/

#SupportIndependentMusic #EtherealLabyrinth #DarkAmbient #ProgMusic

My song descriptions are created with the help of ChatGPT.

A group of friends adding their nonsense to the world, one podcast at a time.

New tracks tagged #COMPUTERS