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📝 **Lyrics – “House Elf”**  
*(From the album "Insights from a Cowboy")*

[Verse 1]  
Woke up this morning to an empty chair,  
My boots were gone, my cupboard bare.  
The whiskey bottle, just a hollow shell,  
That house elf packed up and gave me hell.

[Prechorus]  
Left a note in my cowboy hat,  
Said, "I'm done, and I ain't coming back."

[Chorus]  
My house elf left me and took my dog,  
Ran off together through the morning fog.  
He’s got my hound and my favorite hat,  
Ain’t no spell to bring ‘em back.

[Verse 2]  
He stole my lasso and my Sunday vest,  
Guess freedom suited him the best.  
Took the biscuits I was saving for stew,  
Left me here with nothing but a bluesy moo.

[Bridge]  
I should’ve known when he started to hum,  
A tune about freedom and a big ol’ drum.  
Never trust a creature who folds your socks,  
Turns out he’s smarter than a wily old fox.

[Chorus]  
My house elf left me and took my dog,  
Ran off together through the morning fog.  
He’s got my hound and my favorite hat,  
Ain’t no spell to bring ‘em back.

My House Elf Left Me and Took My Dog

A sly, slide-driven Americana track about having it all—and still wanting something real. “San Diego Blues” skewers perfection with a smirk, blending blues grit and alt-country bite.

Written and Produced by Tom Gebell & Kenny Aaronson

Musicians:
Tom Gebell – Lead Vocals, Rhythm Guitar, Keyboards
Kenny Aaronson – Bass, Slide Guitar
Lightnin’ Joe Peterson – Harmonica
Dale Peterson – Piano

San Diego Blues

the last meal i ever had with my dad was fried chicken - inspired this song. please visit my bandcamp for downloads, cds & tshirts

Fried Chicken Blues

Musically inspired by the likes of Carl Perkins and Paul McCartney, this song tells the tale of a working musician resisting the temptation to settle down. Drums played by Dave Hill (Victoria BC band Easy Money, Undertow), and electric guitar played by the Country Music Gentleman himself, Ben Klick.

Before I Say I Do

"I Walk The Road To Nowhere" is a heartfelt country-folk ballad that tells the story of a man searching for light in the darkest of times. With raw acoustic guitar, haunting melodies, and deeply personal lyrics, the song paints a picture of walking a lonely road, torn between despair and hope. It’s both a prayer and a confession — a cry to God for guidance, strength, and redemption.

This track blends folk and country roots into something honest and soul-stirring — for anyone who’s ever felt lost, broken, and still dared to ask for help.

I Walk The Road To Nowhere

[Verse 1]
I walk the road to nowhere
No signs along the way
The wind blows around me
The rain comes again

[Verse 2]
I don’t even have a shadow
Because I don’t even have a light
All that surrounds me is the darkness
I’m so afraid of the night

[Chorus]
Give me light, my god
Show me the way, oh lord 
Help me to see
A better way
Give me light, my god
Hold my hand 
I'm tired and weary
I'm a lost and broken man 
I'm a lost and broken man 

[Verse 1]
You know  all my problems
You've seen all my tears
You've walked in my darkness
for all of these year  

[Verse 2]
I've taken the wrong road
Now I'm lost in the dark 
Please show me a light lord
I'm falling apart

[Chorus]
Give me light, my god
Show me the way, oh lord 
Help me to see
A better way
Give me light, my god
Hold my hand 
I'm tired and weary
I'm a lost and broken man 
I'm a lost and broken man 
A broken man

Dean R. Chandler 
02.09.2025

I Walk The Road To Nowhere

wishful thinking

Black Cat Tongue

Hoodoo Dust

Backroad Glow

She was rollin’ through town in her itty-bitty Mini,
Top down, hair loose, laugh sweet and pretty.
I pulled up high in my jacked-up ride,
Mud on the tires, country boy pride.

She had city lights, I had country miles,
Two worlds collidin’ in a reckless smile.
Her laugh was quick, my drawl was slow,
But fire lit up on that backroad glow.

Radio up, George Strait on the dial,
She sang every word with a wild-child smile.
Mini on blacktop, truck in the lane,
Two hearts racin’ like a midnight train.

She had city lights, I had country miles,
Two worlds collidin’ in a reckless smile.
Her laugh was quick, my drawl was slow,
But fire lit up on that backroad glow.

Love don’t care ’bout the car you drive,
It’s the spark that keeps the night alive.
She’s leather seats, I’m four-wheel drive,
Side by side, it just feels right.

She had city lights, I had country miles,
Two worlds collidin’ in a reckless smile.
Her laugh was quick, my drawl was slow,
But fire lit up on that backroad glow.

Backroad Glow | her itty-bitty Mini

Honesty front and center of a story we all live or hoped we did live

Someday

Written, produced, and performed by Luke Carter (AKA Sammi Dae)  
Vocals by Haystacks In The Sky (an AI artist band created by Luke Carter)  

Original Composition: © 2019 Luke Carter (Sammi Dae)
Original ISRC (2019): GBER71902057
New Sound Recording: ℗ 2025 DGG Productions Ltd 
New ISRC (2025): UKVGE4019103

Luke Carter (DGG Productions). Email: luke@dgfproductions.com. Phone: +44 7821 189857. Publishing & Master: 100% Controlled by DGG Productions

Artist: Sammi Dae feat. Haystacks In The Sky
Produced by: Luke Carter (Sammi Dae)
Written by: Luke Carter (Sammi Dae)
Performed by: Sammi Dae using AI vocals from Haystacks In The Sky, created and developed by Luke Carter
Label: DGG Productions Ltd
Genre: Edgy Southern Rock / Country-Blues Fusion / AI Vocal Crossover
Key: B Major | Tempo: 75 BPM
________________________________________
🚨 Where heartbreak hits the gas.

“Crazy Day (Crash & Rise)” is a road-burning anthem carved from the cracked pavement of modern Southern blues, New Orleans soul, and swagger-soaked indie rock. With ghosted guitars, vinyl crackle, and a chorus that bites, this track carries the attitude of country-funk but spins it through an indie lens—laid-back but lethal.

Anchored by a knockout performance from AI vocalist Tom B-Lyve, this version taps into the emotional weight of vulnerability wrapped in bravado. It's all slide, smoke, and sting—built for dusk drives and emotional detours.
________________________________________
🚘 The revolution rides shotgun.

Created by Luke Carter (Sammi Dae), Crazy Day (Crash & Rise) continues a fearless evolution in music performance. Now in his 50s, this veteran producer no longer chase industry spotlights—he’s built his own. By developing AI vocalists like Tom B-Lyve, Thea, Sacha Rome, and Vega Drive, Luke Carter has designed a future-forward platform where human songwriting meets non-human performance.

These AI voices aren’t just tools—they’re expressive, genre-spanning avatars for the soul of songs once performed by Carter himself. In Crash & Rise, Tom B-Lyve’s voice balances the grit of experience with the smoothness of a seasoned crooner, creating a moment that’s both cutting-edge and classic.
________________________________________
🎧 For fans of: Chris Stapleton • Black Pumas • The Arcs • Gary Clark Jr. • Ray LaMontagne
🖤 Mood: Gritty • Slow-Burning • Soulful Swagger
________________________________________
✨ AI Meets Emotion:
Part of Sammi Dae’s AI-fronted artist series, this track is reimagined through vocalists designed to embody everything from bold funk to brooding Americana. “Crazy Day (Crash & Rise)” brings a cinematic Southern edge to the roster—delivering AI performance with an unmistakably human ache.

Crazy Day (Crash & Rise)

Karl and Gail Hourigan love writing songs, and over the years they've penned songs that travel across different genres, but always with an ear tuned to melodies. https://linktr.ee/gailandkarl

They were thrilled to be invited to perform at a Bluebird North songwriters showcase in Vancouver, sharing the stage with Canadian legend Randy Bachman. The evening also featured performances by Amy Sky, Ralph Murphy, Johnny Douglas, Jeff Smallwood, Ron Irving, Ron Hynes, and Shari Ulrich.

"Up close, sharing a songwriters showcase, I found the songs stood out even more....the song structure and performance was right on the money." ...Randy Bachman

"... have accomplished a totally unique sound highlighted with sometimes offbeat and very clever lyrics blended in an acoustic/modern music milieu."...Greg Torrington

The release of their first independent CD, "Real, Real Gone" in 1996 resulted in regular airplay on CBC and college radio.  The song "To The Moon" won First place in the Write On Song Contest "Roots/Folk/Worldbeat" category.

That album was followed by another independent release, "Happy Enough", in 2001. 
Their albums and showcases resulted in critical acclaim. In 2007 they launched Canadian Celtic band, The Malarkeys, and released the album "Bloody Brilliant" in 2010. It has been well received:
"The album "Bloody Brilliant" is just that. Clever, unique and a great addition to RadioCelt",
Pat Fitzell, Station Programmer, RadioCelt (Accuradio) 

"The CD is awesome"...Highlander Radio

"...this one goes into my permanent collection"...Johnny Canuck, CanadianMusicians.com

"The CD would make a great addition to any Celtic music lover's collection. I'm happy to add it to mine."Catherine Tully, Celticmp3s.com 

Karl began writing songs before he could even play an instrument. His earliest influences were his parents' record collection, which included Johnny Cash, The Clancy Brothers, and the Chad Mitchell Trio. Then, of course, there were the Beatles, and his affinity with Brit pop has never waned. The combination of his natural inventiveness, a formal music education (classical and jazz), and many nights performing original songs to diverse audiences, has given him a keen understanding of what it takes to connect with an audience.

Gail started writing songs on piano, and later picked up the guitar. Lately, she has turned to performing on the bass guitar. Gail has years of experience performing her original music in bands in Victoria, Vancouver, and Kelowna (Hoi Polloi, The Slip, Helen Gone and now The Malarkeys). As a creative artist, she is always interested in exploring new ideas and seeing where they lead.  

New Helen Gone material is being recorded for 2012.

🐾 Two Beagles Studio – AI storytelling & honkytonk experiments

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

YT - https://youtube.com/@robertconnelyfarr
Bandcamp - https://robertconnelyfarr.bandcamp.com/ 

Robert Connely Farr grew up in the small southern town of Bolton, Mississippi, home of Charley Patton, Sam Chatmon, Bo Carter & Walter Vinson. He has been mentored in the Bentonia Style of the Delta Blues by Jimmy “Duck” Holmes since 2017. His 2019 release Dirty South Blues was met with widespread critical acclaim, including being named by KEXP’s Greg Vandy Top Albums of 2019 & earning Farr nominations at Canada's prestigious Maple Blues Awards for Songwriter of the Year & New Artist of the Year. He currently resides in Vancouver, BC but when he's home in Mississippi, he can be found at Jimmy "Duck" Holmes' historic juke joint - the Blue Front Cafe. 

delta blues / country blues / hill country / southern

“this isn’t Nashville bro country... this is soulful, lonesome what if Ol’ Hank we’re still alive Country Blues. Farr shares some of the best of the original Mississippi blues in a style that remains relevant today... he takes the lessons he’s learned & applies them to his original music without forgetting to honor the masters who came before him.”
American Blues Scene

"Farr... has a skill for blending the traditional w/ the modern world. He can conjure up both the brains & the brawn of Drive-By Truckers & the... spirit of masters such as Howlin’ Wolf or RL Burnside." 
Post To Wire

as heard on Reacher, Snowpiercer, Resident Alien 
dm for sync 

hear at #Bandcamp 
https://robertconnelyfarr.bandcamp.com 

robertconnelyfarr@gmail.com

#DeltaBlues #BentoniaBlues #CountryBlues #HillCountry #DirtySouthBlues #Mississippi #SouthernRock #DirtyBlues #HeavyBlues #music #love #songwriter #bluesmusic

For Sync and music licensing, contact Luke Carter at DGG Productions; luke@dggproductions.com (+44 7821 189857) 

Sammi Dae is the creative alias of Luke Carter, a UK-based songwriter, producer, and multi-instrumentalist who is rewriting the rulebook on music creation, performance, and presentation in the digital age.

At a time when the music industry is hyper-focused on youth, visuals, and algorithms, Carter—now in his 50s—is innovating from a place of deep experience and enduring passion. Every track released under the Sammi Dae name is wholly written, produced, and performed by Luke himself, then fronted by one of 13 custom-built AI vocalists. These AI artists are genre-specific digital personas—from the soulful to the cinematic, from dancefloor-ready to deeply emotional—each developed by Carter to give voice to songs that are entirely human in origin.

Hadley began composing music at the age of 12, blending curiosity with raw creativity at a time when songwriting tools were limited to pen, paper, and instinct. From those early beginnings, Hadley developed a lifelong knack for turning life’s moments—both big and small—into captivating tracks and songs that resonate across generations.

Explore the journey and hear the sound of experience at SMXmusic.io.

New tracks tagged #COUNTRYBLUES